OS 10.5.4 and Photoshop Question

I skipped the last update after reading about issues with Photoshop. I'm hesitant about this update after reading some posts.
Have any Photoshop CS3 users updated yet and, if so, what's the results as far as Photoshop goes?

Create a bootable backup of your current system to a bootable external drive. Then update. If all is well, no problem. If not you can restore your old system. This is a procedure you should use for any system update.
Basic Backup
Get an external Firewire drive at least equal in size to the internal hard drive and make (and maintain) a bootable clone/backup. You can make a bootable clone using the Restore option of Disk Utility. You can also make and maintain clones with good backup software. My personal recommendations are (order is not significant):
1. Retrospect Desktop (Commercial - not yet universal binary)
2. Synchronize! Pro X (Commercial)
3. Synk (Backup, Standard, or Pro)
4. Deja Vu (Shareware)
5. Carbon Copy Cloner Donationware)
6. SuperDuper! (Commercial)
7. Intego Personal Backup (Commercial)
8. Data Backup (Commercial)
The following utilities can also be used for backup, but cannot create bootable clones:
1. Backup (requires a .Mac account with Apple both to get the software and to use it.)
2. Toast
3. Impression
4. arRSync
Apple's Backup is a full backup tool capable of also backing up across multiple media such as CD/DVD. However, it cannot create bootable backups. It is primarily an "archiving" utility as are the other two.
Impression and Toast are disk image based backups, only. Particularly useful if you need to backup to CD/DVD across multiple media.
Visit The XLab FAQs and read the FAQs on maintenance, optimization, virus protection, and backup and restore. Also read How to Back Up and Restore Your Files.
Although you can buy a complete FireWire drive system, you can also put one together if you are so inclined. It's relatively easy and only requires a Phillips head screwdriver (typically.) You can purchase hard drives separately. This gives you an opportunity to shop for the best prices on a hard drive of your choice. Reliable brands include Seagate, Hitachi, Western Digital, Toshiba, and Fujitsu. You can find reviews and benchmarks on many drives at Storage Review.
Enclosures for FireWire and USB are readily available. You can find only FireWire enclosures, only USB enclosures, and enclosures that feature multiple ports. I would stress getting enclosures that use the Oxford chipsets (911, 921, 922, for example.) You can find enclosures at places such as;
Cool Drives
OWC
WiebeTech
Firewire Direct
California Drives
NewEgg
All you need do is remove a case cover, mount the hard drive in the enclosure and connect the cables, then re-attach the case cover. Usually the only tool required is a small or medium Phillips screwdriver.
How to Clone Using Restore Option of Disk Utility
1. Open Disk Utility from the Utilities folder.
2. Select the backup or destination volume from the left side list.
3. Click on the Erase tab in the DU main window. Set the format type to Mac OS Extended (journaled, if available) and click on the Erase button. This step can be skipped if the destination has already been freshly erased.
4. Click on the Restore tab in the DU main window.
5. Select the backup or destination volume from the left side list and drag it to the Destination entry field.
6. Select the startup or source volume from the left side list and drag it to the Source entry field.
7. Double-check you got it right, then click on the Restore button.
Obviously you can also clone your system using other software such as that recommended above that do bootable backups (clones.)
Before cloning always:
Repairing the Hard Drive and Permissions
Boot from your OS X Installer disc. After the installer loads select your language and click on the Continue button. When the menu bar appears select Disk Utility from the Installer menu (Utilities menu for Tiger and Leopard.) After DU loads select your hard drive entry (mfgr.'s ID and drive size) from the the left side list. In the DU status area you will see an entry for the S.M.A.R.T. status of the hard drive. If it does not say "Verified" then the hard drive is failing or failed. (SMART status is not reported on external Firewire or USB drives.) If the drive is "Verified" then select your OS X volume from the list on the left (sub-entry below the drive entry,) click on the First Aid tab, then click on the Repair Disk button. If DU reports any errors that have been fixed, then re-run Repair Disk until no errors are reported. If no errors are reported click on the Repair Permissions button. Wait until the operation completes, then quit DU and return to the installer. Now restart normally.
If DU reports errors it cannot fix, then you will need Disk Warrior (4.0 for Tiger, and 4.1 for Leopard) and/or TechTool Pro (4.6.1 for Leopard) to repair the drive. If you don't have either of them or if neither of them can fix the drive, then you will need to reformat the drive and reinstall OS X.

