Original and effective ppi

Hey everyone! I would like to ask for some urgent help on Indesign + PDF print document subject.
I prepared a document for offset print (business cards 8,5cm width x 5,5cm height) and it turned out that the pictures were very rastered on the Proof. Like, you could see the raster dots on it.
I checked out my Indesign document again and I found out that the original ppi of the images was 762 and the effective ppi over 1000. I then realised that on Photoshop, I setted by mistake the pictures´s resolution for 300 pixel per cm instead of pixel per inchs!!
I changed that and they have now:
300 pixel per inch resolution
4cm width x 5cm height
and the pixel dimensions are: 472 px width x 591 pixel (height).
In the Indesign document, it appears now:
300 original ppi
between 300 and 400 effective ppi
472 px x 591 px dimensions
My question is, do you guys think I solved the problem that way or should I still change something before I sent it again to print?
The real dimensions of the pictures on the business card should be about 4cm width x 5cm height, so I decided to have them on Photoshop with that dimensions and 300 pixel per inch resolution, so that I don´t have to scale them much on Indesign. Did I do it right?
Thank you!

The original psd file has, more precisely:
Image size: 14,8 cm width x 21 cm height
Resolution: 762 px / inch ( = 300px/cm )
Pixel dimensions: 4440 x 6300
Then, I changed the Resolution from 762 px / inch to 300 px / inch, and checked in the "resample image" option, which converted the Pixel dimensions into: 1748 x 1418
(Image size remained the same)
This file has good detail quality, it looks sharp.
Then, I drag the layer from this file to a new one, with the image size I need :
Image size: 4cm x 5cm
Resolution: 300 px / inch
Pixel dimensions: 472 x 591
Which makes me think of another question: Are these Pixel dimensions enough for print? Is this psd file good enough to place in Indesign and for print?

Similar Messages

  • Can "Actual PPI" and "Effective PPI" be extracted from InDesign?

    A script that I may require, needs to reach inside InDesign and extract the Actual PPI and Effective PPI from certain images, and then process the images in Photoshop. Are those variables available to scripts?

    Update: this applies for javascript, i don't actually know if you in Applescript would use the Open Library function, and then selecting Indesign.?
    With Creative Suite comes a program called Adobe ExtendScript Toolkit (in CS3 and CS4 its ESTK 2).
    Open this program and look under (for CS3) "Help" -> "Adobe Indesign CS3 Object Model" this is the Object Model Viewer, or in short OMV.
    In there you will se all the available objects, methods and so on.
    If f.ex. you will like to know how to get a reference of a image:
    app.activeDocument.pages[0].images[0]; // will give you the first image of page 1 of the currently active document
    In ESTK, click application, now you see all available objects for the app (activeDocument is one of them), click this and you will see that Data-Type is document. Click on the blue link document, now you see what objects are available for a document.
    Have fun.

  • Actual vs Effective PPI

    I see in the info when I click on a specific link in the links panel two items I don't know how to tell them apart.  Can anyone give me a good explanation of the difference between actual and effective ppi.  Which one is important and which one you really need to pay attention to and why.  I understand that a picture needs to be at least 240 ppi for print.  I've read several articles and just don't really understand.

    Actual resolution is the resolution as you would view it in an image editor like Photoshop.
    Effective resolution is the scaled resolution. If you scale the picture smaller in InDesign, you're "squishing" the pixels into a smaller area, increasing the effective resolution. If you scale the picture larger in InDesign, you're spreading the pixels over a larger area, decreasing the effective resolution.

  • Effective and actual ppi?

    What's the difference between effective and actual ppi? Is there any reason I need to adjust the actual ppi if it's more than 300 x 300 ppi?

    240 effective ppi is probably adequate for almost any commercial printing other than fine art reproduction. 115 could be pushing your luck, but there are so many variables that it's impossible to say anything absolute. What is the intended use and the intended viewing distance? What's the printing method?
    You might want to take a look at http://forums.adobe.com/message/2042202#2042202

  • Why effective PPI format change?

    Hello there!
    The effective ppi format change to "effective resolution", like 2356x1678px. I want back to real ppi, like 370ppi. How do i get back?

    Since I notice in your screen shot that you have two different images with non-proportional scaling, I might point out that you can use InDesign's Preflight panel to search for such images. In the IMAGES and OBJECTS section of the Preflight Profiles dialog box, check "Non-Proportional Scaling of Placed Object" in your preflight profile.

