No Pentax Listed in LR 3.3
When I go the lens profile panel and choose camera make I don't see Pentax listed. I see Apple, Nikon, Canon, Sony and others but no Pentax. Any suggestions?
Thanks,
Robert
I don't see such a profile for Pentax lenses. I have both Lightroom 3.3 and Photoshop 12.0.2 / ACR 6.3 on my computer, so the lens profiles could have come from either of them.
Here is what I see under my lens profiles for Pentax:
C:\ProgramData\Adobe\CameraRaw\LensProfiles\1.0\Pentax>dir
Volume in drive C has no label.
Volume Serial Number is 80E8-66AF
Directory of C:\ProgramData\Adobe\CameraRaw\LensProfiles\1.0\Pentax
12/07/2010 07:58 AM
12/07/2010 07:58 AM
11/18/2010 10:44 AM 121,095 PENTAX (smc PENTAX-D FA645 55mmF2.8AL[IF] SDM AW) - RAW.lcp
11/18/2010 10:44 AM 185,664 PENTAX (smc PENTAX-DA 15mm F4 ED AL Limited).lcp
11/18/2010 10:44 AM 1,089,166 PENTAX (smc PENTAX-DA 16-50mm F2.8 ED AL SDM).lcp
11/18/2010 10:44 AM 218,200 PENTAX (smc PENTAX-DA 200mm F2.8 ED SDM).lcp
11/18/2010 10:44 AM 216,492 PENTAX (smc PENTAX-DA 21mm F3.2 AL Limited).lcp
11/18/2010 10:44 AM 216,075 PENTAX (smc PENTAX-DA 300mm F4 ED SDM).lcp
11/18/2010 10:44 AM 217,119 PENTAX (smc PENTAX-DA 35mm F2.8 Macro Limited).lcp
11/18/2010 10:44 AM 216,099 PENTAX (smc PENTAX-DA 40mm F2.8 Limited).lcp
11/18/2010 10:44 AM 1,088,004 PENTAX (smc PENTAX-DA 50-135mm F2.8 ED SDM).lcp
11/18/2010 10:44 AM 444,011 PENTAX (smc PENTAX-DA 55mm F1.4 SDM).lcp
11/18/2010 10:44 AM 1,086,411 PENTAX (smc PENTAX-DA 60-250mm F4 ED SDM).lcp
11/18/2010 10:44 AM 246,983 PENTAX (smc PENTAX-DA 70mm F2.4 Limited).lcp
11/18/2010 10:44 AM 377,431 PENTAX (smc PENTAX-FA 31mm F1.8AL Limited).lcp
11/18/2010 10:44 AM 339,111 PENTAX (smc PENTAX-FA 43mm F1.9 Limited).lcp
11/18/2010 10:44 AM 339,034 PENTAX (smc PENTAX-FA 77mm F1.8 Limited).lcp
11/18/2010 10:44 AM 603,433 PENTAX (smc PENTAX-FA645 150-300mmF5.6ED[IF]) - RAW.lcp
11/18/2010 10:44 AM 120,234 PENTAX (smc PENTAX-FA645 150mmF2.8[IF]) - RAW.lcp
11/18/2010 10:44 AM 120,044 PENTAX (smc PENTAX-FA645 200mmF4[IF]) - RAW.lcp
11/18/2010 10:44 AM 120,166 PENTAX (smc PENTAX-FA645 300mmF4ED[IF]) - RAW.lcp
11/18/2010 10:44 AM 120,690 PENTAX (smc PENTAX-FA645 300mmF5.6ED[IF]) - RAW.lcp
11/18/2010 10:44 AM 598,214 PENTAX (smc PENTAX-FA645 33-55mmF4.5AL) - RAW.lcp
11/18/2010 10:44 AM 136,806 PENTAX (smc PENTAX-FA645 35mmF3.5AL[IF]) - RAW.lcp
11/18/2010 10:44 AM 120,882 PENTAX (smc PENTAX-FA645 400mmF5.6ED[IF]) - RAW.lcp
11/18/2010 10:44 AM 596,906 PENTAX (smc PENTAX-FA645 45-85mmF4.5) - RAW.lcp
11/18/2010 10:44 AM 119,456 PENTAX (smc PENTAX-FA645 45mmF2.8) - RAW.lcp
11/18/2010 10:44 AM 358,805 PENTAX (smc PENTAX-FA645 55-110mmF5.6) - RAW.lcp
11/18/2010 10:44 AM 119,468 PENTAX (smc PENTAX-FA645 75mmF2.8) - RAW.lcp
11/18/2010 10:44 AM 597,932 PENTAX (smc PENTAX-FA645 80-160mmF4.5) - RAW.lcp
11/18/2010 10:44 AM 383,085 PENTAX (smc PENTAX-FA645 MACRO 120mmF4) - RAW.lcp
29 File(s) 10,517,016 bytes
The 18-250 is a common consumer lens so you might try one of the other brands of it. Here are all the 18-250s I have, including both a Sigma 18-250 and a Tamron 18-250 on Pentax cameras:
C:\ProgramData\Adobe\CameraRaw\LensProfiles\1.0>dir 18250*.lcp /s
Volume in drive C has no label.