Similar Messages

Photos 1.0 and Photoshop question

The new Photo's 1.0 app doesn't seem to support opening images directly into Photoshop, like the old iPhoto did. Anyone know of any way to do this or did Apple just decide to make things more difficult yet again,

You might check out the new editing tools in Photos. It may be more than you expect:
Click on the Add button and select the features you want to show all the time.
Otherwise we'll have to wait until the developers of the editors provide the plugins for Photos so we can use their editor from within Photos.
If you use the method that zmclearan proposed you'll be editing the original file and Photos will not know it's been edited. That can mess up a library unless the edited version is saved to the Desktop and imported back into Photos as a new file.

Using trial version of Lightroom and photoshop. Plan to buy. but i have a question: I have two computers a desktop and a laptop that i use when i travel can the programs be installed in both computers?

Using trial version of Lightroom and photoshop. Plan to buy. but i have a question: I have two computers a desktop and a laptop that i use when traelling. Can i download the programs on both computers?

Check the end user licensing agreement at End-user license agreements FAQ

My Question is: I have a Lightroom 5 software buyed single on my MAC. If now I buy a CC Pack with Lightroom and Photoshop...what happened? How I can install AGAIN a other version of lightroom 5 ?! and this is necessary because the version included in pack

My Question is: I have a Lightroom 5 software buyed single on my MAC. If now I buy a CC Pack with Lightroom and Photoshop...what happened? How I can install AGAIN a other version of lightroom 5 ?! and this is necessary because the version included in pack has a mobile function that my actual version don't has. Thanks to help.
Can live two version equal of lightroom on same MAC ?
mmm .... I Doubt...
Suggestion.. ?

My Question is: I have a Lightroom 5 software buyed single on my MAC. If now I buy a CC Pack with Lightroom and Photoshop...what happened? How I can install AGAIN a other version of lightroom 5 ?! and this is necessary because the version included in pack has a mobile function that my actual version don't has. Thanks to help.
Can live two version equal of lightroom on same MAC ?
mmm .... I Doubt...
Suggestion.. ?

Question. CC for Lightroom and Photoshop and, in say 5 years or so, become inactive.

What access would I have to my photos if I sign up for CC for Lightroom and Photoshop and then become only an occasional user. Will I still be able to find my photos using Lightroom? Will I be able to search for photos using keywords? Will I be able to see metadata?
Thanks.
Fritz Schafer

Dave Merchant wrote:
If you stop subscribing, the software stops working.
This aspect is indeed going to be a rude awakening for many users some day.

Lightroom to Photoshop and back question

When I export a photo from Lightroom into Photoshop, I make my edits, and then I select save. In Photoshop the photo changes to a psd file as it should. But when I go back into Lightroom, the photo does not appear in the original folder it was sent from. It appears in a new folder that I did not create. When I try to "move" the picture from this new folder back to it's original folder it says that the file already exists in the original folder, but there is NO photoshop edited picture in that original folder - only in the new folder. I know I must have a setting wrong, but I have searched and searched and I can't figure out what is wrong. I can't seem to figure out how to get the photos to go from Lightroom into Photoshop back into Lightroom and end up sitting next to the original picture in the folder it came from.! Any ideas? I am using Lightroom 5.4 (everything is up to date) and Photoshop CC (latest version). I have a Macbook Pro computer.

Sure. Here are two images. The first one is of the original picture in it's original folder. The second one is of the edited picture in the "new" folder that Photoshop/Lightroom created. I left the photo info on the picture so you can see it. Any help would be so much appreciated!
Thanks!

