Nikon D2Xs RAW problems

Surely I'm not the only person on the planet to own a Nikon D2Xs, shoot RAW NEF files and not be able to process them through Aperture?
A very nice chap at tech support informed me that, at the moment, Aperture can not support RAW files from the flagship Nikon camera. My D2X and D1X never had any problems, I don't understand?
Anyone have any idea when this problem might be rectified?

I'm not the only person on the planet to own a Leica D-Lux 2 , shoot RAW files and not be able to process them through Aperture?
A very nice chap at tech support informed me that, at the moment, Aperture can not support RAW files from the flagship Leica D-Lux 2 . had any problems whit photoshop CS2 before, I don't understand is especial settings in Aperture instalation or what?
Anyone have any idea when this problem might be rectified?

Similar Messages

  • IPhoto5 w/PS Elements & Nikon D70s RAW PROBLEM

    I hear that iPhoto 5 is supposed to work seamlessly w PSE3. I have a problem: new imac, new PSE3 install (w/ Adobe ACR RAW plug-in update).
    PSE3 will see & access my RAW NEF files just fine from my Nikon D70s. But iPhoto will NOT download them. When I use my CF card reader, OS X correctly identifies the source (Nikon D70s); I can see the files to view them, but when I click the button to download the files into iPhoto, the machine churns for a bit, and then gives me a pop-up with the RAW files all in a temp folder, and it informs me that they are of an "unknown file type" and it won't download them.
    This new Imac I brought home yesterday, and the only thing that has been installed on it (other than the 12 new mac updates) is PSE3, and the Adobe RAW update, which, as I said, works just fine in Adobe PhotoshopElements3.
    Please don't tell me it's all because the camera is a D70s, and not a D70. They are the same identical RAW files.
    any help would be much appreciated. I love my new iMac. (my first mac!!) No more windows for me.
    Thanks!

    Har! Hi Lori!
    Yes, I not only found ONLY the D70 "supported" officially at the Apple website, but also, a call to technical support had them scratching their heads over this issue, and they surmized that yes, a simple "s" in the end of D70 might be exactly what is giving iPhoto fits... ( go figure- it's the same exact file format!) seeing that D70s tag (vs D70) just throws iPhoto a curveball. You'd think it would be more "intelligent" than that. Oh well. Guess I have to wait for an iPhoto update to use my RAW files w/iPhoto...
    Maybe I'll just get a different software photo album. I need one now.
    Thanks!

  • Nikon D2Xs / RAW(NEF) / High Speed Crop issue

    I have a problem with my D2Xs when shooting in RAW with High Speed Crop enabled.
    When importing into iPhoto (08 - Version 7.1.4 (371))the imported image shows a Green and Purple line down the right hand side of the frame.
    It doesn't show when exporting the original file from iPhoto to another program (CS3 / Preview).
    It could be the one reason that I finally have to say goodbye to iPhoto, and look at alternatives.
    It was reported last year in this thread http://discussions.apple.com/thread.jspa?threadID=1260989, with no replies. Any ideas or response on this Apple?
    Cheers

    I doubt that it's the camera, as the issue doesn't arise on exported pics. That said, as there are only two posts on the forums (yours and the one you refer to on the Aperture forum) it's possible that a: this only arises in very limited circumstances or b: it's local to your computer rather than a bug proper.
    Create a new account (systempreferences -> accounts) and make a library there. Import a few pics and see if the problem is repeated there.
    Regards
    TD

  • Nikon D70 Raw Problems

    I have PhotoShop CS and Nikon D70. I was able to open raw pictures, but only with a limited menu for adjustments. I read the FAQ and deleted the Nikon plugin and installed Camera_Raw 2.4 from the adobe site. I made sure to do a search for the Nikon plugin and I followed the instructons for the adobe plugin and put the new file in Program Files\Adobe\Photoshop CS\Plug-Ins\File Formats. But now I can't open the NEF files. I get the message: Cannot complete your request because it is not the right kind of document. I tried restarting the computer, but it still doesn't work. I know that 2.4 has my camera listed as supported. Please help. Thanks