  • Effective ppi, where did you go?

    Help! Since I upgraded from CS2 all the way to CS5 I'm having trouble finding some of my favourite features. I've spent a lot of time looking for the effective ppi information in the info tab.
    The new info tab shows no resolution at all for eps-images. How can I figure out the effective ppi after I scale the images now???

    You could trigger live preflight for showing the effictive resolution of all images (EPS included!) if you use a very low threshold at max. resolution and even more lower value at min. resolution.
    Downside:
    it will slow down your operations tremendously and you have to single out your selected image you want to check…
    Note 1: first edit the minimum resolution, then the maximum resolution field of your new preflight profile.
    Note 2: don't try to set your minimum resolution values higher than your maximum resolution. Might crash your InDesign. In my case it was InDesign CS5.5 (7.5.2) that showed an alert window with an appropriate message and an ok button that I could not cancel even if I hit ok several times. I switched back to my browser to edit this message here and InDesign crashed in the background; (sometimes I try silly things just out of fun ).
    Uwe

  • Effective ppi

    Hello All,
    My friend and I are working on an art book project being printed on a satin/matt 100lb artpaper.  All images are full bleed 9.75 x 12.5.  Our effective ppi's are ranging from 280 to 400. We were going to downssample them to 300 dpi on export in order to give the printer a document with all the same ppi.  Do I need to upsize the ones that are 285?  Can that be done in InDesign?  I have originals on some of them that are larger if need be.  Would you see the difference?  Is there a reason to give a pdf to a printer with a consistant ppi?  Would they change their lpi within a single job or just print it all at the lower one?
    Thanks!

    Thanks Bob,
    I think it is a pretty high end press.  They do a lot of art books.  Will they reduce the overall lpi for the book because of those few images that aren't 300 ppi?  Or would they still use 150lpi or 200lpi on the whole thing?   Or would they adjust the lpi for each image?

  • Effective ppi in photoshop

    Hi ,
    im using psp cs2.
    when placing images in the composition its easy to get lost and to have your images in a low resolution due to transformation. is there a way to see the effective ppi of a layer content? by effective ppi i mean the resolution of an image in perspective to its size.
    Thanks
    S

    Once in the target image the placed item will have the resolution of that image.
    The secret is to check the resolution of the item before adding it to the image.
    If they are not the same, the item will appear to shrink or expand as it adopts the resolution of the target image

  • Effective PPI in .eps files

    Anyone know how to extract the effective ppi info in .eps files? Photoshop.eps and Illustrator.eps files are different, so whichever you may have info on would be appreciated. I believe Illustrator generated ones are read as .pdf docs, so it may be impossible.
    Thanks,
    Seth

    absqua wrote:
    Why not use the built-in preflight for this? It will get the effective ppi of Illustrator and Photoshop eps's.
    Uh-oh. Egg on face and all of that.
    I didn't get to see the effective ppi, but if I place this EPS image into InDesign
    I get a preflight message 'something is wrong'. If I make the image smaller (and thus increase the ppi), the error disappears.

  • Not downloading Artwork and Effects panel

    I am using Photoshop Elements 5.0. around 1.5 year, and met the problem for the first time.
    Artwork and Effects panel doesn't have drop out window so I can't choose any effect to use it.
    The same with Create panel - it doesn't have any patterns for creation.
    jpg. screenshots are attached.
    This is what I tried:
    1. Restart computer - no effect.
    2. Repair the program with original disc - at some point the windows showed up: "Please, insert the disk: 1" and the only thing for me is to stop repair. Futhermore, now I am not able to start the disk at all.
    I would really appreciate your help.

    Hi,
    Please follow the following steps:
    1. Close PSE
    2. Go to this location: C:\Documents and Settings\All Users\Application Data\Adobe\Photoshop Elements\5.0
    3. Delete MediaDatabase.db3 and ThumbDatabase.db3 from the above location
    4. Relaunch PSE.
    On launch the database will be rebuilt and the panels should appear fine.
    Thanks/Tarun

  • MultiTrack: How to copy mute and effects settings and shift them forward an exact amount

    I have mute and effects settings I need to shift forward.
    Let's deal with mute on and off automations settings first: I recorded mute automation for instruments on multiple tracks. I need to keep the exact mute on/off settings for the second verse, so I need to shift them forward and start them at the beggining of a specific bar (the vocals have no settings that need shifting).
    I need to copy the mute settings and apply them again at a certainbar of music.  Is this possible?
    I need to keep the original settings at the beginning of the track in place as well, so I can't grab and drag them unless it creates a copy and leaves the original mute settings in place.
    Thank you greatly, I'm working multiple projects trying to get to them all in time.

