Nikon d1 tif files

i have some files from 2000 and 2001 that i created with my nikon D1 camera as tif files. Lightroom 3 and photoshop 5 can not open these files. is there any way i can get these files converted into something adobe programs can read.
i would be nice if lightroom could import them into dng files, but when i try it just identifies them as files it cannot read. Photoshop cs 5 does the same thing.

you may be correct. thanks for your quick response.
but
both programs were based upon the same adobe platform for reading camera files. i had this problem years ago before converting to lightroom 1.0 and just now found the disks with the files. I dont believe that these programs still have the code to process d1 tif files. lightroom and cs5f cannot even see the jpg file within. Breeze Browser Pro can see the jpg files just not convert them to psd files.
i am hoping for some kind of solution with an old version of the programs or a special version just for this type of issue not available in the primary product or something.

Similar Messages

Aperture does not recognise TIF files from Nikon CoolScan

The TIF files from my Coolscan are good in every other application, but Aperture does not recognise them. I've tried re-saving the TIFs as JPG and PDS but Aperture doesn't recognise any file generated from the TIF. Maybe it's something to do with the scanner driver? Any ideas how to load these files into Aperture?

You might check the color space that is assigned to the files. If you are using Nikon Scan software to manage your CoolScan, there is a preference for setting the color space of the saved file. FWIW, Nikon CoolScan .nef files are a 'raw' file, not camera raw, that was/is a Nikon proprietary format for their scans. If you use the Nikon Scan for image editing, the edits are non-destructive in saved files and can be adjusted by re-opening the file in NS. Adobe first made editing camera raw available in early 2003 and the Nikon format preceded that. Nikon's camera raw format also has the .nef extension, but is not the same as the CoolScan .nef-- really confusing. I suggested checking the color space, because Nikon has different internal names for Adobe RGB(1988) as well as their own Wide Gamut space.
All said, I've not had a problem opening .tif scan files in Aperture.

Large TIF file errors/erratic performance

Sorry for the redundancy, but I can't seem to find any clear answer on what the max file size (either dimension or MB) is before Aperture fails entirely. I'm scanning medium format on a Nikon LS-9000, which is resulting in ~8500x10500 TIF files of ~180MB (for a 16-bit grey.) Aperture will import the file, but then typically crash a number of times immediately after import while generating thumbnail/preview. I'll then generally see the thumbnail go black after making any adjustments to the image, and it will stay that way. Lightroom handles these files quite handily; I like Aperture and the process of migrating my sizeable library would be onerous at a minimum. What's even more frustrating is that iphoto '09 will readily support the same image file that seems to be choking Aperture to death.
Thanks for any advice,
Matt.

Yep,
There is no "answer" for this but I can validate your experience. My medium format scans are not viable in Aperture at 4000DPI 16bit. Way to painful when you can coax it to work and it doesn't work for very long. In other words Aperture uses so many resources trying to deal with this size file that it is either idiotically slow or then breaks.
The good news is that CS4 processes 500+ meg Tiffs way better than any other Photoshop ever did, even in 32bit mode - I cannot wait for the 64bit upgrade from Adobe when Snow Leopard comes out. I would imagine that Aperture will get the 64bit treatment sooner or later and all will be fine with massive files.
RB

Opening tif files in PSE7

I am using the trial version of PSE7 on Windows XP Home. When saving Nikon RAW files (NEF) to TIF from the PSE editor, I can subsequently re-open the TIF file without a problem. When exporting NEF files from the organizer to TIF files, I can NOT re-open these TIF files afterward. I get a message "Cannot open filename.tif because it is the wrong type of file." I do not believe the problem to be related to the source NEF file, because I tried both approaches with the same file.
Anybody have any idea waht I could be wrong? Me or the program?

Ludo,
It may be that you need to update the Adobe Camera Raw (ACR) plug-in:
http://www.adobe.com/cfusion/knowledgebase/index.cfm?id=327437
If you have a new camera that is not understood by the version of ACR you have, then you could get that error message. What camera model produced the NEF?
Heres what I think may be happening: When you export a .NEF from the Organizer, PSE records metadata in the TIFF concerning ACR. When you then open that exported TIFF in the Editor, it sees the metadata and opens it in the ACR plug-in. If there is a camera model in the metadata that ACR doesnt recognize, it could instead produce this error message.
On the other hand, when you use the Editors Save As to save a .NEF as a TIFF, that metadata doesnt get recorded. So when you open that TIFF in the Editor, it doesnt try to open it with the ACR plug-in.
To help others, here, please let us know one way or the other whether this addresses your problem.

