OMF Export Hangs - Premiere Pro CS5

I am exporting about 19 minute long sequence to OMF. I have about 12 audio tracks - most of these are mono, couple of tracks are stereo. There are no nested sequences. As for effects, there's only one audio gain.
I tried exporting with encapsulate option - after about 5 minutes, the progress bar hangs at a certain point - it hung for more than 40 minutes.
I cancelled the export, and then tried exporting with separate audio files setting - the progress bar hangs at a certain point (a little farther than the encapsulate setting) and is hung again for over 30 minutes now.I can see that all audio (Wav) files are saved in the folder, however the progress bar is hung and the OMF file is at 0KB. Is premiere doing anything? Does it take this long? Or is Premiere is hung?
I am on a very tight timeline and will appreciate help resolving this.
Thanks.
RV

For anyone who might run into similar problem - after trying multiple things, found out the problem. For a few audio clips, the stereo was split into 2 mono tracks and placed on timeline on two tracks. I manually removed each of thesesplit tracks and replaced it with stereo file on a single stereo track on timeline.
And the OMF rendered finally!

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Exporting from Premiere Pro CS5 and DVD authoring

I have a reoccuring problem with Premiere Pro and authoring DVDs. This is how it goes.
I shoot a video using a Canon 5D Mark III. 1080p 24.
I then edit in Premiere Pro CS5, with proper settings on the sequence which are the preset Digital SLR > 1080p > DSLR 1080p24.
Everything is hunky dory.
Then I have to export...and the frustration ensues...
I export using the HDTV 1080p 24 High Quality export preset with the H.264 export codec. This gives me a decent .mp4
I then bring this file into Encore and author the dvd. I used the regular dvd and the blue ray export settings as a test, but the video always ends up looking horrible with artifacts all over the place, especially on areas of high contrast. It looks like a badly compressed .jpg.
This happens at various times when exporting animation/motion graphics from After Effects also. When I use a ramp in the background, the gradient is often very banded...
When I rent a movie from the video store, the images and type look good on whatever i play the dvd on or watch it through. When I burn a dvd, it looks universally bad using all kinds of players on all kinds of monitors, projectors, etc...
Can anyone lead be in the direction of an article or video that will thoroughly explain this so i can learn it once and for all?
Thanks in advance.

Jim, lol.
Thanks everyone as usual.
So, should my composition settings for after effects be set to 24 or 23.976 and can i render them as 16 bit?
Will this reduce the banding and artifacts along with using dynamic link? Or will it ultimately be 8 bit by the time the dvd is burned and go back to the banding....?

Sony HDR CX550v export settings Premiere Pro CS5

I would like to know, what are the best "Export Settings" in premiere CS5 when rendering for Blu-ray?
I shoot everything in the highest quality HD setting. I assume I should export it as Progressive Scan, but should I? Or, should I just check "Match Sequence Settings"? Or, should I select a format with a preset that has "Match Source Attributes"?
I've found the best DVD settings are "MPEG2 DVD" with a preset "Match Source Attributes" and then customizing it by selecting the Field Order "None (Progressive)". This looks amazing for DVD quality, esp. on my Sony Blu-ray player that claims to upconvert DVD to some quasi HD deal. It almost feels like HD.
For DVD I've tried customizing by increasing bit rate, and all kinds of stuff. It just made it horrible, it took about 4 to 8 times longer to render, and wasted a perfectly otherwise fine verbatim lightscribe DVD-R....
Anyways, would like to know without the labor of trial and error, how to best tackle the HD side if anyone knows. Thanks!

Some links I saved about Encore Files & Formats http://forums.adobe.com/message/1901666
http://help.adobe.com/en_US/encore/cs/using/WS5C9E1CF8-B5BC-436f-89D3-61DDC02A2C47a.html
-and http://forums.adobe.com/thread/622722

