Optical flow equivalent for slo-mo?

Hi all...
I have been very interested in discussions about really amazing slo-mo footage, and I did post here recently about my 60fps 7-d footage and how to work with it. I did a test and it worked out well.
Here is my query;
Instead of paying thousands for a Phantom camera... ---amazing really... you should check out Tom Guilmettes new site and see his "locked in a hotel room with a phantom' video.. awsome results-- I have seen that with a Final Cut Pro plugin called 'Optical Flow' I saw 7-d footage slowed down to 1% of original speed!!!! and it looked great!!!
Admittedly, that is far too slow for any useable purpose (for me) but it would open up all kinds of great possibilities.. without the humoungous expense of these pro cameras..
Is there a similar plugin like Optical flow for Premiere pro6? Or any other workflows (programs) to get my slow-mo's down as if I had shot at say 120FPS instead of only the maximum 60 FPS of my 7-D?
Thanks all...
Ray
Miami Beach

Timewarp in after effects is almost as good as twixtor (it's got few tweaks for difficult scenes but does pretty well).   Unfortunately you do have to drop in to After Effects to use it
I was rather hoping it was going to be in CS6 like Warp Stablizer is, because those were the two effects I used most. 

Similar Messages

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  • Optical Flow

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    GFXZen wrote:
    http://www.fxguide.com/featured/art_of_optical_flow/
    Hopefully this will help you ...
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  • Exporting variable speed slo mo to Motion for optical flow, how?

    Greetings,
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  • What is it best to feed Motion for good slow motion with optical flow?

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    http://panasonic.co.jp/pavc/global/videocamera/hd/global/products/hdc-sd9/
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  • Does motion 5 have optical flow for slow mo?

    Hey
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    Thanks for the help,
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  • Optical Flow - Work Flow for Project Tips?

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    Message was edited by: thedirtyduo

  • Optical Flow and setting Offset make Not an Image

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    Hi,
    Please share your code if possible. This would be helpful to better understand your code flow and make recommendations accordingly.
    Also for your reference, here is also a link to a forum regarding optical flow:
    http://forums.ni.com/t5/Machine-Vision/Displaying-​Optical-Flow-from-AVI-file/m-p/2738890
    Luis S
    Application Engineer
    National Instruments

  • Check settings combinations to achieve good Optical Flow HDV 50i -ProRes422

    Hi Guys
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    So far my results haven't been as 'smooth' as I would have liked. Below I have detailed my steps taken - if you could recommend which combination of 'lighting', 'field rendering', 'motion blur' or 'frame blending' I should choose I'd appreciate it.
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    3. I sent a video clip to Motion 3, new project and chose Broadcast HD 1920 x 1080 25 fps field order Top (Upper First)
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    5. Export as standard Apple ProRes 422 movie.
    Prior to exporting which of 'lighting', 'field rendering', 'motion blur' or 'frame blending' would anyone recommend please?
    For reference, in this forum David Bogie kindly stated the difference between the choices. I have included his post below. However I just want to be sure I'm making the correct choices, as I'm a bit confused about the '50i' (interlaced) aspect of my video footage.
    Here is David's post:
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    Frame blending is only necessary if you have video clips in your scene and even then you don't need it unless you've changed the speed of the clip. Sort of. "
    Zak Peric also kindly posted, although I think his post relates more to graphics as opposed to interlaced video footage. Nonethless, here is his post:
    "Just use animation codec + alpha if you have alpha channel if not use animation codec millions of colours. This is the best codec for best quality. Also 4444 is a very good codec to use as it supports alpha channel but gives you smaller file sizes. Use always BEST from the render window, if you want additional motion blur then switch it on in render view. Be advised it takes much longer to render with motion blur on."
    Any tips would be really appreciated.
    Warm regards
    Peter

    Hi Mark
    Thanks for your kind prompt feedback.
    "You say you sent a clip to Motion, but then you say you chose project settings - I don't understand this. If you really "sent' a clip to Motion using Final Cut Pro's "Send to Motion" command, you don't need to set project settings - Motion automatically creates a project with settings that match the FCP sequence. "
    Okay I understand - sorry for any confusion caused - I had already used "Send to Motion" and applied Optical Flow to a clip which I then exported from Motion 3 as a Quicktime file. I was planning to repeat this process afresh, but am interested in which settings you could recommend from 'field rendering', 'motion blur' etc that might be applicable to my Optical Flow-analysed footage prior to exporting it as a Quicktime file.
    As regards exporting my Motion work as a separate Quicktime file, I prefer to do this so as to avoid the waiting for it to render in FCP.
    The already-optical-flow-analysed footage is actually pretty good (the original clips from FCP6 have already been stripped down to short durations to suit Optical Flow), but want to to double-check which of the 'field rendering', 'motion blur' etc combinations I should ideally choose to obtain best results, just in case I'm neglecting something that could otherwise make the quality even better?
    Once I finish this video project I'm on I'll definitely be going for a clean install of SL and FCS3.
    So, based on these choices...
    lighting
    field rendering
    motion blur
    frame blending
    ...I'm thinking that for my optical flow-treated video I won't need lighting, as it's mostly applicable to graphics.
    I don't have any graphics in these optical-flow video clips. It's just moving video footage of people.
    Am not sure about whether to choose Field Rendering (interlaced PAL 50i HDV - ProRes422 video).
    Am not sure whether to choose Motion Blur.
    Am not sure whether to choose Frame Blending.
    Any tips would be really appreciated, and thanks again for your valuable feedback.
    Peter

  • Can't get Optical Flow to render

    I've read a couple of posts about other people having this problem, but they don't seem to apply as I can't find a workaround.  I'm running FC 10.0.8.
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