Lightroom and DxO: fix lens flaws in a TIF file exported from LR

Hi,
I'm in love with LR, I don't mind if people tell me that other Raw converter do a better job in demosaicing. Anyway some time ago a friend told me about DxO Optics Pro, I tried and loved the lens corrections. I thought I could prform those correction at the end of my workflow on a Tiff file exported from LR to DxO. No way! It seems that DxO doesn't recognize the lens used to shoot the image. It seems that LR and Camera Raw delete all the infos related to optics used. Any help would be appreciated.
Bye!

I used the following command to swap exif data:
exiftool -all= -tagsfromfile DSC_0002.NEF -exif:all DSC_0009-2.tif
The TIF file contais less exif tags than the NEF (or DNG) file, and there is no tag about the lens used.
Here's what I get copying exif data from one file to another:
ExifTool Version Number : 7.70
File Name : DSC_0002.NEF
Directory : .
File Size : 5.7 MB
File Modification Date/Time : 2009:02:25 13:44:44+01:00
File Type : NEF
MIME Type : image/x-raw
Exif Byte Order : Big-endian (Motorola, MM)
Make : NIKON CORPORATION
Camera Model Name : NIKON D70s
Software : Ver.1.00
Modify Date : 2009:02:25 13:44:42
Jpg From Raw Start : 131072
Jpg From Raw Length : 725092
Y Cb Cr Positioning : Co-sited
Subfile Type : Full-resolution Image
Image Width : 3040
Image Height : 2014
Bits Per Sample : 12
Compression : Nikon NEF Compressed
Photometric Interpretation : Color Filter Array
Strip Offsets : 856404
Orientation : Rotate 270 CW
Samples Per Pixel : 1
Rows Per Strip : 2014
Strip Byte Counts : 5095416
X Resolution : 300
Y Resolution : 300
Planar Configuration : Chunky
Resolution Unit : inches
CFA Repeat Pattern Dim : 2 2
CFA Pattern 2 : 2 1 1 0
Reference Black White : 0 255 0 255 0 255
Exposure Time : 1/50
F Number : 4.0
Exposure Program : Manual
Create Date : 2009:02:25 13:44:42
Exposure Compensation : 0
Max Aperture Value : 3.5
Metering Mode : Center-weighted average
Flash : No Flash
Focal Length : 18.0 mm
Maker Note Version : 2.10
ISO : 800
Quality : Raw
White Balance : Auto
Focus Mode : AF-S
Flash Setting : Normal
Flash Type :
White Balance Fine Tune : 0
Program Shift : 0
Exposure Difference : +1.8
Preview Image Start : 8112
Preview Image Length : 24932
Flash Exposure Compensation : 0
ISO Setting : 800
Flash Exposure Bracket Value : 0.0
Exposure Bracket Value : 0
Tone Comp : Normal
Lens Type : G
Lens : 18-70mm f/3.5-4.5
Flash Mode : Did Not Fire
AF Area Mode : Single Area
AF Point : Center
AF Points In Focus : Center
Shooting Mode : Single-Frame
Contrast Curve : (Binary data 4160 bytes, use -b option to extract)
Color Hue : Mode1a
Light Source : Natural
Hue Adjustment : 0
NEF Compression : Lossy (type 1)
Noise Reduction : Off
Linearization Table : (Binary data 1412 bytes, use -b option to extract)
WB RGBG Levels : 555 256 388 256
Lens Data Version : 0101
Exit Pupil Position : 102.4 mm
AF Aperture : 3.6
Focus Position : 0x01
Focus Distance : 3.98 m
Lens ID Number : 127
Lens F Stops : 5.33
Min Focal Length : 18.3 mm
Max Focal Length : 71.3 mm
Max Aperture At Min Focal : 3.6
Max Aperture At Max Focal : 4.5
MCU Version : 132
Effective Max Aperture : 3.6
Raw Image Center : 1520 1008
Sensor Pixel Size : 7.8 x 7.8 um
Serial Number : No= 3005d534
Shutter Count : 31244
Flash Info Version : 0100
Flash Model : (none)
External Flash Flags : (none)
Flash Commander Mode : Off
Flash Control Mode : Off
Flash Group A Control Mode : Off
Flash Group B Control Mode : Off
Flash Group A Exposure Comp : 0
Flash Group B Exposure Comp : 0
Image Optimization : Custom
Vari Program :
User Comment :
Sub Sec Time : 20
Sub Sec Time Original : 20
Sub Sec Time Digitized : 20
Sensing Method : One-chip color area
File Source : Digital Camera
Scene Type : Directly photographed
Custom Rendered : Normal
Exposure Mode : Manual
Digital Zoom Ratio : 1
Focal Length In 35mm Format : 27 mm
Scene Capture Type : Standard
Gain Control : Low gain up
Contrast : Normal
Saturation : Normal
Sharpness : Normal
Subject Distance Range : Unknown
Date/Time Original : 2009:02:25 13:44:42
TIFF-EP Standard ID : 1 0 0 0
Aperture : 4.0
Blue Balance : 1.515625
CFA Pattern : [Blue,Green][Green,Red]
Image Size : 3040x2014
Jpg From Raw : (Binary data 725092 bytes, use -b option to extract)
Lens ID : AF-S DX Zoom-Nikkor 18-70mm f/3.5-4.5G IF-ED
Lens : 18-70mm f/3.5-4.5 G
Preview Image : (Binary data 24932 bytes, use -b option to extract)
Red Balance : 2.167969
Scale Factor To 35 mm Equivalent: 1.5
Shutter Speed : 1/50
Create Date : 2009:02:25 13:44:42.20
Date/Time Original : 2009:02:25 13:44:42.20
Modify Date : 2009:02:25 13:44:42.20
Circle Of Confusion : 0.020 mm
Depth Of Field : 197.49 m (2.01 - 199.50)
Field Of View : 67.1 deg (5.28 m)
Focal Length : 18.0 mm (35 mm equivalent: 27.0 mm)
Hyperfocal Distance : 4.04 m
Light Value : 6.6

