Open Source Final Cut Server

It would make sense to open source Final Cut Server instead of discontinuing it. Many depend on it and have massive asset libraries and workflows that will not be moving any time and need support. QuickTime/Darwin Streaming Server is open source and thriving. Final Cut Server should be given that chance as it still has many uses and a lot of potential in areas that Apple hasn't explored.
Apple please give back to community of loyal users and pro's around the world by open sourcing Final Cut Server and not letting it sit on the shelf like Shake collecting dust when it could be so much more!

I agree with this. We have invested too much to simply abandon our infrastructure and explore other options. Open source would be in everyone's best interest. I encourage you to visit the FCSvr feedback page and recommend this. http://www.apple.com/feedback/finalcutserver.html. Please be constructive - there has been enough temper tantrums and gripes about FCSvr being killed and the new way the FCPX works.  Please be detailed about how you use FCSvr, any customization you've done, especially if they involve using the command line tools and scripting in any form. I personally have invested countless hours pouring over bash scripts, scouring the 43 "px" tables in the postgres database looking for ways to improve our setup, and writing libraries of functions to make scripting easy. I figured out how to customize our distribution to make it do what we need it to do, to serve our business and our clients. If the road ends here, was that all for nothing? FCSvr is a great product. I know that it doesn't jive with FCPX new ways of thinking. I know FCPX has range keywording and metadata capabilities. But what of a notification system? What of a transcoding server? What of subscription/responses triggering actions like archiving to tape? What about support for changing metadata with third party solutions? What about publishing the catalog to online services like MediaSilo? There are countless functions that have become part of the workflow of professional production companies. FCSvr has totally changed the way we work and think about our assets. I was just beginning to get somewhere with our producers and editors, and I really don't want to stop now. Open sourcing FCSvr would give developers the opportunity to write their own modules for FCSvr, we could see support for all kinds of functionality. It's not going to happen though if you don't tell them you need it.  Send your feedback using the feedback page. Talk to the vendor you bought FCSvr from or the person who installed it in your organization and encourage them to have this discussion with the people at Apple who can make a difference. Please take action, don't just gripe and make broad stroke suggestions here on the forum. Thanks for your time.

