NTSC Monitor

Can I use the Apple Mini-DVI to Video Adapter,
Part Number: M9319G/A, and set FCP Audio/Video Settings to view the canvas on an NTSC monitor?

The digital to analog conversion that takes place in most camcorders, VTRs or converters is pretty much the same - the quality difference would be the same.
When you set FCP to view "External Video," you're seeing the output of FCP's Canvas or Viewer (depending on which is active). You will not see unrendered clips unless they'll play in RT .. if they are unrendered and playback in RT, you'll see the unrendered version. You will not see what something might look like - such as MPEG-2 encoding ... Firewire output isn't a crystal ball.
Keep in mind that FCP's Canvas window only displays a proxy of the full quality, which is another reason to be viewing on an external TV monitor.
-DH

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Viewing FCP on NTSC MONITOR

In my days with PC I used to watch my timeling in Premier Pro on my NTSC monitor. I had a Matrox card with an outbox and connected the svideo out on the box to my monitor.
Now in the Mac Pro I have dual outputs on my ATI Raden card and all I get on my NTSC is a duplicate screen.
Is there no way to do this? No one at Apple is of any help with this.'
Thankds
bobby43

There are plenty of A/D converters on the market, but they have nothing to do with the DVI ports. Those will just give you a second monitor to mirror or extend your computer display.
What camera are you using? Most will convert the signal (FW to the camera, analogue out of the camera to the monitor) but there are some preferences in FCP that you have to set.
For converters, check out the line from Canopus.
rh

Video Output to NTSC monitor

I recently got new furniture, so of course, I unhooked everything and moved it around, and now, for some reason, I can't see video on my NTSC monitor. I know everything is hooked up correctly because I can log and capture and see video on the monitor; the video captures correctly with audio and everything. But when watching video in the timeline, there's nothing happening on the monitor. Any suggestions? Has this happened to anyone else?
I have switched out firewire cables, rebooted the computer, etc. I'm so confused!

#8 External Monitor Viewing.
Shane's Stock Answer #8:
A simple path is mac > firewire > camera or deck > rca cables > tv
Then start up your camera and tv, then open fcp.
Then go View > External video > all frames
Video playback should be Apple firewire NTSC (If you are using an NTSC set)
Audio playback should be Audio follows Video
Techinially, this should send synched video to your TV
If for some reason you can't view your timeline on your external monitor, there are a few things to try:
1) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.
2) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.
3) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.
4) Click in the % box above the image and select FIT TO WINDOW.
5) Go to VIEW->refresh A/V devices
6) Make sure the Log & Capture window is closed
If you want it to play in both the canvas and the external monitor you need to go to the FINAL CUT PRO menu and select AUDIO/VIDIO settings and make sure MIRROR ON DESKTOP is selected under the PLAYBACK OUTPUT section
Shane

Aspect ratio of NTSC monitor display

We're working on a FCP 4.5 project that's shot 16:9, and displays with the correct widescreen aspect in the canvas window (so long as pixels are displayed square). However, when I run mirrored video through a Sony DSR11 deck to an NTSC monitor, the picture appears stretched vertically (to fill the screen). How can I correct the aspect of the display in the monitor?
Thanks
Matt Clifton

If I read right the poster is working anamorphic and wants to monitor it properly. Anything that creates a letterboxed display on 4:3 (including a deck conversion will not be monitoring the true signal. It will be a downrezzed and substantially mashed version.
If you need to truly monitor anamorphic output, just "anamorph" the monitor - see above.

Firewire out to NTSC monitor.....no luck

I've tried the things suggested on this board and I have no luck getting video out to my NTSC monitor. When I go to View -> Video playback, I only get two choices, "none" or "digital cinema desktop preview - main". When I selectr "external video -> All Frames, the setting doesnt stick.
I have my MacPro's Firewire going to the DV input of my DVD recorder and the analog outputs to the monitor. Could it be that FCP simply doesn't recoginze my DVD recorder as a device? Hopefully I'm just missing something here.

Chris, I've tried to do what I think you're doing now, with a different objective - getting my FCP sequence to record directly via FireWire to my Samsung DVD recorder. And that didn't work either. I think the reason is for External Video to see a DV signal, it has to be both DV in and out. Since the DV FireWire cable you're hooking up to your DVD Recorder does not allow FCP to receive a DV signal, FCP is not recognizing the Recorder as a DV source. Does that make sense? I think you need to do as Jerry suggessts and get a DV deck or camera - I've seen JVCs selling for under $200!

IMac Extended desktop & NTSC Monitor possible?

