Over correction in Camera raw

Hello,
I have a problem with functionality of camera raw module 8.3 in Adobe CS6.
The module is over correcting the RAW(.nef) images when selecting "Enable lens profile Corrections".
The lens are selected right( nikon 24-70 2.8) but it's over corrected in the corners of the image(it's too bright after correction)
Why this happens after 8 editions of the ACR module?
I attach image with the demonstraion.
aperture 2.8 shutter speed 1/400 iso 1400
1.Why that happens?
2.Will it be corrected?
3.If yes, when?
Thank you

Swila, were your "other images" previously edited in Camera Raw? I.e., do they already have saved image settings? The defaults that you save via the flyout menu will only apply to new images, or if you reset an existing image to the defaults. (e.g., choose "Camera Raw Defaults" from the flyout menu).
Eric

Similar Messages

  • How to Save Camera Calibration and Lens Correction in Camera raw 6.1

    I downloaded and installed the Camera Raw 6.1 release candidate.  I open an image and set the camera calibration and the lens correction to auto for Nikon.  I save these settings as new Camera raw defaults, but when I open other images, the changes were not made.  How can I save these items as defaults?
    Swila

    Swila, were your "other images" previously edited in Camera Raw? I.e., do they already have saved image settings? The defaults that you save via the flyout menu will only apply to new images, or if you reset an existing image to the defaults. (e.g., choose "Camera Raw Defaults" from the flyout menu).
    Eric

  • Vignette Correction + Lens Correction in Camera Raw / Lightroom

    Ok i merge 2 requests for both camera raw and lighroom...
    -> Vignette Specific Correction: Using preset for Lenses like Canon DPP Does for Peripherical Illuminance Correction, the vignette tool in lighroom is good but can't adapt to a variable vignette profile of each lens...
    + Ability to user to add them using a png 24 bit or similiar for Lenses not present on the DB (think using old lens, with adaptors, old zeiss without automatic controls that obviously will be not profiled by Canon, Nikon, Sony.. for their bodies)
    -> Lens Correction based on Preset... + exif reading like in photoshop cs5 + manual adjustments
    thank you

    So you use Photomatix to create a 32-bit HDR file and then tone that 32-bit file in ACR?  Are the Photomatix 32-bit files that much different than the PS-CC 32-bit files?  The Photomatix 32-to-16-bit conversion is quite a bit different and perhaps preferable, but I didn’t realize the 32-bit result file is also that much different.  It’s been a while since I’ve tried 32-bit HDRs and even longer since I’ve tried them in Photomatix so things may have changed or I’ve forgotten.
    If you are using Photomatix, then you are not using an Adobe raw conversion at all, so Adobe settings and raw lens profiles are not seen and used at the initial raw-conversion stage in Photomatix.
    The choices would seem to be that you can use Adobe products to create 16-bit TIFs as an input to Photomatix, or hack an Adobe raw lens profile to be used with non-raw files in ACR, or do your lens profile corrections after you’ve saved your 32-bit HDR image back as a 16-bit one and use the lens corrections area in Photoshop if that is still possible, nowadays.

  • Diference between filter Lens correction and Camera Raw Lens Correction

    Whats is the main diference between tools: filter lens corection and Camera Raw Lens Correction.
    I am using PhotoShop cs6, OS Windows 7
    I already asked support team in Poland, but they send my back message: "we dont support any longer PhotoShop sc6"

    Swila, were your "other images" previously edited in Camera Raw? I.e., do they already have saved image settings? The defaults that you save via the flyout menu will only apply to new images, or if you reset an existing image to the defaults. (e.g., choose "Camera Raw Defaults" from the flyout menu).
    Eric

  • Lens distortion corrections in Camera Raw?

    Chromatic  aberration, lens vignetting, post crop vignetting
    are possible in  Camera Raw.
    Why not have access to lens  distortion corrections in CR?

    Maybe show us a screenshot of what you see on the system that isn't want you expect.   What version of ACR are you using in each?  It should be visible in the title bar of the ACR plug-in if you unmaximize it, or you can do About Plug-ins / Camera Raw in PS.
    Here is the Manual tab of ACR 6.7 on Windows in CS5:

  • Nikon D700 vignetting correction vs. camera raw lens corrections

    The Nikon D700 has a menu item for correcting lens vignetting. I'm wondering should I rely on just that setting or use the vignetting correction feature in Camera Raw or both? Looking for some feedback/advice on this. Thanks.

    I have not used vignette control in the D700, but my understanding is it only applies to the in camera processed JPG and TIFF images and not to the NEF.  If you had this set in the camera it probably would also apply to NEF files processed with Nikon Capture NX2, but not Camera RAW. 

  • Scale difference between Camera Raw and Lens Correction Filter in CS6

    I have the latest Camera Raw plugin (8.6.0.254). When I open an NEF file from a D800, the resulting image is 4912x7360 pixels, whether I apply distortion correction or not.
    If I load the NEF file, do not apply distortion correction in Camera Raw, but then apply it via the Lens Correction Filter, the image must be rescaled to approximately 4840x7252 (some 98.53%) so that it matches the results of the Camera Raw plugin (minus the missing pixels around all four sides, of course).
    Anyone else notice this (particularly in newer versions of Photoshop)? Is there a way to prevent this cropping? The amount of distortion on the lens (35mm) is minimal and, regardless of that, I would have expected Camera Raw and the Lens Correction filter to output identical images after distortion correction, since the lens profile is the same.

