Numbers Wish List

Has anyone (other than the secretive Apple development people) compiled a wish list for the next and future versions of Numbers? I love the program, but there are a lot of missing pieces that form my own wish list. If anyone knows of someone who is trying to compile this kind of list, please post a link here. In the meantime, here is my hit parade of missing features (in no particular order):
1. Scripting or macros. It doesn't have to be Applescript or VBscript or any particular familiar one; just SOME way to write scripts in Numbers.
2. Named ranges that can be referenced instead of literal ranges. For instance, some way to use "my list" instead of "B13:b973" or whatever.
3. Variable substitution in conditional expressions. Here is an example of what is bothering me:
=COUNTIF($P$3:P$57,">=0")-COUNTIF($P$3:$P$57,">10")
Notice that the conditions (>=0 etc.) have to be quoted. This means that you can't use a cell reference inside the conditional, which also means that you can't systematically replicate this kind of expression (in this case, it is part of my laborious, manual histogram routine).
4. A histogram routine, hopefully one that improves on the one in Excel. OpenOffice does a better job than Excel, but it still requires manually structuring the bin expressions. Of course if you could solve the scripting and conditional issues, you would easily solve this one too...
5. An intuitive use of column headers in sorts. Excel users know that if you highlight a set of numbers which has a set of column labels above the numbers, those labels can be used as sort keys. Instead of saying to sort on column T, you say to sort on Total or whatever. A small thing, but annoying...
I have submitted these things and more to Apple, but that is a black hole; you never know whether they heard you, whether they care, etc. Anyone else have a gripe/wish list you would like to share? If there is enough interest I might try to collect and publish a prioritized list that could be submitted to Apple as a kind of friendly "class action" and might get some attention.
JEH

I wiished to show that your affirmation:
This means that you can't use a cell reference inside the conditional
was wrong. We may use a cell reference inside the conditional (it's only true that we can't do that in all of them). Matching an equality IS a conditional.
In your original question, you where not asking about multiple conditions as you did in your new message.
The unability to use a multiple condition was described many times and, as every user of the forum, you are urged by yhe Help and Terms of use to:
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to treat your late sample the well known soluce is to use an auxiliary column (D for instance)whose formula would be
=AND(C<=A$1,C<B$1)
then the countif formula would be
=COUNTIF(C,TRUE)
Yvan KOENIG (from FRANCE vendredi 4 juillet 2008 10:18:24)

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    John Bertram
    Toronto

    should add ability to scan directly to iphoto.
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  • I have a wish list in my itunes on my pc but it is not on my itunes on my ipad2.  When I scroll down my movies tab it is not under quick links---- where did it go?

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    To my knowledge, the wish list has never been in the iTunes app. It certainly isn't now. You can comment to Apple here:
    http://www.apple.com/feedback/