Is there a method to jointly connect a second VGA monitor for extended desktop support along with a NTSC monitor (TV) via S-Video?

duane i beg to differ. heres a download for most newer macs to do it. http://www.rutemoeller.com/mp/ibook/ibook_e.html although be warned applecare will not cover anything screenspanning doctor screws up. not that it has. i have used it on my imac for about 5 months and my youth directors ibook g4 1ghz. its great

Viewing on external NTSC monitor

Here is my setup, I have a Dual 2.7 GHz G5 with a X800XT 256 MB video card with ADC and DVI outs. I had an older card in there with 2 DVI's connectors and one of them had a DVI to Video Adapter to the NTSC and all was fine.
When I got the new video card I had to plug the LCD into the DVI connector and I installed an older ATI Radeon PCI card to runt he NTSC monitor. Not sure what model the the older card is but it does have an svideo out and DVI out. I have tried with the NTSC monitor plugged into the DVI connector with the DVI to Video adapter and plugged directly into the svideo out. Plugged into the DVI and adaptor the video is distorted and unusable plugged in directly to the Svideo port the video works fine but I can't get Final Cut or anything else to recognize it as the NTSC video out device.
My thought is that either the PCI card I have is too old for the Apps to recognize it, or that the Apps with only work with the primary AGP graphics Card.
Has anyone else had this problem? and is there an easy solution?
I have a ADC to DVI adaptor on order to give my new video card dual DVI outputs hopping that will fix the issue.
thanks
Ken

Easy solution...don't do this. Route the signal thru your deck or camera:
#8 External Monitor Viewing.
Shane's Stock Answer #8:
A simple path is mac > firewire > camera or deck > rca cables > tv
Then start up your camera and tv, then open fcp.
Then go View > External video > all frames
Video playback should be Apple firewire NTSC (If you are using an NTSC set)
Audio playback should be Audio follows Video
Techinially, this should send synched video to your TV
If for some reason you can't view your timeline on your external monitor, there are a few things to try:
1) Make sure that the camera/deck is connected and powered on BEFORE you open FCP.
2) In the Final Cut Pro menu select AUDIO/VIDEO Preferences and make sure your signal is being sent out thru Firewire DV.
3) Go to the menu and select VIEW>EXTERNAL>ALL FRAMES.
4) Click in the % box above the image and select FIT TO WINDOW.
5) Go to VIEW->refresh A/V devices
6) Make sure the Log & Capture window is closed
If you want it to play in both the canvas and the external monitor you need to go to the FINAL CUT PRO menu and select AUDIO/VIDIO settings and make sure MIRROR ON DESKTOP is selected under the PLAYBACK OUTPUT section
Shane

Livetype to External NTSC Monitor

Is it possible to view Livetype 1.2 on an NTSC monitor?
Thanks,
Jon

If your camcorder doesn't support analog-digital passthrough, you will need an analog-digital converter like the Canopus ADVC-110 to connect your NTSC monitor to your Mac. You'll connect via FireWire from your Mac to the converter, and analog (composite or s-video + audio) from the converter to your NTSC monitor.

FCP to NTSC monitor solution help required

Greetings,
Please forgive me, this is my first foray into owning a Mac.
I am getting started with Final Cut Pro, and am looking for a good way to capture analog sources, and output my FCP timeline to an NTSC monitor. My monitor takes RGB and component, and I would like to use one of those if possible.
I have looked into the AJA Kona cards, and they seem a little too robust for my needs. I won't be capturing HD SDI any time soon. The blackmagic solutions seemed interesting, the Decklink SP looked good, and the Intensity looked OK too, but I haven't seen too much talk on them. Are their any other solutions people are using to monitor their timelines? Currently I am just working with plain old DV.
Thanks so much for your advice,
David

The Intensity Pro may be just right for you with your Mac Pro. Very reasonably priced. I have the HDMI only Intensity card and it is nice. Not sure of all connections packaged with the Pro model, but good stuff. Intel units only for this product.
AJA is an awesome company and great products. I have the LHe and the tech support is the best. Like anything you do get what you pay for.
Good Luck
Z1&V1user

FCP 4: NTSC monitor image FROZEN/movie plays JITTERY in canvas window.

Hey guys. This started yesterday. Every time I hit play, the image from the frame I began playing at on the timeline remains frozen on my NTSC monitor, while the movie plays jittery, roughly, totally unsmoothly in the canvas window. I'm pretty sure I've tried all of Shane's answers, but right now I'm stuck. Any help is immensely appreciated.
PowerPC G4 Mac OS X (10.3.9)

Shane's stock answers addresses this, but make sure
that under the View mene that you are set to "All
Frames" and not "Single Frame"
Yeah, I had that covered from the beginning, but this sucker is stuck on whatever frame I begin to play from.
Powerbook G3 Pismo 500 Mac OS X (10.3.7)
Powerbook G3 Pismo 500 Mac OS X (10.3.7)

Preview on NTSC monitor

Since Compressor uses FCP for the Preview window, would it be possible to have the preview also show on an NTSC monitor via firewire?

From what I can tell it does. Open FCP and send compressor a clip. Make sure you see the clip in the Compressor preview window. Now go back to FCP. There is a small window open that tells the frame number Compressor is looking at, and says "close Compressor Preview to cancel." I can't use FCP until I close the Compressor preview window.