    To see if that can be replicated, we'd need to now the exact version of CS6 you're running (e.g. on Mac you should be on Photoshop CS6 13.0.6) and the exact version of your OS.

  • Is it possible to use automatic lens correction profiles in Camera RAW using Extendscript?

    I have developed Javascripts using Extendscript toolkit to help me process batches of files for creating time lapse videos, and
    I would like to take advantage of the automatic lens correction profiles available in Adobe Camera RAW (I am using Adobe Photoshop CS6 64-bit), but in the CameraRAWOpenOptions, there is no property describing the automatic lens correction profiles.  It seems there has got to be a way to automate the selection of the "Enable Lens Profile Corrections" box when opening camera RAW images.  I am using Canon lenses, and the Adobe lens correction profiles work great, so I'd like to use them.
    I am aware of the other way of doing this in Photoshop using File-->Automate-->Lens Correction, but this seems to work more slowly than using the lens corrections in Camera RAW.
    Thanks.

    You don't need to bother...just set your Camera Raw "Defaults" to include Enable Lens Profile Corrections and check the Auto CA correction. Then go to the ACR flyout menu and select Save New Camera Raw Defaults...Note: if you have your ACR preferences set to have seperate defaults based on camera serial number and ISO, you'll need to save out seperate defaults for each camera and ISO you use.

  • Has anybody used the Camera RAW filter on an OpenEXR, HDR or similar floating point color image?

    I often work on floating point images rendered out of 3ds Max, specifically OpenEXRs, and I have been lately using the Camera RAW filter to do some image adjustments. There is one problem though, the float image does not load correctly into Camera RAW. It looks slightly over-exposed when loaded and it is nearly impossible to get it back to "scratch". Is Camera RAW not fully float capable? Camera RAW is a drunkard compositor's dream when doing color corrections on a floating point image, especially an image rendered out of a 3D application such as 3ds Max or Maya. Any thoughts?
    Mark Kauffman
    Technical Lead of Project Visualization
    Parsons Brinckerhoff

    For what it's worth I have seen this going back a loooong time.  I've posted on the subject as well and have never gotten a solid answer.  It just appears as though Photoshop considers it "already open, so no need to open it twice".  I believe an uninitialized variable could be involved, since it's intermittent.
    I have found a couple of choices for workarounds or workflow changes...
    1.  You can save the first-opened document opened (e.g., as  a .PSD) somewhere.  Then reopening the raw file will always open a second document.
    2.  You could consider opening the raw file just once, duplicating it as a second layer, then use Camera Raw as a filter.  Obviously that doesn't avail Camera Raw of the raw data, but its usefulness depends on what you're trying to accomplish.
    -Noel

  • Starting an action by opening an image in Camera RAW

    I am currently using Adobe CS3 Design Premium with Windows XP Pro as the operating system. The computer is a self build and has 2GB of RAM, 450GB of onboard HD storage and 6x500GB of external HD storage.
    As a photographer I frequently end up with anything between a 100 and 300 RAW images after a days work and convert them to DNG, Tif and JPEG files.
    With CS2 I ran an action which opened the image in Camera RAW which then enabled me to make adjustments before opening the image in Photoshop and completing the other elements of the action. Since upgrading to CS3 I have been unable to create a similar action and having read the "knowledge based" information and looked through the topics in the forum have failed to find anything that is of help. As each image and the conditions under which it has been taken differ it is quite important to make corrections in Camera RAW before completing the action in Photoshop and fixed settings applied by Camera RAW would be inappropriate.
    It is always possible that I am making a fundamental error in writing the action but given my previous experience it seems unlikely. Incidentally I usually bring up the images in Bridge and then select the best images to process and start the action from Bridge.
    I should be very grateful for any help in resolving this problem

    >It is always possible that I am making a fundamental error in writing the action but given my previous experience it seems unlikely. Incidentally I usually bring up the images in Bridge and then select the best images to process and start the action from Bridge.
    there's your problem...when you start the action recording from Photoshop you'll need to actually open a raw image FROM Photoshop not from Bridge. Don't know if this changed from CS2>CS3, but that's the only sure way of recording an open function...from within Photoshop. Then in the Batch you'll still need to override open so the open will open the image with the parameters already set in the image.

  • How do I change the transparency grid to gray in Camera Raw 8.7.1?

