Output with percentage of certain real_sub?
Hi Experts,
do you know if there is a chance to get an output_var in excel or as valuation with the percentage of a certain real_sub in a composition.
E.g. show all products with component A and the percentage of A at a glance?
Hi Can,
now I see your problem. I'm not aware of the needed output within the system, but it works using output into Excel with output variant Excel:
The result is then like this:
Ralph
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Excel output (with graphics)
Hello,
I am using Oracle reports 10g 1.2.0 version.
We need to generate oracle reports in Excel format ("real" Excel, not delimited text) with tabular data and
also graphics.
I used desformat=spreasheet. But is is giving only one worksheet.
I've found the "Output to Excel with Oracle9i Reports"
demo but the Excel template in the demo is very simple and doesn't have graphics.
Then I've found the following:
http://otn.oracle.com/products/reports/htdocs/getstart/examples/excel_output/result/excel.jpg
a) The above site has excel output with multiple worksheets.
which is similar to what we need but I wasn't able to find related source (excel_emp.jsp).
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c) http://www.oracle.com/technology/products/reports/htdocs/getstart/demonstrations/excel/index.html --This site is not working to find the demo.
Could you please help me in this?
Thank you for any help.carla,
the example you mentioned uses the JSP web source that is only available in oracle9i reports.
in theory you can create any excel output. it is just a matter of creating the template and then adding the reports tags to populate it with data.
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Improper cuts appearing in my final output with Quicktime
Hi everyone. I've been struggling to output what, in my opinion, is a fairly simple project I've edited from an old home video (originally shot on miniDV). It's mostly just cuts and some simple text titles. Forgive me for some ignorance regarding Final Cut Pro; I've used it for a while now, but not terribly in depth.
It's a little hard for me to describe this since I lack a lot of technical terms but here goes: Every time I output my final project, certain shots begin with a single frame that is dissolving over the previous frame from the raw footage. In other words, there is a frame that does not belong, overlaying the first frame of the shot. Sometimes it's difficult to notice in real time, but at other points it looks absolutely horrible. This is supposed to be a gift for a friend, and I really just want the cuts to look normal.
A couple bits of information. First of all, not every shot starts this way. Only certain ones - always the same ones as far as I can tell. I was first outputting using Compressor, since my ultimate goal is to burn the video onto a DVD. I then tried outputting using Quicktime Conversion to H.26, PNG and Uncompressed 10-bit 4:2:2, all of which suffered from the same problem. My first theory was that it could be an interlacing issue, since the offending frame appeared to be interlaced perfectly with the previous frame in the raw footage. However, after checking "de-interlace source video" during my output to Uncompressed 10-bit, the result was simply a blurrier dissolve between the two images.
I've tried deleting all of my render files and outputting again, but that has not worked. I viewed the raw video in my capture scratch folder to make sure that there wasn't some kind of frame overlap to begin with, but there wasn't. The video looks totally fine in my timeline, and all I want is for my output to replicate that. The only thing left I can think of doing is going shot by shot and cutting out frames in my timeline, which will take an extraordinary amount of time, not to mention the fact that I'd have to output all of my videos, slow down each and every cut, and find the bad frames that I haven't noticed yet.
I refuse to believe that there's no way for Final Cut Pro to output these videos properly, but I certainly haven't found it yet. Hopefully someone out there has some experience with this problem or can at least venture a guess as to how to fix it, since I'm all out. Thanks for any suggestions you can offer!
- JoeHere's the info you requested:
ITEM PROPERTIES
(Format)
Type: Clip
Creator: Quicktime Player
Source: Macintosh HD:Users:Joe:Documents:Final Cut Pro Documents: Capture Scratch
Size: 320.5 MB
Last Modified: Sat, Apr 19, 2008, 6:56PM
Tracks: 1V, 2A
Vid Rate: 29.97fps
Frame Size: 720x480
Compressor: DV/DVCPRO - NTSC
Data Rate: 3.6MB/sec
Pixel Aspect: NTSC - CCIR 601
Field Dominance: Lower (Even)
Alpha: None/Ignore
Composite: Normal
Audio: 2 Mono
Aud Rate: 48.0 KHz
Aud Format: 16-bit Integer
(Timing)
Length: 00:01:28:19
In: 00:14:16:17
Out: 00:14:18:23
Duration: 00:00:02:07
TC: Source
Reel: 001
Media Start: 00:13:47:29
Media End: 00:15:16:19
Aux TC 1: None
Aux TC 2: None
Speed: 100%
Frame Blending: Off
(Logging)
Reel: 001
Media Start: 00:13:47:29
TC Rate: 30
Aux TC 1: None
Aux TC 2: None
Capture: OK
Master Clip: [checked]
Label: None
Sound TC: None
(Film)
Reel: 001
Media Start: 00:13:47:29
TC Rate: 30
Aux TC 1: None
Aux TC 2: None
Sound TC: None
SEQUENCE SETTINGS
(General)
Frame Size: 720x480 NTSC DV (3:2)
Pixel Aspect Ration: NTSC - CCIR 601 / DV (720x480)
[not] Anamorphic 16:9
Field Dominance: Lower (Even)
Editing Timebase: 29.97
Quicktime Video Settings
Compressor: DV/DVCPRO - NTSC
Quality: 100%
Audio Settings
Rate: 48 kHz
Depth: 16-bit
Config: Channel Grouped
(Video Processing)
Render in 8-bit YUV
Process Maximum White as: White
Motion Filtering Quality: Normal
(Timeline Options)
Starting Timecode: 01:00:00:00
Drop Frame: [checked]
Track Size: Small
Thumbnail Display: Name Plus Thumbnail
Audio Track Labels: Sequential
Track Display: Show Through Edits
Video: Motion Bar, Filters Bar, Keyframe Editor, Speed Indicators [all checked]
Audio: Filters Bar, Keyframe Editor, Speed Indicators [all checked]
(Render Control)
Render & Playback:
Filters [checked]
Frame Blending for Speed [checked]
Render:
Frame Rate: 100% of Sequence Editing Timebase
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Codec: Same as Sequence Codec
Master Templates and Motion Projects
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Always use Best Quality When Rendering Movies [checked]
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Whew.
