Online/Offline Editing

Is there anyway to edit offline with iMovie? I can't seem to find any way of downloading from my DV camera in low resolution, and then doing an online edit with an EDL. Is this just to much for iMovie?

In 1989, I had the opportunity to use one of the first Avid Edit Systems (half a million Deutschmarks) over here, it allowed us to import 40minutes of low res material and do non-linear edits:; the EDLs were used to control later some Ampex 1" tape machines...
I really don't know, why you should - in use with dv codec material, which is just 12Gb an hour! - use such antique techniques... ;-))))

Similar Messages

Offline editing in Premiere CS6

Hi!
I'm thinking about to edit a feature film in Premiere putting together all the episodes of my webserie. It's an action webserie and has a lot of cuts. It is in H.264 from 7d so is very difficult to play in real time.
Are there any way to make proxies of the sequence for a more fluid edit and reconnect later with the original files (as you can do in Avid or FCPX)?

Yes indeed!
But you will have to use the fonction "replace with" to files one by one. Then it will relink the low res files to HD files into your timeline.
Denis
Sent from my iPad.
Le 31 mai 2013 à 16:20, JF_Calero <[email protected]> a écrit :
Re: Offline editing in Premiere CS6
created by JF_Calero in Premiere Pro - View the full discussion
Hi Denis, thanks for your help.
Yes, right now I have one of the last MacBook Pro (no retina) but only with 4Gb of RAM. But I originally edit the series in my Macpro (with 24Gb and quadro 4000) and the action sequences still had problem to play well in H.264.
My problem is that I have every episode already edit, although I'll probably change it when I mix all together.
So, I think in this solution following your advice:
•Make a Project manager of the sequences to one folder.
•Batch transcode the resulting clips to a proxy version in another folder, with different name but maintaining the original name of the clips
•Relink the sequences to the new ones
In this way I can easily switch from offline to online version, right?
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Multi camera project, Online/Offline. Major issues reconnect/re-digitize

Ok gang I got brain bender.
3 camera show, Multi camera project shot Digi-beta. Brought the tapes (3@90min) in low res (dv50) and now I need up-res the files or as apple would call it “online/offline”
According to the book this can be done a few diffrent ways. I have explored these ways and I’m failing...very very badly.
Attempt #1.
- took time line into media manager made the sequence “offline” save the project to new folder in drive with new settings (10-bit). All looks good till you try to recapture at 10-bit. Clip names get changes and numerical extensions apple put on during “make new clip” don’t match. In short I have a show that wont go. FCP wants to digitize everything
Attempt #2
- took time line into media manager made the sequence “offline” Selected the clips batches of clips and then re-digitaized. Again clips don’t match and FCP wants to digitize everything.
This is where I need your help. What can I do to make this process work? Below are my next moves...but before I spend another 18 hours in a bay I want to make sure I get some other input.
Option 1)
Encode all the tapes in 10-bit, Try to reconnect. I would like to stay away from this because the space needed for 10-bit is out of this world and I do have other projects. Again I’m looking for that secret 1,2,3 to making clips only re-digitizing.
Option 2)
try some other method I haven't tried yet. ( this is the one I’m hoping for)
Thanks for your time an I hope it hear from you ASAP as I’m dying over here. Multi-clip with online/offline it’s exactly in the index in the FCP user guide. If any one has some posting or web pages I could book make for future that would be a big help.
Thank you all for your time in advance
Jeff

I must playback in Premiere the 4 video streams in real time
Good luck with that. Many folks have trouble with even one stream.
edit those offline low res copies to get my edit decision list
I'm not sure offline editing with AVCHD will be possible because of the folder structure. You may not be able to 'replace' the lower res copies with AVCHD.
My output format is Flash F4V 640x360 px square pixels for Internet playback.
Oh, man. Shooting HD of any flavor is just overkill that adds unnecessary work to the process. Have your client shoot in DV.

DVCPRO HD 3 stream multiclip - computer too slow, offline edit? How?