Similar Messages

  • Final Cut Server Client not opening

    So I really new to Final Cut Server (FCS). I have installed FCS on my Xserve as well as the FCS client on my laptop (Did all of that on a local LAN). When I go to my house and try to access FCS client it throws me an error, saying "Unable to launch the application". I really don't know what the issue. Here is the code that is given via java when i click details.
    Launch File:
    "<?xml version="1.0" encoding="utf-8"?>
    <jnlp
    spec="1.0+"
    codebase="http://xserve.local" href="/FinalCutServer/FinalCutServer_mac.jnlp">
    <information>
    <icon kind="default" href="~fcsvr/webstart/FinalCutServer.icns"/>
    <icon kind="shortcut" href="~fcsvr/webstart/FinalCutServer.icns"/>
    <icon kind="splash" href="~fcsvr/webstart/FinalCutServer.png"/>
    <title>Final Cut Server</title>
    <vendor>Apple Inc.</vendor>
    <homepage href="/FinalCutServer"/>
    <description>Final Cut Server</description>
    <description kind="short">Final Cut Server</description>
    <shortcut online="true">
    <desktop/>
    <menu submenu="Apple"/>
    </shortcut>
    </information>
    <security>
    <all-permissions/>
    </security>
    <resources>
    <jar href="/~fcsvr/webstart/FinalCutServer.jar"/>
    <j2se version="1.5*" initial-heap-size="64m" max-heap-size="300m" java-vm-args="-Dapple.awt.graphics.UseQuartz=false"/>
    <j2se version="1.6*" initial-heap-size="64m" max-heap-size="300m" java-vm-args="-Dapple.awt.graphics.UseQuartz=false -d32"/>
    <property name="apple.awt.graphics.UseQuartz" value="false"/>
    <property name="file.encoding" value="UTF-8"/>
    </resources>
    <resources os="Mac OS X" arch="i386">
    <nativelib href="/~fcsvr/webstart/FinalCutServer_MacOSX.jar"/>
    </resources>
    <resources os="Mac OS X" arch="ppc">
    <nativelib href="/~fcsvr/webstart/FinalCutServer_MacOSX.jar"/>
    </resources>
    <application-desc main-class="com.apple.FinalCutServer.javaui.FinalCutServer">
    </application-desc>
    </jnlp>"
    Exceptions:
    java.net.UnknownHostException: xserve.local
    at java.net.PlainSocketImpl.connect(PlainSocketImpl.java:177)
    at java.net.SocksSocketImpl.connect(SocksSocketImpl.java:433)
    at java.net.Socket.connect(Socket.java:529)
    at java.net.Socket.connect(Socket.java:477)
    at sun.net.NetworkClient.doConnect(NetworkClient.java:163)
    at sun.net.www.http.HttpClient.openServer(HttpClient.java:388)
    at sun.net.www.http.HttpClient.openServer(HttpClient.java:523)
    at sun.net.www.http.HttpClient.<init>(HttpClient.java:231)
    at sun.net.www.http.HttpClient.New(HttpClient.java:304)
    at sun.net.www.http.HttpClient.New(HttpClient.java:321)
    at sun.net.www.protocol.http.HttpURLConnection.getNewHttpClient(HttpURLConnection. java:965)
    at sun.net.www.protocol.http.HttpURLConnection.plainConnect(HttpURLConnection.java :917)
    at sun.net.www.protocol.http.HttpURLConnection.connect(HttpURLConnection.java:842)
    at com.sun.deploy.net.BasicHttpRequest.doRequest(BasicHttpRequest.java:185)
    at com.sun.deploy.net.BasicHttpRequest.doGetRequestEX(BasicHttpRequest.java:68)
    at com.sun.deploy.net.DownloadEngine.isUpdateAvailable(DownloadEngine.java:933)
    at com.sun.deploy.net.DownloadEngine.isUpdateAvailable(DownloadEngine.java:838)
    at com.sun.deploy.net.DownloadEngine.getResourceCacheEntry(DownloadEngine.java:157 4)
    at com.sun.deploy.net.DownloadEngine.getResourceCacheEntry(DownloadEngine.java:153 4)
    at com.sun.deploy.net.DownloadEngine.getResource(DownloadEngine.java:217)
    at com.sun.javaws.LaunchDownload$DownloadTask.call(LaunchDownload.java:1979)
    at java.util.concurrent.FutureTask$Sync.innerRun(FutureTask.java:269)
    at java.util.concurrent.FutureTask.run(FutureTask.java:123)
    at java.util.concurrent.ThreadPoolExecutor$Worker.runTask(ThreadPoolExecutor.java: 651)
    at java.util.concurrent.ThreadPoolExecutor$Worker.run(ThreadPoolExecutor.java:676)
    at java.lang.Thread.run(Thread.java:655)
    Please someone help me out. I have been trying to get this for a few days.

    Try removing the FCSvr client from your local machine and then reinstalling it from the web installer while you are connected via VPN. Run these commands in Terminal to remove it:
    rm -r ~/Library/Caches/Java/
    rm -r ~/Library/Caches/com.apple.finalcutserver/
    rm ~/Library/Preferences/com.apple.finalcutserver.plist
    rm -r ~/Desktop/Final Cut Server.app
    Sometimes my client just won't launch like you are seeing and reinstalling it within whatever network connection I'm using gets it working again.