    Keegan,
    Support for the Nikon D70s was not added until ACR 3.2 or 3.3. There is no way that ACR 2.4 will allow you to open those files. However, if you download the latest version of the DNG converter (4.2 as of the writing of this note) it should convert your NEF files to the DNG format. Then, if you have ACR 2.4 installed correctly, you should be able to open those DNG files.
    It isn't necessary for you to use the corresponding version number of the DNG converter. You should always endeavor to have the latest version of the DNG converter. It will convert the raw files from the largest number of different camera models to the DNG format. And those DNG files will work with any version of ACR clear back to 2.4.

  • Probleme mit Bridge und Nikon D2X

    Ich habe einen Mac mit OS 10.4.1, Photoshop CS2 und Bridge 1.0.1. Wenn ich von einer Nikon D2X Raw-Dateien auf die Festplatte übertrage, erscheint in Bridge nur ein Ikon für eine NEF-Datei, eine Vorschau des Bildes wird aber nicht angezeigt.
    Was kann ich tun?

    @ Wilhelm
    Leider doch, laut Nikon kann Photoshop RAW-Dateien der D2x erst nach dem Update lesen zumindest bis zur Version CS.
    Für CS2 will ich dies jetzt nicht unbedingt behaupten,wäre aber vielleicht eine Möglichkeit.

  • Camera RAW Support for Nikon D2X w/10.4.3 Update

    After updating to OSX10.4.3, iPhoto, Preview, and Finder all support my Nikon D2X NEF (Nikon's version of RAW) images. This is really nice. Thanks, Apple.

    The D3200 isn’t supported yet, AFAIK, but may be soon.  Once it is, you could upgrade to LR 4.x or use the future DNG Converter to convert the NEFs to DNGs and open those in an old version of LR.  Personally, I think LR4 is worth the update even if you returned the camera.

  • Nikon D2X NEF Raw file not recognized anymore...??

    Strange happenings...
    My projects which contain new and older .NEF friles from the nikon D2X are no longer readable by Aperture - What gives?
    I had been able to work them before, but not now... Haven;t used AA in a few weeks so not sure if the 10.4.5 update or some other component has gotten in the way or what... All software is up to date so if anyone has any clues, please feel free to let me know!
    Cheers,
    G.
    Quad G5   Mac OS X (10.4.5)  

    Even Stranger...
    The problem appears to be gone...!
    I loaded some new NEF test files to determine if the naming or IPTC info was potentially the problem - and it worked fine.
    Then, I went to the libraries that were problematic yesterday, and I watched as unreadable grey squares, one by one, became visible and active again... Bizarre.
    The machine wasn't even restarted ( it did have an overnite nap though...), the only thing that happened was that Aperture was shut down yesterday, and then reopened today, which I'm reasonably certain that I did yesterday as well.
    I was going to run a permissions repair, but didn't need to, so that wasn;t it... I guess the program still has some instability that opening / closing seems to eventually address.
    Solved? Not really, but working for now I guess...
    Thanks for the input
    Craig
    Quad G5 2.5 GHz 4GB RAM   Mac OS X (10.4.5)  

  • Please tell me what I need to get Lightroom 4 to read my Nikon 810 raw files.  Have downloaded all versions from 8.6 to 9.  Photoshop 6 has no problems reading these files

    Can anyone tell me how to get Lightroom 4 to read my Nikon 810 raw files Have downloaded 8.6, 8,7, 8.8, and 9 raw converter files and none will work.