Of all my woes trying to get this project edited, I finally figured out solutions for a few problems I was having (preventing me from starting the edit). Now, let's assume I have everything ready...
I have 3 angles, all DVCPRO HD. When I multiclip and place in timeline, keep getting dropped frames on playback.
I've tried reducing RT as low as quarter framerate and low playback quality but I still get mixed results.
Is there a way I can do an offline edit using multiclips then online the footage once my cuts are complete? How?
Thanks!
Oh duh - 17" Intel iMac (1st gen of Intels) 1.83Ghz, 2GB RAM, 1TB GRAID2, FCP 6.0.2

FANTASTIC.
Great, quick article.
Let's give it a try...
AAHHHH! It works! Ha!
Ok (and I know you read a thousand threads every day), as noted in another post of mine, I have the nightmare of transcoding other footage taken from different cameras (at different resolutions and different compression [both hdv, one is 720p ftg, other is 1080i])
The DVCPRO HD is native 59.94
When I recompress for offline, I get the warning dialog about framerate of preset to be used mismatching footage I've selected. The new project/sequence will be set to OfflineRT HD (Photo JPEG) 29.97 The media I'm about to recompress, again, is 59.94 The offline clips retain the 59.94 framerate.
Edit into sequence, prompt to change sequence settings to match clip settings. I edited the clip and 3 stream (!!) multiclip into the offline sequence with the sequence set to 29.97 or 59.94 I see no noticeable difference in the look of the footage. I don't have an external monitor to test with but I imagine it wouldn't make a difference.
So what's my point? Oh, uhh, yeah. So the other two "footages"...Before I begin the edit, what should they be transcoded to? My guess:
-Transcode HDV footage to DVCPRO HD 720p60 in Compressor
-Results in 59.94
-Put the entire "online" media into master project
-Offline all footage for realtime project
-Edit offline in 59.94 timeline
-Did I mention the purpose of transcoding to match DVCPRO HD is so I can multiclip?
-Complete edit in offline project
-Online it.
A few notes...
-I don't have HDV to test w...oops, wait, I do. And, how convenient, it's 1080i! Nonetheless, I just did the Compress routine with some SD footage, looked like hairy sh...you know. But hey, that's what you'd expect. Mainly, you can see atrocious field separation especially on motion. Either way...
Just converted the 1080i ftg to DVCPRO HD and from master to transcode, they look very similar. There is a SLIGHT blur on the transcoded ftg but it will suffice (it'll have to)
-I offlined the transcoded 1080i-720p, looks like garbage but who cares? It's visible and plays back RT! Errr...when it's on its own in the timeline. Multiclip'd this ftg with 2 other DVCPRO HD offlined and, once in timeline, multiclip isn't playing back at all. Canvas shows the video, viewer doesn't. Each time playhead is stopped, viewer updates with current frames of each multiclip element. Yes, sync is set to open.
Also, canvas doesn't update when cut to alternate angle, continues showing the previous footage AND IT DOES register the cuts but canvas doesn't update. UGH.
-Restarting FCP. That didn't do it. The RT popup also doesn't give an option for multiclip playback. So...ahhh sugar. Found it.
-The sequence needed to be set to 29.97, not 59.94
-Now the question is, how will this affect the online? What will I online back to? Huuuuuhhhhh.....
Well, I did it anyway and set it all back how it was, the sequence framerate is 29.97 - Nothing looks off or weird after a render. HOWEVER...
-Does this mean I am doing it right?? Should the online be 59.94?
OK, I think I've babbled enough. Very close!!! Much closer than before, very helpful, thank you!