    Hello Crispin,
    I'm definitely with you on the pain of making multiple tweaks just to make everything look the same. We do not currently have a way of copying properties, but if you have an idea for how you'd think it might work, we'd love to hear from you at:
    http://ideas.adobe.com/ct/s.bix?c=DA4859AD-8934-4F93-983A-4219E2DD9275
    where we are collecting ideas for future directions for Catalyst.
    For now, I would suggest trying to factor similar portions into components as much as possible. For example, perhaps you could create an empty button with all of the effects you want (like the glow, sizing, etc), and then just create a component where that button is above the text and image for a specific button. That way, when you change the appearance of your single button component definition, the appearance will change for all of your buttons. If you got really carried away, you could even create a custom component where each of the states is a different image / text pair, and just set the state of that component for each instance on the artboard.
    -Bear

  • Applescript: Check Effective ppi of document

    Hi
    I'm creating a script to check if I have any lo-res images in my document, using effective ppi (Yes I know about preflight) and just pop up a message. However I'm stuck on checking the results the following is returning…
    [applescript]
    tell application "Adobe InDesign CS6"
              activate
              tell document 1
                        set minimumRes to 100
                        set theEffectiveRes to {}
                        set theLink to every link
                        repeat with x from 1 to count of theLink
                                  set the end of theEffectiveRes to effective ppi of parent of link x
                        end repeat
                        -- Here I need to check theEffectiveRes for any entires below minimumRes and display a message
              end tell
    end tell
    log theEffectiveRes
    [/applescript]
    many thanks
    Shane

    Here's how I do it in JavaScript/ExtendScript:
    effectivePpi = image.effectivePpi[0];     // grab the horizontal effective resolution
    Regards,
    Stephen

  • I imported events from iphoto into aperture and aperture is showing 2 photos for each picture, one original and one edited although none of the photos from iphoto had been edited. Any idea why this has happened and what I need to do to prevent this.

    I imported several events for iPhoto into Aperture3 and in Aperture it shows two photos for each photo imported, one original and one edited although none of the photos imported were edited. Why has this happened and what do I need to do to prevent this in future. I have only recently got Aperture and am trying to learn as I go along using the Focal Press guide. Thanks for any help.

    Ir. Bob wrote:
    A photo that was rotated in iPhoto will also show up as iPhoto edited.
    This is not what I found to be the case in a recent experiment using iPhoto11- I did repeat it to be sure.
    https://discussions.apple.com/message/15586837#15586837
    Quickly, what I found is that only the ones I did actual adjustments on brought over two images.  Images that were simply rotated, had "quick fixes" or "Effects" did not bring in two images.  More importantly, among the ones with adjustments that did bring in two images, the ones with the keyword  "iPhoto Edited" appear to be nothing more than iPhoto's 6MB JPEG Previews.  The master was a 25MB RAW image.
    I don't know why some users are experiencing doubles on everything, but I recommend caution in deciding which ones to remove or you may find yourself deleting masters and keeping previews. 
    DLS

  • 3D Camera Tracker and Effects

    Hello Everyone.
    I have noticed when using Tracking with 3D Camera Tracker, and having effects, It dose not work well. So what we have to do when using Camera Tracker and Effects ? Maybe using a Precomp  and apply Effects, and Track ?
    Also, I used The Foundry Camera Tracker many times, and I noticed the After Effects 3D Camera Tracker did a better job.
    Off course,  I am very new to Tracking.
    Thank you very much.