  • Long HDV and XDCAM clips through Final Cut Server

    Hi,
    I know that I could post this in Compressor and/or Quicktime and/or Leopard/Tiger Forums, but as this problem it`s causing my Final Cut Server to not working well, I think it makes sense to post here.
    To resume: HDV and XDCAM clips (all on original codec, only xdcam transferred to mov in xdcam transfer) with file size bigger than exactly 4GB always FAILS in "Final Cut Server"/"Compressor alone in ANY machine installed from scratch"/"Anything that uses Quicktime". Source and Destination being localy or networked. DV or DV50 can get bigger than that, I`ve never seen this error with DV`s codecs.
    I had seen this problem before I bought final cut server. When I was transcoding our interviews for transcription. We always worked with BETA SP and captured in DV or DV50. We were starting to go to HDV and now to XDCAM and this error has started to appear.
    I have a "proxy" made a year ago from a HDV and it`s original has 8GB. I tried this file again and as I expected didn`t work. In ANY computer with any installations with only the latest updates. I`ve remembered that I was using Tiger at this time, and Quicktime/Tiger/ProApps had a old version.
    My two cents are that some update from Tiger/Leopard/QuickTime/ProApps made this happen.
    So ANY HDV/XDCAM file bigger than 4GB it`s FAILING in ANY system. (Tiger or Leopard, With or without FCP and QT PRO, Installed from scratch and updated every thing).
    Some tests I`ve made:
    -Compressor works with this two codecs to lower res in TIGER and with QuickTime Version 7.4.0 and LOWER. (had to be tested, but I think that was my version of QT when I managed to make the proxy of this two codecs).
    -Compressor doesn`t work on any system with QT above 7.4.0.
    -CATDV (http://www.squarebox.co.uk/) version 6 can make proxy versions of this two codecs in TIGER ONLY! They already know of this problem and CATDV 7 works on both.
    -Compressing in compressor with H.264 (same codec as the FCSvr proxy) BUT without changing the resolution, size and etc. Works OK in both Tiger and Leopard.
    -Exporting through QT works in ANY system BUT I loose TC, so it`s not an option (and I can`t input this workflow in FCSvr without using compressor).
    -Exporting from FCP as QuickTime Movie with H.264 doesn`t work on Both (Tiger and Leopard).
    -Exporting fro FCP as QuickTime Conversion with H.264 works but as exporting from QT I loose TC and can`t input this into FCSvr workflow.
    Error message are always: "QuickTime error = -50" or "QuickTime error: corrupted data" (and of course it`s not corrupted because it`s used - even in FCP to edit - and opened viewed, catdv can do proxy and everything).
    I`m surprised not to see anyone freaking out about this issue... I don`t think that It`s only me.
    This is some problems that I came across while trying to find a solution:
    http://www.paulescandon.com/blog/?p=39
    http://discussions.apple.com/thread.jspa?messageID=4912265&#4912265
    http://www.squarebox.co.uk/faq155.html
    http://discussions.apple.com/thread.jspa?messageID=5513003&#5513003
    http://discussions.apple.com/thread.jspa?threadID=1903644&tstart=0
    http://discussions.apple.com/thread.jspa?threadID=1780228
    http://discussions.apple.com/thread.jspa?threadID=1853507
    As you can see this is not the first time I`ve posted about this issue.
    I`m sending a bug report as well.
    Thank You all in advance.
    Regards

    Hi Chará!
    We should, but I think the others will be disappointed eheheheh.
    It doesn`t matter what version of Leopard I`m using (right know I`m using Leopard Server 10.5.6, but this issue has happened even with 10.4 if QT is updated and all updates of 10.5 up, as I`
    ve mentioned above).
    What file size are those clips that are longer than 10min?
    I really don`t get, how it`s possible that just the two of us has HDV and XDCAM files with file size longer than usual? Maybe people that do interviews don`t like to record the entire interview and when capturing those clips would be under this file size limit? Or maybe we are the only ones in the whole world that transcode longer HDV and XDCAM clips (it`s funny that it doesn`t even need to be FCSrv, with only ONE machine and compressor this issue happens all the time).
    I`m convinced that I have to install a Tiger version in a virtual machine with compressor and doesn`t update anything to test this further on. But I`m certain that with TIGER and CATDV this works ok! And I think that CATDV uses QT engine to do this transcodes.
    This is too much of a mystery to me. Maybe it`s time to spend 24+ hours with apple in a international call and probably not getting anywhere.
    I`m only posting this here in FCSrv forum because this issue it`s must worse when you have hundreds of clips with this issue and if you bought the package it doen`t matter if it`s a problem with QT+OSX or whatever, apple has to solve it for FCSrv use.
    Do you reckon?
    Let`s get in touch through email: lucas at rwcine.com.br
    (at = @ and delete spaces).
    Regards