Lightroom to Photoshop questions and ACR problems

I have Lightroom 5 and Photoshop CS5.
I've been working between the two with no problem until recently.
When i move a photo from LR to PS5:
1. I get the message that "This version of LR may require Camera Raw Plug in version 8.5 for full compatibility. Please update...."
When i go into PS it says no updates available.
2.When I move the photo anyway from LR to PS5 the file is blurry. Slightly off definitely not the same.
Help
Thanks

Anyhow: Please look here: Re: Photos from Lightroom 5 to Photoshop CC (2014) and back...

I need your help with a decision to use iPhoto. I have been a PC user since the mid 1980's and more recently have used ACDSee to manage my photo images and Photoshop to edit them. I have used ProShow Gold to create slideshows. I am comfortable with my

I need your help with a decision to use iPhoto. I have been a PC user since the mid 1980’s and more recently have used ACDSee to manage my photo images and Photoshop to edit them. I have used ProShow Gold to create slideshows. I am comfortable with my own folder and file naming conventions. I currently have over 23,000 images of which around 60% are scans going back 75 years. Since I keep a copy of the originals, the storage requirements for over 46,000 images is huge. 180GB plus.
I now have a Macbook Pro and will add an iMac when the new models arrive. For my photos, I want to stay with Photoshop which also gives me the Bridge. The only obvious reason to use iPhoto is to take advantage of Faces and the link to iMovie to make slideshows. What am I missing and is using iPhoto worth the effort?
If I choose to use iPhoto, I am not certain whether I need to load the originals and the edited versions. I suspect that just the latter is sufficient. If I set PhotoShop as my external editor, I presume that iPhoto will keep track of all changes moving forward. However, over 23,000 images in iPhoto makes me twitchy and they are appear hidden within iPhoto. In the past, I have experienced syncing problems with, and database errors in, large databases. If I break up the images into a number of projects, I loose the value of Faces reaching back over time.
Some guidance and insight would be appreciated. I have a number of Faces questions which I will save for later.

Bridge and Photoshop is a common file-based management system. (Not sure why you'd have used ACDSEE as well as Bridge.) In any event, it's on the way out. You won't be using it in 5 years time.
Up to this the lack of processing power on your computer left no choice but to organise this way. But file based organisation is as sensible as organising a Shoe Warehouse based on the colour of the boxes. It's also ultimately data-destructive.
Modern systems are Database driven. Files are managed, Images imported, virtual versions, lossless processing and unlimited editing are the way forward.
For a Photographer Photoshop is overkill. It's an enormously powerful app, a staple of the Graphic Designers' trade. A Photographer uses maybe 15% to 20% of its capability.
Apps like iPhoto, Lightroom, Aperture are the way forward - for photographers. There's the 20% of Photoshop that shooters actually use, coupled with management and lossless processing. Pop over to the Aperture or Lightroom forums (on the Adobe site) and one comment shows up over and over again... "Since I started using Aperture/ Lightroom I hardly ever use Photoshop any more..." and if there is a job that these apps can do, then the (much) cheaper Elements will do it.
The change is not easy though, especially if you have a long-standing and well thought out filing system of your own. The first thing I would strongly advise is that you experiment before making any decisions. So I would create a Library, import 300 or 400 shots and play. You might as well do this in iPhoto to begin with - though if you’re a serious hobbyist or a Pro then you'll find yourself looking further afield pretty soon. iPhoto is good for the family snapper, taking shots at birthdays and sharing them with friends and family.
Next: If you're going to successfully use these apps you need to make a leap: Your files are not your Photos.
The illustration I use is as follows: In my iTunes Library I have a file called 'Let_it_Be_The_Beatles.mp3'. So what is that, exactly? It's not the song. The Beatles never wrote an mp3. They wrote a tune and lyrics. They recorded it and a copy of that recording is stored in the mp3 file. So the file is just a container for the recording. That container is designed in a specific way attuned to the characteristics and requirements of the data. Hence, mp3.
Similarly, that Jpeg is not your photo, it's a container designed to hold that kind of data. iPhoto is all about the data and not about the container. So, regardless of where you choose to store the file, iPhoto will manage the photo, edit the photo, add metadata to the Photo but never touch the file. If you choose to export - unless you specifically choose to export the original - iPhoto will export the Photo into a new container - a new file containing the photo.
When you process an image in iPhoto the file is never touched, instead your decisions are recorded in the database. When you view the image then the Master is presented with these decisions applied to it. That's why it's lossless. You can also have multiple versions and waste no disk space because they are all just listings in the database.
These apps replace the Finder (File Browser) for managing your Photos. They become the Go-To app for anything to do with your photos. They replace Bridge too as they become a front-end for Photoshop.
So, want to use a photo for something - Export it. Choose the format, size and quality you want and there it is. If you're emailing, uploading to websites then these apps have a "good enough for most things" version called the Preview - this will be missing some metadata.
So it's a big change from a file-based to Photo-based management, from editing files to processing Photos and it's worth thinking it through before you decide.