Premiere Pro CS5 - Media Encoder Crash when Exporting to MPEG-2

System:
Core i7 920 @ 3.8 Ghz
Gigabyte X58A-UD3R
12GB DDR3 1600
External Sound Card - M-Audio ProFire 610
OS Drive - 2x300GB WD Raptors - Raid 0
Project Drives - 3x300 WD Raptor - Raid 0
Video Card - Geforce GTX 285 1GB
Adobe Premiere Pro CS5 and Media Encoder CS5 continually crashes or hangs every time I try to export to MPEG-2. I can successfully render to every other codec without any issue, but need the MPEG-2 for an Adobe Encore Project.
The project is approximately 38 minutes long and contains AVI and MP4 files, all of which were ripped from DVDs as I'm producing a reel for a producer who provided his DVDs for me to rip and use as content.
Possible issues:
1.   Currently have Magic DVD Ripper and DVD Fab installed (codec conflicts?)
2.   Originally ripped the DVDs at 630x360 (my mistake - hadn't really worked with a DVD ripper before and was the largest avi pre-set) and I'm exporting to MPEG-2 standard 720x480 Widescreen) (I know I should've just ripped them as the original lossless MPEG-2 files - I'm a tool)
2.   Blank space in the timline (there are a number of these)
I would like to get some input before I try to export to MPEG-2 again as I blew a capacitor on my old mother board (Gigabyte x58-ud3r) after I had gotten my computer to start rendering a MPEG-2 after about 50 tries to export/launch media encoder set on MPEG-2. I just installed my new motherboard to replace it. Clearly MPEG-2 taxes the system more so than any other codec (from what I can tell). However, I thought the issue with the blank space/no media in the timeline was fixed with CS5. I saw in a previous post that someone thought that ffdshow was conflicting with AME. I don't have ffdshow, but I believe that's a ripper program like Magic and DVDFab.

I experienced this at one point. Searching the WEB I saw suggestions that there was a problem with a recent version of Quicktime. (I have no idea why the quicktime player would have an impact.) However, reverting to an earlier version of Quicktime fixed the problem. Search this board using quicktime as a search phase. The quicktime web site allows you to download the earlier versions. I'm not at my editing machine, but I believe that I am at version 7.5.2.

Export .wav with markers from Audition into Premiere Pro CS5.5

Hi,
I need help in getting a multitrack mixdown with markers from Audition into Premiere.
This is what I have:
An Audition CS5.5 multitrack session with lots of markers
This is what I did to export:
Audition > File > Export > Multitrack Mixdown > Entire Session > .wav & "include markers and other metadata"
When I import that .wav in Premiere Pro there are no markers, neither in the source monitor, nor in the sequence.
When I import it into After Effects, all markers are there. Unfortunately, this does not help me in my editing in Premiere.
Is there any workaround for that? A direkt export from Audition via
Multitrack > Export to Premiere Pro
did not help either.
There is a thread on this in Soundtbooth (sorry for posting there, too) where it is stated that it should work in Premiere, too:
http://forums.adobe.com/message/3908899#3908899
Please help, regards,
Andreas

Hi Tim,
first of all, thank you for your help.
I also just filed a bug report, as you suggested.
Now let me share the results of checking out the workaround that you suggested:
1. Export to Premiere Pro via "Mulitrack menu > Export to Adobe Premiere Pro"
I had tried that before and found it not working. This was a partial mistake. What I mean by that is, when you do that, the exported .wav files get automatically added to the sequence timeline. And do not show markers. BUT, what I overlooked was, that there is a sequence created alongside which resides in the project panel. This sequence does in fact include the markers, as sequence markers.
Now comes the bitter part: When I delete the automatically added .wav from the timeline and replace it with said sequence, the markers are treated as clip markers. By contrast to After Effects, in Premiere Pro clip markers do not contain any text / names. I.e. all metadata is lost except the mere fact of anonymous markers on the timeline.
2. Export to Premiere Pro via " File menu > Export > FCP XML Interchange Format"
Same as above. Except, that I had not tried that before. What I had tried before was ...
3. Export via " File menu > Export > OMF"
Interestingly, this cannot be imported in Premiere Pro at all. Could this be another bug?
Comment:
I really hope that the markers export/import gets fixed soon.
I also wished, that clip markers in Premiere Pro would be as intelligent as in After Effects (naming, updating, showing their text clearly in the timeline)
I also wished that sequence markers would be as intelligent as comp markers in After Effects in showing their text clearly in the timeline.
... but thats a lot of wishing going on
Kind regards,
Andreas

Why does Premiere Pro CS5 process audio source before exporting clip in AME CS5?

Hello everyone, my first post here. I am currently trying out the trial CS5 Master Collection on my MacBook Pro. I've been using Premiere Pro CS5 to put together family videos. I select a certain portion of a sequence and queue it for export in Media Encoder CS5 in the format H.264 for iPod with video and audio.
Now in AME I have a queue list of about 5 clips from the sequence. But when I hit the Start Queue button, the bottom left of the progress bar states "Adobe Premiere Pro processing audio source from [then file name]" for all 5 clips from the sequence then creates the first output file.
Then it moves to encode the second and again states "Adobe Premiere Pro processing audio source from [then file name]" for all 5 clips of mt sequence then spits out only the second output file.
This continues for the remaining 3 output files. The total sequence length is ~32 minutes with transitions and it takes about 35 minutes to export which is all consumed by the process audio source of the 5 clips in my sequence for 5 separate times.
Is there a certain reason why Media Encoder or Premiere Pro does this process of audio source? Is this process necessary or needed? I experimented with choosing different output formats but the results are the same. Any help would be appreciated, thanks.