How to enable multiple check-out and check-in for offline editing (sharepoint 2010)

I have a SharePoint site where I am using check-in check out feature for one of 'Project' document library.
By default SharePoint supports single document to be checkout for offline editing (when i click on checkout, SP ask for 'Use local draft option' for offline editing), if I select that check box, it take a local copy for offline editing in my 'SharePoint
Draft' folder.
but when I try to check-out multiple files from 'Project' document library, it does not show any form for confirmation, as shown above (use 'Local draft option') and files get checked out on server it self, but I didn't find any local copy in 'SharePoint
Draft' folder. mean sharepoint does not support multiple file check-out feature for offline editing.
Please suggest if we can check out multiple files for offline editing in sharepoint 2010.
Thanks

Sagar, Thanks for reply, but none of the link is useful.
These all links talk about the check-in check-out feature, but my issue is that, when I do select multiple files for checkout Draft’s dialog
box does not appear and offline copy of files is does not created. how to fix that issue.

"Offline editing" only linking the first video?

Hello. I'm trying the called "offline editing", which is making high resolution files offline and linking them to lower resolution versions. The problem is: I make the files offline, go to link them and Premiere asks for the first file of the list (which is normal as I've seen on tutorials) but then it only links to this first file - so only this first file is linked to its lower resolution version, remaining the other ones I selected as original. I've seen a couple of videos showing this process and it doesn't seem too complicated so I don't know what I could be doing wrong.
All the lower files are with the exact name and format as the original ones, only on a different folder. I'm working on Premiere CS6.

Hi,
I am so awlfully sorry. I was really careless in how I miss that method...
Thanks....
--Chung

Script for getting the online/offline status

Hi all,
After enabling checkbox of "Enable assistive access device" is possible to get the online/ offline status.From Menu we will get the status.Without doing this i want to get the apple mail account online/offline status.hope some help scripts for this.

[That script|http://discussions.apple.com/message.jspa?messageID=11012484#11012484] could change the Online Status of all mail accounts. The following one will just report their Online Status. Is this what you are (were) asking for?
--BEGINNING OF SCRIPT
tell application "Mail" to activate
tell application "System Events" to tell process "Mail"
set theMenu to menu "Mailbox" of menu bar 1
if enabled of menu item "Take All Accounts Online" of theMenu then
return "All accounts are currently offline"
else
return "All accounts are currently online"
end if
end tell
--END OF SCRIPT

Skype blinking Online/Offline

Hi,
After/During a skype call my skype desktop client is blinking online/offline like trying to connect.
But my desktop had a full connection so there is no problem with. After a while everything seems normally online until the next skype call.
Can someone recognize this problemen of have someone a fix for it ?
Greets
Anna

Are you using Kaspersky as your Antivirus application?

Is it possible to perform "Offline Editing" in Lightroom?

Is it possible to perfom "Offline Editing" in Lightroom? I use the word "offline" like one would in video editing, to mean that I would use low resolution versions of my images to perform super-fast edits and stylizations. I don't mean that the images would actually be missing when I say "offline." The workflow process would go something like this:
I would use Photoshop's Image Processor to quickly make low resolution copies of all of the images in a folder. Then I would send that (much smaller) folder of images to another person (in another city) to edit and stylize on their machine, using their own copy of Lightroom. Once they have completed their work, they would send me their decision data, which I would bring into my copy of Lightroom, to be rejoined with the high resolution versions of the images.
Please tell me this will work. I'm trying to figure out a way to distribute my rapidly growing workload among multiple persons, while maintaining a master catalog of high resolution files.

LR stores it's edits in the catalog. It can also store the edits in the file as xmp data or as sidesar files in the case of propitiatory formats. Makes no difference to this process what the original format is, in the case of JPG the xmp data is stored in the file. LR uses previews it builds of the files to show you what these edits will look like when applied to the files. These edits are only applied to a new file created on export. The original file is left untouched. LR is primary designed for editing RAW files or 16 bit tiffs, rather than JPGs. It can of course edit JPGS but although LR is non destructive during editing when the changes are applied to the JPG file on export sever deterioration of the file will occur. JPG is a finished format and really shouldn't be edited if it can be avoided.
Off line editing in LR relates to editing image that are not actually connected to the catalog at the time. Such as being on an external disk that is no longer plugged into the computer. LR can work this way but new images cannot be exported from the catalog without the originals being connected.
You can edit "smaller" versions of an image if you want and then copy the changes to "larger" files. There would be no advantage however in doing this in LR and those changes may be completely different given that the files themselves are different. Someone else can work on original files in a separate catalog and either export the files as a catalog which you can import or save the changes to the files themselves which you can then read into your catalog using the read metadata from file command.