DVD Quality: NTSC monitor vs. Computer Monitor/Plasma

I have created a DVD, and I am having an issue with the quality.
When viewed on an NTSC monitor (i.e. my television) everything looks great. When viewed on a computer (various Macs PCs) the custom menu background looks horrible, and the video looks horrible as well.
Everything looks great when putting it together, but when the disc is created the quality suffers.
Since the majority of the people who will view the DVD will be using a computer, does anyone know how to create the DVD so that it looks great for computer users?

Brian,
I'm sorry that your question got subverted. You are new to the forum, and the forum is usually a place you can come to and get help. Your original question: I have created a DVD, and I am having an issue with the quality. is a good question that has come up, over and over, on the forum since the begining of iDVD.
DVDs, as they stand now, were designed to be viewed on TV sets - not computer monitors with much higher resolution than a TV set. Some day soon (perhaps) we will be able to create and view higher resolution discs using new technology that I'm sure will look great on HD TV sets and computer monitors. Until that time, enjoy looking a the DVDs you make on a TV set or less than full screen on a computer monitor. It will be a great video creation learning experience for you and you will be all ready to go when the new technology arrives.
Keep asking questions on the forum - that's the way we ALL learn.

Connecting to NTSC monitor via component connection

I'm getting ready to add an NTSC monitor to my home editing system and I want to connect via the RGB for the best color correcting results. I don't want to go through a deck - mostly because I don't own one and none of my cameras do a component signal out. Anyone have any thoughts on the best means of getting an RGB signal out of FCP to an NTSC monitor?
G4 mirror door dual 1 ghz Mac OS X (10.3.9) fcp 4.5

New Discussions ResponsesThe new system for discussions asks that you take the time to mark any posts that have aided you with the tag and the post that provided your answer with the tag. This not only gives points to the posters, but points anyone searching for answers to similar problems to the proper posts. When you mark a post with the tag, it will also mark the thread as Answered. If you receive the solution or answer to your question outside of the thread, then, and only then, at the top of the thread, mark the thread as Answered. This will mark the thread as Answered without marking an individual post as .
If we use the forums properly they will work well...

SIlly NTSC monitor question

This may be a silly question but,
When viewing footage on an NTSC monitor, my footage looks quite different than it does in FCP on the computer screen. If I do color correction just based on the NTSC monitor for DVD output, will that DVD look the same once played on a regular DVD/TV and played on a computer's DVD player?
I ask because when I'm viewing footage on my NTSC monitor, it looks way different on my computer screen and I want my DVDs to look good whether they are played on a regular TV dor though a computer's DVD player.
Thanks

Now you've done it-- opened a whole can o' worms. Lots to consider:
Is your monitor truly a monitor, properly calibrated and set up? Will you be looking at the dvd on the same monitor? Are all the sets to be used for playback set up the same?
The idea of a properly calibrated monitor is that your show should look the same on your monitor as on any other properly calibrated monitor. But that's as far as it goes. There's no accounting for anyone else's tv set. Often manufacturers paint them "hot" and then people crank them even more to overcome less than ideal viewing conditions. So you're doubly hosed from the moment is leaves your hands.
The best you can do is create a show that looks good on a properly set up system and hope for the best.
But don't just rely on the monitor-- learn and use the scopes too.
And then there is the current manufacturers situation with monitors themselves. The industry is in a mess right now, transitioning to lcd-- none of which look really good. I hope Zebulon chimes in here-- a professional engineer who will tell you horror stories if he's in the mood.
And back to your original concern, do not trust your computer monitor in FCP for accurate color or much of anything else except your edits.

External NTSC Monitor - 4:3 and 16:9 Question

I'm trying to find a configuration setting in FCP 5.0 when outputting to an external NTSC monitor that will force the image to "letterbox", rather than crop to 4:3.
I have a nice Sony NTSC monitor, but it's not the model that allows switching between 4:3 and 16:9 aspect ratios, unfortunately.
I don't want to have to replace this monitor at this time.
I see in the latest version of After Effects I can force the image to "letterbox" in the external monitor. I tested it, and it works perfectly.
Ironically, PhotoShop CS3 does NOT allow you to letterbox your preview to an external monitor. A widescreen formatted file appears cropped in my monitor.
So, my question is can I do this in FCP 5.0? Why am I stuck with a cropped image from a 720x480 aspect ratio? Is there a setting somewhere that will force the preview to letterbox on my monitor?
On a similar note, what will we use to replace NTSC monitors if you're shooting and editing HD?
Thanks so much.

FCP will not unsqueeze the image for you...you need a monitor that has this option.
what will we use to replace NTSC monitors if you're shooting and editing HD?
And HD monitor. But then you need some sort of HD capture card or output device (unless you are working with DVCPRO HD)...even HDV. And then you will need an HD monitor. The cheapest solution might be the Decklink Intensity and small HDTV...the intensity has HDMI out. But this only works if you have a MacPro. The MATROX MXO is next, and it connects via DVI. It can output a signal to an HDTV (component), or to an Apple Cinema Display or Dell 24" Display. That gets you broadcast quality on a computer monitor...believe it, or not!
http://library.creativecow.net/articles/ross_shane/MXO.php
Shane

NTSC Monitor

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