Volume Serial Number is 80E8-66AF
Directory of C:\ProgramData\Adobe\CameraRaw\LensProfiles\1.0\Sigma\Canon
11/18/2010 10:44 AM 800,899 Canon (Sigma_18-250mm_F3.5-6.3_DC_OS_HSM ) - RAW.lcp
1 File(s) 800,899 bytes
Directory of C:\ProgramData\Adobe\CameraRaw\LensProfiles\1.0\Sigma\Nikon
11/18/2010 10:44 AM 810,339 NIKON CORPORATION (Sigma_18-250mm_F3.5-6.3_DC_OS_HSM ) - RAW.lcp
1 File(s) 810,339 bytes
Directory of C:\ProgramData\Adobe\CameraRaw\LensProfiles\1.0\Sigma\Pentax
11/18/2010 10:44 AM 780,099 PENTAX (Sigma_18-250mm_F3.5-6.3_DC_OS_HSM ) - RAW.lcp
1 File(s) 780,099 bytes
Directory of C:\ProgramData\Adobe\CameraRaw\LensProfiles\1.0\Sigma\Sigma
11/18/2010 10:44 AM 769,859 SIGMA (Sigma_18-250mm_F3.5-6.3_DC_OS_HSM ) - RAW.lcp
1 File(s) 769,859 bytes
Directory of C:\ProgramData\Adobe\CameraRaw\LensProfiles\1.0\Sigma\Sony
11/18/2010 10:44 AM 769,379 SONY (Sigma_18-250mm_F3.5-6.3_DC_OS_HSM ) - RAW.lcp
1 File(s) 769,379 bytes
Directory of C:\ProgramData\Adobe\CameraRaw\LensProfiles\1.0\Tamron\Canon
11/18/2010 10:44 AM 1,702,431 Canon (TAMRON 18-250mm F3.5-6.3 DiII A18E) - RAW.lcp
1 File(s) 1,702,431 bytes
Directory of C:\ProgramData\Adobe\CameraRaw\LensProfiles\1.0\Tamron\Nikon
11/18/2010 10:44 AM 1,715,931 NIKON CORPORATION (TAMRON 18-250mm F3.5-6.3 DiII A18N) - RAW.lcp
1 File(s) 1,715,931 bytes
Directory of C:\ProgramData\Adobe\CameraRaw\LensProfiles\1.0\Tamron\Pentax
11/18/2010 10:44 AM 1,734,007 PENTAX (TAMRON 18-250mm F3.5-6.3 DiII A18P) - RAW.lcp
1 File(s) 1,734,007 bytes
Directory of C:\ProgramData\Adobe\CameraRaw\LensProfiles\1.0\Tamron\Sony
11/18/2010 10:44 AM 1,645,297 SONY (TAMRON 18-250mm F3.5-6.3 DiII A18S) - RAW.lcp
1 File(s) 1,645,297 bytes
Total Files Listed:
9 File(s) 10,728,241 bytes
How does your list of profiles compare with what I have?
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Lightroom version 5.7, Raw 8.7
Camera Pentax K7
Lightroom does not seem to be able to display Pentax RAW files correctly. Colours are unnatural, muddy and lacking in yellow. Pictures are lacking detail and look muzzy. Preview displays RAW photos fine with correct colour cast and pictures are clear with plenty of detail. Photos processed from RAW to Jpeg using Pentax's digital camera utility, then imported to LR library display perfectly. LR doesn't seem to be able to handle Pentax RAW files, despite being listed as a supported file on Adobe list of compatible file types. Even iPhoto does a better job than LR.
