Onlining Catastrophe, how do I offset timecode?

Greetings,.
I have just onlined a music video, feeding in reels, and getting 8bit footage to replace my offline edit. However I have noticed after completeing the laborious process that the first reel is out of sync, but quite a bit. I am not sure how this could have happenned as I am using the same equipment etc to capture the highquality as I did the offline.... The other reeels are fine, its only the first which has the problem. What should I do. Obviously I have to recapture the footage, but how do I accomdate the timecode difference in the footage I am getting? What is the best way to structure this so that the new capture replaces the old footage, How do I not screw this up and loose everything? How do i stop this tense feeling running up and down my spine.
okay.
Five minutes of deep breathing and I'm back. I sip my cup of tea and continue calmly. This is what I think I will do. duplicate my project. In the browser select everything on the first reel, and make it offline. then recapture this. This is where my plan falls down, determining the timecode offset. There is no timecode burn, or slate. My question to you kind people is how do I do this and is my workflow for saving this project correct.
Yours sincerely
Peter Stenhouse

if you're working on a permanent system with the same deck and capture configuration frequently, it pays to do the following:
log and capture a short clip with a time code window burn. This will give you a quick and easy reference to determine your offset -- say the difference between your FCP time code and the window burn is two frames.
Then set up a device control preset for that deck: go into Audio/Video settings > Device Control Presets. In this window you can create a new preset, with the proper offset.
Then test the preset by recapturing the original test clip. If you've entered it correctly, the window burn should match the FCP TC.
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this is working as prctr and s_prctr lengths are equal.
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Thanks in advance.
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s_bupla[] = s_prctr[].
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