On Demand Tiling and Pixelating

For about the past two weeks anything I watch On Demand will tile and pixelate. The sound also skips. This has happened before but it has never lasted this long. How can this be fixed?
Thanks!
Caroline

Does it happen on multiple boxes? Have you checked all the coax connections (start at the ont and work your way out)?
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After doing the 10.0.1 upgrade my footage is discoloured and pixelated (not subtle, blue sky is black, blue water is pixelated red black yellow....mess). Has anybody had similar experiences. The footage looks fine in the event browser and in the timeline, but once the mouse is placed over a clip in the events browser, at that position the image/graphics becomes horribly pixelated an discoloured. Also though the timeline thumbnails look fine, once play is engaged the viewer shows this very same pixelated colour distortion. I have only 'converted' one short project (almost finished...maybe not) to the new 10.0.1 format but as a test I also tried unused footage in a new project with the same results. Not so much of an upgrade it seems. Being a smart whipper snapper i held on to the original FCPX , which may or may not be a good thing.
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Negative. The project is a touch heavy on effects, transitions and the such, but even disengaging the effects does little to resolve what looks like corrupted artifacting.
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Magnetic lasso problems and pixels

When using the magnetic lasso and when I create circle around figure, it goes back to lasso and does not go around whole figure for me to move. Also every time I lasso something, the little ants are around it, but I keep getting a error message that it could not complete the copy command because no pixels selected.. Need to solve the problem with lasso, then problem with the error message for no pixels selected next. Would appreciate any help you could give me. I am running PSE13 on my PC.
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I have done everything you said, completed my magnetic lasso around figure, as soon as I meet and click, the lasso disappears. Yesterday when I did it and little ants moving around and let go of my mouse it changed to plain lasso inside of picture of the person but was no way to the outside and ants were still running. This morning did as you said and still problem, I tried using a brush to circle it and the ants were running just like supposed to, but when I followed your instructions edit-copy, edit-paste, I still always get the message when I click copy----Could not complete copy command because no pixels are selected every time. I have connected the loop and the little ants are still running (probably getting their little feet tired by now) and still get that error as above. Can't seem to get past that copy stage, what am I doing wrong?????
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      From: hatstead <[email protected]>
To: Les Buschow <[email protected]>
Sent: Tuesday, January 20, 2015 6:24 PM
Subject: Magnetic lasso problems and pixels
Magnetic lasso problems and pixels
created by hatstead in Photoshop Elements - View the full discussion
Mr. B's pics wrote: When using the magnetic lasso and when I create circle around figure, it goes back to lasso and does not go around whole figure for me to move.
You have to navigate completely around the object that you are selecting, so that you close the loop. You can backtrack as you go along with the delete key on the keyboard, and also set additional anchor points with a left click. I find it helpful to increase the contrast, if necessary, before starting with the tool.
  .Trying to cut figure out of one pic and placing in another pic or background.
Try this
   - Open picture B, the one you wish to select something from to add to another picture.
   - Use one of the selection tools, e.g. selection brush, lasso tool, to select the object. You will see an outline ("marching ants") once the selection is complete
   - Go to Edit menu>copy to copy the selection to the clipboard
   - Open picture A, then go to Edit>paste
   - Use the move tool to position object from picture B.
   - In the layers palette you should see picture A as the background layer, and object B on a separate layer.
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Demand Planning and eSOA

I am an SCM consultant, with particular interest in Demand Planning.
I am experienced with SAP APO, but am now interested in how the emerging eSOA environment can help with Demand Planning solutions.
Can anyone share thoughts/experiences of how web services in general and SAP eSOA in particular can provide 'added value' to Demand Planning?
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Hope this helps.

Sensor and Pixel Basics

The recent introduction of the 5Ds with its 50.6 megapixels leads me to ask about sensor size and pixels. There is an on-line tome by W. H. Majoros that describes the situation well, I think. You can reference it at "digitalbirdphotography.com".
Frequently when discussing full-frame vs APS-C cameras, the fact that the image appears larger on the APS-C photo is spoken of as its having an increased magnification. But this is misleading. The "real" size of a photo, when displayed on a computer monitor, is seen when looking at it at 100% magnification, in which case there is a one-to-one mapping of sensor pixels to monitor pixels. The displayed photo size of a photo is due to the linear pixel density of the camera sensor, not the overall size of the sensor.
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So except for the larger FOV provided by the 5Ds, why would anyone want this over the 7D Mark II? I'd appreciate others' thoughts on this.
Thanks,
Edward1064

Edward1064 wrote:
The recent introduction of the 5Ds with its 50.6 megapixels leads me to ask about sensor size and pixels. There is an on-line tome by W. H. Majoros that describes the situation well, I think. You can reference it at "digitalbirdphotography.com".
Frequently when discussing full-frame vs APS-C cameras, the fact that the image appears larger on the APS-C photo is spoken of as its having an increased magnification. But this is misleading. The "real" size of a photo, when displayed on a computer monitor, is seen when looking at it at 100% magnification, in which case there is a one-to-one mapping of sensor pixels to monitor pixels. The displayed photo size of a photo is due to the linear pixel density of the camera sensor, not the overall size of the sensor.
Regarding the ultimate sharpness of a photo, while it is limited by the pixel density (higher is better), it is also limited by the pixel size because of electronic noise (lower pixel density and thus larger pixel size is better). So at some point higher linear pixel density becomes a negative feature.
Which brings me to a comparison of the new cameras, the full-frame 5Ds and the APS-C 7D Mark II. I compute that the linear pixel densities of tese are both about 240 pixels/mm. Until now the full-frame 5D cameras have had lower pixel densities, which seemed like an advantage due to their larger pixels, especially at higher ISO.
So except for the larger FOV provided by the 5Ds, why would anyone want this over the 7D Mark II? I'd appreciate others' thoughts on this.
Thanks,
Edward1064
Canon's ISO ranges include, at the top end, a regime described as "ISO speed expansion" or something similar. One way to describe the transition point into that regime is "the point beyond which you may not want to go if you can't tolerate a lot of noise". If you look closely at the specs, you'll see that that point is two stops lower for the 5Ds than for the 5D Mk III.
So yes, larger pixels are better, and the greater FOV may be the only advantage of the 5Ds over the 7D2. But if you need it, that's how to get it.
And one is left to hope that the 5D3, with its evidently better low-light performance (and noticeably lower price), will remain in the product line for the foreseeable future.
Bob
Boston, Massachusetts USA

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On Demand Tiling and Pixelating

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