Photohop Elements 10 Organizer Crash on .tif files

I have 30-40MB .tif files created by a Nikon LS-5000 scanner. When I add all but one or two particular pictures to the catalog the Organizer crashes. Elements 7 also crashes. The editor works fine with them as does Lightroom 4 and Windows Photo Viewer. I am running Windows 7 Home Premium on a Dell XPS 8100 (8GB RAM, 64-bit).

No error message other than Windows saying Photoshop Elements 10 (or 7) has stopped responding Windows says "Trying to find solution" and then "Program Needs to Close"
These are all photos scanned 1-2 years ago (I have about 10,000) that I try to import
The Editor works fine with every one I tested (about 10 that all cause the Organizer to crash)
No differnces that I can tell and the same file can load OK and those that cause a crash.They were all created the same way. 33MB file and 44MB file crash. 37MB file loads OK.
Chris

Transforming RAW file in TIF file

I am new with Aperture and freshly back to MAC after 5 years with PC. I am trying my best to understand how it works. How do we transform a file from RAW to TIF ?

Important to note is that every camera creates a RAW file specific to that individual camera. Each RAW converter is different and there can be a huge difference in the quality of the conversion by one converter as opposed to another converter, largely because many camera vendors keep the technical specifics of their RAW images creation very secret from folks like Adobe.
Some third-party sellers of RAW conversion software (Adobe in particular) go to great lengths to imply that generic RAW conversion is uniformly excellent, but that is flat untrue. Each photog must determine by trial-and-error with his/her cameras what RAW conversion he/she likes best. E.g. I find Nikon software gives best conversion of my Nikon cameras' NEF files, but Aperture is almost as good; I use Aperture because Nikon's workflow is lame while Aperture's workflow is best in class.
Some in the industry advocate that RAW be a standardized output format (as usual Adobe wants it to be theirs...). IMO in-camera digital processing is still evolving rapidly enough that camera vendors like Nikon and Canon are not soon likely to give up the ability to gain market advantage by quickly evolving their proprietary in-camera digital imaging processing capabilities.

Corrupt TIF files? How to recover?

