New sequence from clip does not apply the Pro Res Compressor...

I wanted to test Premiere to see if it could handle Pro Res videos (which after some initial research, I read that it can). So to see for myself, I imported a Pro Res 422 video, right clicked the clip and selected "New Sequence From Clip"... But it does not seem to apply the Pro Res 422 compressor...
The video is originally HDV and I converted in Compressor to 422...
I know it may be pointless to convert HDV to Pro Res (not to mention that the HD clips weights 45 MB and the converted 205 MB, although in FCP the pro res is less taxing on the system as opposed to HDV, not sure if the same applies with Premiere)... But I will be receiving from pro res files soon, and I want to make sure they work properly in Premiere.
Thanks

Being a recent FCP devotee I will see if I can interpret what this person expected.
By dropping a Prores 422 clip on the Make Sequence button, I will hazard a guess that he expected to see a Prores 422 sequence created. In the FCP workflow that is the desire sequnce to play that clip in. What he is seeing in the second image (the sequence settings) is an AVCHD 1080 anamorphic sequence. And hes not sure why its not Prores.
Im sure once he reads the links Todd provided he will understand he is not in Appleland anymore and that there is a different workflow with PrP.
How did I do? ;-)

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We mainly do motion graphics and 3D animation, so I use Premiere Pro almost exclusively to edit together such pieces rendered out of After Effects using the Pro Res 4444 codec. As an FCP user, my instinct was that if I invoked creating a New Sequence from one of those clips Premiere would create a sequence that would match my Pro Res 4444 clip exactly. It doesn't. It matches the size and frame rate, but creates a sequence with the Editing mode set to ARRI Cinema, I-Frame Only MPEG Preview File Format, MPEG I-Frame codec, and my pristine ProRes 4444 ends up with a yellow render bar in the sequence.
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Being a recent FCP devotee I will see if I can interpret what this person expected.
By dropping a Prores 422 clip on the Make Sequence button, I will hazard a guess that he expected to see a Prores 422 sequence created. In the FCP workflow that is the desire sequnce to play that clip in. What he is seeing in the second image (the sequence settings) is an AVCHD 1080 anamorphic sequence. And hes not sure why its not Prores.
Im sure once he reads the links Todd provided he will understand he is not in Appleland anymore and that there is a different workflow with PrP.
How did I do? ;-)

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New sequence from clip does not apply the Pro Res Compressor...

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