Opening premiere project in after effects

I find that when I bring a project I've edited in Premiere into After Effects, a few of the clips don't come over properly. This always happens with a clip that I've flipped horizontally in Premiere -- it is no longer flipped when I open the project in After Effects. Okay, so I could just re-do that effect on that one clip, but it's even more screwed up than that -- the clip comes in with the wrong in and out points! Has anyone encountered this problem, and is there a solution?
In the project I'm working on now, there are 3 clips that didn't come over to After Effects properly. Two of them were flipped horizontally in Premiere, but the third one was not flipped -- the only adjustment in Premiere was to the Levels.

Make sure you report that, it sounds like a bug.
i http://adobe.com/go/wish/

Similar Messages

Problem with importing premiere project into after effects

Hi. When I import premiere project into after effects CS4 the files I speed up 2x (for example) look likes on the snapshot below, and they are not in the correct places.
what can I do?

Then don't speed them up... This is "as designed". AE and Premiere are not compatible in their tiem-remapping/ time-stretching, so tehre is no way to move between them without losing that info.
Mylenium

Problem importing adobe premiere project into After effects CS6

I've been working in Adobe's premiere and after effects for quite a few years now and this problem is new to me.
I'm working on a project in After Effects CS6 and want to import a premiere pro project into After Effects. I go -> File -> import -> adobe premiere project
Select project
Select sequence
Now After Effects CS6 imports all files from the premiere pro project like before in CS5, but now also imports the videofiles as sequences at the root in my project panel and messes everything up. Before it usually imported nice and tidy with the same folder structure as the premiere pro project would have.
But that isn't the main problem. When i open the sequence i wanted to import and work on, some clips have been shortened down to 1 FRAME LONG at the end. These clips have a 500% speed in premiere pro, but this has never been a problem before, after effects has always before been able to translate the speed variations in clips from premiere -> after effects.
The adobe premiere project that was imported is a 60 sec promo with various clips in various formats (Gopro h264, dv pal quicktime etc). Footage not exceeding the fair amount that after effects should handle. 15-20 videfiles at 30 sec each.
I've never had this problem before with premiere <-> after effects.
Anyone?

I just found the solution!
In my adobe premiere project that i was trying to import, some of the clips were "right clicked" and applied "Scale to frame size"
Every videoclip that had "scale to frame size" in my adobe premiere pro sequence would import as its own composition in After Effects rather than just a videofile, and some of the clips would be trimmed down to be invisible.
So if you have any problem with a clip not importing correctly into a sequence in after effects, check to make sure "scale to frame size" is not applied to the clip in premiere pro.
I removed the scale to frame size in the premiere project and now everything imports fine into after effects.
Sorry for the post.

Importing Premiere Project into After Effects

When I import a Premiere Pro project into After Effects, it splits every shot onto a new track, ending up with a couple of hundred tracks at the end.
Is there a way to avoid this ?
Particularly, since I'd want to keep the option of bringing the project file back in Premiere for further editing.
My colorist suggested that I nest reels of my timeline and split it that way so that when he imports it he has nests on one timeline and the multiple tracks in each of those nests. Still, this feel very clunky.

Since my colorsit doesn't have CS4, I nested sequences in another timeline so that when I imported project in AE my colorist could see the one clip nest and click it to see other timeline to see all clips detail.
Thank you.

Arbitrary data param not importing from Premiere Pro project into After Effects.

Hi,
I have an AE SDK plugin effect that works in Premiere Pro and After Effects... the effect has a bunch of standard parameters and one Arbitrary Data parameter.
I believe that the Arbitrary data parameter is implemented correctly, and I have implemented all of the cases for PF_Cmd_ARBITRARY_CALLBACK...
PF_Arbitrary_NEW_FUNC
PF_Arbitrary_DISPOSE_FUNC
PF_Arbitrary_COPY_FUNC
PF_Arbitrary_FLAT_SIZE_FUNC
PF_Arbitrary_FLAT_SIZE_FUNC
PF_Arbitrary_FLATTEN_FUNC
PF_Arbitrary_UNFLATTEN_FUNC
PF_Arbitrary_INTERP_FUNC
PF_Arbitrary_COMPARE_FUNC
PF_Arbitrary_PRINT_SIZE_FUNC
PF_Arbitrary_PRINT_FUNC
PF_Arbitrary_SCAN_FUNC
The only issue I have found, is that when importing a Premiere Pro project into After Effects with the "Import -> Adobe Premiere Pro Project" option, the value in the Arbitrary Data
parameter is always the default. There is no problem saving or re-opening projects within AE or PP... and there are no problems with cutting and pasting instances of the effect.
Importing a Premiere Pro project into After Effects using the Dynamic Link works correctly... the Arbitrary data is imported.
Thanks.