Hello there Gentlemen and Ladies.........
I have recently had to recover 4000dpi scans which are TIF
from a erased disk (sad and painful), each scan took me 10 minutes
to complete , and now i have 130mb TIF files which Photoshop
cannot open, because it says they are not TIF format...!!!
I know they were fine before my recovery operation. clearly something
has gone wrong, what tool could uncorrupt the TIF files back to normal?
I can see their size is still 130mb after recovery, just the file format does
not open!
cheerio

I used Data Rescue X II to recover the files from the deleted 100GB partition,
it took me forever to recover them, and generating them was even more
of a pain (i rented a Nikon ED4000 to make them)
I need those images desperatley
A mate of mine suggested using a Windows PC to recover them, and move
the files on to Windows...i dare not
appreciate any help, surely there must be a way, there is good data in those 130mb files...
cheerio

Nikon D300 Raw files for 64bit windows vista machine not appearing in Photoshop CS3 raw

I purchased a new 64bit computer running Vista. I have installed Photoshop CS3 including the latest updates and the 4.6 (Camera Raw.8bi) raw update file. I included the raw file in C:\Program Files (x86)\Common Files\Adobe\Plug-Ins\CS3\File Formats. I have purged cache in Bridge and I still cannot view the raw files in Bridge. I only see a gray square with a Blue NEF. I can open the files in Photoshop however. What can I do to see the files in Bridge?

Nikon encrypts RAW file data
ByMichael R. Tomkins, The Imaging Resource
(Wednesday, April 20, 2005 - 02:16 EDT)
A news item posted on Sunday by PhotoshopNews.com reports on comments from Thomas Knoll, one of the original authors of Adobe Photoshop, relating to the RAW file format used in Nikon's D2X and D2Hs digital SLRs.
<IFRAME src="http://208.43.255.194/cgi-bin/advertpro/banners.fpl?region=112&keyword=NULL" height="250" width="300" marginwidth="0" marginheight="0" vspace="0" hspace="0" frameborder="0" align="middle" scrolling="no"> <A href="http://208.43.255.194/cgi-bin/advertpro/blink.fpl?region=112&slot=1" target="_blank"> <IMG src="http://208.43.255.194/cgi-bin/advertpro/bimg.fpl?region=112&slot=1&keyword=NULL" border="0" width="300" height="250" alt="Click Here!"> </A> </IFRAME>
Thomas Knoll is currently the chief engineer for Adobe Camera Raw, the company's RAW file conversion software. The PhotoshopNews item references a forum thread started by Mr. Knoll in Adobe's official user forums, where he reveals that .NEF RAW files from the latest Nikon digital SLRs encrypt data relating to the white balance setting the photo was shot with.
RAW file formats vary significantly between digital camera manufacturers (and often, between different models in a manufacturer's lineup), and the manufacturers generally won't publicly disclose the specification for the RAW file format(s) they use. Some will offer plugins or software development kits (SDKs) that enable their RAW files to be opened in third-party applications, but these generally have some limitations attached to their use.
In addition, the companies generally offer RAW file conversion software of their own, either as part of their camera bundles or as an added-cost option. Nikon offer their pro SLRs with PictureProject software that includes limited control over the RAW file conversion process, and then offer the more feature-rich Nikon Capture conversion software for an added cost. In a recent publication on the company's Nikon Pro website, it suggested that it feels Nikon Capture is better-suited to photographers, while Adobe's Photoshop is more suited to graphic artists. Still, different photographers have different workflow preferences, and for this reason third parties such as Adobe often reverse engineer the RAW file formats, allowing them to be opened in their own software - sometimes with even better image quality than the original manufacturer's software.
In a way, it is understandable that companies would want to encrypt RAW file data from their products - it allows them to pick and choose which competitors are able to open RAW files shot with their products, and allows them to generate new revenue streams from the sale of their own RAW file conversion software (or, if they choose, the sale of licenses allowing competitor programs to access their RAW file data). Nikon is not the first company we're aware of to encrypt data in RAW files; Sony's Cyber-shot DSC-F828 RAW files contain encrypted data. In that instance, however, Sony granted permission for Adobe to decrypt the data in their software. At the current time, Mr. Knoll states that while Adobe has signed a non-disclosure agreement that grants them access to use Nikon's SDK, they have not received any response to requests from Adobe that the company be allowed to decrypt the white balance data, which would allow closer integration with their software than is possible with the SDK.
The fact that Nikon has chosen to encrypt a portion of the RAW file data would not be particularly problematic for third parties to overcome, were it not for certain laws enacted around the world in recent years. One such law is the United States' "Digital Millennium Copyright Act", often referred to as the DMCA, which makes it illegal to produce technology that can circumvent measures designed to protect copyright. One could argue that Nikon's encryption of the white balance data is just such a measure - which would make it an offense for a third party without permission to make software that could decrypt the original white balance setting used by the camera when the photo was shot. One could equally argue, however, that the copyright over the RAW file belongs to the photographer who captured the image - and hence the choice over what is done with that copyrighted work is entirely up to the photographer.
Unfortunately, there's no clear-cut answer, and short of a company or programmer finding themselves in court for having cracked the encryption, there isn't likely to be such an answer any time soon. This presents a problem for third parties attempting to make their own RAW file conversion routines for the D2X and D2Hs, as if they don't want to risk opening themselves up to legal action, they aren't able to determine the original white balance setting. Hence, they must either request the white balance setting from the user as the RAW file is converted, or attempt to determine an appropriate white balance setting automatically (which would not necessarily be the same as that determined by the camera itself).
Nikon hasn't communicated their reasons for encrypting the white balance information in their latest NEF formats, but we have to say it doesn't sound like a very good idea. While Nikon Capture does indeed offer excellent capabilities for people to manipulate images saved in NEF formats, many photographers and organizations have already established workflows based on Adobe's RAW plugin for Photoshop and other image-processing tools. The biggest consequence of this move on Nikon's part seems likely to be to push more photographers onto other camera platforms. It's hard to imagine that increased sales of Nikon Capture will make up the revenue lost from camera and lens sales going forward.