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    I like the look, the feel, and the functionality of CS5.5.  It’s not quite Apple-slick, but it’s very much at home on a Mac.  Overall, it’s an upgrade to FCP7 and a very strong alternative to FCPX.  I have high hopes for CS6.
    But this is not a comprehensive review.  It is just a list of negatives:  my gripes, wishes, and personal preferences.  My list of positives would be much longer, but my concern right now is with CS6 and the improvements that I hope it delivers.  As I am new to Premiere, it's quite possible that I am mistaken about certain functionalities or lack thereof, but I thoroughly researched each point in the help docs and forums before posting this.
    My primary system is a 3.2 GHz iMac 21” (2010) with 8 GB RAM, 512MB VRAM (ATI Radeon HD), running Mac OS X 10.7 with external Firewire 800 drives and a DisplayPort-to-HDMI external display.
    MAJOR ISSUES
    Hardware acceleration support for ATI GPUs
    There are rumors that Apple will be switching back to nVidia, but all recent iMacs have ATI and only ATI cards.
    Background rendering (or at least improved rendering options)
    Background rendering is probably FCPX’s most impressive feature and Adobe needs to catch up.  However, even if true background rending can’t be achieved, there should be an auto-render option (after a set idle time), partial rendering (if you cancel a render, keep everything that has been rendered up until that point), and more render options (e.g. render all and render selected). Regarding that last point, I think the whole work area concept should be dropped.  It makes sense for other apps, particularly for animation, but it just gets in the way of more important timeline functions while offering little functionality beyond being a clumsy way to control the area to be rendered.  At the very least, have a way to hide it.
    Full-screen preview
    Maximizing the program frame just isn’t the same (although the grave accent key function may be reason enough to switch to Premiere).  Full-screen preview isn’t just a nifty function for demo-ing sequences.  It’s a big part of the way I work.
    DisplayPort/Thunderbolt out to HDMI
    It may be that a third-party card is required for proper color correction on an external display, but there’s no reason this feature shouldn’t exist.
    Thumbnail images/show frames bug
    This one drives me crazy. I’ve tested this on 3 different Mac systems with various hardware configurations. Thumbnail images in the bins and frame images in the timeline seem to be recreated every time a project is opened, even though the thumbnail image files in the media cache folder don’t actually appear to get rewritten. It’s as if there is no cache at all (even for the most recently viewed bins and timelines segments).  It can’t be an intentional functionality for saving hard drive space because the cache files continue to take up more and more space.
    Open multiple projects simultaneously
    I know that you can cut and paste between projects but being able to open multiple projects at the same time is a very useful feature of FCP7.
    Magic Mouse/Magic Trackpad scrolling
    Premiere Pro is a cross-platform system and impressively so, but there need to be a few Mac-specific interface adjustments, the most important of which is support for the Magic Mouse and Magic Trackpad scrolling.  I use a Magic Mouse.  (It’s an irritating device sometimes, but once you get used to it, it’s hard to live without it.)  When I’m in a window, I expect a flick up or down to scroll up or down -- in every situation, every time, including the timeline.  Unless I stop using all other Mac apps, I will never get accustomed to the timeline suddenly flying left or right when I want to scroll up or down. Also, here’s a chance for Adobe to fix a problem that FCP7 shared:  When you scroll up or down in the effect control window using the mouse, the drop-down effect controls sometimes twirl all over the place if the mouse happens to float over them. As it is, it very easy to throw settings into random disarray without even realizing it just by scrolling through the pane.
    The timeline:  selection indication, icons, and general improvements
    It is very difficult to discern at a glance what, if anything, is selected in the timeline. Transitions always look selected!  Audio tracks should be a different color or otherwise more distinct. There should be an option to show frames only without any text. The icons for track options are small, crowded, and ugly.  Some of the editing icons are too similar, namely edit and ripple edit, although the excellent status bar at the bottom of the application goes a long way towards making up for this.  Simply put, the timeline could use some polish.  Don’t be afraid to steal from Apple on this one.  Keep the tracks; just make it easier on the eyes!
    Conforming audio
    The ability of CS5.5 to work natively with DSLR footage is awesome, but it’s not fully DSLR native if it has to pre-render a major component of the footage before it can play, even if it’s just the audio.
    Media loading