Some kind of answer would be awesome... there are Adobe staff members on here right?

Bringing Premiere Pro project into After Effects

I tried importing Premiere Pro projects to After Effects, but I only got the various files, not the timeline. I just watched a tutorial about Dynamic Link, but when I clicked Adobe Dynamic Link/New After Effects composition in Premiere, I got a layer that was all black, with no sound. I have CS3 Production Premium and Windows XP Media Center SP2.
Right now, I just want to keep what I edited in Premiere, but I get better quality video if I export it to H.264 MOV in After Effects than anything I've found in Premiere. I can't understand why that's so, but until I find something just as good in Premiere, I want to save everything in After Effects.

Create a project and a comp. Copy the timeline from Premiere Pro and paste it into the timeline of After Effects.

Importing Premiere Pro project into After Effects ???

When I import a Premiere Pro project into After Effects, it splits every shot onto a new track, ending up with a couple of hundred tracks at the end.
Is there a way to avoid this ?
Particularly, since I'd want to keep the option of bringing the project file back in Premiere for further editing.
My colorist suggested that I nest reels of my timeline and split it that way so that when he imports it he has nests on one timeline and the multiple tracks in each of those nests. Still, this feel very clunky.

An editor at work was using our Avid to do a grade on a short promo and I
wanted to see what I could do in After Effects. So when he was out of the
office I exported the timeline as an AAF and copied the OMFI media. When I
brought the project into After Effects I ended up with a massive number of
layers and freaked at first at the idea of doing anything with it.
However I thought about it again and decided to precompose all the layers,
as this gave me just one layer to work with. I then added a couple of
Adjustment Layers above it; one with a Levels effect added and the other
with HSL. I also added Masks to the Adjustment Layers so I could vignette
any effect.
The key to working like this was to use Hold Keyframes at the beginning of
each new shot for each effect, Mask Shape and Feather. I could then adjust
that shot, scrub to the next shot add new Hold Keyframes adjust that shot
and so on. When I wanted to repeat any effect settings on a shot, I just cut
and pasted the relevant keyframes. Mixes across shots can be tricky but you
can always go back to work with the original shots on their separate layers
if you need to.
I ended up with a quick grade that stood up nicely against the one done on
the Avid and I only had work with 3 layers on my timeline!

Importing Premiere Pro 1.5 project into After Effects 5.5?

I tried unsuccessfully to import a Premiere Pro 1.5 project into After Effects 5.5, so am guessing the two programs are not compatible. Which version of AE would I need in order to make this work?

Well, only logical - AE 5.5 is 2 years, before PremierePro 1.0 even existed, so it wouldn't know anything about the file format. At least CS is required, meaning AE 6.5.
Mylenium

Nikon D7000 .MOV files in Premiere Pro and After Effects CS5.5

I recently upgraded from Production Premium CS5 to CS5.5. Initially Nikon D7000 .MOV files used in previous CS5 Premiere Pro project would not play well in CS5.5. Now .MOV files do work in both PP and AE CS5.5. Here are the steps I followed. Not recommending you follow my steps exactly, just providing info for those that are interested.
1.       Launch Premiere Pro CS5.5 and open previous PP CS5 project, convert project to CS5.5 and rename project file as not to replace previous CS5 project file.
a.       At this point .MOV files do not play in new project or in AE CS5.5
b.      Close Premiere Pro and After Effect if still running.
2.       Using Adobe Bridge CS5.5, batch rename;
a.       Make copies of original files to new folder location while renaming file extension from .MOV to .mpg
b.      Let Adobe Bridge finish creating all new thumbnail previews.
c.       Leave Bridge running in background.
3.       Launch Premiere Pro CS5.5, let Premiere finish recreating thumbnail previews if needed.
a.       Attempt to preview existing .MOV file in project. It worked for me.
b.      Attempt to play sequence containing .MOV files. It worked for me.
c.       Attempt to play or modify sequence .MOV files in AE CS5.5 via Dynamic Link within Premiere. It worked for me.
d.      Close Premiere Pro project and AE projects if open.
4.       Create new Premiere Pro project and sequence
a.       Import a different Nikon D7000 .MOV file not previously used or renamed.
b.      Attempt to play this newly imported .MOV file. This worked for me as well.
c.       The new, previously un-renamed .MOV file also worked in AE CS5.5 for me.
I will perform additional tests but at the moment Nikon D7000 .MOV files are working for me in CS5.5 after initially performing a batch rename in Bridge CS5.5 from .MOV to .mpg and letting Bridge create preview files. Even .MOV files not renamed now work.
An example of Nikon D7000 footage edited with Adobe Premiere Pro CS5.5, After Effects CS5.5, and Sound Booth CS5 can be seen on my blog, http://stevelandonsmyth.typepad.com/steve-landon-smyths-blog/2011/07/my-first-hd -video-shoot-with-nikon-d7000.html
My system: MacBook Pro 17" 2.3 GHz i7 quad core, 8GB RAM, 500MB SSD
Message was edited by: Steve Landon-Smyth