Can I use Adobe Premiere and Photoshop (with cloud license) on more thn one computer.

Can I use Adobe Premiere and Photoshop (with cloud license) on more than one computer? WHen on the oroad I would like to use it n my laptop, while I installed on the desktop.

Hi Kasiah,
As per the EULA accepted while you launch Adobe applications you can download & install on 2 systems but can use on one at the same time.
Source:http://www.adobe.com/in/products/creativecloud/faq.html
Let me know if you have any questions on this.
Cheers~!
-Mandhir

Printing Problem with Pro-100 and Photoshop

This is my setup: using Mac Pro running Snow Leopard (10.6.8) & editing & printing from Photoshop CS 6. I have new Canon Pixma Pro-100 printer and set it up OK. First thing printed was a page from a document from MS Word on 8.5X11 plain paper - this came out OK. Next I fire up Photoshop and open a 4X6 inch image (just a snapshot in jpeg, landscape format) to do a test print. I set it up in the print dialog as 4X6 paper, Canon's Pro Glossy paper profile, rear tray, standard print quality, Photoshop manages the color. I load the paper in the rear tray close the covers and hit print.
Now, when it starts to print the printer moves about 3.8 inches of paper out of the printer and it starts printing on the remaining 2.2 inches then spits the paper out. It does this in Photoshop (any image, it doesn't matter), and it does it printing from Nikon’s Capture NX. I have been able to get it to print on the paper correctly using Apple's Preview program but that that's not going to do me any good. I was on the phone with Canon tech support for about 2 hours and they were completely puzzled suggesting I would have to use Canon's printing apps instead to print - that doesn't do me any good either. I want to be able to print from Photoshop. I have the most recent Canon driver, and Photoshop is up to date. Any one every heard of this or experienced the same problem? I don’t think I’ve overlooked anything. Thanks JMDavis!

Hi JMDavis,
Have you tried printing using the Print Studio Pro plugin for Photoshop? If this is not install, it is available for download from Canon's web site. To download and install Print Studio Pro, please follow these steps:
1. Visit Canon's website at: http://www.usa.canon.com/cusa/support/consumer
2. Type PIXMA PRO-100 in the "Enter Your Model Name" box and click GO.
3. On the Support page for your unit, click the 'Drivers & Software' link in the middle of the page.
4. Click Software.
5. Click on Print Studio Pro.
6. If you agree, please select the checkbox next to "I have read and agree to the terms of the Disclaimer and wish to continue with the download".
7. Click on the Download button.
8. The file will be downloaded to your Downloads folder.
9. Once the download is complete, close all windows.
10. Double click [mpsp-mac-1_3_5-ea9_2.dmg] in your Downloads folder. Files will extract.
Follow the prompts and installation will complete.
Once installed, please open your image in Photoshop and print it using the Print Studio Pro plugin.
Did this answer your question? Please click the Accept as Solution button so that others may find the answer as well.