Offline Editing in PC Suite

I have one Nice Suggestion for the PC Suite which saves lot of time, that is offline editing of the contacts.
If we can make the offlie contacts / new groups on pc than it saves lot of times as it can be synchronized later on pc to mobile.
Thanks
Moderator Note: E-mail removed
Message Edited by kenken on 02-Jan-2009 12:36 PM

Shaun,
I realize that this will probably not help you doing HD editing, but I've been using a couple of 1.5TB IEEE1394b (800) externals, and editing SD. I had planned on just using these for more storage, but when I put PP on the laptop I was limited to 3x 200GB for the internal HDD space. I began doing a few projects using these and found, to my surprise, that they did extremely well.
Along those lines, if you have a PCI slot in your machine, an eSATA card can hook into a SATA array, that can be configured in all sorts of ways, depending on the array's controller card.
Unfortunately, I do not know of any way to do true off-line editing in PP.
Hunt

Enable online content editing Muse site pages in BC

Hello,
This is one for the Muse/BC experts out there.
We have a Muse site that has been uploaded to Business Catalyst. In order that the client could upload PDFs and have access to the File Editor we have turned on the "Enable online content editing" located in the My Details panel for the site, as described here Business Catalyst Help | Work with pages
The problem is that the client has made normal content editing changes in BC using the 'Edit' tools, but when we have re-opened the site in Muse and said yes to allow Muse to update the file with edits from BC, the Muse file deletes content that has not been deleted in BC.
So my question is, does turning on "Enable online content editing" in BC screw up Muse's ability to update itself with BC edits. or is something else going on?
Hope somebody can throw some light on this.
Cheers
Grant

Yes, i have the same errors in all browsers.
There is this error message on the pages of the directory "appart."
There is an "index" page in this folder (no problem with this page) and children pages. For these pages, I have this error message when I click Publish.
This page has the same structure as those of the "chalets" part or there is no problem on these..
Examples of pages that create errors:
http://rocaimmo.businesscatalyst.com/appart/telemark4p.html
http://rocaimmo.businesscatalyst.com/appart/superchatel_app.html
Examples of pages without error (it is the same construction)
http://rocaimmo.businesscatalyst.com/edelweiss.html
http://rocaimmo.businesscatalyst.com/saix.html
There is 2 big parts on this site : Chalets and Appartements. Another curious thing: in the opening pages of these two parts, for each property there is a button "Plus d'Infos" To enter the page on editing mode, I have to click just above the button... The menu “click "does not appear, only "edit ". But that is not very serious
Thank you for your help. It is urgent for my client.

Best/Least Processor Intensive Offline Editing Format

Hey,
I'm using Final Cut Studio 2 (Final Cut Pro 6.0.6) on an iMac 2.4GHz Intel Core 2 Duo running Snow Leopard with 4GB of RAM.
We shot on a Canon 7D which puts out H.264 masters. I've converted to ProRes 422 (in FCP 6 there are only ProRes & ProRes HQ - I converted to the regular version).
Now, although my iMac can deal with that most of the time, it's often dropping frames and certainly can't deal with any effects in real time. What I want to know is which format would allow me to creatively edit, with simple effects, split screens, etc., without needing to render every time.
The best advice I found was in the FC manual which suggested Photo JPEG, which I did, at full frame rate, but 50% image size. The bit rate and file sizes are significantly smaller. In any case, although it plays fine, for editing, anything I do to it - for example to re-frame, slow down, color correct - it gives me the red bar and needs a render.
Is there a format that will allow me more creativity with less need for rendering, during the offline edit?
Thanks very much for any advice.
Best,
Matt

