New Mac Pro & PP CC 2014 "Not Responding" when exporting....

OK, this is a weird issue.
Short Version:
Project exports fine on PC
Premiere Pro CC 2014 stops responding on new Mac Pro just after clicking "Queue"
Premiere Pro CC 2014 renders the sequence fine when I click on "Export"
Details:
I have a week old 4 core, 12 Gig ram,  Mac Pro running OSX 10.9.4 with the latest CC 2014 installed 1 week ago.
I have a  sequence (the content) with Lumetri, Ultra Key, Track Matte and Lumetri (warm). This sequence is nested into an other sequence (holds the watermark titles and branding)
The project exports and renders fine on my 5 year old i7 pc.
However on my new MacPro every time I go to export that sequence by clicking on "Queue" AME CC 2014 starts and Premiere locks up. Activity monitor show Premiere as "Not Responding"
I force quit Premiere to exit.
I don't have this issue with other video projects. I have disabled OpenCL in Premiere and AME with no different outcome.
I can export the nested sequence by it self with out any issues. If I remove the nested sequence, the main sequence exports just fine.
I have also checked and repaired disk permissions - no difference.
However, If I click on "Export" in Premiere it starts to render and Premiere Pro does not lock up.
It looks like an issue with PP handing off to AME.
How can I troubleshoot this? I need to queue up 200+ videos to render in the next month....

That statement about 4k/5k in Premiere CC with the nMP is false, insofar as performance goes.
I just tested 5K Red raw files just dragged into Premiere Pro CC (latest version). I expected this to be slow, given my HD experience. However, on my 8 core/D700, I can play 1/2 just fine, full speed. And I even can also do that with a very streneous plugin/filter attached - FilmConvert (in OpenCL mode), also at 1/2 which is quite impressive. I can even add a bunch of other Premiere filters and SG looks and it still stays at full speed at 1/2.
Ironically, this is quite faster than FCPX which can't seem to play back 5K at all with that filter attached (it doesn't stutter, but it's not smooth... low resolution at "best performace" and reduced frame rate). Even if I remove all filters FCPX plays back Red 4k (again not transcoded) about the same as CC at 1/2, but with a seemingly lower resolution to keep it smooth.  It's a head scratcher. It's like Adobe's Red handling is much better coded than Apple's in this case.
Or... it has to be attrituable to that particular plugin (other FCPX motion-based plugins don't suffer the same fate and are fast). But either way, filter or no, Premiere Pro CC is definitely and sharper looking at 1/2 when cutting Red 4k/5k with no transcode, playback in real time, than FCPX which needs to bump it down to what looks like a 1/4 or less rez to keep it smooth. So I have no idea what is going on.
This experience is the opposite with HD, where FCPX is significantly faster (using the same filters/plugin, using C300 Canon XF for HD and 4 and 5K RedRaw alternatively).  Premiere seems slower in HD than FCPX by a good amount in HD and signficantly faster with Redraw 4k. Go figure.

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