    When launching a project, it can take a long time for all the media in the project to “load” as tracked in the status bar.  I’m sure there’s a reason for this, but since the program is able to determine which source media files are missing before this step (and gives you the option to reconnect them), what is it doing and why must it load every clip in the project, even those not in use by any sequences?
    Page up/page down and arrow key commands
    For starters, the current page up/page down key functions should take the CTI to the next cut in the sequence, not the next cut in the track that happens to be targeted, which can be way down timeline.  In FCP7, I frequently navigated cut to cut with the up and down arrow keys.  I’ve avoided customizing the keyboard commands to match FCP7 --  I would rather endure some hardship and learn the proper Adobe commands -- but this one is flat-out backwards.  The page up/down keys should page through the timeline (left to right and right to left), while the up and down arrow keys should take over the clip to clip function (assuming the targeted track issue is fixed).  Currently, the down arrow takes you to the very end of the timeline, a function already duplicated by and better suited for the “end” key.
    Bin management and clip relationships
    Deleting an item from a bin should not delete it from the timeline, but this is part of a bigger problem, which is the whole master file versus instance versus subclip versus dup clip thing. There aren’t any good indicators regarding the relationships of these clips, and there are few ways to adjust them.  If clips are going to be connected, then they should be fully connected.  For instance, changing the name of a clip in the bin should change it in the timeline.  Adding an effect or trimming should affect the corresponding clips between bin and timeline.  Otherwise, the clips should just be completely separate instances.  I haven’t been able to find an option to turn a clip into an independent instance, although I have to think it exists.  Also, editing an instance of a title does change every other instance of that title throughout the sequence.  I would prefer to be able to edit them separately without having to duplicate them in the title editor.
    Bin effects
    Related to the above, it should be possible to add effects to clips in bins or keep effects on clips added to bin from timeline.  It would also be nice to be able to group effects together in bins for a specific project.  The effects window is better suited for global collections.
    Clearer visual indicators that a clip has been adjusted in the effect controls panel
    Even with the effects panel visible, you have to take a close look to see if there have been any adjustments to the standard settings. An indicator on the clip in the timeline itself would be useful.
    Snapping should include the CTI
    It should also include the blade tool, although the Cmd-K option to cut at the CTI position does make this less of an issue.
    Smoother scrubbing
    Scrubbing is pretty awful.  While this is understandable with native footage, FCPX somehow manages to make this silky smooth at full resolution.
    Color correction shape mask and better color correction in general
    Simplify the primary functions of the 3-way color correction effect.  Keep all the rarely used adjustments out of the way.  I use Magic Bullet for some purpose, but I’ve always done most of my color correction within FCP.  Put the most common adjustments front and center (or up top, as it may be).  The highlights/mid-tone/shadows drop-down is inconsistent in what controls it pertains to.
    FCPX’s color correction is actually one of its more underrated features.  The way it allows you to layer corrections is dead-simple yet as powerful as anything in FCP7 or Premiere.  Stick with the 3 wheels, but rely less on hard to control tonal ranges and add simple keyframe-able shape masks for secondary color correction.
    Better support for shared media access
    AVID is king in this arena and Adobe needs to improve.  It should be possible for multiple editors to safely work on the same project files and share media over a server.
    MINOR ISSUES
    More vertically compact playback/edit control area in source and program panes
    Make room for either a taller timeline or bigger previews.  The virtual scrubber and shuttle controls are the nifty things you drag with the mouse the first time you ever use an NLE and never touch again.
    Larger icons in icon view
    Remember size and position of bin windows
    Playback resolution setting indicator
    There should be an always-visible indicator of the playback res setting in the preview pane that’s easy to adjust without right-clicking.
    Better markers for sequences and clips
    Include colors and more keyboard shortcut control.
    Clip sliding with keyboard commands
    “Opt-,” (that’s Option-comma) should cause a clip collision, not overwrite.  Either that, or “,” and “.” should slide, while “Opt-,” should overwrite.  Opt-arrow should only extend an adjoining clip if in the middle of two clips.  Basically, this whole arrangement should be re-thought.
    Project browser should auto refresh/sort.
    Option-drag on a Mac should always be copy, not move.
    Copy is currently command-drag in the project browser.
    Stop auto-save from interrupting adjustments in timeline.
