Opinions On Several Feature Requests

Hello,
For starters this is not a problem I can't solve in Premiere but more so a request of your opinions on Feature Requests that I've recently submitted. Just so you know, I'm new to the Adobe forums but I'm not so new to Premiere Pro. I've used Premiere since 1.5 and have been fortunate to use every version up to CS5. We, at the shop, always talk about how Premiere could be a bit better and so after 6 years of talking I've finally submitted a few Feature Requests for Adobe Premiere Pro CS5 and CS5.5. Below are the requests submitted one by one:
https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform
Feature Request: Premiere Pro CS5, CS5.5
*******Enhancement / FMR*********
Brief title for your desired feature:
Source Panel Keyboard Zoom
How would you like the feature to work?
In the Keyboard Customization menu, add keyboard zoom options for the Source Panel.  Also have an option for vertical and horizontal zoom for audio.
Why is this feature important to you?
Often times I use the Source monitor before inserting clips of video or audio into the timeline. The current method of pinpointing an area in the Source monitor is by using the horizontal bar, which can be a little jarring. I always use the shortcut key (-) to zoom out and (=) to zoom in when using the timeline and program monitor. This may seem like a minor feature request but is key component to speed up my work flow and make my production time more efficient.
*******Enhancement / FMR*********
Brief title for your desired feature:
Set Clip Markers Button
How would you like the feature to work?
In the timeline panel, beside the Set Display Style and Show Key Frames buttons, a Set Clip Markers button can be added to both the Video and Audio tracks. Just as the other buttons have dropdown menus, the Set Clip Marker would have its dropdown menu for set other numbered, next available or unnumbered. If the dropdown menu was set to next available number, each time the button was pressed the clip marker would adjust just as it does from the Marker tab at the top of the screen.
*******Enhancement / FMR*********
Brief title for your desired feature:
Multi-Camera Audio Fix
How would you like the feature to work?
I think this is more of a Bug Report but I'm submitting this as a Feature Request. When I edit in Multi-camera mode and I have a nested video sequence with the audio tracks beneath the nested video the first audio track gets extracted whenever I make multi-camera cuts. A work around for this is to lock the first audio track. At times I do forget to lock the audio and have to go back and extend the audio to get it back on its track.
Why is this feature important to you?
This fix is important because it makes the multi-camera feature more reliable and it saves time in the editing process.
Why is this feature important to you?
Because most of our jobs require multiple cameras and multiple audio sources, both on camera and standalone, using the Marker tab at the top of the screen is very time consuming when syncing each clip. I know many Premiere Pro users would benefit from this feature especially with the rise of the HDSLR work flows and the need to sync audio from external devices such as the Zoom H4N.
*******Enhancement / FMR*********
Brief title for your desired feature:
Horizontal Audio Master Meter
How would you like the feature to work?
Customize the Audio Master Meter so that it can dock horizontally, similarly to how Adobe Soundbooth has its audio meter above.
Why is this feature important to you?
When we deploy to other countries, we have to use our laptops for editing. Because of the limited resolution on our laptops I think it would be better to have the audio meter at the top of the screen to maximize the amount of work space on laptops.
*******Enhancement / FMR*********
Brief title for your desired feature:
Multi-Camera Monitor sync with Timeline
How would you like the feature to work?
Put simply, have the Multi-Camera Monitor sync real time with the Timeline Panel. Right now, whenever you use the Multi-camera Monitor it operates independently from the Timeline Panel. It should operate just as the Program monitor does with the Timeline.
Why is this feature important to you?
When I scrub through the footage in the Multi-Camera monitor I don't get a feel for the entire sequence and my current location when editing. When I use the Program monitor along with the Timeline Panel I have a reference of where I am in real time and it’s easier to manage cuts when I edit in the Timeline Panel.
If you have any feature requests for Premiere Pro, agree or disagree with the requests posted here I'd like to hear your opinions. Please state your Brief Title, The Feature, and Why you agree/disagree with the feature requests posted.

AndrewThompson64 wrote:
I have never used applets in exactly the way you describe. Having said that, many applet/browser/JRE interaction problems can be fixed by using Java Webstart to launch the applet.Thanks for your advice, I'll try to do it. But this situation is really confusing...