Have Creative Cloud - Cannot get off the trial versions of InDesign and Photoshop

Windows 8
64-bit operating system, x64-bit based processor
Downloaded and installed trial version of InDesign CS6 (three days left on trial)
Purchased Creative Cloud two days ago
Downloaded and installed Photoshop CS6 (loads as a trial version)
When clicking on Registration number, get error message “not connected to Internet”
Live chat instructed to uninstall both InDesign and Photoshop and download again.
Cancelled Cloud
Next day phone rep spent ½ hour trying to get it to work. Said it would all work and helped me re-purchase Cloud – received email confirmation.
Phone rep passed me on to someone who was supposed to give me a registration number. Spent another ½ hour doing the exact same thing. Was told there are no registration numbers in Cloud. Wanted to pass me off to another support department – I declined.
Received email today:
“Your Creative Cloud membership will be transitioned to a Free membership at the end of the next billing period. This means you will lose access to many of the apps and services included with a Paid Creative Cloud membership.
In addition, since Free membership offers only 2GB of storage, you may need to remove files to get your cloud storage down to 2GB (or to purchase additional storage separately if you choose). If you leave more than 2GB of files on Creative Cloud for more than 90 days, you may lose access to some or all of your files. If you decide you want to return to a Paid membership, update your payment information and desired plan on the account management page.
If you need help or have any questions, contact Customer Support.
Thanks and enjoy,
The Adobe Creative Cloud Team”
Help!!!!!!!!!!! I can’t take this any longer. I need to get both InDesign and Photoshop off of the trial versions. Adobe Applications Manager doesn’t recognize the Internet connection even though I’m on the Internet. What is going on?

It's working now! Someone, somewhere, read my post. Whoever you are - THANK YOU!!!!!!!!!!!

JPG images not displayed correctly in Bridge and Photoshop (Mac OS)

(Note: I have copied the content of this query from the Creative Suites forum where I originally opened it.)
I am using CS4 under OSX 10.4.11 on a PowerMac G5 Quad with 23" Apple cinema display. Images which have been captured as JPG are displayed fine by Preview, but when opened in Bridge, Camera Raw or Photoshop. the colours are all "washed out". The attached screen capture should give an idea of the difference, with the upper being Camera Raw (image settings) and the lower being Preview. My monitor has been calibrated and I'm using sRGB IEC61966-2.1 colour space in Camera Raw and Photoshop. The colours displayed by Preview are pretty close to "real life". I find it virtually impossible to adjust the colours in Photoshop to get back to anything similar.
After opening the image in Photoshop without adjustment, and Save As JPEG with embedded color profile, Preview displays the new image the same as Photoshop. Save As JPEG without embedded color profile, and Preview displays this copy just like the original. It seems that Photoshop is making different (incorrect) assumptions about what color space to use when there is no embedded color profile. Shouldn't it assume sRGB like virtually everything else (http://en.wikipedia.org/wiki/SRGB)? Or is its interpretation of sRGB incorrect? How can I fix this?
Re: JPG images not displayed correctly in Bridge and Photoshop