    Ideally, the auto-save should just be a background function, but it should at least wait until you’re not in the middle of dragging something.
    Add ability to select a cut directly and add default transition.
    CTI control
    If you move the CTI while it’s in play mode, it should continue to play from that spot after you release the mouse, not stop there.
    Show number of frames being adjusted during keyframe adjustments.
    Enable/disable specific effect parameters/keyframes.
    Clearing an effect should clear keyframes as well.
    Or have an option to clear both.
    Position controls
    There should be a preference to make the default position 0.0 x 0.0 (as opposed to 50% of whatever the resolution happens to be), and include a reset button.
    Through-edit indicator in timeline
    And a quick way to join clips, such as a right-click menu option.
    Border controls for images
    Auto save location preference and functionality
    In FCP7 I set the number of auto saves to keep to the maximum of 100 and Premiere can go even higher.  I have always used this feature as an additional backup and archive system, which has come in very handy.  Those files add up, however.  So, I prefer to auto-save to an external drive.  Also, auto saves in Premiere continue to occur whenever there are unsaved changes.  This means that if you make a small adjustment and then leave Premiere for a while, it will keep auto saving the same iteration, which is not only inefficient but leads to my next point….
    Tame the bouncing dock icon on auto save
    While using other apps, there’s no need for the dock icon to bounce every time Premiere performs an auto save.
    More/clearer control over cache locations
    There should also be an option to reset the cache/render file locations to their defaults.
    Export source range
    When exporting, remember the last-used setting of the export source range (or just dump the whole work area thing as I previously suggested).  It’s too easy to cut off a portion of the video when the export defaults back to the work area every time.
    Larger timecode display
    After spending hours and hours editing, the current timecode for clips and sequences is something you want to be able to track without squinting.  Use the letters h,m,s and f instead of colons.
    Simple slug
    Creating a black matte works okay, but it involves a few extra steps.
    Snapping toggle
    FCP allows you to quickly toggle snapping while dragging a clip.  Upon releasing the clip, the snap toggle returns to its original state.  Premiere could use this fucntion, but I suggest something simpler.  Holding down the “S” key should always turn snapping on regardless of toggle state, while releasing it returns it to however it was set before.
    Ability to dock the audio meters along top
    I like to give my timeline as much horizontal space as possible.  I’ve noticed a lot of users keep the toolbar up there, myself included.  I think it would be a good place horizontally aligned audio meters as well.
    More detailed tool tips or hover explanations in preferences
    For example:  The options regarding XMP data should make it clear that the original files will be modified by Premiere.  This caused me problems in other applications.  (After researching these settings, I understand that various Adobe applications use this information to share resources, but it’s still very unclear what the specific benefits are or what functions are lost without this option.)
    More detailed support documents
    The online support documents on the Adobe site very good.  They are nicely arranged and easy to search, but they could be more detailed and offer fuller explanations.  (Peruse the support forums and you will discover all kinds of debates that could have been easily cleared up with one concise line in a help document.)
    Icons and button design
    Icons and buttons are often too small, too similar, and too crowded throughout the interface.  Take some style tips from Apple on this one.
    NEW FEATURE WISH LIST
    Footage auto-analysis:  shot recognition, color correction, and color match
    If only Apple had just added these features and others to the FCP7 framework.  Adobe can do it better though, by using smart folders in addition to the traditional bins that we know and trust (anything besides those dreadful iMovie-style “events”).
    Effect previews
    In the 64-bit era, there has to be a quicker way to preview effects.
    Ability to render in alternate formats
    Namely ProRes or DNxHD.  This would save me considerable time on exports by allowing me to select the “use preview files” option.
    PluralEyes functionality
    Okay, I suppose I should just purchase PluralEyes...again.
    Many, many more effects!
    How about starting with the missing vignette effect?  Just because an app is “pro” doesn’t mean you should have to custom build every effect.
    Many, many more looks!
    Will most of them be cheesy looks I would never touch?  Sure...but give me some templates to play with before I tweak the look down to my exact specifications.
    More speed!
    FCPX, for all its flaws, blazes on any modern Mac.  This probably comes back to hardware acceleration, but while Premiere Pro on a Mac isn’t slow, it doesn’t blow you away.