    The proper workflow for most tracking is to track the original shot then use the tracking information to control something else. In the case of 3D camera tracking you apply the data to a camera and position a reference layer in the scene.
    In some cases, where there is a lack of detail or the tracked object can be better defined by the addition of things like Color Correction effects you would apply the effect, pre-compose or pre-render to a lossless DI and then track the modified shot. Generally you would not use this modified shot in your production, you just want the tracking data.
    On rare occasions there are compression artifacts or Intra Frame compression problems with the original footage that you will only get a successful track if you render the original to a lossless DI before tracking. You also need to render a DI if your original codec is not compatible with the tracker. Mocha is very sensitive to highly comprised formats and the Warp Stabilizer (a form of tracking) and AE's other trackers may also not like highly compressed originals either.
    There is also one un breakable eternal law that no one has yet found a way to circumvent. Some shots will not track with one tracker but may track with another. IOW, you may not be able to do a 3D camera Track with the Foundry's Camera Tracker, or AE's Camera Tracker but you may be able to get a successful track with Syntheyes or MOCHA Pro, or other tracker software, but some shots cannot be tracked with any software. For example, an aerial shot of the ocean from an airplane cannot be 3D camera tracked because there is no fixed geometry in the shot. A shot of a wheat field with the wheat blowing in the wind many not be able to be tracked because there is no fixed geometry in the shot, but it may be able to be stabilized if the horizon is well defined.
    If you apply any distortion effects or do masking or anything else the the shot will only track if you pre-compose but the effects may throw off the final result. If you must apply effects do them after you track the shot unless paragraph 2 applies. If your track fails and you are confident that there is enough fixed geometry in the shot to track then see paragraph 3.

  • Can't see original and edited Pic in My Catalogue

    I started using Photoshop Album Starter Edition yesterday. And I'm pretty sure that when I edited a picture, the catalog would insert the edited version right next to the original.
    Now, I cannot see both the original and the edited version. I see in the catalogue only originals I have not edited and the edited versions of all the others.
    In Windows Explorer it is clear that the original picture is there. Also, I can click on it and open with Starter Edition (Viewer), but that only lets me see a slide show version - no editing.
    I've tried reconnecting and finding (using menus and buttons) and I get an error message that the file(s) is/are already in the catalogue.
    The Show All option is on in the catalogue, BTW, and I have tried this on two different computers with separate downloads of APA SE (downloaded at separate times) with the same result
    If I change the filename slightly - e.g. file001.jpg => file001a.jpg, then I can import the picture, but renaming all the files would be a burdensome process.
    How can I view and edit both the original versions and the edited versions right next to each other?
    Thanks!

    Thanks for the prompt reply. I'm glad I wasn't going crazy, and there's a reason the originals weren't viewable. If I understand you correctly, the original can come back into view in PSA SE if I choose to "revert."
    Question:
    Does "Revert" mean that (1) the edited image disappears altogether - i.e., is deleted - or (2) the image doesn't show up in PSA SE's catalog any more, but still exists physically on the drive?
    As to why I'm trying to fight PSA's help: Sometimes I just want to see the original and the edited versions to see if I really prefer the edited version better, or want to try different editing options. I know you can do this side by side in the "before & after," but the images there are not very large.
    And I guess you're right about duplicating if I want to do different things with the same image, but that requires planning ahead, a trait which I ....
    So, Question:
    Is there some way to fight back and win, i.e., get the catalog to show both the originals and edits, other than individually renaming each original file and importing it again?
    If not, then I'll have to look at the images side by side in windows explorer or do the duplicate option.
    Thanks again!
    - Ileana

Maybe you are looking for

  • Copying simulation from one CP file into another...issues

    Hi, I am trying to copy slides from one simualtion into another, but when I do, all the objects et are covered with a background. For example, I copy some slides that are instructing to click on the Start menu, then selecting the program from the sta

  • How can I get my macbook pro running Lion to print on my HP photosmart 309a??

    how can I get my macbook pro running Lion to print on my HP photosmart 309a??

  • Not getting values for HR_READ_SUBTYPE while calling from Webdynpro appl

    Hello, When we pass infotype,begda,endda and other required parameters and run this FM in standalone we are getting values however when same FM is called through Webdynpro ABAP application it is not returning values. I tried debugging and i found out

  • Soa-infra not starting

    Hi all, I have installed soa 11g recently . When I tried to deploy a BPEL process from Jdev I got this error No SOA configured servers found for deploying the archive When I logged into the web logic admin server I can see both the bam server and soa

  • How to use Synclast MIDP in netbeans

    Hi i have downloaded the Synclast MIDP UI from http://sourceforge.net/project/showfiles.php?group_id=83391 but i am having trouble finding a way to use it in my j2me project netbeans does anybody know how to use these UI has i want to customize a for