Pal DV with   dvx100( PAL)

Is the preset setting of PAL DV ok to use with the dvx100 pal?
It should be as it is 25 f/s like pal is.
but when I look at my footage it looks like its quality is not very good.
it is professionaly lit but the edges of the objects are somehow "pixely"
not very crisp and clear. like interlaced.. (I am sure it is 25p)
the playback quality is on full.

You need to be looking at playback on an external pal monitor, you cannot trust the computer screen to show you fullquality.

Similar Messages

  • Exporting problem: How can I make a PAL DVD with NTSC footage?

    Hi everyone,
    I need some help as I've been trying to burn a DVD for a couple of days now but it still isn't working. Here is my situation:
    I shot a lot of standard definition DV with my Canon GL-2 (NTSC, bought in America) that I imported into the trial version of Premiere 5.5.
    I edited the footage and set out to make a DVD with the footage that will play on PAL televisions as I live in Australia now and it's all PAL over here.
    I exported the footage and put it onto Windows DVD Maker because the trial version of Premiere doesn't let you use Encore.
    The footage looked great on Premiere and on the little preview that you get through Windows DVD Maker, but when I burnt the DVD and tried playing it on my TV it looked really bad.
    The big problem was the color. Everything was much too red, particularly people's faces.
    I assume the problem lies in my export settings, and I was hoping someome who has done this before could help me out. I tried a variety of settings, but they all looked bad and I'd prefer not to waste any more money on DVDs that look like hell.
    Is there anyone out there who can tell me how I can get the DVD to look like it does on my computer? What setting would I need to apply? I have been all over the internet, looking at a lot of tutorials and forums, but havent found an answer yet.
    Thanks a bunch!
    Shawn
    PS- My academic credentials have now been verified by Adobe, so if you know a way to do this using Encore, please let me know because in a few hours I will have access to that as well. Cheers!

    Hey shooternz, thanks for the fast reply.
    My DVD player is playing the DVDs so that's OK, the real problem is that they look so bad. I just bought a whole mess of DVDs because I thought I would just experiment while I was waiting to see if anyone could help me out, and the results have been frustrating. I tried it with all PAL settings and the first DVD I made was much better. That one didnt have all of the sections, just one of the chapters (I wanted to check quickly whether the setting I had was a good one, so I just put a short 7 minute clip on). Encouraged, I tried burning the whole disc using the same settings, but it came out crappy again. Much too red. This is really frustrating me. My computer is new, so I can't see why there would be any problem with the DVD burner, but if two DVDs with the same export settings are coming out differently, I'm thinking it might have to be a problem with either the DVD burner or the DVDs?
    Can anybody suggest anything? I'm dying here.

  • Ios8 problem. ibooks individually open up ok black print on white, but the "page" shows as dark charcoal with indistinct pale lettering and I can't read it.  Nowhere to fix the "page".  It's crap. Please help

    ios8 problem. ibooks individually open up ok black print on white, but the "page" shows as dark charcoal with indistinct pale lettering and I can't read it.  My home page picture appears to "bleed" through.   Nowhere to fix the "page".  It's crap. Please help

    I'd still prefer to keep separate user accounts. I never had any issues like this before. The only time I started having a problem was when I was just trying to force empty the trash a few months ago. I came on here looking for a solution and someone posted a way to empty the trash using the terminal. Before then, I hadn't used the terminal for anything--it was just another app in my utilities folder.  (None of this has anything to do with having separate user accounts. Plenty of people with kids make second and third user accounts on their laptops so that multiple people can use one laptop, having more than one user on a laptop is not very difficult.) But thank you, I'll try that out and see if it works!

  • Possible to import PAL and edit in PAL using FCE?

    Hi -
    I shot 25p PAL footag abroad. Before I purchase Final Cut Express I wanted to make sure I'll be able to edit it in FCE. I'd have to rent a PAL deck to capture from, but will FCE be able to handle the frame rate? Has anybody ever worked with 25p PAL ftg in FCE? I'd hate having to spend $$$ on converting all ftg to NTSC before importing.
    Thanks!

    In case you were emailed my original reply, it contained an error.
    I thought you were talking about standard DV.

  • Capturing NTSC into FCE with a PAL-Camcorder?

    Hi. I have mini-dv cassettes with videos in ntsc format.
    Is it possible to capture these videos using my PAL mini-dv camcorder via firewire to fce hd3.5?
    It sounds weird bec generally you cant use a PAL mini-dv camcorder to play a mini-dv in NTSC format. I went to a video store to ask for an advice and I was told that it didnt matter if I used a PAL mini-dv camcorder to capture an NTSC format via firewire which is digital. All I need is to put the right format setting in the editing software. But I got confused when I got another advice from another video store where I was told that both the camcorder and the edit software should be able to handle the NTSC format. I know fce hd3.5 can handle both NTSC and PAL format in mini-dv.
    I hope you can help me solve my problem. Thanks in advance.