  • Hardware Configurations for Final Cut Server

    I am a small video production shop, currently running 2 standalone FCP stations; one Intel tower FCP7 with about 3T of firewire 800 Raid 1 storage, and one PPC G5 tower FCP6, on a gigibit ethernet network with a central NAS. I am adding a 3d station and a new employee. The problem we have run into is that many assets seem to always reside on the wrong system, and duplicate projects become impossible to resolve and archive effectively. We shoot exclusively on HDV.
    This is the setup I am considering....
    Convert the Intel Mac Pro tower to Final Cut Server
    Buy 3 27"iMacs for edit stations
    My plan would be to have all projects reside on the FCPServer and edit on 422 Proxy versions on the iMacs. I understand that each iMac would need a copy of FCP. Would they all need to be FCP7 to work on the same project at different times?
    Other questions:
    Would working on a gigabit ethernet network be a bottleneck?
    Could I ingest video directly to the server? Is there a way to capture 422 video onto the server or would that require a separate copy of FCP on the server to capture from tape? If so could I use the older FCP6 copy withot upgrading just for capture? Alternately could I use a copy of FCExpress on the server just to create a project and capture on the server then open and convert to FCP7?
    Any suggestions for what to do with the Dual 2.5G PowerPC Tower?

    ProRes wil be much faster for rendering on the client and transcoding on any machine, and will also allow for more realtime effects vs native HDV in FCP. "Full-rez" is a misnomer here, since ProRes Proxy does not sacrifice any resolution and indeed has a higher bitrate than native HDV. You might find that your HDV source looks just as good in ProRes Proxy (it is very high quality, just not as pristine as the higher quality versions of ProRes).
    Remember, ProRes 422 Proxy is still a 4:2:2 10-bit codec. I think you'd need to look awfully close to see a qualitative difference. You can choose to use ProRes Proxy at lower resolutions than your source media, but you don't need to. It is designed to work all the way up to 2K and maintain all the color fidelity of a 10-bit codec.
    When you check in a project that you are cutting locally with Edit Proxies, FCSvr relinks the project to the original media, but it does not render anything. You would need to open the project on the FCSvr host with FCP to create an flattened QuickTime against the original media (in your case native HDV).
    You can recapture, but when you have FCSvr cataloging your clips, you do not want to recapture the same media and duplicate the asset. If you are careful and recapture the clips that were disposed of to the exact same location with the exact same filename as before, FCSvr will re-link the media to the asset automatically. However, that workflow is very human-error-prone and I strongly recommend you not adopt it. Keep your source HDV tapes as a worst-case backup, but if you are going to use FCSvr, use its archive capability to RAID-1 external drives and only go back to the tapes if all else fails. And you'll need to be very careful to match you prior ingest if you do.
    Of course, you can always delete an asset altogether when you're done with its media and later recapture the footage from tape and treat it as a new asset. It depends on how interested you are in keeping your asset records and their proxies intact for media you plan to remove from storage.
    I'd take a good long look at ProRes Proxy vs HDV for quality. If you can't see a difference, capture to ProRes Proxy and make that your online format. Then you won't be eating up all your storage on the server keeping both the HDV original and a ProRes Proxy for edit proxies. If you don't enable edit proxies, FCSvr just hands out the original media.

  • Best practices for Edit Proxies in Final Cut Server?

