Optimal Block Size for Xserve's RAID hosting Final Cut Server

What would be the optimal block size for the software RAID on the machine that will be hosting Final Cut Server? The default is 36K. Since FCS is essentially a database, would be the optimal settings? Any glimpse what data size chunks FCS write to the disk?

Actually I meant the block size for the internal startup volume where FCS is installed, not Xsan volumes. As to optimal settings for Xsan volumes it really depends on the type of the data you store on Xsan, and if it is primarily video, what format: SD, HD.

Similar Messages

  • Choosing block size for RAID 0 & Final Cut

    Hi.
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    Any other settings I should be aware of that will optimize the RAID performance for video capture and editing? Thanks!
    Fred
    Message was edited by: FredGarvin
    Message was edited by: FredGarvin

    If you're using Disc Utility to set up your RAID, when you go to the RAID tab, you'll see an options button near the bottom of the window... clicking this will open a small menu where you can set the data block size... the largest is 256K, which is what you'd want to use.
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    note that disc utility can only set up RAID 0 & RAID 1 (if i remember rightly).

  • Optimal NTFS block size for Oracle 11G on Windows 2008 R2 (OLTP)

    Hi All,
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    user3390467 wrote:
    " You are not using large blocksizes for your index tablespaces. Oracle research proves that indexes will build flatter tree structures in larger blocksizes.
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  • ORA-00349: failure obtaining block size for '+Z'  in Oracle XE

    Hello,
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    ORA-06512: at line 14
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    Thank you.
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    SQL> Rem $Header: movelogs.sql 19-jan-2006.00:23:11 banand Exp $
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    SQL> Rem movelogs.sql
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    SQL> Rem NOTES
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    ORA-06512: at line 14
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    888442 wrote:
    I am trying to drop and recreate ONLINE redo logs on my STANDB DATABASE (11.1.0.7)., but i am getting the below error.
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    alter database Add LOGFILE GROUP 4 ('+DT_DG1','+DT_DG2','+DT_DG3') SIZE 1024M
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    MEMBER
    C:\ORACLE\ORADATA\ORCL\REDO03.LOG
    C:\ORACLE\ORADATA\ORCL\REDO02.LOG
    C:\ORACLE\ORADATA\ORCL\REDO01.LOG
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    MEMBER
    C:\ORACLE\ORADATA\ORCL\REDO03.LOG
    C:\ORACLE\ORADATA\ORCL\REDO02.LOG
    C:\ORACLE\ORADATA\ORCL\REDO01.LOG
    C:\ORACLE\ORADATA\ORCL\REDO_G01A.LOG
    C:\ORACLE\ORADATA\ORCL\REDO_G01B.LOG
    C:\ORACLE\ORADATA\ORCL\REDO_G01C.LOG
    6 rows selected.
    sys@ORCL>
    Your profile:-
    888442      
         Newbie
    Handle:      888442
    Status Level:      Newbie
    Registered:      Sep 29, 2011
    Total Posts:      12
    Total Questions:      8 (7 unresolved)
    Close the threads if answered, Keep the forum clean.

  • Default block size for UFS format in OSX?

    Hi,
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  • Storage issues for Proxies using Final Cut Server

    Hi there,
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    tobi

    So I'm not sure how your math is adding 100GB of proxy files
    Are you creating VersionS and/or Edit Proxies of everything?
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  • Hardware Configurations for Final Cut Server

    I am a small video production shop, currently running 2 standalone FCP stations; one Intel tower FCP7 with about 3T of firewire 800 Raid 1 storage, and one PPC G5 tower FCP6, on a gigibit ethernet network with a central NAS. I am adding a 3d station and a new employee. The problem we have run into is that many assets seem to always reside on the wrong system, and duplicate projects become impossible to resolve and archive effectively. We shoot exclusively on HDV.
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    Convert the Intel Mac Pro tower to Final Cut Server
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    ProRes wil be much faster for rendering on the client and transcoding on any machine, and will also allow for more realtime effects vs native HDV in FCP. "Full-rez" is a misnomer here, since ProRes Proxy does not sacrifice any resolution and indeed has a higher bitrate than native HDV. You might find that your HDV source looks just as good in ProRes Proxy (it is very high quality, just not as pristine as the higher quality versions of ProRes).
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  • Does a QMaster Cluster really make sense for Final Cut Server?

    Correct me if I'm wrong, and I often am, but my understanding of the difference between setting up a "Cluster" and just using "This Machine" is the cluster allows multiple jobs to be processed simultaneously, while an unmanaged system will only do one job at a time. However, when it does that one job, it uses all the system's processors.
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    The default proxy transcode setting seems to be specifically tuned to work at a small scale, which makes sense if you are asking a box to host the database, serve the app, and do all the proxy transcodes. I observed the same phenomenon, so I made my own transcode setting for proxies and I chose to lower the bitrate a bit to help with file size and transfer time. The upside is the floodgates are wide open when my 32 core Xeon cluster (four 8-cores) goes to town on a proxy encoding job.
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  • Small Office Network Solution for Final Cut Server - Proxy Storage Etc.

    Hi,
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    Hi,
    I haven't been able to find any answers for this question by googling, So I would love if anyone here had some advice. I have the 10 License version of Final Cut Studio with 5 clients at the moment. I would like to set-up our office in the most effective way, however we are a non-profit organization, so we are working with a limited budget.
    My question is, does anyone know of any networking solutions for Proxy Storage and Media storage, that wont bottleneck, but is not as high budget/high tech as using an Xserve/XSan system?
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  • Best practices for Edit Proxies in Final Cut Server?

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    _Hosting Computer_
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    Question 2:
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    H.264 is a puzzling choice of codec for edit proxies. H.264 is not an edit-friendly codec since it is a complex long-GOP structure and will require a ton of rendering just to play back the timeline. ProRES 422 Proxy would be a much better choice for editing. I'm afraid I can't account for the differences between Compressor and FCServer in this case, but my gut tells me the non-I-frame codec you are trying to use for edit proxies might have something to do with it. Maybe for an edit-proxy workflow to operate properly on the server-side the codec must be I-frame? Is there any reason you do not want to use ProRES 422 Proxy? They are about 1/3 the footprint of 720p24 DVCPRO-HD, which is already very efficient. For that frame rate and frame size they would be roughly half the heft of good ol' DV25.
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  • Hi, I have small problem, for some time in music area I had two folders to use 1. Apple loops for soundtrack pro 2. Final Cut pro sound effects now both are gray and with out content may I know what happend

    Hi, I have small problem, for some time in music area I had two folders to use 1. Apple loops for soundtrack pro 2. Final Cut pro sound effects now both are gray and with out content may I know what happend

    I just went through this and it appears that my Focusrite Saffire was the culprit. I connected all the outputs on the focusrite according to the way the jacsk on the back were labeled and then set up the multichannel speaker setup to match. Then I went into STP, created a pink noise clip and panned it around, the LFE, center and rears were not in the right place.
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  • Final Cut Server is for video and photo archiving?

    Too many products in the last few years. I used to use iPhoto to archive both photos and video and edit them. Now I have moved to the professional line but it gets more confusing.
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  • Final Cut (Server) as an application server for web-video ??

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  • HT1338 i want update for final cut server 1.0 ????????

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