O.T.  DxO Optics Pro v5 - FREE Public Beta for Mac

Test the free public beta version for a few weeks.
http://dxo.com/intl/photo/dxo_optics_pro/beta_mac

Test the free public beta version for a few weeks.
http://dxo.com/intl/photo/dxo_optics_pro/beta_mac

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    Thanks Geoff. I was finally able to locate the ".lrcat.lock" file relevant to the catalog I want to open. Once I deleted it, LR5 was able to access my images. Problem solved. THANK YOU

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    I'm wondering if anyone here has workflow suggestions for using DxO Optics Pro and Apple Aperture?
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    Hello All,
    I've been working on getting this one figured out with DxO for the last week or so.
    While I can't report that I have figured out the secret of the mysterious DxO OP & Aperture workflow (there doesn't appear to be one), I have figured out some key info that I needed to know to get started with Aperture, and continue using DxO OP.
    First, the main thing that I became curious about... What EXIF information is lost when importing into & exporting from Aperture. I especially wanted to know what EXIF information that DxO OP needed to do its processing would be lost. (I know there are EXIF info viewers that I could use to check the info for myself, but I wanted to here conclusions from the source.)
    The tests were done with the very helpful tech support folks at DxO. We ran 4 files through their fine tooth combs. Two files were straight from the camera, one file was imported (not referenced) into Aperture then I "dug" for it within Aperture's Library using "Show Package Contents", and the fourth was imported into Aperture's Library then I did a File > Export... > Export Master. (As Hud46/Dave guessed above) All EXIF was identical for all 4 files, so DxO could do its complete processing on any of them.
    Many of you may have known this already, but I wanted to be sure.
    Now, on the topic of a usable workflow for Aperture & DxO, I'm still working on that on. I'm guessing that I'll be finding out pretty much the same that you guys have mentioned here, that they don't play well (enough) together yet.
    Allen, I agree that DxO does need to work on their compatibility with Aperture (as they seem to have done with Lightroom) so any feedback to them about that would be a good thing. Having been in touch with them a fair bit on this topic though, I have found that DxO sees Aperture as something of a "closed" system. I don't know what's up with politics of all this, so I'm just going to keep asking for the compatibility and let them sort it out.
    Jack, Thank you very much for your workflow suggestion. I will give it a try and see how it works for me.
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    5) Ran DxO Optics Pro on the Picks & saved the output.
    6) Delivered to the client, then archived that Aperture Library, DxO's sidecars & output to Hard Drive & DVD.
    7) Deleted all of it from my hard drive. (Why keep toting around, and having Aperture deal with in some way, 6+ GB of originals & thumbnails, etc when I likely won't need them all in that incarnation again? Hard drive may be getting bigger and bigger, but I can easily outshoot them.) Now, of course if I need to work with that shoot's Aperture Library in the future, I can't just work with in on the DVD, but at least I won't have to do my rating all over again.
    Just thought I'd share that workflow in case it helps someone out with a similar situation.
    Onward with the testing... I still have to figure out which way I should import my own main collection of images.
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  • DxO Optics Pro - Aperture plug-in?

    Hi,
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  • Workflow involving DxO Optics Pro 9

    This is only moderately related to Aperture, for it's plugin capability. Apologies for raising it here, but I figured I'd find like-minded people here who may have an opinion they are willing to share or maybe even a solution to the no-plugin challenge.
    Until now, I've always ...
    Imported raw files from my camera into Aperture
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    Does anybody have any thoughts on the above?

    Rob de Jonge wrote:
    Thanks, appreciate you taking time to write such an extensive response. Yet another alternative is to use Lightroom, which does have optical correction built in. Not something I should be mentioning in this forum though!
    Mention away.  We're just users.  Lr and Aperture are very nearly matched.  Each is a superb program.  For me, the advantages of Aperture where overwhelming: I preferred the non-modal interface; I found (and find) it more amenable to my style; I loved (and use) the additional layer of Image organization; I have both an iPad and an iPhone; I use the integration with other OS X programs; and my wife uses iPhoto and has an iPhone.
    I use Sony FF cameras and Sony lenses.  For the most part, these don't _need_ lens correction.  I don't sell architectural pictures.
    The sad part is that, as with hardware for recording light data (I mean camera bodies and lenses), software is part of an ecosystem, and once you commit to one you are likely to stick with it.  Aperture is far behind in providing lens correction.  If you need it, you have to look elsewhere, and in looking elsewhere may decide -- wisely -- to change ecosystems.
    The _small_ thing to keep in mind is that lens-correction should be done right after RAW conversion.  The large thing to keep in mind is that each time to move an image file from one ecosystem to another, you double your storage requirements and kink the "non-destructive" workflow.  Unfortunately, there is no single ecosystem that currently meets your needs.
    It is worth noting that more and more cameras _depend_ on lens-correction.  At first, this appears as a kind of cheap alternative to well-engineered cameras and lenses.  My sense is that, now that it is available, the _combination_ of hardware and software results in a _more efficient_ use of resources.  (Why spend 4X on lenses when you do it with 1X and a bit of software?)  The downside is that the user becomes dependent on particular software.
    As camera engineers rely more and more on software as a necessary pipe in the imaging workflow, "RAW" sensor data will have to re-imagined.  I'm not a scientist, so I can't see around that corner.  For sensor-site discrete things, "corrected" RAW makes sense.  For other things -- e.g.: chromatic fringing -- it doesn't.
    HTH,
    --Kirby.

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