    You hit the nail on the head, Peter.
    I recently started giving Premiere Pro CS5 a try, and was shocked by the amount of bugs and usability issues. I'm not even going as deep as you in the features, but the most glaring evidence of the lousy interface is that timecode offset bubble that appears everytime you move a clip in the timeline... the bugger appears just under your mouse pointer and won't go away, so if you try to just move a clip down a track quickly, and let go of the button ONTO the bubble, it acts as an obstacle and your drag/drop fails ! seriously, Adobe... don't tell me nobody has stumbled upon this one during beta-testing ?
    Ditto on the autosave that basicly interrupts anything you're doing. No background saving in 2011 ? At first it bothered me to no end so I disabled the autosave. And then a few hours later, Premiere crashed, and didn't even try to recover my work. I lost 2 hours of intricate work. I put autosave back on, and learned to endure the constant, annoying save dialog. And it's not like the save process is instant... even the simplest of projects takes 5 to 10 seconds to save... on an SSD... come on... let me work already...
    Of course, a headache-inducing implementation wouldn't be complete if the autosave didn't trigger even 30 seconds after a manual save. If I choose an interval of 5 minutes, just autosave 5 minutes after a manual save !
    In thumbnail view, you can reorder the clips manually. It's all fine, but you can't reorder them by name or date or length, unless you switch to list view and of course, lose the thumbnails.
    Dragging and dropping a clip in thumbnail view is a chore, because the palette doesn't scroll when the mouse reaches the edge. You know, when you want to move something at the top all the way to the bottom... so you have to drag, let go, scroll one screen, drag, let go, scroll one screen... it's a joke. Even the timeline can do it. Heck, it's a software standard, nowadays.
    Renaming a clip and pressing ENTER takes you back to... the top of the folder !?! How many times I've renamed files that were at the end of the thumbnail view, and for each clip, I had to scroll back down. Time waster.
    Want to locate a clip from the timeline, in the project ? the locate function takes you to the folder. But not to the file, you have to navigate towards it manually.
    Ditto on the up/down arrows. I haven't found a way to jump from cut to cut like in FCP7. How often do I need to jump to the starting/ending points ? much less often than jumping to a nearby cut.
    How come I can't reorder filters in the effects pane ? sorry, I can actually reorder the filters... provided I take them from the bottom and move them up. Moving effects down doesn't work. It's driving me crazy.
    Conforming happens more or less anytime. Without reason. And even if the Media Cache is already full of conformed files.
    When moving the boundaries of the work area, no timecode/offset appears. You need to let go of the button and THEN hover, then you'll know the exact time/duration.
    Try scrolling up in the timeline, it scrolls to the left (which is stupid, it should scroll up). Now scroll up on the tabs of a palette : they scroll to the right !?!
    Can't select an active track. Direct consequence : copy-pasting a clip overlaps anything that's on track 1. Say I want to duplicate clips on the same track... I can't do it.
    Copy-pasting between projects doesn't keep the transitions, only the order of the clips.
    Have you tried doing a frame freeze on a reversed clip and setting proper in/out points for the freeze ? Good luck.
    "Duplicate" command, when you right click on a thumbnail, is way too far from the cut/copy/paste commands at the top, even though they're quite related.
    The other day I transcoded footage with different audio parameters. Just the audio had changed. Upon opening the project, Premiere wanted me to locate the files, which I did. And it failed miserably. Instead, I opened the project ignoring the missing files, and then re-linked them. I pointed Premiere at the first missing file, and had to confirm the replacement. Premiere saw all the other missing files in that folder, and began prompting me FOR EACH SINGLE FILE !!! two hundred and forty three of them, precisely. Can't I have a "yes to all" button in 2012 ? and why does the relinking work inside the project and not when you open a project ?
    That was just from 3 days with Premiere Pro CS5. I still can't believe it. Just to think people bashed Final Cut Pro X, praising Premiere in comparison... Sorry, but they both have serious issues. And Premiere doesn't even have the excuse of novelty.