    We just bought Final Cut Server, and for the most part are pretty happy with the product. We are a small production facility, and primarily work with DVCPro HD footage at 720P. One feature we'd like to use would be the edit proxies feature in FCS, but they don't seem to be working for us.
    _Hosting Computer_
    We're using a mac mini server with snow leopard server and final cut server 1.5.
    Problem
    Whenever we specify in the Administrator Pane of FCS, Under Preferences and Analyze, we'd like to use a custom transcode setting for the edit proxies, keeping Frame Size, TC, and Frame rate the same, but changing the codec to h264 least quality, the effects are a different compression than expected. We tested out the compression settings using Compressor on the server, and we get the desired results:
    Input: DVCPro HD 720P Quicktime 960X720 (1248 x 702) 23.98 fps
    Output: H264 Quicktime 960X720 (1248 x 702) 23.98 fps
    Also did the same outputs using Apple Prorez, Photo Jpeg and got the following outputs:
    Output: Apple Prorez Quicktime 960X720 (1248 x 702) 23.98 fps
    Output: Photo Jpeg Quicktime 960X720 (1248 x 702) 23.98 fps
    (We also made new transcode settings for these compressor settings and we not able to control the compressions through FCS with these settings as well. Our target codec is H264.)
    After connecting the new compression settings on the Mac Mini Server to a new transcode setting in the FCS Admin Pane, we restarted the Java Client, logged in to FCS as an FCSadmin, opened the Admin Pane, and under preferences/analyze change the edit proxy setting to the New H264 setting that worked perfectly when using Compressor. After uploading a final cut project, with one associated media file (DVCPro HD 720P Quicktime 960X720 (1248 x 702) 23.98 fps), the resulting edit proxy did not match the specification: 384 x 216, 23.98fps, TC matches source.
    Also did not dynamically connect when checking out the project from FCS and selecting edit proxies and keep media with project and saving to the desktop.
    Question 1:
    Does anyone have any best practice transcode setting(s) to create for DVCPro HD 720P using edit proxies that dynamically connect and are smaller size than the original? H264? Photo Jpeg?
    Question 2:
    Why is Final Cut Server's Compressor giving a different output, when the same settings work well with just Compressor?
    Question 3:
    Does H264 work in creating dynamically linking edit proxies (ie, no need to reconnect)?
    I can imagine this information to be very useful to the community, so any input or solutions will be greatly appreciated.
    Thank you.

    H.264 is a puzzling choice of codec for edit proxies. H.264 is not an edit-friendly codec since it is a complex long-GOP structure and will require a ton of rendering just to play back the timeline. ProRES 422 Proxy would be a much better choice for editing. I'm afraid I can't account for the differences between Compressor and FCServer in this case, but my gut tells me the non-I-frame codec you are trying to use for edit proxies might have something to do with it. Maybe for an edit-proxy workflow to operate properly on the server-side the codec must be I-frame? Is there any reason you do not want to use ProRES 422 Proxy? They are about 1/3 the footprint of 720p24 DVCPRO-HD, which is already very efficient. For that frame rate and frame size they would be roughly half the heft of good ol' DV25.
    So my answer to all three questions would be to try ProRES 422 Proxy for your edit proxies and see if everything lines up.

  • Final Cut Server is Dead

    What a news!
    I am wondering how many FCSvr deployments are out there and what would be our Plan B.
    IMHO, Final Cut Server is still the best asset management system in production space, and it would be hard to replace it.

    Yes, I too would like to start this discussion. We have a highly customized distribution, and have come to rely on FCSvr for our workflow. As people find other solutions, or stick with FCSvr, it would be great to know their thinking and how they'll implement the new or the old. If Apple open sources it, there are a number of people who would love to start developing it more I'm sure.