    You haven't seen the raw image data until you look at the DNG files in Lightroom. The DNG file contains precisely the same raw data that was in the NEF file. The image that you see on your camera is the JPEG preview that is built into the NEF file. And the JPEG preview is affected by all of the in camera settings. And those settings COULD include Active D-lighting, sharpening, style settings, Expeed processing, etc. And none of those settings are going to be picked up by Lightroom.
    It's natural and expected that the raw image data won't appear to be as good as what you saw on the camera display. But you can make adjustments to get the images looking even better than what the camera displayed. And that is what shooting raw is all about. If you read in your manual it will indicate that shooting raw produces an image that must be processed. And that is what you do in Lightroom. If you find a set of adjustments that you make consistently to all of your images you can make those adjustments on a newly imported image and then save new camera defaults. Then those settings will be applied to all images that are imported from that point onward. And will be applied to any already imported images when you click on the reset button in the develop module.

  • Camera RAW 2.5 Update für Nikon D2X ????

    Wann kann ich mit einem Update zur Unterstützung der Nikon D2X rechnen ???
    Andy

    Auf diese Seite (http://www.adobe.com/products/photoshop/cameraraw.html) steht:
    Note: Adobe expects to offer preliminary support for the Canon Rebel XT and the Nikon D2X in early May.

  • Nikon D300 Raw files for 64bit windows vista machine not appearing in Photoshop CS3 raw

    I purchased a new 64bit computer running Vista. I have installed Photoshop CS3 including the latest updates and the 4.6 (Camera Raw.8bi) raw update file. I included the raw file in C:\Program Files (x86)\Common Files\Adobe\Plug-Ins\CS3\File Formats. I have purged cache in Bridge and I still cannot view the raw files in Bridge. I only see a gray square with a Blue NEF. I can open the files in Photoshop however. What can I do to see the files in Bridge?

    Nikon encrypts RAW file data
    ByMichael R. Tomkins, The Imaging Resource
    (Wednesday, April 20, 2005 - 02:16 EDT)
    A news item posted on Sunday by PhotoshopNews.com reports on comments from Thomas Knoll, one of the original authors of Adobe Photoshop, relating to the RAW file format used in Nikon's D2X and D2Hs digital SLRs.
    <IFRAME src="http://208.43.255.194/cgi-bin/advertpro/banners.fpl?region=112&keyword=NULL" height="250" width="300" marginwidth="0" marginheight="0" vspace="0" hspace="0" frameborder="0" align="middle" scrolling="no"> <A href="http://208.43.255.194/cgi-bin/advertpro/blink.fpl?region=112&slot=1" target="_blank"> <IMG src="http://208.43.255.194/cgi-bin/advertpro/bimg.fpl?region=112&slot=1&keyword=NULL" border="0" width="300" height="250" alt="Click Here!"> </A> </IFRAME>
    Thomas Knoll is currently the chief engineer for Adobe Camera Raw, the company's RAW file conversion software. The PhotoshopNews item references a forum thread started by Mr. Knoll in Adobe's official user forums, where he reveals that .NEF RAW files from the latest Nikon digital SLRs encrypt data relating to the white balance setting the photo was shot with.
    RAW file formats vary significantly between digital camera manufacturers (and often, between different models in a manufacturer's lineup), and the manufacturers generally won't publicly disclose the specification for the RAW file format(s) they use. Some will offer plugins or software development kits (SDKs) that enable their RAW files to be opened in third-party applications, but these generally have some limitations attached to their use.