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    2. In multicam editing issues mentioned above increase dramatically. Rendering preview for every camera angle is simply impossible. Although PrPro offers offline clips workflow, an editor can't easily see if the clip is currently linked to a source footage or a proxy, and switching between sources and proxies involves several steps every time one needs to switch: selecting assets, making them offline, right-clicking again to link to other media, locating files on a disk; while in After Effects it's just one click once a proxy is set.
    3. Adobe Dynamic Link. PrPro communicates with AE projects via single instance of headless AE, which creates a bottleneck and entails the need to render DI for complex comps. Although AE allows to set DIs as proxies and, hence, enjoy the best of both worlds, instantly switching between DI and dynamically linked comp and no needs to replace anything in PrPro timeline, with hundreds of dynamically linked comps PrPro timeline becomes unresponsive and takes forever to render (for my rig test 30 min sequence built out of 935 dynamically linked comps, which are just source footages in their own comps, hence, the equivalent to rendered DIs set to proxies, takes around 27 hours to render, while 30 min sequence built out of the same 935 source footages renders in real time). Meanwhile, PrPro doesn't currently allow to link offline dynamically linked comps to rendered DIs.

    As the person who maintains the feature request database for After Effects, I can confirm that the number of times an item has been requested is a major factor when we consider what to work on next. So are other factors, such as how hard the feature is to implement and maintain, how much testing is involved (often the larger concern than programming time), whether the request conflicts with something else that we are already working on, and so on. It is true that we consider not just raw numbers of requests but the details of who is making the requests---e.g., whether the requests are coming from animators or compositors, beginners or experts.
    I can only speak for the After Effects team, but the Premiere Pro team works much the same way (which is unsurprising, since we are in the same group and have overlapping team members).
    We also try to give some visibility into the most requested items with posts like this:
    http://blogs.adobe.com/aftereffects/2012/12/top-feature-requests-for-after-effects-in-2012 .html

  • Feature Request: Apply effects to group of clip instances

    I have been trying to supply this feature request into the Adobe feedback form. But it appeared that it was too large to be posted in a single feedback form. So I had to split it into three distinct feedback forms.
    I don't want this feature request to get lost just because those three parts can't be joined back into a single feature request again. So I'd like to post it here, requesting for comments, too...
    This feature request is about applying effects to more than one clip:
    a)
    Currently, when selecting more than one clip, it's not possible to change any effects settings. The Effects Settings windows only shows a "Multiple clips selected" message.
    Thus, I'd like to suggest the following:
    When selecting more than one clip, the Effects Settings window should display any effects that apply to all the selected clips. Moreover, only those effect parameter values should be displayed having the same value across all selected effects. This on the other hand, of course, can only be displayed for effect parameters not having key frames/timing activated.
    Editing any of the displayed effects' parameters should apply the new value to each currently selected clip instance.
    b)
    Then again, when using key frame/timing activated effect parameters, it is currently not possible to apply such effect to more than a clip, too. To apply such animated effects to more than one clip it is currently necessary to nest those clips into a separate sequence.
    Thus, I'd like to suggest the following improvement:
    It should be possible to apply effects not only to clips but also to a group of clips (Menu Clip > Group).
    Activating animation/key framing to any of the effect settings of those effects being assigned to a clip group (in contrast to those effects assigned to any clip instance contained in the the group) will allow to add key frames spanning all clips of the group.
    This way it will be possible to easily create, e.g., a zoom effect spanning several clips.
    If there are clips in-between those belonging to the group, the group's effects won't be applied to those clips not belonging to the group. However, the effects' parameter values are continued to be calculated in the background.
    So this example would be true:
    - Available clips:
    | a | b | c | d | e |
    - Clips grouped into a Clip Group:
    | a |   | c |   | e |
    - Zoom video effect applied to the group, having two key frames added:
    Key frame #1 = beginning of clip | a |
    Key frame #2 = end of clip | e |
    Zoom value of key frame #1 = 100%
    Zoom value of key frame #2 = 400%
    --> So this will be the approximated calculated zoom value when the timeline reaches following points in time:
    Beginning of clip | a |:     100%
    End of clip       | a |:     132%
    Beginning of clip | b |: (100%)
    End of clip       | b |: (100%)
    Beginning of clip | c |:     174%
    End of clip       | c |:     230%
    Beginning of clip | d |: (100%)
    End of clip       | d |: (100%)
    Beginning of clip | e |:     303%
    End of clip       | e |:     400%
    (Unfortunately, this forum doesn't allow me to apply any kind of formatting to the example above. So I can't apply a monospace font or colouring )
    When a group gets ungrouped (Menu Clip > Ungroup), effects that had been applied to the group will be assigned to each individual clip of the group. For effect parameters that had key frames/animation activated, key frames will be created at the beginning and end of each of the clips. The previously calculated values will now be inserted at each automatically created key frame to mimic the grouped effect behaviour. This operation then would finalize the Ungroup operation involving clip group effects.
    Regards,
    Axel Dahmen