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(left image Lightroom, right Preview)El Búho wrote:
Thanks for all @your suggestions. Switching to Camera Standard does improve the accuracy of the colour balance image a bit. Further jiggling the colour Primarys & Saturations produces a much better result.
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El Búho wrote:
As to the muzzy quality of the PEF images v the Jpegs. Even at 100% zoom there is a difference, but I'm now pretty sure that it's due mostly to the camera software sharpening the images when converting from to original PEF to Jpeg. (as suggested by ssprengel in his answer). I have not yet been able to replicate this effect exactly in LR, but I can see that it would be possible to improve this with perseverance.
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PD2: When i know about samsung "adobe-DNG" capacity, i didn't expect have problems with adobe soft and color intrepretation or something like that.
PD: Sorry , I don't speak english well, and so I can't express me very well , only basics -
How do I process raw .dng or .pef from pentax k20d into .tiff 's (or jpegs) in aperture 3?
hi all my friends!
how do I process raw .dng or .pef from a pentax k20d into tiffs or jpegs in aperture 3? (i have the trial only but will buy a3 if i actually can learn how to use it in 30 days...which i've failed so far)... the raw files are taking up too much space on my HDD. i understand how to change the colors, sharpness etc of the raw files. but how do i actually turn raw files into a tiff or jpeg to just keep in the library in aperture? i have no intention of keeping the raw's.. I just shoot raw to get better jpeg or tiff results.
also I would greatly appreciate some tips how to do this in batches fast and easy. I have yet to yield images so good i will actually want to spend time perfecting them. for now i just want an easy way to turn raw files into tiffs or jpegs with some standard or completely auto mode. i can do it in camera but it is time consuming.
and you cant convert raw to jpeg or tiff in iphoto, right?
best regards, Joakim
p.s. and thank you who will answer this...i can't find the answer anywhere...tried for a whole day... d.s.do you know if the raw files are some way made more compact when you shut down aperture? cause i mean, +20MB for a pic is a lot of space on the hard drive vs. 5MB for a jpeg or so...of course keeping your raws would be the optimum if they simply don't take that much more space than a jpeg... how does aperture do it? are the files "zipped" when not in use?
No, the size of the files doesn't change, Aperture doesn't compress or otherwise alter the masters.
and in either case, can you put the aperture archive/library somewhere else than on your local HD, like a portable 1 TB HD? mine is only 250 Gb or so and running low...
This is doable and most people running on laptops use this method in one form or another. The best results are obtained by keeping the library on the internal HD but storing the masters on an external HD. The masters in this case are referred to as 'referenced' (when the masters are in the actual Aperture library they are referred to as 'managed' )
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There has been much written about this type of setup here in the discussions. Searching the list here should get many articles discussing this topic with lots of very good advice. Also spend some tim with the User manual, Apple did a good job with it and the fist few sections really explain the various bits of the library and the different ways to set it up.
As i wrote in my first question, is there an easy way to adjust the values of a 100 raw files automatically?
To adjust a large number of images try this: Select one image and adjust it as you like. Then select Metadata->Lift Adjustments, a HUD will open. Now select the other 99 images and in the HUD that opened select Stamp Selected Images, all those 99 images will now have the adjustments you applied to the first image.
Again this is all covered in the manual.
Good luck -
With LR4, I can't select a Pentax lens for my Pentax camera
I have a Pentax SLR (Pentax *ist DS) with a Pentax lens (smc PENTAX-DA*50-135mm F2.8 ED [IF] SDM) but LR4 does not allow me to choose manually this Pentax lens when I have taken in Jpeg mode.
The Pentax brand don't appear while the uncompatible brands as Apple, Nikon, Canon or Sony appear in the proposed list.
The brand Pentax is explicitly in the EXIF informations.
This is a bugPentax themselves provide the profiles. A full list is here:
http://helpx.adobe.com/x-productkb/multi/lens-profile-support-lightroom-4.html
That lens is listed. Most profiles are created for Raw files, not for JPEG. -
My Tamron 10-24 is listed as Unknown Lens
Any way to fix this?