Now that's pretty good follow-up to your first post, and quickly too! Nice detective work.
As you have found, there is basically a Render/Replace operation going on in PrPro, to get the material in the correct form for AME.
Thank you for reporting, as it saved me, and others, from basically saying what you said.
Good luck, and sorry that you beat us to the punch.
Hunt

Poor quality on movie after exporting it from Premiere Pro CS5.5

Hi!
As a part of my bachelor thesis in industrial engineering, I am making an animation that shows how different types of water turbines work.
The animation it self, I've created in a program called Autodesk Inventor. From Inventor I get an uncompressed video. This video is usually not possible to open directly, but when I convert this with FreeMake video converter, it works
Conversion in FreeMake:
From:
RAWVIDEO
1280 * 720
16:9
663,554 Kbps
30 fps
To:
. Avi, mpeg4
1280 * 720
16:9
3283Kbps
30fps
The video looks great now, but now when i have finished editing the film in Adobe Premiere Pro CS5.5 and exported it, the lines are very blurred and bad. I've attached a picture showing what I mean. I have tried many different settings in Premiere, but i cannot get it any better.
The picture on the left is after exporting, the image on the right is after converting it in FreeMake Video Converter.
Have tried with the flicker removal, but with poor results.
Does anyone have any tips on what I can do?

Thank you for the warm welcome
Yes, the video from autodesk is uncompressed avi. These files are impossible to import in Premiere, and i cant open them in either VLC or WMPlayer.
After a conversion with FreeMake VideoConverter they are possible to import, and they look very good in VLC.
My Sequence settings are:
Editing mode: HDV 720p
Timebase: 29.97 frames/second
Video:
Frame size: 1280*720
Pixel Aspect ratio: Square Pixels (1.0)
Fields: No fields (progressive scan)
Display format: 30fps Drop-Frame Timecode
Audio:
Sample Rate 48000Hz
Display format: Audio samples
Video Previews
Preview File format: I-Frame Only MPEG
Codec: MPEG I-frame
With: 1280
Height: 720
Maximum bit depth and Maximum render quality is checked.
I have tried with a variety of export settings, but my current ones are:
Output:
Format: Quicktime
Video Codec: H.264
1280*720, 29,97 fps, Progressive, Quality 100, 48000Hz, Stereo, H.264
Aspect: Square Pixels
Render at maximum depth
Depth: 24bit
Use maximum render quality.
One thing I find quite strange is that i have to short clips at the beginning, which both seem fine.

Cannot export to Quicktime in Premiere Pro CS5

This problem has been addressed before, but the solution, to simplify the name of the file, is not working for me.
I am not able to export to Quicktime. The error is "Unable to create or open an output file."
Here are my parameters:
Premiere Pro CS5, recently updated.
Windows 7, recently updated.
PC HP Pavilion desktop
Source footage is HDV in an mp4 codec via the CS5 timeline.
I have disabled my anti-virus software (ESET).
I have no other video-related programs running.
Clips appear in the Export screen (for preview) perfectly.
Exporting to any other codec or container, including H.264 (an Apple product) works fine. To make things
a little more interesting, the last time I tried to export to Quicktime (a year ago) I was using PPr CS4. Export
to Quicktime worked perfectly well. Now it does not. Now when I activate "start queue" in Media
Encoder for CS4, the green check mark appears without the clips being encoded at all. Once again, CS4
encodes to other codecs perfectly well.
Sounds like in the intervening year I may have downloaded some interfering software, but like editors
everywhere, I download a lot of these things. Finding the culprit would take days (weeks!). Are there
any prime suspects?
Alternatively, are there any other ways to export in high quality to let Mac users easily access PC
generated footage?

Mac users are the ones who choose to use an OS which creates this type of compatibility issue. Honestly, I'd just create an AVI and let them solve the problem.
Your clients must really appreciate you as a great "solution providor" Jim!

Options for exporting a project in Adobe premiere Pro CS5.5

When Exporting a project from Adobe premiere Pro CS5.5 I use the format of Windows Media file and Preset HDTV 1080P 30 HighQuality. At the bottom of the window there are some options that say "Use Maximum Render Quality" And "Use Frame Blending". I used these two options on my first video I exported but I want to know for the future what both of these options do exactly to my film and if they could adversely effect things like lighting and the frame rate of a clip or anything?