  • Final Cut Server Edit Proxy

    Hi,
    I need to do remote editing (with FCP7) over small bandwith WAN (1Mbps) therefore I configure Final Cut Server (V1.5.1) Edit Proxy to use a Quicktime H.264 codec with the following parameters:
    File Extension: mov
    Estimated size: unknown
    Audio Encoder
    AAC, Stereo (L R), 48.000 kHz
    Video Encoder
    Format: QT
    Width: (100% of source)
    Height: (100% of source)
    Pixel aspect ratio: Default
    Crop: None
    Padding: None
    Frame rate: (100% of source)
    Frame Controls: Automatically selected: Off
    Codec Type: H.264
    Multi-pass: Off, frame reorder: On
    Pixel depth: 24
    Spatial quality: 0
    Min. Spatial quality: 25
    Temporal quality: 50
    Min. temporal quality: 25
    The workflow is:
    The remote editor choose on Final Cut Server the FCP project he has to work on, do a Check Out of the project on his Final cut Pro 7 local station by selecting "use: edit proxy" and "keep media with project". Project and associated footage are then uploaded from the server to the remote FCP7 station with no problem.
    When the upload is complete, the editor simply open the project file to start editing on his station. This workflow was working allright till january: when opening the project the FCP7 doesn't reconnect the media with an error message:
    "one or more of the updates requested by Final Cut Server could not be applied. (one or more replacement (s) had unexpected track setting.)" and media files are Offline! When trying to reconnect manually by indicating the proper path for the missing files, I have to uncheck "Matched Name and reel only" to select the edit proxy files. It looks like it was still linked with the original media...
    Looking at the project file, the paths for the proxy files are the proper ones...
    <!DOCTYPE plist PUBLIC "-//Apple//DTD PLIST 1.0//EN" "http://www.apple.com/DTDs/PropertyList-1.0.dtd">
    <plist version="1.0">
    <dict>
    <key>fileSubs</key>
    <array>
    <dict>
    <key>newurl</key>
    <string>file://localhost/Users/XXXXX/Desktop/testbdw10/media/_FCS__XXX.XXX.XXX.XXX/dev/3/1670_179_004301.mov</string>
    <key>originalurl</key>
    <string>file://localhost/Macintosh%20HD/Users/XXXXX/Documents/Final%20Cut%20Pro%20Docume nts/Capture%20Scratch/Untitled%20Project%201/179004301.mov</string>
    </dict>
    <dict>
    <key>newurl</key>
    <string>file://localhost/Users/XXXXX/Desktop/testbdw10/media/_FCS__xxx.xxx.xxx.xxx/dev/3/1674_179_003601.mov</string>
    <key>originalurl</key>
    <string>file://localhost/Macintosh%20HD/Users/XXXX/Documents/Final%20Cut%20Pro%20Documen ts/Capture%20Scratch/Untitled%20Project%201/179003601.mov</string>
    </dict>
    </array>
    <key>version</key>
    <integer>0</integer>
    <key>versionMin</key>
    <integer>0</integer>
    </dict>
    </plist>
    If I change the Edit Proxy setting for ProRes 422 (Proxy) on Final Cut Server edit proxy setting then the reconnection is working OK. I cannot use this workaround as the files are then far too big to be tranferred over a 1Mbps WAN.
    The setup with the Quicktime H.264 edit proxy was working fine after, it seems, the installation of Pro applications update 2009-01 issued end of october 2009, but since january 2010 it does not work anymore.
    Final Cut Server is version 1.5.1 with Mac Os X server is 10.5.8
    Editing station are running Final Cut Pro 7.0.1 and Mac Os X 10.5.8
    What could be wrong ? Does anybody encountered this type of problem?
    Any suggestions welcomed!
    Thanks.

    I'm dealing with this issue right now (FCSv 1.5.1 latest pro app updates, 10.6.2, FCP7). I was under the impression that you could make edit proxies that were 25% resolution (as opposed to just using an efficient codec), but Final Cut Pro is having a rough time getting it right. I too am only getting success with ProRes-Proxy, audio passthrough, and 100% res/everything else. I tried using Apple Intermediate Codec with default "100%" settings and audio passthrough but had no luck. It's way heavier than ProRes Proxy anyways.
    The only suggestion I can make is try your h264 solution with audio passthrough (or Linear PCM) instead of AAC. If that makes a difference we're on to something. Some people started having this issue after an iTunes update, so maybe AAC is the source of the problem.
    The edit proxy workflow really needs tweaking from Apple to cater to internet-based solutions rather than fiber/SAN environments where bandwidth is a non-issue.
    I'll report back later after some more testing.

  • Does Final Cut Server is reconnected how media?

    Does Final Cut Server is reconnected how media?