Hello,
I see 2 post in this thread from Todd that say they are working on a fix and it should be out soon. One is from July, the other from August. It is now Sept 7th and I still see no patches or fixes for any bugs. I spent 400 dollars on an upgrade, but is this upgrade going to be supported?
This is making me rethink upgrading to the .5's in the future.
It is a minor bug to most, but in that sense it should be an easy quick fix. Am I wrong? Is this really a complicated issue?
I apologize if this comes off like a rant, but thats kinda what it is. It is not hard to batch rename files, but its a pain to have to relink all those files in PP.

Send work from Premiere Pro to After Effects | Learn Premiere Pro CS6 | Adobe TV

There are several ways to send your creative work from Premiere Pro to After Effects, and this lesson will walk you through all of them.
http://adobe.ly/VwbyvH

Hi, I was sending project from pr to ae using the way that select clips and right click to create a new ae composition, but when the ae project opens up, the pr clips didn't transferred to the ae project, there was only the composition on the screen. Just wondering which part of the process went wrong?
cheers~

Premiere pro and after effects ,,, linked?

can anyone help me? does anyone know how you save a linked project to come back to at a later date?
sometimes when youve linked a premiere pro project to after effects and you dont have the time to finish it , how can you save the link and load it back up at a later date to finish?

Hi Mat,
I think I've found at last the solution to your problem; it doesn't seem to me very logical but anyhow it worked so as the French say goes " against ill fate, good heart" (not sure this should the proper translation!)
As to be in your position I worked with my project in the same way. Briefly my project includes a prologue of the Eruption of Vesuvius of 79 AD which destroyed Pompeii and Herculaneum. In the time line I have some shots of the Vesuvius, in total some 30 seconds split into 4 or 5 clips.
My purpose here is to eliminate from the Vesuvius' cliffs any traces of the actual XX-XXIst century life, roads, trails, cars, observatories, trails inside the volcano of scientists going to take measures.
For this I used the Clone/Stamp effect. I did not use the tracker method because:
a/I'm not familiar with it,
b/ the shot is practically static, hence not the use of the tracker method; the helicopter's movement has been obviously slowed down in post or may be while shooting and it is very stable. you have on 1st picture the original footage a
After some 900+strokes I decided to stop and encode the project as to check how it all looked like. Amazing! lol! The music gives you the creeps in the pyroclastics surges views! Cecil B. de Mille can give back his apron! lol!
But I realized that at a particular moment when the helicopter's parallax with the Vesuvius had changed significantly then the border trail was again partly visible especially the triangle where the seismic observatory is located today; you can see clearly some strokes which were not done correctly and have to be changed on the preview in the second picture.
Original footage
Preview of the clone stamped lip of the volcano
As i had saved my AE and Ppr Projects and closed the programs I was in the exact situation of yours. I opened Ppr and when I asked the program to reopen the modified clip in AE, It did so but the layer was absent! So I decided to open immediately the AE project saved earlier and then I found my layer made my new corrections and saved again the AE project while in the meantime all the new modifications were automatically transferred in a new instance visible in the project panel. I transferred this on the time line and cleared the old one.and to make sure I would not make mistakes later, I used the remove unused command in the Edit menu.
It shows here(the cerulean label above my AE projects bin) :
As I'll do again such operations I'll create a dedicated bin for these kind of AE projects to differentiate from my regular imported AE projects into Ppr.
Final state of volcano at the same place:
I don't know if this is the right procedure but the fact is it works and what makes me furious is that unless I have to change my spectacles or consult immediately an ophthalmologist , I have not found a trace of explanation anywhere in the help files online, I've checked numerous videos on youtube by young, middle aged or seniorissimo specialists tutorials and no one treat that very elementary aspect problem you and I had to deal with. Of course for someone working in the business for 100 years it's obvious, but thank god I don't intend to wait till I'll be perfectly gaga to find this kind of solution. Nothing is superfluous in an explanation, never forget what happened to a poor animal whose mistress put to dry in her microwave with the result you may imagine. She had the courage to sue the manufacturer for not having stated in the manual that a microwave was not a hair dryer! And she obtained an enormous damages settlement!
I hope the old bag I am has procured you the solution, I'm just an amateur and likely to remain so, as to paraphrase Henry Higgins in My Fair Lady!
Claude
PS:
A s for the use of different versions of programs:
First: as advised by all the guys here I've taken the habit to use the full version of CC and not to mix an older one with a new CC one; I use here AE CC to its latest version and Ppr CC at the same updated moment. So there won't be discrepancies due to slight changes which create compatibility problems. I've had a huge problem once and it served me as a lesson. By the way I also have set up the autosave of all my programs to 5'.It can be annoying but when a problem occurs you're glad not to have to redo 1h work!
Two: during the full development of a project I never change the version of CC with a new updated one for the same reason. I check myself if there has been new updates but do not apply them automatically.