    Thanks Al for giving your thought on this.
    As you suggested, I need a video standard converstion system? The video standard will stay as NTSC in the meantime. I only see the use of this standard conversion system when I need to edit both PAL and NTSC videos at thesame time, where I need to convert either one of the video standards into the other one so that as you said fce knows what type of footage it will deal with.
    This leads me to think that the only way I can capture my NTSC videos into fce hd3.5 is to use an NTSC camcorder as well. That's exactly my problem bec in Germany they only sell PAL minidv cams unless you want to get Sony HVR-Z1U which is able to handle both NTSC and PAL system. That's expensive for me.
    Am I making sense here???

  • Wrong aspect ratio or size when exporting Pal anamorph with ProRes codec!

    Hi community,
    I have a problem exporting a spot in the right format. The customer/the upload service provider needs PAL anamorph 16:9 in ProRes codec.
    When I export my FULLHD spot to these setting, the aspect ratio/the spot size turns out wrong. When opened in QT Pro the size is 720x576, what is correct, but the anamorph size quotet in brackets reads different values, for example 1020x576 but never 1024x576, what would be correct.
    The service providers online software refuses to work with these wrong nunmbers...!?
    The same export settings with QT Animation codec is correct. Also when exporting the same composition with two export modules, the Animation codec is OK, the ProRes codec is wrong. No matter whether I export a PAL-format comp or stretch it while exporting the FullHD comp.
    Working with After Effects CC.
    Any ideas?

    Don't resize the output but instead drop your full HD comp in a standard PAL widescreen comp, fit the HD comp horizontally and then render the new comp without using any resize controls.
    Second option, Render your full HD comp to a frame based production master codec (prorez) and then use the Adobe Media Encoder and setup a PAL Widescreen Square Pixel preset. Here's my Pal Widescreen Prorez 422 HQ preset. It is what I use for all requests for Pal ProRez from my clients.

  • Will Sony HVR-Z1E HDV Cam (PAL) work with iMovie 6.0.3

    Hi
    I'm about to make a short film and have the possibility of hiring the Sony HVR-Z1E HDV Cam (http://www.sonybiz.net/biz/view/ShowProduct.action?product=HVR-Z1E&site=bizenGB&pageType=Overview&category=HDVCamcorders) for the shoot.
    Has anyone here used a camera like this with iMovie HD 6.0.3? Can iMovie import the footage and edit it?
    Or should I immediately be thinking of Final Cut Studio or Final Cut Express?
    Cheers
    Ewan
    Power PC G4   Mac OS X (10.4.8)   1.67ghz 2gb RAM

    "..I'd only be able to use the DV shoot mode on the cam ... But you say it works well?!.."
    Perfectly: if you shoot in HDV, iMovie HD converts the incoming HDV footage into Apple's Intermediate Codec "on-the-fly" (..it converts the MPEG-2 HDV into a form which iMovie can handle, retaining all the extra detail of hi-def..) and that's what iMovie edits.
    You can then send your edited movie back out to a clean tape in the camera, and it's converted back to the "native" HDV format as it's exported from iMovie.
    At present, hi-def DVDs can be made only by using Apple's DVD Studio Pro (expensive) software, which burns hi-def onto normal DVDs ..but they're playable only on a Mac, not on an ordinary DVD player.
    So if you want to keep everything as hi-def when you've finished, send it back to tape, and not to iDVD (..which will knock it down to standard-def when creating a DVD from your hi-def iMovie project..)
    Because a huge amount of processing is needed for converting incoming HDV into AIC in 'real time' (..and the faster the Mac processor, and more RAM, the better..) your G4 will NOT be able to import in real time.
    You may also get occasional - temporary - glitches, in that the sound of some clips may seeem to be running slow, and be low-pitched, after importing. This is an artifact of slower-than-real-time importing, and if you quit from iMovie after importing, then restart the program (thereby clearing memory caches in your Mac), clips should play normally.
    Any rendering - dissolves, titles and other F/X - will take longer than with standard DV, as there's more data per frame to be manipulated. Straight cuts should be OK.
    "..an issue with the Firewire 600 port.." ..There's FireWire 400 and 800, but maybe "600" was a slip of your keyboard..
    "..a lead with a four pin firewire camera plug on one end and a Firewire 800 plug on the other. Works perfectly well for the Handycam. I wonder if it'll do the trick for this bigger beast?.." ..It's never worked for me! (..Maybe I've used a badly-wired cable or two..) ..I couldn't get a 4-pin-to-9-pin (FW800) cable to work, ever, with any normal 'consumer' Handycam ..nor with the FX1.
    ..But you seem to have got it to work, so it may work with the Z1 after all.
    "..I'm hiring so there are limits.." ..Don't forget to download the instruction manual (..when you're ready, click to download it as a .pdf here..)
    [NOTE: That's for the US/International version: I can't find the European (E suffix) manual at the moment, but I'm sure you can if you Google a bit. There's very little difference between them. You'll want to choose and use 1080i/50 (UK-PAL), not 1080i/60 (US-NTSC).]
    Note that - I don't know what you're shooting - you can set up focus and zoom transitions before you actually shoot them; so if you need a smooth zoom from close to distant, while changing focus, too.. instead of just pressing the zoom button and relying on the autofocus to get it right, you can pre-select start zoom and focus settings, and end zoom and focus settings, then press the 'Do-It!' button, and the camera will handle the changes as pre-programmed ..while you're busy slow-panning, for instance.
    For more of a "film look" you can also use one of the built-in Neutral Density filters ..but as that opens up the aperture wider, focus becomes more critical: hence the usefulness of the pre-set focus and zoom.
    I normally shoot always at a shutter speed of one fiftieth, and never let the camera choose automatically. I find this gives -s-m-o-o-t-h- action, but also provides a good range of apertures, too.
    Be sure that you get a big spare battery with it, unless you're shooting near to mains power. The standard battery lasts - as with most cameras - about only 40-45 mins, so be sure to get several, or one really big capacity batt.
    Shoot and replay your tests before the actual shoot, so that you're sure the hired camera has clean heads, with no 'mosaic' drop-out on the tapes.
    Er, can't think of anything else ..going to watch 'Murder She Wrote' now..