@Jim Cookman: If that's true that would really suck. You're absolutely right, those offending shots don't have handles (so far I've only noticed it with regards to in-points, not out-points) But the thing is, I'm not doing any transitions with those shots. They're just simple cuts. I don't see why Final Cut Pro can't output a cut at the frame I want it to cut at. The problem is that the video I'm editing is home video with very short shots and people's phrases being cutoff. It wasn't shot with editing in mind. Nevertheless, I've had handles where I put dissolves and whatnot, I just don't have them here. It's not like I'm unwilling to trim one or two frames here or there, but the real issue is that it would be a crazy amount of work, especially after everything I've already done to get the timeline just how I want it. There is some music and effects, and there are a lot of cuts; going through every one of them would be very difficult.
So I guess with regards to handles, the question is: is there any way to select a clip, or set of clips in a timeline, and have FCP automatically trim the first and last frames, while simultaneously adjusting music, etc.? If so, then that may very well solve the problem. But if not, well, then I have a lot of work ahead of me... Thre's always next year!
Anyway, I appreciate both of your inputs. Thanks for taking the time to help me out. -
Continuous in- and output with PCI-6229
Hi All,
I'm currently evaluating a PCI-6229 card on RTX (and maybe InTime later on). The main goal of the evaluation is to prove we can get hard real-time, deterministic behaviour from this system in order to use it to replace our current DSP-based solution.
To do so, I'm setting up a rather simple program that should
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3. DMA is, to my understanding, a more performant way of getting samples into the host and doesn't require to call AI_FIFO_Data.readRegister() in a loop and vice-versa for the output side. But are there really benefits in using DMA?
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Putting both analog signals on a scope, I expected to see the input and about (see question5) 5mSec later the same signal on the output, with no jitter.
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Solved!
Go to Solution.update: looking at the DAQmx control samples, it seems some of them set the start trigger for the AO to the AI start trigger. I mimicked this using kAO_START1_SelectAI_START_1 with the aoTrigger method, and the sync seems better now: the output starts exactly 10mSec after the input (or 5, if I preload only one frame) and stays in sync for about 25mSec. That it goes wrong.
At the moment I'm using no DMA, just one simple interrupt routine that basically does
board->Interrupt_A_Ack.writeAI_SC_TC_Interrupt_Ack( 1 );
board->Interrupt_A_Ack.flush();
toggle ^= 1;
board->Static_Digital_Output.writeRegister( toggle ? 0x00 : 0xff );
for( u32 i = 0 ; i < numSamples ; ++i )
const u32 val = board->AI_FIFO_Data.readRegister();
board->AO_FIFO_Data.writeRegister( val );
In the screenshot in the attachment you can see this goes wrong: cursor A shows the position of the input signal (=AI 0, yellow) that should be shown 10mSec later at the output (blue line=AO). Cursor B shows this 10mSec later position, and you can see there's some garbage right after the cursor. This is the data that was written to the AO FIFO in the fifth interrupt (interrupt position show in purple).
Trying to figure out where that comes from, I put board->AI_Status_1.readAI_FIFO_Empty_St() in the interrupt loop. And effectively, when trying to read the 500th sample, it reports that the FIFO is empty. Consequently the data written to the AO FIFO does not make sense anymore. But I do not understand how can this ever happen? The SC_TC interrupt is fired whenever 100 samples are read from the input. So after this interrupt occurs, the FIFO should always contain at least 100 samples, no?
Attachments:
tek00000.png 22 KB -
Two signals on two outputs with specific time interval
I cant manage with following:
Have NI-6251 card. Trying to sent two step-signals on two outputs with
specific time interval, say 1 to 10 ms with 1us accuracy.
How can I start?
Thanks!Hi Anonymous,
What do you mean by step-signals? Do you mean a signal that steps up the voltage over time, a step function signal that is zero until a certain time then goes to 1, or a pulse train?
In the meantime you can find examples for getting started in the NI Example Finder by selecting Help » Find Examples
When that opens you can limit the examples to ones that are compatible with your hardware. In the bottom left corner select your hardware and check the Limit results to hardware box.
Browse to Hardware Input and Output » DAQmx » Digital Generation or Generating Digital Pulses.
Best Regards,
Bryan H. -
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1) Make an input from slider,
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Juventom
Attachments:
Digital Output With Timer.vi 16 KBHello Juventom,
As I understand it you want to be continuously checking the value of the sliding bar and comparing that to the upper and lower limit controls whilest also chaning the LED booleans to true for 5 seconds then false for 10 seconds if the sliding bar value is outside of the limits.
To do this you would probably be best using a parallel loop design, where you have 3 while loops in place of the one you have currently. Each one of these while loops would be responsible for a part of your program (e.g. the top one would display your values on the graph and the second one who check the sliding bar value against the upper limit and then turn on the LED, etc)
I've found this tutorial about multiple loop programs and I think you should look at the section entitled "Parallel Execution"
http://zone.ni.com/devzone/cda/tut/p/id/3749
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http://sourceforge.net/projects/pdfdoclet
Bye,
MarcelHai Marcel,
How to run this pdfdoclet?
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