    Yes, I too would like to start this discussion. We have a highly customized distribution, and have come to rely on FCSvr for our workflow. As people find other solutions, or stick with FCSvr, it would be great to know their thinking and how they'll implement the new or the old. If Apple open sources it, there are a number of people who would love to start developing it more I'm sure.

  • Final Cut Server Launch Error

    Hi Folks,
    I wanted to run this by the community; I can not seem to get Final Cut Server running on the client side. Every time I attempt to access the media management (http://mydomain/finalcutserver), Java begins to load the software, but subsequently fails to load with an error message “unable to lunch application”. Has any one encountered this before? Is this a Final Cut software error? If so, do you have any suggestions as to how I may go about fixing this?
    Basically what happens is that Java throws an exception (see below):
    Exception:
    CouldNotLoadArgumentException[ Could not load file/URL specified: C:\Documents and Settings\olejnikp\Local Settings\Temporary Internet Files\Content.IE5\6Z9XEFXU\Final Cut Server[1].jnlp]
    at com.sun.javaws.Main.launchApp(Unknown Source)
    at com.sun.javaws.Main.continueInSecureThread(Unknown Source)
    at com.sun.javaws.Main$1.run(Unknown Source)
    at java.lang.Thread.run(Unknown Source)
    *Wrapped Exception:*
    java.io.FileNotFoundException: C:\Documents and Settings\olejnikp\Local Settings\Temporary Internet Files\Content.IE5\6Z9XEFXU\Final Cut Server[1].jnlp (The system cannot find the file specified)
    at java.io.FileInputStream.open(Native Method)
    at java.io.FileInputStream.<init>(Unknown Source)
    at java.io.FileInputStream.<init>(Unknown Source)
    at com.sun.javaws.jnl.LaunchDescFactory.buildDescriptor(Unknown Source)
    at com.sun.javaws.Main.launchApp(Unknown Source)
    at com.sun.javaws.Main.continueInSecureThread(Unknown Source)
    at com.sun.javaws.Main$1.run(Unknown Source)
    at java.lang.Thread.run(Unknown Source)
    Message was edited by: Shiloh Arts
    Message was edited by: Shiloh Arts
    Message was edited by: Shiloh Arts

    I had a similar error with one of my Mac clients. I found the following info that cleared it up for OS X users.
    Here's how to reliably reinstall the Java Client on a Mac.
    Delete the Java Applet, usually found on the Desktop. (Sometimes an end-user has placed this in their Applications folder.)
    Delete the following folders (directories):
    ~/Library/Caches/Java/
    ~/Library/Caches/com.apple.finalcutserver/
    Delete the following file:
    ~/Library/Preferences/com.apple.finalcutserver.plist
    (Note: ~ means the user's home folder, ie. /Users/<username>)
    Now, go back to the URL of your Final Cut Server box:
    http://<ip or domain here>/finalcutserver
    ...and the reinstall should go well.

  • One or more of the updates requested by Final Cut Server could not be...

    We are getting the warning " One or more of the updates requested by Final Cut Server could not be applied. (one or more replacement file(s) had unexpected track settings.)" when a FCPv6.06 (possibly also FCPv7.0) project file is checked-out of Final Cut Server v1.5.1. The assets linked to the project are cached down successfully (this in not an XSAN environment) but opening the project alerts to some offline media files (not all) and we need to manually relink them to the assets in the Final Cut Server cache. All is good again until the project file is checked-out of FCSvr to another workstation.
    Having a look at the path of the offline files it is referencing the path of the assets as they were on the previous editor's (different) workstation. None of our workstations have the same path to the Final Cut Server cache.
    My understanding and experience is that FCSvr manages the paths for FCP linked assets and modifies the checked-out file's path to point to the workstation's FCSvr cache?
    Can you tell me how I can resolve this issue?

    I may have resolved this issue today or I'm at a stage where I can't replicate it. The problem may have been propagating from a within a template FCP project file we use to start our productions. I assume it was a corruption of the FCP file that FCSvr didn't recognise?

  • Integrating Final Cut Server 1.5 with Active Directory

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    (some info redacted)
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