I need to reinstall my computer, how do I deal with Premiere pro and After effects?

Hello,
As my question states I need to reinstall my computer (laptop) and I'm not quite sure on how to deal with Premiere pro and After effects.
I am thinking that I need to do some sort of backup and save my projects and footage on a sepparate drive.
If I reinstall my computer, install my creative suit production premium, and move back all of my projects and footage, won't I have to re-link every single clip?
I am currently workning on several different projects and having to re-link everything is something I don't even want to think about, that would take me days if not weeks.
Another option on my mind would be to use Creative cloud. I do have the free version but I have never used it even once before and I'm not quite sure what the purpose of the cloud is and if this is a way to use it.
I have no idea how to go about this computer reinstalation without either loosing tons of work or having to re-link every single clip used.
I am videoediting only as a hobby so I have no experience working with other people and sharing projects or the like, wich is my understanding of what the cloud is for.
Any and all help would be grealty appreciated, I know this is probably really easy but ever since i got my Suit I haven't reinstalled, upgraded och changed my computer so I am just clueless as to how to go about this.
I have Creative suit production premium, I also have the free Creative cloud.
It is only Premiere pro and After effects that I am using and am worried about.
Thank you for any help.
-Lisa Kajupank
(and oh, I just notice my name - umustbejoking - I think I just wrote that cause they wouldn't let me use anything else, saying it was already taken. So nevermind that haha.)
Message was edited by: umustbejoking

If the computer's running Mac OS X, move the cursor to the very top of the computer's screen, click on Store, and choose Authorize this Computer.
If the computer's running Windows, press the Alt and S keys and choose Authorize this Computer, or click here, follow the instructions, click on Store in the menu bar, and choose Authorize this Computer.
(84620)

Importing Motion project into After Effects

I am attempting to import a Motion 4 project in After Effects CS4. I am using the suggested instructions:
1 In After Effects, choose File > Import > File.
2 In the Import File dialog, choose All Files from the Enable pop-up menu.
3 Click to select the Motion project you want to import.
4 Choose QuickTime Movie from the Format pop-up menu.
5 Click Open.
Motion does not show up in After Effects. What went wrong?

You could check this for instead
http://provideocoalition.com/index.php/motiongraphicsvizfx/story/moveprojects_from_fcp_to_ae_seamlessly_andfree/

How much does Premiere Pro and After Effects rely on the hard drive it's installed on?

This may be a really dumb question, but how much does Premiere Pro and After Effects rely on the hard drive it's installed on if all your video files, assets, disk cache, etc are on different drives than the one the program itself is installed on?
The reason I am asking is that I currently have a "relatively" slow Sata II SSD for my C drive that has just my OS (windows 7 64bit) and programs (adobe editing programs, no games) installed on it and nothing else. All of the files used in my projects are saved on either a very fast Sata III SSD or a slower HDD depending on what the files are. For example, disk cache on the Sata III, stills on the HDD.
Being cyber monday I have the opportunity to buy another very fast Sata III SSD to replace my current Sata II SSD C Drive (just OS and programs). Both synthetic and real world benchmarks show a near double in performance. I just want to know if anyone thinks the upgrade is even worth it because for all I know there won't be any increase in performance since no videos, still, cach, etc will be stored on the C Drive.
The alternative is to get a second monitor because I currently only use one 21" monitor.
I suppose another alternative would be to not buy anything on the cyber monday deals and just save money for something else.
Any advice or input would be greatly appreciated. Thanks!