Currently Have Photoshop CS3 & Adobe Bridge CS3 2.1.1.9. According to Adobe, Camera Raw 4.6 supports Nikon D810 NEF files. I have downloaded Camera Raw 4.6 Update. When I try to open Nikon D810 NEF files, I get photoshop error that says "cannot complete

Currently Have Photoshop CS3 & Adobe Bridge CS3 2.1.1.9.
According to Adobe, Camera Raw 4.6 supports Nikon D810 NEF files. I have downloaded Camera Raw 4.6 Update. When
I try to open Nikon D810 NEF files, I get photoshop error that says
"cannot complete request your because it is not the right kind of
document. These NEF files wont open in Bridge at all. What am I doing wrong?

Camera Raw plug-in | Supported cameras

Viewing tif files in Preview, Dropbox

I've created two image files in Photoshop, removing hidden layers, merging layers, and then flattening the layers, saving them as tif files. One is about 4 MB; the other is about 24 MB.
The 4 MB files shows up fine in QuickView and in Preview; the 24 MB file shows up with a white background and one element from one of the layers.
I've also tried this saving the 24 MB tif file in layers, preserving the alpha; same result.
Uploaded to Dropbox, both tif files show up with only one layer visible, even though the file has flattened all the layers!
Thanks for any help you can offer sorting this out. I'd like to be able to view the 24 MB tif file in Preview.

Since you can open the TIFFs on a PC, then there must be something wrong with Preview on your Mac. You can use Pacifist to extract the Preview application from your original OS X installation CD/DVD. Replace the one currently on the hard drive.
But there's quite a few other apps that will open a TIFF. Photoshop, Graphic Converter, InDesign, Quark and Illustrator to name a few. There's a bunch of free and shareware viewers you could download here.

Problems viewing large tif files in preview

i'm having trouble viewing large tif files in preview. the tif files are on a cdrom - when i click on the file to open it, it opens only the first 250 pages of the file. the file has approximately 3,000 pages. how can i get preview to open the rest of the pages?
thanks for any suggestions.
mac mini Mac OS X (10.4.6)

no trick - i didn't create the cdrom but it only has 3 tif files with approximately 3000 pages each, not 3000 large tif files. plus several smaller pdf files, but those aren't giving me any problems.
i don't know whether they're compressed, but i still can't get more than the first 250 pages to open, even after copying the file to my desktop. if anyone has any other ideas, i'd much appreciate it.
mac mini Mac OS X (10.4.6)