    In addition, the companies generally offer RAW file conversion software of their own, either as part of their camera bundles or as an added-cost option. Nikon offer their pro SLRs with PictureProject software that includes limited control over the RAW file conversion process, and then offer the more feature-rich Nikon Capture conversion software for an added cost. In a recent publication on the company's Nikon Pro website, it suggested that it feels Nikon Capture is better-suited to photographers, while Adobe's Photoshop is more suited to graphic artists. Still, different photographers have different workflow preferences, and for this reason third parties such as Adobe often reverse engineer the RAW file formats, allowing them to be opened in their own software - sometimes with even better image quality than the original manufacturer's software.
    In a way, it is understandable that companies would want to encrypt RAW file data from their products - it allows them to pick and choose which competitors are able to open RAW files shot with their products, and allows them to generate new revenue streams from the sale of their own RAW file conversion software (or, if they choose, the sale of licenses allowing competitor programs to access their RAW file data). Nikon is not the first company we're aware of to encrypt data in RAW files; Sony's Cyber-shot DSC-F828 RAW files contain encrypted data. In that instance, however, Sony granted permission for Adobe to decrypt the data in their software. At the current time, Mr. Knoll states that while Adobe has signed a non-disclosure agreement that grants them access to use Nikon's SDK, they have not received any response to requests from Adobe that the company be allowed to decrypt the white balance data, which would allow closer integration with their software than is possible with the SDK.
    The fact that Nikon has chosen to encrypt a portion of the RAW file data would not be particularly problematic for third parties to overcome, were it not for certain laws enacted around the world in recent years. One such law is the United States' "Digital Millennium Copyright Act", often referred to as the DMCA, which makes it illegal to produce technology that can circumvent measures designed to protect copyright. One could argue that Nikon's encryption of the white balance data is just such a measure - which would make it an offense for a third party without permission to make software that could decrypt the original white balance setting used by the camera when the photo was shot. One could equally argue, however, that the copyright over the RAW file belongs to the photographer who captured the image - and hence the choice over what is done with that copyrighted work is entirely up to the photographer.
    Unfortunately, there's no clear-cut answer, and short of a company or programmer finding themselves in court for having cracked the encryption, there isn't likely to be such an answer any time soon. This presents a problem for third parties attempting to make their own RAW file conversion routines for the D2X and D2Hs, as if they don't want to risk opening themselves up to legal action, they aren't able to determine the original white balance setting. Hence, they must either request the white balance setting from the user as the RAW file is converted, or attempt to determine an appropriate white balance setting automatically (which would not necessarily be the same as that determined by the camera itself).
    Nikon hasn't communicated their reasons for encrypting the white balance information in their latest NEF formats, but we have to say it doesn't sound like a very good idea. While Nikon Capture does indeed offer excellent capabilities for people to manipulate images saved in NEF formats, many photographers and organizations have already established workflows based on Adobe's RAW plugin for Photoshop and other image-processing tools. The biggest consequence of this move on Nikon's part seems likely to be to push more photographers onto other camera platforms. It's hard to imagine that increased sales of Nikon Capture will make up the revenue lost from camera and lens sales going forward.