    You could combine the Next/Previous Edit commands with either the Apply Video Transition shortcut or with a paste command if you had copied the transition you want.
    OR... much easier if all you want is a bunch of consistent fade ins/fade outs...
    On a single clip, keyframe opacity to create a fade in from the in point of the clip at the duration you like, e.g. 30 frames. Right click Opacity, and select Save Preset; give it a name, e.g. Fade In 30 Frames and set it to Anchor to In Point. Reset the effect and delete the keyframes, and then repeat this to create a fade out. Go to the out point of the clip, set keyframes, and once again, right-click Opacity and Save Preset; this time call it something like Fade Out 30 Frames and set it to Anchor to Out Point.
    Now, you can simply select all of your clips in the sequence, and apply these presets by dragging them to the selection. Even though you created two presets, because you can only have one instance of Opacity on a clip, the keyframes from both presets will be added to that single effect. You have to do this with two presets--if you do it with one and use Scale, the keyframes will stretch out or compress to maintain a relative duration instead of an absolute duration.

  • Feature Request - If a Save to PSD fails because of image size, offer to Save to PSB

    Feature request — If a save to a PSD aborts when the file size grows beyond 2 GB, offer to save the file as a PSB instead of just displaying an error message and quitting.  Better yet, if the image is to big to begin with, make the offer before starting the save operation.  Similarly, if an image is too large to save to TIFF, offer to save it as a PSD or PSB.
    When you’re working on large files, it would be nice not to have to redo a Save as a Save As to PSB after several minutes delay.
    BTW, I tried without success to post this at the feedback site.  Once again, a dialog opened asking for a verification code that would be sent to me by e-mail, which in past attempts has never arrived.

    Not a bad idea, though really what would be even better is if other 3rd parties would embrace the PSB format so we could just use PSB for everything and leave PSD behind.  There's almost no difference in size.  Here's the same file saved in both formats:
    C:\TEMP>dir egb.ps*
    Volume in drive C is C - NoelC4 SSD
    Volume Serial Number is 00ED-C11E
    Directory of C:\TEMP
    06/30/2012  01:04 PM         1,411,420 EGB.psb
    06/30/2012  12:14 AM         1,397,248 EGB.psd
    In my case, I don't send PSDs to anyone, they just represent archives of my master work, and I will always have a modern version of Photoshop to read them with.  So if I could I would just use PSB for all master files.  Problem is, two 3rd party tools I like to use don't currently handle it:
    IrfanView
    FastPictureViewer Codec Pack
    Probably some day in the future they'll work.  I encourage you to write to the people whose tools you'd like to see be able to read PSB to implement support.
    See also this thread:  http://forums.adobe.com/message/4393244
    -Noel

  • Feature Request: Color code lightroom folders

    I have several hundred folders inside of lightroom. I would like to colorcode "favorite" folders to make them easier to find when moving imported photos from "Dated" folders into subject specific folders. Seems like this should be easy,
    Or is there already a way to do this?
    Collections will accept selected pictures but how about selected folders?

    The place to add your voice to an existing feature request.
    http://feedback.photoshop.com/photoshop_family/topics/colour_coding_folders_and_collection s_to_simplify_navigation_cataloguing
    This is a user-to-user forum.

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