Max Render Quality does what is says: gives better picture quality, but will lengthen the export process.
Frame Blending you check when output framerate differs from timeline framerate.

Exporting to AVI from Premiere Pro CS5.0.2 from DVCPRO HD sequence giving only 1 frame?

When trying to export from a P2 1080i 60hz DVCOPRO HD timeline to an AVI, whether going to queue or direct export using AME, it is going through its encoding steps but I am ending up with only one frame of let's say a 2 minute sequence. I've used Uncompressed AVI preset as well as Microsoft AVI preset - both going to 720 x 480.
Happens with and without using Maximum Render Quality setting. Happens whether I have MPE on or off.
Couldn't find anything in the forum....have the Premiere Pro CS5.0.2 update. Help.

Unfortunately, the poster cannot award themselves "points." Otherwise, Harm and I would have over 50,000!
Glad that you got the answer and the fix.
Good luck,
Hunt

PREMIERE PRO CS5.5 Gamma problem while exporting project to mjpeg A or B

Dear Sir,
I'm in a big ****. I've directed and edited 1h documentary for Finnish television, also, the technical specs requested by the TV Channel is all production Broadcast masters must be encoded with Apple ProRES codec or MJPEG A or B.
As i'm working on PC (win7), the ProRES codec doesn't exist on PC system, so i've done the export to MJPEG. The problem is i have a different gamma level when i watch the final export with Quicktime or VLC. Of course i can adjust the level in those players, but it doesnt effect the file. When i import the Qt file into a Premiere sequence, the gamma level is still **** and different from my original level i have from my timeline and preview window. If i export the project to H264 1920x1080p25, then the gamma is perfect with Qt, VLC and WinMedia player. But the TV station don't wanna work with H264. Deadline is on next monday, and i can't send a Qt MJPEG file with wrong gamma !!!Any chance to find a solution to fix it ??? After reading different forum, i can see this problem exist since many years and never been solved.
What can i do ??
Denis.

Things is my prpject includ few effect plugins i bought, so what ever i could find a mac, not your i could export xml project to finalcut with plugins it dont have
Denis
Sent from my iPad.
Le 31 mai 2013 à 15:20, Fuzzy Barsik <[email protected]> a écrit :
Re: PREMIERE PRO CS5.5 Gamma problem while exporting project to mjpeg A or B
created by Fuzzy Barsik in Premiere Pro - View the full discussion
If it were me, I wouldn't encode to MJPEG.
So as to encode to ProRes on Windows you can utilise any solution based on ffmpeg/ffmbc or better yet find a Mac with Final Cut or Compressor installed for delivering critical work.
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Exporting FLV With Cue Points In Adobe Premiere Pro CS5

Hello
I am currently using Adobe Premiere Pro CS5 to export to a FLV file with flash cue points. I have managed to do this but I also want to export (separately) a list of all the time codes of the cue points in the clip. I see that you can save the cue points to an xml file but it doesn't come up with the time codes (well it does, but it is in milliseconds and amongst other things). Is there any way I can save a list of the time codes of the cue points on my FLV file, rather than having to manually type it out?
Thanks,
Rvnistelrooy

I don't think there is any easy way to do this, but one thing I could suggest is to export the metadata as an xml side car and then use the text editor to extract the times. I'm not sure this would work, but it's worth a try.
Cheers,
Dennis

Premiere Pro CS5 fails to export to Media Encoder CS5

Hello all,
I'm working with Adobe Premiere Pro CS5 Version 5.0.3 on two 64 bit Windows 7 computer systems (laptop and desktop). On my laptop everything works fine and has for some time. We recently installed CS5 on this desktop (new computer). Using the same settings that I use on my laptop, I can encode video by going to File->Export->Media and selecting Export. However, if I chose to Queue the media into Adobe Media Encoder version 5.0.1 it fails to work. Media Encoder opens properly, and the progress bar for exporting the media goes to 100% and disappears like it should. At that point no file appears in the queue. Any help as to what is happening? I'm not receving any error messages that could give me a hint...
Thanks!