    I am using Scott Kelby's  The Adobe Photoshop CS6 Book for Digital Photographers. He has a tutorial on Lens Correction in Camera Raw where he uses vertical tilt to correct perspective on an image taken with a 10 mm lens (Chapter 3, page 69 if that matters to anyone). The correction is extreme and after correcting, the areas where the transparency grid would show are gray in his image. On my copy of Camera Raw 8.7.1, I get the familiar checkered transparency grid (I am using the same image supplied from the books web site.  He continues on with a Free Transform and Content-Aware correction to eliminate the "gray" area without explaining how the transparency section in his image got to be gray. Doing a selection on the transparency to complete the Content-Aware is not possible as described in his book. Is something I am missing with PS CC 2014? I have asked four other photographers using CS6 and CC. Two report they have the checkered grid and one has a gray area and yet another has a white area.   How can I get the gray area as described in the book?

    In case you are accessing this discussion by email, please be aware that I edited my last post:
    In have sent a query to the Kelby web site asking for an explanation.
    Great, I was going to suggest that right off the bat in my first post, but refrained from that so as not to be accused of being condescending. 
    I always get a gray grid for transparency in ACR, no matter what, never a solid-color gray or solid any-other color.
    To be honest, I can't fathom why you would care that you get the same result.
    Totally off topic:  I can't stand Kelby.  :-/

  • Camera RAW - freezing while editing image and also wont update to new version

    I moved from Mac 10.6.8 computer to a new Mac 10.10 computer. When I did, I transfer of all my files through data migration and it moved photoshop and bridge over for me without having to reinstall. Which was good because I do not have the disc anymore. My Adobe version is CS5. The problem I am having is that when I open large amounts of files within camera RAW (like anything over 15), the camera RAW program freezes. I then have to shut it down and reopen it again. I made sure to try other folders and files and it has happened over 6 times in different locations and different files and different amount of files opening. Any ideas? I noticed that maybe I needed to update my Adobe application because of the computer move, but when I went to the help menu and update, it goes through the entire process of updating all Adobe Applications and fails giving an error message only at the end saying, " There was an error downloading this update. Please quit and try again later."
    HELP!

    "Migrating", transferring or copying applications is not just asking for trouble, it's demanding trouble.
    Always install from scratch, from the original media, CD/DVD or download.

  • Using Adobe Camera Raw as External Editor

    I've recently purchased Aperture 2.1 and am very pleased with everything thus far. I capture the majority of my photos in the RAW format (Nikon NEF specifically), and the one thing I'm trying to work out is this - with iPhoto I am able to choose Adobe Photoshop as my 'External Editor,' and when opening an image for adjustments, iPhoto sends the the picture in its native format. Consequently, RAW formatted images open with the Adobe Camera RAW plug-in, jpegs right into Photoshop and so on. With Aperture I notice that I am still able to select Photoshop as my 'External Editor,' but instead of sending the native format, Aperture allows only the 'temporary' format options of TIFF and PSD (8 and 16-bit). Needless to say, the files open directly into Photoshop -instead of the Camera RAW plug-in that I would prefer for my RAW files. Does anyone know of any work-arounds or possible solutions to this issue?

    iPhoto has no RAW conversion controls, but just makes a copy of the file for iPhoto edits.
    When you choose to edit it in photoshop, it sends the original over to Adobe Camera RAW. This is NOT a non-destructive workflow.
    Aperture has its own RAW converter- a quite good one- so the need for ACR is removed, and the workflow IS non-destructive. You should only be going to Photoshop for the things that Aperture is not designed to do like compositing and hi-end retouching
    The only work around is to export the master then open it in ACR, but that workflow would be senseless.
    Honestly, if you prefer ACR, then you should be using Bridge or Lightroom for DAM as well.
    DLS

  • Camera Raw and DNG Converter 4.4.1 Now Available

    Details here: http://blogs.adobe.com/lightroomjournal/2008/04/lightroom_141_and_camera_raw_4.html
    Regards,
    Tom

    Aha, mystery solved!
    Camera Raw 4.4 incorrectly modified the EXIF time date field of images that were saved as TIFF or JPEG files from the Camera Raw dialog. This has been corrected in Camera Raw 4.4.1
    This explains why I never saw that bug: I save images from ACR as PSDs, never as TIFFs or much less JPEGs.
    I guess PSD files were not affected.

  • IPhoto '09 not importing Camera Raw (.CR2) files

    Recently purchased a new Mac Pro and tried to import my Camera Raw files from a supported camera. iPhoto refuses to import (unrecognized file format) files. Does anyone know the solution? I have over 1,700 camera raw (.CR2) files I need to import.

    Larry,
    Cameras were Canon 20D and 50D. Until yesterday both were using the sRAW color space - switched them to Adobe RAW today. Problem was the 1,700 pictures with sRAW colorspace taken over the past few years - no issue importing into Adobe Photoshop CS4 (not surprising at it uses its own libraries), problem was only with iPhoto. I had what iPhoto reported as the latest update to Camera Raw, however when I browsed the Apple support pages I found v3.0 which I installed. That fixed the problem as it now has sRAW support for Canon cameras.
    Only issue that remains is importing of DNG formatted pictures. iPhoto will not import those, which is hard to understand as it is becoming the defacto cross platform format for RAW files.
    I don't recall having this issue on my older MacBook using an older version of iPhoto and older libraries...
    Anyway, good news is that v3.0 fixed the problem.
    Thanks.

Maybe you are looking for