  • W540 Wish List

    Dear Lenovo,
    seeing that you have completely messed up the Design of the W530 here is my recommendations for features to be included your next mobile Workstation:
    A 19:10 display with either an IPS 1920x1200 Display or an 2880x1800 (so called retina) Display (offer both). A 16:9 display on a workstation is a joke. Nobody buys a proper mobile Workstation (>$3000 with max memory and large SSD) as a mobile DVD player. I would happily spend an extra $1000 for a good display resolution so stop trying to save a couple of dollars by offering a resolution that is useless for >90% of workstation users.
    If you need some insight to the type of work done with your workstation:
    CAD: The ideal working area for CAD is a actually square, else you are liable to take wrong design decisions and make mistakes because you see the sides better than what lies above or below. Even if you place quite a number of toolboxes at the sides a view on a 16:9 screen always ends up rectangular and offers less hight than the old 1600x1200 screens
    PHOTOGRAPHERS: The ratio in standard analog (35mm) film was 2:3 which has been largely adapted by digital cameras. Again, even if you are working on a landscape picture and placing all your tools at the sides 16:9 is very far from the ideal retio.
    MOVIE PRODUCTION: One would think that 16:9 is ideal for the production of films, but for editing it is not. Usually timelines are added above or below the output area. On 16:10 at least some of this space was provided by the additional vertical resolution.
    PROGRAMMERS: For software engineers the vertical height is the most important feature of a display, as software is usually coded with many quite short lines. Here of course the 1080 pixel vertical resolution is a grat step backwards from the 1920x1200 and even 1600x1200 resolutions.
    2 PAGES SIDE-BY-SIDE: I have heard the argument again and again (usually by people that don't use their laptop for work) that 16:9 is great for viewing two pages side by side. It is not. The ideal ratio for two A4 pages would be 16:11.3 if you don't have a task bar and menu at top and bottom. Discounting these it is closer to 16:12 or 4:3. You actually get a better resolution of two A4 sheets on a 1600x1200 display than on 1920x1080.
    A decent keyboard: I currently own a W510 and it has a good keyboard, although not as good as my old T40 and T60 used to be. Now with the W530 you are offering a keyboard that is just not made for typing. A "Chiclet" style keyboard, though it might be ok for gaming is just not for serious work. Just add the 2mm extra hight to the chassis, a mobile workstation is not meant to be a ultraportable.
    Graphics that use less power: I don't know how well the current generation of NVidia graphics fares, but the model included in my laptop sucks power like nothing. ATI has a better power management, at least has had in the last couple of years. My W510 runs less than 2 hours on a nine cell battery even at light use.
    Other things that would be nice but are not essential:
    - Bring back the ultrabay battery. Hardly anybody needs optical drives on the move and any extension in working time on the road would be appreciated. Ultrabay should support Hard drives at the same speed as the main HD controller (for raid).
    - A docking station with included graphics (I don't need the full power on the move but wouldn't mind driving three monitors from the docking station)
    - A docking station with a fast PCIe slot (x4 or better)
    - At least one horizontal USB port on the right and one on the left (for the mouse). Make all ports USB3.
    - A seperate microphone jack (used by most headset and allows use of stereo microphones)
    - Please keep the eSATA and powered USB ports.
    - Please keep the 'nipple' and trackpad input devices with three buttons (third button at the bottom for the trackpad would be nice)
    I wanted to upgrade to the W530, but the display ratio and keyboard have put me off. I have been using thinkpads for many many years, but the design keeps getting worse, so I think my current workstation could be my last thinkpad. Might try to attach a W510 keyboard to the new MacbookPro with retina display and run Win7. Now that would be a great machine, but I would prefer it to be black and from Lenovo.

    I agree, this is a good wish list.
    My main gripe is the new keyboard.  I am with the original poster, if I'm buying a friggin workstation model which is a brick ANYWAY, add a few MM in height and put a classic thinkpad keyboard with travel more akin to desktop keyboards.
    It's an interesting comment about chiclet keyboards and gaming, because in the desktop world gaming keyboards are not chiclet, and are often pretty fantastic keyboards to type on.  I use a Razer Anansi on one of my work desktops, I think it's delightful to type on.
    So, my wishlist improvements to the classic Thinkpad keyboard:
    1.Decrease flex, X220 is not bad but the W520 has quite a bit, this shouldn't be difficult.
    2.Increase travel, depth of keyboard
    3.Slightly Increase thickness of plastic used in keys.
    Again, it's a workstation.  I don't care if it's a little thicker, I would much rather have the component with which I am in contact 100% of the time be >exceptional<, not this chiclet crap.
    A strange note, on my W520 (i don't know if this is the same in all), the right shift key has a different feel to the rest of the keyboard, I think it's because it sits on top of a support element or something.  But I wish the entire keyboard would feel like that key, that would be perfect, I think a lot of it would be addressed by a more robust structure underneath.

  • Can't see my wish list n access my Account, anyting to do with some App I installed?

    I have problem with my iTunes Account when I log in my Mac, couldn't see my wish list n access my Account.
    but if I log out n log in as a guest user, my iTunes Account works normally.
    I have a guess it might be the App I had installed.
    anyone can help?

    you might want to check on this possibility:
    No music shows up in iTunes after upgrading

  • Where on earth has the wish list purchase button gone?

    Where on earth has the iTunes wish-list purchase button gone?

    K^2 wrote:
    There is no "buy" button.  It only lists sharing with a friend or posting it on social media.  I have no idea how to buy songs in my wish list.
    It does not actually say "Buy."  You just click on the price.

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