xxxxyyyyz wrote:
…If there is someone out there who has experience of obtaining decent colour management in CS4 on a Power PC, I would really like to know how you achieved it.
That would be yours truly, and I hasten to reply because I may have some insights that can help you too.
Just get it it out of the way, here's my setup:
Photoshop 11.0.2 ("CS4"); VersionCue disabled and uninstalled.—2.5 GHz Power Mac (PPC) G5-Quad; 16GB RAM; mutant, flashed 550MHz nVidia GeForce 7800GTX 1,700MHz 512MB VRAM; ATTO ExpressPCI UL5D LP SCSI card; Mac OS X Tiger 10.4.11 and Leopard 10.5.8 boot drives; Spotblight, Dashboard and Time Machine permanently disabled; dual 22" CRT monitors; USB wireless 'n' available but connected to the Internet via wired Ethernet; 1 FW flatbed scanner; 2 SCSI scanners (one tabloid-size transparency scanner and a film scanner); various internal & external HDs; FW Epson 2200 and Ethernet Samsung ML-2850ND printers; 2 X Back-UPS RS 1500 XS units.
I can unambiguously and in good faith represent to you that my color management, from capture to print, is as spot-on as anyone with any kind of setup can hope to achieve. Unequivocally and without qualifications.
Now, first things first: Forget about trying to synchronize color management across the point applications lumped together only by Adobe marketing fiat into a variety of meaningless "creative suites". Concentrate on Photoshop. Do not try to use Bridge to synchronize anything.
The "suites" are a totally artificial construct created by Adobe bean counters and marketing types. The point applications (i.e. the individual programs clumsily bundled together, e.g. Photoshop, Illustrator, InDesign, etc.) are developed independently by separate engineering teams that are not only not in the same building, but in different cities, different states of the American Union, and even in different countries. They have very little communication among them, if any, as evidenced by repeated posts in these forums by Photoshop engineering staff urging us, the end users, to let the other teams know in their own forums that a given problem exists and is actually affecting our work.
Enough said about the cause of the problem. The end result is that Color Management is at very, very different levels of progress and sophistication in each individual point application, with only Photoshop fully entitled to be considered state of the art.
Secondly, a disclaimer: I have been hanging on to my CRT monitors and take care of them as Jascha Heifetz used to take care of his Stradivarius. I don't know what I will do if I manage to outlive the usefulness and accuracy of my CRTs (unlikely at this point). I have despaired in futile efforts to bring the luminosity of any LCD monitor down to where I would feel comfortable calibrating and profiling it. I believe my monitors are the foundation of my color management efforts.
Especially if you have one of the extreme wide-gamut LCD or LED monitors, you'll face an uphill battle.
Be careful to avoid any version 4 icc profiles, whether canned or generated by your calibration software. Stick to version2 icc profiles. Ask the manufacturer of your calibration software/hardware if in doubt.
Here are some not-too-recent, but thoroughly representative screen shots of the calibration results I obtain with my monitors, which I calibrate and profile often and regularly (I validate the calibration at least several times per month).
In a nutshell, my color management practices and settings mirror those described by Bruce Fraser, Jeff Schewe, Andrew Rodney and Gary Ballard's site. I have learned from all of them.
My working color space is ProPhoto RGB. I choose to work with PSD and PSB files. As a long-time, rabid JPEG hater, I only rarely deal with JPEGs, using them sporadically to illustrate a point in this forum or elsewhere in the web. My main output consists of prints.
I only deal with tagged image files (files with an embedded color profile) and often recommend beating up with a baseball bat any moron that hands you an untagged file—figuratively of course, but I find the expression gets my point across unambiguously.
Following is a screen shot of some of my pertinent settings:
Note that I have never bought into the "suite" concept myself. I do have and routinely use Adobe Illustrator 10.x, InDesign 2.x and Acrobat Professional 8.x, but they are all older, independent versions of each point application, licensed at different times.
Be further advised, that the answer to many problems offered by Adobe engineers often is not to install VersionCue, or uninstall it, or at least disable it.
Also, as outlined at the beginning of this post, concentrate on Photoshop, not on synchronizing applications that can't really communicate with each other, despite the claims of Adobe marketing hacks to the contrary.
One big caveat, do not fall into this trap:
xxxxyyyyz wrote:
…I believe my problem has nothing to do with my monitor profile, for several reasons, but…
…It seems extremely unlikely to me that…
You either want to learn, or you don't. You either want to solve your problems, or you don't.
When you start arguing instead of studying, questioning advice instead of following it and detecting where you went wrong, you're on the right track to nowhere. That attitude will get you there fast. Remember you are the one with the problem, and only you can acquire the discipline to learn how to solve it.
Go ahead and ask me anything that is not clear, just don't argue with me please, and don't tell me why you think Fraser, Rodney, Ballard and I are wrong. You see, I am not experiencing any problem that needs fixing. I have an interest in helping you, but not in hearing about your speculations, theories or conclusions.
Good luck.
Wo Tai Lao Le
我太老了