Details are:
Lightroom version: 5.3 [938183]
Operating system: Windows 8 Business Edition
Version: 6.2 [9200]
Application architecture: x64
System architecture: x64
Camera Pentax K5 WIth latest Firmware 1.16
Shooting Format - DNG
Info from EXIF tool:
Lens Type : Tamron SP AF 10-24mm F3.5-4.5 Di II LD Aspherical [IF]
Lens ID : Tamron SP AF 10-24mm F3.5-4.5 Di II LD Aspherical [IF]
Amy Ideas? I've copied the full output of exif tool below in case other lines help someone smarter than me in this are.
Thanks, Jim
ExifTool Version Number : 9.54
File Name : _K5_0175.DNG
Directory : D:/Photos/2014/2014-03-23
File Size : 25 MB
File Modification Date/Time : 2014:03:23 09:49:46-07:00
File Access Date/Time : 2014:03:23 10:48:26-07:00
File Creation Date/Time : 2014:03:23 10:48:26-07:00
File Permissions : rw-rw-rw-
File Type : DNG
MIME Type : image/x-adobe-dng
Exif Byte Order : Big-endian (Motorola, MM)
Make : PENTAX
Camera Model Name : PENTAX K-5
Orientation : Horizontal (normal)
Software : K-5 Ver 1.16
Modify Date : 2014:03:23 09:49:44
Artist : JIM CRUICKSHANK
Image Width : 4992
Image Height : 3284
Bits Per Sample : 14
Compression : JPEG
Photometric Interpretation : Color Filter Array
Strip Offsets : 162048
Samples Per Pixel : 1
Rows Per Strip : 3284
Strip Byte Counts : 24742950
X Resolution : 300
Y Resolution : 300
Planar Configuration : Chunky
Resolution Unit : inches
CFA Repeat Pattern Dim : 2 2
CFA Pattern 2 : 2 1 1 0
CFA Layout : Rectangular
Black Level Repeat Dim : 2 2
Black Level : 0 0 0 0
White Level : 15864
Default Scale : 1 1
Default Crop Origin : 22 10
Default Crop Size : 4928 3264
Bayer Green Split : 0
Anti Alias Strength : 1
Subfile Type : Reduced-resolution image
Primary Chromaticities : 0.64 0.33 0.21 0.71 0.15 0.06
Y Cb Cr Coefficients : 0.299 0.587 0.114
Y Cb Cr Sub Sampling : YCbCr4:2:2 (2 1)
Y Cb Cr Positioning : Co-sited
Copyright : Jim Cruickshank
Exposure Time : 1/50
F Number : 4.5
Exposure Program : Creative (Slow speed)
Date/Time Original : 2014:03:23 09:49:44
Create Date : 2014:03:23 09:49:44
Flash : Off, Did not fire
Focal Length : 24.0 mm
Sensing Method : One-chip color area
Custom Rendered : Normal
Exposure Mode : Auto
Focal Length In 35mm Format : 36 mm
Scene Capture Type : Standard
Subject Distance Range : Close
GPS Version ID : 2.3.0.0
DNG Version : 1.1.0.0
DNG Backward Version : 1.1.0.0
Unique Camera Model : PENTAX K-5
Color Matrix 1 : 0.963470459 -0.4771881104 -0.07902526855 -0.34
95941162 0.9834136963 0.4286651611 -0.01779174805 0.03717041016 0.6799163818
Color Matrix 2 : 0.8302001953 -0.2508850098 -0.1111907959 -0.39
95361328 1.230117798 0.1880645752 -0.09773254395 0.1713256836 0.6513366699
Analog Balance : 1 1 1
As Shot Neutral : 0.4848484848 1 0.5541125541
Baseline Exposure : -0.5466766357
Baseline Noise : 1
Baseline Sharpness : 1
Linear Response Limit : 1
Pentax Version : 7.0.0.0
Pentax Model Type : 0
Preview Image Size : 640x480
Preview Image Length : 33984
Preview Image Start : 35680
Pentax Model ID : K-5