Nikon D7000 .MOV files in Premiere Pro and After Effects CS5.5

I recently upgraded from Production Premium CS5 to CS5.5. Initially Nikon D7000 .MOV files used in previous CS5 Premiere Pro project would not play well in CS5.5. Now .MOV files do work in both PP and AE CS5.5. Here are the steps I followed. Not recommending you follow my steps exactly, just providing info for those that are interested.
1.       Launch Premiere Pro CS5.5 and open previous PP CS5 project, convert project to CS5.5 and rename project file as not to replace previous CS5 project file.
a.       At this point .MOV files do not play in new project or in AE CS5.5
b.      Close Premiere Pro and After Effect if still running.
2.       Using Adobe Bridge CS5.5, batch rename;
a.       Make copies of original files to new folder location while renaming file extension from .MOV to .mpg
b.      Let Adobe Bridge finish creating all new thumbnail previews.
c.       Leave Bridge running in background.
3.       Launch Premiere Pro CS5.5, let Premiere finish recreating thumbnail previews if needed.
a.       Attempt to preview existing .MOV file in project. It worked for me.
b.      Attempt to play sequence containing .MOV files. It worked for me.
c.       Attempt to play or modify sequence .MOV files in AE CS5.5 via Dynamic Link within Premiere. It worked for me.
d.      Close Premiere Pro project and AE projects if open.
4.       Create new Premiere Pro project and sequence
a.       Import a different Nikon D7000 .MOV file not previously used or renamed.
b.      Attempt to play this newly imported .MOV file. This worked for me as well.
c.       The new, previously un-renamed .MOV file also worked in AE CS5.5 for me.
I will perform additional tests but at the moment Nikon D7000 .MOV files are working for me in CS5.5 after initially performing a batch rename in Bridge CS5.5 from .MOV to .mpg and letting Bridge create preview files. Even .MOV files not renamed now work.
An example of Nikon D7000 footage edited with Adobe Premiere Pro CS5.5, After Effects CS5.5, and Sound Booth CS5 can be seen on my blog, http://stevelandonsmyth.typepad.com/steve-landon-smyths-blog/2011/07/my-first-hd -video-shoot-with-nikon-d7000.html
My system: MacBook Pro 17" 2.3 GHz i7 quad core, 8GB RAM, 500MB SSD
Message was edited by: Steve Landon-Smyth

Hello,
I see 2 post in this thread from Todd that say they are working on a fix and it should be out soon. One is from July, the other from August. It is now Sept 7th and I still see no patches or fixes for any bugs. I spent 400 dollars on an upgrade, but is this upgrade going to be supported?
This is making me rethink upgrading to the .5's in the future.
It is a minor bug to most, but in that sense it should be an easy quick fix. Am I wrong? Is this really a complicated issue?
I apologize if this comes off like a rant, but thats kinda what it is. It is not hard to batch rename files, but its a pain to have to relink all those files in PP.

Tif files sent to myself and a few other people arrived in my email as files to open and arrived at a friends email box open already???Why

jpegs always arrive unopened but open with no degradation of quality whereas the tif file opening with picture viewer are degraded and almost unusable.

This sounds like you do have a corrupted Inbox file.
First of all create a backup of your profile folder.
http://kb.mozillazine.org/Thunderbird_:_FAQs_:_Backing_Up_and_Restoring
Then try to repair Inbox.
Right-click Inbox - Properties - Repair Folder

Can I use my Nikon D90 AVI files in Premiere Pro CC on my iMac?

Hi and thanks in advance to anyone who can lend me a hand. I am new to both Premiere Pro CC and Macs. I have used my Nikon D90 AVI files before with Premiere Elements on my PC with no problem, but the same films aren't working on my new setup with Premiere Pro CC and an iMac.
I can see and preview the films in the Source window but when I try to drag them onto the sequence window I get a little hand with a "no" sign.
I am using a version 7.1.0 (141) of PP CC and am on OS X 10.9
Do I need to transcode the files? If so, to what? And what is the best way to do that?
Many many thanks for any help!

Just remember, you will not always get the answer you want right away. Some people will point you to tutorials, some, like me, will attempt to help and still point you to tutorials, and some will just answer the question as best they can.
Some might insult you, and some merely insult your intelligence. Don't be offended. Do, however, search the forums as best you can in an attempt to find the answer before you post.
I realize that people don't always have the right words to describe the problem, and therefore have trouble searching. If searching fails you, just ask. It generally works out in the long run. And as you have discovered, sometimes a combination of posts may do the trick.

Nikon d1 tif files

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