I had to reinstall CS4 and now have error messages when opening bridge and photoshop

The error message is "The specified module could not be found. C:\Program Files (x86)\Common Files\Adobe\Adobe Version Cue CS4\Client\4.0.1\Version Cue.DLL

I tried what you suggested and it did not help. whenever I try to open either photoshop or bridge, I get a message saying that there was a problem loading scripts the last time that Bridge was open and do I want to try loading them again? If I click yes, I get that same error message that I reported in my original question and photoshop/bridge will immediately close. If I click no, photoshop and bridge will open but it will not let me open a raw format document. It seems like Adobe Camera Raw is not being recognized.   One of the updates I downloaded was an update to Adobe Camera Raw so the functionality is there, it just can't be accessed. do you think I should try to uninstall and re-install Photoshop again?
Date: Mon, 3 Sep 2012 19:48:31 -0600
From: [email protected]
To: [email protected]
Subject: I had to reinstall CS4 and now have error messages when opening bridge and photoshop
    Re: I had to reinstall CS4 and now have error messages when opening bridge and photoshop
    created by Arpit Kapoor in Downloading, Installing, Setting Up - View the full discussion
Go To Help->Updates and install the latest update. It should work.
     Replies to this message go to everyone subscribed to this thread, not directly to the person who posted the message. To post a reply, either reply to this email or visit the message page: http://forums.adobe.com/message/4670793#4670793
     To unsubscribe from this thread, please visit the message page at http://forums.adobe.com/message/4670793#4670793. In the Actions box on the right, click the Stop Email Notifications link.
     Start a new discussion in Downloading, Installing, Setting Up by email or at Adobe Forums
For more information about maintaining your forum email notifications please go to http://forums.adobe.com/message/2936746#2936746.

Can I use photoshop text styles and photoshop actions with creative cloud photography?

I'm really confused by this subscription pricing. If I purchase the $9.99/month, do I get the full desktop app of Photoshop and Lightroom? But I see on this page Products they list something called Photoshop CC that costs twice as much. How is that different from the Creative Cloud Photography?
My main question is whether I can use photoshop text styles and photoshop actions with Creative Cloud Photography, since I just purchased a bundle that includes these and I want to be able to use them. But I'd also like to understand what comes with all of the various products and how they are different.
My other question is how is Lightroom different from Photoshop? I have a sense of what you can do in Photoshop but I don't know much about Lightroom at all.
One more question: the free trial -- is it limited in any way besides the time length? If I do that, will I get a clear idea of all that I will be able to do once I subscribe, or are the functions limited in the trial?
I tried to just send an email to Adobe to ask these questions but apparently they are not interested in responding to emails from people who are not yet paying customers, so I was directed here. Thanks very much for your help!