Date : 2014:03:23
Time : 09:49:44
Quality : RAW
Flash Mode : Off, Did not fire; Internal
Focus Mode : AF-S (Focus-priority)
AF Point Selected : Auto
ISO : 3200
Exposure Compensation : 0
Metering Mode : Multi-segment
Auto Bracketing : 0 EV, No Extended Bracket
White Balance : Auto
Saturation : Normal
Contrast : Med High
Sharpness : Med Hard
DSP Firmware Version : 1.16.26.29
CPU Firmware Version : 1.16.26.29
Effective LV : 5.1
Picture Mode : Auto Program (Shallow DOF); 1/3 EV steps
Drive Mode : Single-frame; No Timer; Shutter Button; Single
Exposure
Sensor Size : 24.122 x 15.976 mm
Color Space : Adobe RGB
Image Area Offset : 22 10
Raw Image Size : 4928x3264
Preview Image Borders : 28 28 0 0
Lens Type : Tamron SP AF 10-24mm F3.5-4.5 Di II LD Aspheri
cal [IF]
Camera Temperature : 16 C
AE Lock : Off
Noise Reduction : Off
Flash Exposure Comp : 0
Image Tone : Bright
SR Result : Stabilized
Shake Reduction : On (7)
SR Half Press Time : 1.72 s
SR Focal Length : 24 mm
Shutter Count : 10161
Faces Detected : 0
Face Position : 0 0
Raw Development Process : 8 (K-5,K-5II,K-5IIs)
Hue : Normal
White Balance Auto Adjustment : On
Tungsten AWB : Subtle Correction
Dynamic Range Expansion : Off
World Time Location : Hometown
Hometown DST : No
Destination DST : No
Hometown City : Vancouver
Destination City : Vancouver
High/Low Key Adj : 0
Contrast Highlight : 0
Contrast Shadow : 0
Contrast Highlight/Shadow Adj : Off
Fine Sharpness : Off; Normal
High ISO Noise Reduction : Medium; Active (Medium)
AF Adjustment : 0
Monochrome Filter Effect : None
Monochrome Toning : None
Face Detect : Off; 0 faces detected
Face Detect Frame Size : 0 0
Shadow Correction : Off
ISO Auto Parameters : Standard
Distortion Correction : Off
Chromatic Aberration Correction : Off
Vignetting Correction : Off
Bleach Bypass Toning : Off
Black Point : 0 0 0 0
White Point : 16896 8192 8192 14784
Picture Mode 2 : Auto PICT
Program Line : MTF
E-Dial In Program : Tv or Av
Aperture Ring Use : Permitted
Flash Options : Normal
Metering Mode 2 : Multi-segment
AF Point Mode : Auto
Focus Mode 2 : AF-S
AF Point Selected 2 : Auto
ISO Floor : 100
Drive Mode 2 : Single-frame
Exposure Bracket Step Size : 0.3
Bracket Shot Number : n/a
White Balance Set : Auto
Multiple Exposure Set : Off
Link AE To AF Point : On
ISO Auto : On
AE Exposure Time : 1/47
AE Aperture : 4.6
AE ISO : 2934
AE Xv : 0
AEB Xv : 0
AE Min Exposure Time : 1/7723
AE Program Mode : Shallow DOF Program
AE Aperture Steps : 0
AE Max Aperture : 4.4
AE Max Aperture 2 : 4.6
AE Min Aperture : 32
AE Metering Mode : Multi-segment
Flash Exposure Comp. Setting : 0
Level Indicator : 252
Nominal Max Aperture : 4.8
Nominal Min Aperture : 32
Max Aperture : 4.6
AE Metering Segments : 2.5 2.8 4.1 4.4 4.6 4.9 5.0 5.0 4.8 4.6 4.1 3.
3 3.1 3.9 4.3 3.8 4.9 4.5 4.8 4.3 3.9 3.9 4.4 3.9 3.9 3.9 4.1 5.5 5.6 5.3 5.0 4.
5 4.3 3.5 2.9 3.5 3.9 3.9 4.1 3.9 3.9 4.3 4.3 3.8 2.8 1.9 3.1 3.8 4.8 5.0 4.9 4.
0 4.1 3.4 4.0 3.4 3.1 3.3 3.5 3.9 4.8 3.9 2.8 2.8 2.5 3.3 3.0 2.9 3.4 3.6 2.6 2.