Thanks Alex! I think you are right about not being able to notice the difference between the SSDs. I ended up finding a deal to get about $80 off a great monitor that I've been looking at for a while and decided to pull the trigger on it. I thought about it and realized that there have already been a bunch of times where I want to watch a tutorial on youtube and follow allong in AE or PrePro, but have to keep switching windows. I also frequently want to have my video preview on a separate monitor so I can have a taller timeline window. This monitor will help a lot with that. Thanks again for your help!

2009 & 2010 MacPro upgrading for today´s Video-editing (Premiere Pro CS6 & After Effects)

I have now two MacPro´s: MacPro4,1 (Early 2009/Nehalem) and MacPro5,1 (Early 2010/Nehalem) and I was wondering how to get the best of them for video-editing with Premiere Pro and After Effects (CS6 or later CC) for todays standards.
The specs of the machines:
MacPro5,1
Early 2010 Nehalem
(http://www.everymac.com/systems/apple/mac_pro/specs/mac-pro-quad-core-2.8-mid-2010-nehalem -specs.html)
2.8GHz Quad-core Xeon W3530 (256k level 2 cache, 8 MB of "fully shared" level 3 cache)
32GB RAM "1066 MHz DDR3 ECC SDRAM" (PC3-8500) modules (4 x 8GB)
ATI Radeon HD 5770 with 1 GB of GDDR5 memory is installed in a double-wide, 16-lane PCI Express 2.0 graphics slot.
single 1 TB (7200 RPM, 32 MB cache) Serial ATA 3Gb/s hard drive.
+ I have added a 480GB SSD-drive via PCIe (http://eshop.macsales.com/shop/SSD/PCIe/OWC/Mercury_Accelsior/RAID )
The 480GB PCIe SSD-drive is now the boot-drive and gets writes over 500MB/s and reads over 600MB/s testing with "BlackMagic Speed Test"-application. The 480GB SSD-drive that is connected via PCIe-card has also two eSATA ports on it. How could I take advantage of them? Is this just a bottleneck, what would you think. Would I get the same results if I had just Samsung 840 SSD installed with adapter-device to the internal drive bay 2.5" SATAII connections?
What about the graphic card?
What would you suggest to do for the setup to maximize it´s potential (For now it´s working fine)? Would it be good idea ome 7200rpm hard-drives for media and cache storage or do I need that or can I see significant improvements over it since there is still 3 3,5" internal hard drive bays with SATA II connections (and the two eSATA ports).
MacPro4,1
(Early 2009/ Nehalem)
(http://www.everymac.com/systems/apple/mac_pro/specs/mac-pro-eight-core-2.66-early-2009-neh alem-specs.html)
- 8-cores: powered by two2.66 GHz Quad Core 45-nm Xeon X5550 (Nehalem) processors with a dedicated 256k of level 2 cache for each core and 8 MB of "fully shared" level 3 cacheper processor.
- 34GB 1066 MHz DDR3 ECC SDRAM
-NVIDIA GeForce GT 120 with 512 MB of GDDR3
A lot like the MacPro5,1 but does have a bit different graphic cards and more memory and cores.
Any ideas?

jsssi wrote:
What about the graphic card?
What would you suggest to do for the setup to maximize it´s potential (For now it´s working fine)? Would it be good idea ome 7200rpm hard-drives for media and cache storage or do I need that or can I see significant improvements over it since there is still 3 3,5" internal hard drive bays with SATA II connections (and the two eSATA ports).
First and foremost: keep an eye on that 480G PCI-E SSD that you dumped a lot of money into. Those OWC drives aren't known for their robustness or reliability (OWC folks will argue with that statement. Ignore them). Since OS and apps are easy to re-install, it may not be a big deal. But don't put any of your projects on it, even though it's a fairly quick device.
Second, start adding SATA drives to the other 3 bays. Fill them up with the biggest drives you feel comfortable buying. Make one of them a 10k RPM drive for your scratch space. The others can be 7200RPM drives; since you're limited to SATA2, there's not much use in trying to crank serious disk bandwidth through the system.
Video cards. Get rid of those OEM garbage cards. Drop them into a chipper/shredder, in fact. Contact this guy about getting flashed nVidia cards that will work in both Macs, and will help with Pr and Ae. Dave can sell you a flashed GTX780 that will boot (with grey Apple screen) and run in the Mac just fine. And it'll outperform anything Apple has ever sold for those Mac Pros.

Opening premiere project in after effects

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