I always like to trot this bit about Bridge once in a while or in the voice of the "Two Bobs" from Office Space,
"Can you tell us exactly what it is you do around here?"
What Adobe Bridge does:
Bridge is the coordinating hub of the Creative Suite. Synchronizing color management settings for all suite programs is done from Bridge, and can only be done from Bridge, to take one important use.
Bridge displays actual thumbnails of many more file types than Finder or Explorer. It also allows instant play of sound or video files more readily than the native OS file managers.
Bridge allows direct access to file metadata, to embed copyright information and keywords where appropriate (e.g., for corporate logo vector and raster files). It also displays the fonts used in an InDesign file, the swatches in an INDD or AI and the output plates (including spot color plates) they use.
When managing the assets for a design project, Bridge allows quick and simple sorting, rating and custom labeling (with color flash indications) of assets. I can rate images according to whether they are rejects, possibles, for review by client, or approved. The filters built into Bridge allow instant isolation of only the approved images or designs in a folder, only the rejects (for deletion) or only files with certain ratings, no matter how many files it contains. It recognizes aspect ratios, so if I only need a landscape or a 16:9 image in a folder of hundreds of images, I turn off the aspect ratios I don't need.
Once filtered, the remaining visible files can be selected and copied, moved, or deleted without affecting the rest of the contents of a folder.
Collections are a massively useful feature. One of my clients is a performing arts center, and in a season we turn out dozens of ads, flyers, brochures, web banners, playbills, billboards and other collateral using the same assets over and over. These assets are organized by artist and/or show on disk, but I set up each season's repeating assets as a Collection in Bridge, so that I just have to open the collection and drag and drop these assets into new INDD, AI, PSD, HTML (in Dreamweaver), FLA or AE projects without having to navigate from folder to folder picking up individual files.
Bridge's Favorites is another place I stack frequently-accessed folders, such as stock photography, backgrounds, and top-level folders for active projects.
Assets can be divided into subfolders, but a quick toggle of "Show items from subfolders" exposes all of the assets in a single view while maintaining their organization. I will typically keep AIs, PSDs, EPSs, stock photography and client images in separate subfolders within a project. When I'm ready to start pulling assets into an InDesign layout, I toggle this on and simply drag what I need into the layout.
Bridge comes with Adobe Camera Raw built in, which is many times faster than using Photoshop to adjust jpegs or tiffs for things like tonal range, white balance, cropping, spotting and sharpening, and is non-destructive.
One tremendously useful Bridge function for InDesign CS5+ users is the "Show linked files" feature, which opens all the linked files in a layout into a single view, regardless of where they are physically located. I often use this when doing alternative layouts from a client-approved mockup for a campaign, to be certain the same assets are used in each piece, or when creating a motion graphic or interactive piece for the campaign in After Effects or Flash.
The batch and image processing scripts built into Bridge automate things like creating web-ready small jpegs from multiple images, renaming large numbers of files in place or by copying to an alternative location, creating sets of PSD, png, jpeg or other file types from an assortment of image files, and so on.
Bridge is so much a part of my daily workflow that on my main workstation I have one monitor dedicated to it almost 100%. Bridge just sits open 24/7, ready for use. I would run at half speed without it, no question.

I purchased Adobe Premeire Elements and Photoshop Elements 10.0 in 2012. Since then my computer died.I would like to download them on this computer and am unable to do so successfully. Please advise. It was a downoad purchase with no CD

I purchased Adobe Premeire Elements and Photoshop Elements 10.0 in 2012. Since then my computer died.I would like to download them on this computer and am unable to do so successfully. Please advise. It was a downoad purchase with no CD

christineae
It is not clear if your Premiere Elements 10 was a downloaded purchase from Adobe or from an authorized reseller.
However, do you have a purchased serial number for the product?
If you have the purchased serial number, you can download Premiere Elements 10 tryout files from the following web site
and insert your purchased serial number in them during installation to make them your own.
Photoshop Elements 10 Direct Download Links: Free Trials, Premiere | ProDesignTools
It is important to read and carry out carefully that web site's "Note: Very Important Instructions" in order to avoid an Access Denied message.
Just in case message....
But there could be a complication with regard to files from any source.
Adobe allows you to have the purchased activated serial number on no more than 2 of your computers.
If your failed computer has Premiere Elements trapped on it representing 1 purchased serial number, you will be able to installed
the purchased serial number on only one more computer. If you have the purchased activated serial number trapped on 2 failed
computers, then you will not be able to use that purchased serial number on another computer until you deactivate at least one
on one of the other two computers. In this case, it is only Adobe who might be able to help you. None of this may apply to you. I mention
it as a just in case caution.
Please let us know if you have any questions or need clarification.
Thank you.
ATR

OS 10.5.4 and Photoshop Question

Similar Messages

Maybe you are looking for