4 2.1 2.1 2.5 2.3 2.8
Flash Metering Segments : 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
Slave Flash Metering Segments : 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0
0 0 0 0 0 0 0 0 0 0 0 0 0 0
Manufacture Date : 2010:10:18
Production Code : 2.1
Internal Serial Number : 17038
Power Source : Body Battery
Body Battery State : Full
Body Battery Voltage 1 : 7.58 V
Body Battery Voltage 2 : 7.25 V
Body Battery Voltage 3 : 7.84 V
Body Battery Voltage 4 : 7.45 V
AF Predictor : -1
AF Defocus : 0
AF Integration Time : 30 ms
AF Points In Focus : Center (horizontal)
Kelvin WB Daylight : 5205 0 2.088134765625 1.4703369140625
Kelvin WB 01 : 2500 0 1.140869140625 2.8192138671875
Kelvin WB 02 : 2630 0 1.2059326171875 2.6483154296875
Kelvin WB 03 : 2780 0 1.2783203125 2.4813232421875
Kelvin WB 04 : 2940 0 1.352294921875 2.331787109375
Kelvin WB 05 : 3130 0 1.435791015625 2.1839599609375
Kelvin WB 06 : 3330 0 1.5185546875 2.054931640625
Kelvin WB 07 : 3570 0 1.6116943359375 1.9281005859375
Kelvin WB 08 : 3850 0 1.711669921875 1.8084716796875
Kelvin WB 09 : 4170 0 1.8157958984375 1.69970703125
Kelvin WB 10 : 4550 0 1.9266357421875 1.597900390625
Kelvin WB 11 : 5000 0 2.0418701171875 1.504638671875
Kelvin WB 12 : 5560 0 2.164794921875 1.416748046875
Kelvin WB 13 : 6250 0 2.29052734375 1.3365478515625
Kelvin WB 14 : 7140 0 2.4205322265625 1.26318359375
Kelvin WB 15 : 8330 0 2.5526123046875 1.196044921875
Kelvin WB 16 : 10000 0 2.6844482421875 1.13525390625
WB Shift AB : 0
WB Shift GM : 0
EV Steps : 1/3 EV Steps
Sensitivity Steps : As EV Steps
Camera Orientation : Horizontal (normal)
Serial Number : 3842570
Level Orientation : Horizontal (normal)
Composition Adjust : Off
Roll Angle : 2
Pitch Angle : -6.5
Composition Adjust X : 0
Composition Adjust Y : 0
Composition Adjust Rotation : 0
WB RGGB Levels Daylight : 17257 8192 8192 13072
WB RGGB Levels Shade : 20620 8192 8192 9756
WB RGGB Levels Cloudy : 18594 8192 8192 11177
WB RGGB Levels Tungsten : 10371 8192 8192 24250
WB RGGB Levels Fluorescent D : 21309 8192 8192 12598
WB RGGB Levels Fluorescent N : 18270 8192 8192 14019
WB RGGB Levels Fluorescent W : 16609 8192 8192 17334
WB RGGB Levels Flash : 19567 8192 8192 12030
WB RGGB Levels Fluorescent L : 13895 8192 8192 21692
WB RGGB Levels User Selected : 17257 8192 8192 13072
Contrast Detect AF Area : 0 0 0 0
Camera Temperature 2 : 16.1 C
Camera Temperature 3 : 16.1 C
Camera Temperature 4 : 16 C
Camera Temperature 5 : 16 C
Calibration Illuminant 1 : Standard Light A
Calibration Illuminant 2 : D65
Aperture : 4.5
CFA Pattern : [Blue,Green][Green,Red]
Image Size : 4992x3284
Lens ID : Tamron SP AF 10-24mm F3.5-4.5 Di II LD Aspherical [IF]
Preview Image : (Binary data 33984 bytes, use -b option to ext
ract)
Scale Factor To 35 mm Equivalent: 1.5
Shutter Speed : 1/50
Circle Of Confusion : 0.020 mm
Field Of View : 53.1 deg
Focal Length : 24.0 mm (35 mm equivalent: 36.0 mm)
Hyperfocal Distance : 6.39 m
Light Value : 5.0
-- press any key --Thanks Tony,
Yes the supplied profile works - in my test shots it corrects distortion and vignetting nicely - but it is a pain to have to pick the proffile by hand for each shot.
My real issue is Lightroom not correctly identifying the lens and listing it as "Unknown" in the meta data. Was hoping there was a way to teach lightroom to recognize it - or a config file to hack to make it recognize the lens.