  • Nikon D2x and High Speed Crop

    Just an interesting observation....
    With Aperture and Tiger, Nikon D2x images shot with the smaller MP High Speed Crop (HSC) mode displayed 24 extra columns/rows (depending on orientation) of pixels; thus an image that should be 3216x2136 showed up in Aperture as 3240x2136. The extra pixels included several rows/columns of garish purple and green pixels than needed to be cropped. This is fine for one image, but not suitable for several hundred (such as shot at a sporting event). In addition to the lack of support for .xmp import, this is one of the most frustrating things about Aperture (for me at least).
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    I doubt that it's the camera, as the issue doesn't arise on exported pics. That said, as there are only two posts on the forums (yours and the one you refer to on the Aperture forum) it's possible that a: this only arises in very limited circumstances or b: it's local to your computer rather than a bug proper.
    Create a new account (systempreferences -> accounts) and make a library there. Import a few pics and see if the problem is repeated there.
    Regards
    TD

  • Nikon D300 raw files, unable to retrieve the camera serial number!

    Hi all,
    I have just downloaded some D300 NEF files (camera firmware v. 1.2) onto my PC, and both Bridge and Camera Raw display NO camera serial number in all the shots! :-( And when I convert them in DNG, I still don't have any info on the nikon camera serial no. , why!? :-(
    I opened them with EXIF tool and I tested that the camera serial is there in all the NEF's (and also JPEG) files.
    I tried the NEF files from a Nikon D2X camera and, this time, the camera serial is read perfectly from both Bridge, Camera Raw and Lightroom (v. 1.4.1) too. Does someone have any hints!?
    Thanks in advance! ;)
    GL

    >then it's either a bug in the application or an application that ignores some very basic rules.
    For as long as Photoshop has been around, any plug-in, with or without an extension will try to be loaded by Photoshop (as well as Bridge). Normal renaming of a plug-in or removing an extension will NOT eliminate Photoshop's ability to load them at startup.
    There are certain symbols you can add to the front of a file name to prevent loading the plug-in. If you want to disable a plug-in on startup you'll need to add ¬ symbol as a leading character and that plug-in will be disabled.
    This is neither a bug nor a failure of the application...it's a special situation that is a standard cross-platform method that Adobe apps have used for years (at least 18 years at this point with Photoshop).
    So, while it may be obscure and obtuse, it's not the problem of Photoshop/Bridge since it's behaving as designed.
    In testing various versions, I often have up to 1/2 dozen different versions of Camera Raw installed at one time. I use the ¬ symbol to disable all the version I don't want to load and make sure only 1 version is named normally.

  • Poor Nikon D70s RAW conversion

    Hi,
    Some RAW conversions from a Nikon D70s are very poor. A shot of pine trees and bare deciduous trees against blue sky shows 'green squares' artifacts at the tips of pine-needle clusters and in various places on the twigs of the bare trees. Also, there is a white halo around those twigs that are outlined against the sky.
    It's the conversion, not the hardware, because Adobe Camera Raw doesn't show any of these artifacts.
    Apple MUST get this part right if they want Aperture to succeed. I'm not even a pro photographer, but it's enough to make me hold off from using the software, at least for RAW.
    (Of course, these artifacts also appear in all Apple RAW-handling products such as iPhoto and Preview.)
    Gareth

    Hi All,
    Out of curiosity, I browsed Apple's example Tibet images to find one with nearground foliage, looked at it closely, and what do you know: same problems!
    Look here and tell me you don't see it...
    http://web.njit.edu/~russell/D70s.html
    Apple's images are from a Nikon D2X, so perhaps it's a problem specific to Nikons/NEF, rather than the D70s (or MY D70s) in particular.
    I haven't noticed any issues with other colors, so most of the images look ok -- it seems to be problem with how certain types of green highlights are being scaled. But I take a lot of landscapes, so it's definitely a problem for me.
    Gareth

  • Photoshop CS4 will not open Nikon (NEF) raw files.

    I recently tried CS6 Suite.  Trial was over and I went back to Photoshop CS4.  However, it would not open Nikon (NEF) raw files. I uninstalled and re-installed the PS CS4.  This did not fix the problem.  Can anyone help?
    Thanks,
    Derrick

    NEF files from which Nikon camera?

  • ACR 4.1 Issue - Lightroom Issue with Nikon D40x Raw Files

    I am running Windows Vista and CS3 and am trying to process Nikon D40x raw files (NEFs) using ACR 4.1. The images come up properly in Bridge. However, when I try to add metadata using a metadata template, I get the error: "There was an error writing metadata to DSC_130.NEF." When I try to rotate an image in Bridge, I get the same error. If I try to do a Batch Rename, the name does not change. If I double-click on the image, it opens properly in ACR and the image can be rotated in ACR, and it then appears rotated in Bridge.
    I also tried importing the D40x images in Lightroom. The following error appeared: "Problem Importing Files. The following files were not imported. The files appear to be unsupported or damaged."

    Jeff,
    I installed camera raw.8bi (size is 10,187kb)in
    c:\Program Files\Common Files\Adobe\Plug-Ins\CS3\File Formats
    I'm beginning to think this is a Windows Vista issue. I just installed ACR 4.1 on my XP laptop and it works fine. For both the Vista machine and the laptop, my raw files are on an external drive. If I move the raw files on the Vista machine from the external drive to the c: drive, there is no problem. I'm exploring whether there is some permissions issue in Vista that is not allowing me to write to the raw files if they are on an external drive. Ain't new operating systems just great fun!
    Thanks!

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