Thanks so much for responding. For some reason, on that timeline, I don't get the same options as on other timelines.?. I chose to adjust the timeline to the footage when I dropped it in, so the timeline and photage should be identical.
So anyway, choosing 'Unlimited RT' isn't an option.
Is PhotoJPEG the best for offline or are there others I could use that would let me be more creative without a render (in realtime)?
Thanks,
Matt

Questions about a specific offline editing workflow with AVCHD Source

I`m working on a imac i5 in FCS3 with ProRes422
I got a Sony HDR XR 500 AVCHD Camera, i get the material in FCP with the Log & Transfer Window. In this way the material is going to render on the fly to the Target Codec ProRes422.
In the editing workflow in FCP i recognize the system got a little problem with the big ProRes files which means that the workflow slows down by the data rates of ProRes in HD
Now i think about offline Editing for months.
I read about the workflow, but there`s is one part that i don`t understand.
In every tutorial about this thread, they say that in the end of editing process you have to make your timeline files offline with the media manager, than recapture, reconnect from the tape with timecode.
BUT I DON`T HAVE A TAPE !!
My source files are AVCHD, which every one starts by tc 00:00:00:00
are the following thoughts possible, and how do i do this in detail?
when i do Copy my ProRes422 full hd files with media manager, so the filenames are still the same like the original ones.
in the copied project i start media manager again and turn the whole project in ProResProxy for offline editing. The file names are still the same.
then i edit my project in this ProResProxy Project !
At the end, shortly before i want to render out the whole movie in Full Resolution ....how can i reconnect with the original sized full HD ProRes422 files that are sleeping in a folder on my machine??
Can someone tell me something specific to this workflow, or a better one?

Folks, i've Found a Workflow in the web and tested it tonight - (it Works)!
And this Way i can Archive my Final project later on DVD or BR in AVCHD Source Files which are much smaller as pro Res 422 or HQ...
Here's the process in a nutshell.
- Backup your full cards. This needs to be done no matter what you do.
- Log and Transfer the footage as ProRes Proxy.
- Edit.
- When you lock picture, Media Manage the sequence using the MAKE OFFLINE option, choose the codec you want to reimport this footage as...ProRes 422. You will end up with a new sequence with only the footage used in the cut, with handles (yes, give yourself like 3 second handles).
- Use Log and Transfer to load all of the card backup folders. Just locate them...don't transfer again. You are telling FCP where the folders are. Close L&T.
- Highlight the sequence in the Browser, or all the clips in the MEDIA folder that is created, and choose BATCH CAPTURE. This will bring up the Log and Capture interface, but don't worry, it will now log and transfer the footage, and ONLY the small chunks of video you choose. It will recognize the IN and OUT points.
Do a small test and see for yourself. I have done this with AVCIntra P2 and it works well.

Flex offline editing

Hi,
I am looking for offline editing capability on flex with
Drupal. Does anyone know any good reference on this topic? Many
thanks.

You can read Advanced Flex Application Development. This book
has a chapter that talks about a Flex app and Drupal.

LR Mobile: Downloading images for Offline Editing stops when not using device (iPad).

Hi everyone,
I'm using Lightroom Mobile on my iPad and I'm having issues downloading my galleries for offline editing. I'd like to hit the download button and leave my iPad for a couple of hours while a couple thousand photos are downloaded, however, as soon as I turn off the iPad and walk away for a bit of time, the sync seems to stop. Case in point: I started it last night before going to bed, left my iPad plugged in, and when I checked it this morning, it had stopped after 50 or 60 photos. It resumed as soon as I turned the iPad back on, which was still in the app.
Anyone else experiencing this? Is this a problem/limitation of iOS or a problem with the app? Any thoughts?
Thanks.

Yeah, Lr mobile behaviour isn't particularly friendly (I'm being very diplomatic) when it comes to off-line editing. The issue is of Adobe's making. So, don't go upsetting the folk at Apple ;-) Best you set your iPad so that it doesn't switch off. Once everything is downloaded you can set it back to auto switch off (assumes you remember).

Online/Offline Editing

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