For testing puposes I changed the raw format of my Pentax from DNG to PEF but got the saame result.
Anyone else have ideas?
Jim -
Is it just me or I don't have Pentax in Lens Correction tab in the Develop Module of LR4? How can I add it like it was in LR3?
I was running into the same issue with the correct lens not being shown. I have a Nikon D7000 with a Sigma 17-50 F2.8 lens. When I went into the Lens Corrction Panel my specific model wasn't showing up. Normally when I import my photos I "Copy to DNG" to keep the files organized better. So I imported a photo as a .NEF and what do you know, the lens auto detected without any issues. From this I found a workaround so I can keep using the .DNG format and have the correct lens adjustments.
*** Work Around ***
Import a photo as a RAW .NEF (or whatever your camera creates)
Open the "Lens Correction" in the Develop Panel and ensure the lens you use is selected
Save the settings as a "User Preset" under the Develop Panel
Open the Import Window and select "Apply During Import"
Select the "User Preset" that was created
Select "Copy to DNG" as the import type
Once the preset has been set on import it will apply the setting and then convert the file to a .DNG with the settings applied. So at that point if you go to the Develop Panel and choose Lens Correction, the correct lens will show up in the list with it's adjustments. -
Hello,
I have noticed since some LR revision that we have a problem in automatic lense detection(even in raw) with the pentax K-5 and some lens :
pentax SMC DA 18-55 3.5-5.6 AL WR : DNG ok, PEF ok
pentax SMC DA 50-200 4-5.6 ED WR : DNG ko, PEF ko
pentax SMC DFA 100 2.8 macro WR : DNG ko, PEF ko
for those ko lens if I chose pentax in manufacturer list it detects the correct lens model.
In can supply images if you need to correct those bugs.
RegardsMy first question is why are you converting to DNG before importing into Aperture? It appears that Aperture should support the RAW files from that camera.
Second question is how familiar are you with the whole concept of RAW images? You realize that none of the camera settings (apart from shutter speed and aperture) affect the digital RAW file.
One of the strengths and reasons for shooting RAW is the ability to adjust white balance after the shoot. JPG images are extremely limited in their ability to have there white balance adjusted.
RAW conversion software is as much art as science, which is why no two RAW conversion programs will render an image in exactly the same way.
So I would first eliminate the DNG step and then see how that affects the workflow.
regards -
Profile in Lightrooom 3.6 for Sigma 10-20 mm 1:4-5.6 DC for use on Pentax K5 Camera
When goiing to lens-profiles in Adobe Lightroom 3.6
The Sigma 10-20 1:4-5.6 DC lens is not recognised.
Of the programmed Sigma Lenses a 12-24 mm lens is the most nearby.
Can Adobe create further profiles for the above and other common
used lenses to come with a Lightroom update ?
Or do I have to contact Sigma ?
How to proceed ?
macneschHere are the steps I can take to choose a Pentax fit Sigma 10-20/f4-5.6 EX DC on one of my RAW files (from an A77 incidentally but I think I can select any combination of Lens/Camera, as long as the lens profile is somewhere in LR 3.6.
1) Open the file
2) Get to the Develop module
3) Make sure the Lens Corrections section is enabled (near the bottom of the right sidebar)
4) Click on Profile (not Manual)
5) Click on Enable Profile Corrections (so the box is ticked)
6) Make sure set up is Default
7) Choose Make as Sigma
8) Choose Model as SIGMA 10-20 F4-5.6 EX DC/HSM
9) Choose Profile as Adobe (SIGMA 10-20 F4-5.6 EX DC/HSM, PENTAX)
and that's it done!
Perhaps you are following these steps and not seeing the correct profiles in the lists for steps 8 and 9. This might be the case if you are trying to adjust a JPG file. I only get a limited list of Sigma lenses for JPG files and I suspect this might be your problem. If you are trying to adjust a RAW file then I'm not sure how to install the full set of profiles as the Lightroom installation did this for me.
If the JPG is indeed what is causing your problem, I read somewhere that the lens correction files (.LCP files somehere on your computer) are "merely simple XML files" and a RAW profile can be edited to apply to JPG files as well. However, this is way beyond my level of expertise. Perhaps there is a thread elsewhere on the forum that explains how to do this....
Good luck!
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