Hi Bill,
Thanks for the response. Due to the intermittent nature of this problem I wanted to test more thorougly and can confirm that the files are PCM at 44.1Khz. The error message is, "The file format is not supported", and IIRC the files opened fine in Flash (which will be explained later). Audacity successfully opens the files.
I have resolved the issue and discovered exactly where the 'fault' lies.
Adobe determines the file type by it's filename - rather than using methods in Cocoa library or by looking at the RIFF header. My files are titled, "yyyy.mm.ddName" (Reason/Record does not automatically add the extension in this case), however some files were titled "yyyy-mm-ddName.aif". The former (with periods) would result in the filename extension being truncated from the file's name, but the file 'Kind' is still identified as an "Aif C Audio".
On OSX, any file with an unknown extension should also have it's file type checked using the Cocoa Library since the OS does keep record of the file type that can (and should) be used by applications.
A fix to this in the code is that under OSX, the Cocoa Library file methods should also consult the file type - given that many programs on OSX may happily save without explicitly using an extension in the file name.\
Flash (which didn't yield this problem) may have additional code to ascertain the filetype by seeing if it recognizes the data (given that Flash interracts with streammed data that would not have a file extension).

Closed captioning with Premiere Pro CS5.5, exported to wmv/mp4

My employer suddenly has a push to be ADA compliant, so all videos going forward need to have captioning, and would prefer to have it closed captioned. I've read that you can add captions with Encore and output them to disc, but since all of the videos are posted online, nothing is burned to disc so that doesn't help. I also know you can use scc or mcc files to add closed captions to a broadcast stream, but since these aren't for broadcast, that doesn't help either.
All of this means is that I need to add closed captioning to online video only. What I'd like to know is this: Is there any way to add closed captioning to video that will be streamed online? Or, am I doomed to putting everything into lower thirds?
I'm using Premiere Pro CS5.5 (I also have AE CS5.5).
Thanks

As a broadcast engineer, I would suspect, and it would make sense that online video files would also be encoded with EIA-608 and EIA-708 set forth by the Electronic Industries Alliance and monitored by the FCC ( Broadcast Standard ). This makes sense to me as all existing video programs which already comply with the EIA-608 and 708 standards would then, automatically play closed captioning when encoded to a video file for playback.
The FCC has recently required all online video to include Closed Captioning as per the Accessibility Act of 2010 ( FCC: MB Docket No. 11-154) Subpart 6 of this document appears to define that all devices which may playback video through the internet, must be able to support the CEA-708, or closed captioning for digital broadcast television. CEA-708 is a form of embedded data often referred to as metadata which is contained within the MPEG-2 stream.
Not to get too technical about MPEG streams, but in essence, even though your end up with a single file, there are traditionally 3 elementary streams of data contained within. Each one has a PID, or Program Identifier number which identifies the Video Stream, Audio 1 stream and Audio 2 Stream. Additional elementary streams can be added such as a data stream containing Closed Captioning- or whatever like Dolby Digital. The PID allows a Demultiplexer to split the streams appropriately for playback.
I would hope there is a program out there that would embed the scc or mcc file ( however they are produced ) possibly after you export the sequence to a file. One of my favoite and best kept secret long-term video websites out there is videohelp DOT com. there is a plethera of kewl software to do all weird things to video, maybe even add CC!
All this still doesn't help us with Premiere Pro though...

Premiere Pro CS5 crashing when exporting (only certain file types)

Hi
I have found that when I try and export media in Premiere Pro CS5, it often crashes during the export. It says
It's only certain file types. For instance, Vimeo HD seems okay but Vimeo SD always crashes mid-export. MPEG is okay too, but MPEG2-DVD always crashes.
Sometimes it says this: "Error Compiling Movie - Unknown Error" but doesn't throw me out of Premiere altogether.
Other times it crashes altogether and Windows gives me this error message: "Display driver NVIDIA Windows Kernel Mode Driver, Version 258.96 stopped responding and has successfully recovered". Premiere Pro then stops responding so I have to re-open it and start exporting again.
I have checked there are no gaps in my timeline and I have rendered the whole work area. Besides, I doubt it's anything that I'm doing wrong with the project itself because it's exporting fine in some formats.
I am also experiencing random crashes when editing too. Not that often, but occasionally it throws me out - and twice it has made the whole screen go crazy, with weird dotting across the screen (it's scary, it looks like the monitor itself has broken!).
Any help would be appreciated!
Nick
PS I have a pretty decent new PC - Dell Studio XPS, 8GB, 2x1TB drives, etc. Premiere itself is working great, except for these crashes.

Some drivers do not work well in some systems... so go to nVidia and try a different (usually newer) driver for your card
These notes are for Encore, but they MAY also work in Premiere
Long File Names or odd characters Cause Crashing http://forums.adobe.com/thread/588273
And #4 Here http://forums.adobe.com/thread/666558?tstart=0
And This Message Thread http://forums.adobe.com/thread/665641?tstart=0

OMF Export Hangs - Premiere Pro CS5

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