  • HDV NTSC/PAL machine with HDMI output ???????????? To hire????

    I live in the UK where we have PAL...I have a big job to do that is NTSC HDV...
    What can I use to play out the tapes into my FC2.....
    I have a sony HC7 buts its PAL....I also have access to couple of bigger sony cameras that play Ntsc/Pal but dont have HDMI to access the full HDV to capture it using Pro Rez via my Blachmagic card/HDMI////....
    What is best to hire>>>>>

    Thanks for your reply....
    NO the material is in NTSC and that is what i want to keep it in for NTSC DVD release....Its just that the camera i have is PAL....
    And I need to find something with HDMI out to access the raw HDV format....
    Cheers
    ROB

  • Clip is tinted in green with DV pal QT

    Two clips which are colour corrected in FCP appears fully green after exporting to Quicktime as a DV Pal anamorphic file.
    Same clips appear normal when I export them to a QT movie with the original DVC Pro HD settings.
    Any ideas what to do ?
    Thanks.
    DVCPRO HD 720p 25

    Back to a computer:
    Pete Thomas wrote
    Result is 16:9 file, not too large and no lines. Just as good as the original.
    I find it odd that I have to use QT Pro
    Hey Pete. Whatever works…
    If you want to try another way, start out by setting up tour FCP project like so:
    It will export in the aspect ratio you want.
    Pete Thomas wrote:
    Open the DV movie in QT pro 7, expert with Apple Pro Ress 422 HQ and interlace ticked.
    Then open that in compressor and choose H264 and apply the crop to remove the letterbox.
    You wanted a DVD to play back on computers (either in addition to or rather than television play-back). Since H.264 is not a DVD standard, I assume you compressed it once again to make an MPEG-2. That's a lot of generations of compression and lost information: DVPAL>ProRes HQ>H.264>MPEG-2. Much simpler, quicker and higher quality to go directly from DV PAL (or NTSC) to MPEG-2.
    Finally, if most of your output will be for computers (including mobile devices) and the Web, try to shoot progressive in the first place.
    Good luck.
    Russ

  • Interlace problem with DV PAL video

    My video file is DV, 720 × 576 (768 × 576) with letterboxing
    I want to use compressor to resize this to 16:9 768 x 432, or 720 x 405 
    The original movie looks fine, but it seems whatever codec and whatever deinterlace setting in compressor, the output file has nasty interlace lines.
    I am slightly confused because I seem to have Interlacing/deinterlacing in 3 places:
    Video settings
    Frame Controls
    Filters
    Can anyone help please?

    Back to a computer:
    Pete Thomas wrote
    Result is 16:9 file, not too large and no lines. Just as good as the original.
    I find it odd that I have to use QT Pro
    Hey Pete. Whatever works…
    If you want to try another way, start out by setting up tour FCP project like so:
    It will export in the aspect ratio you want.
    Pete Thomas wrote:
    Open the DV movie in QT pro 7, expert with Apple Pro Ress 422 HQ and interlace ticked.
    Then open that in compressor and choose H264 and apply the crop to remove the letterbox.
    You wanted a DVD to play back on computers (either in addition to or rather than television play-back). Since H.264 is not a DVD standard, I assume you compressed it once again to make an MPEG-2. That's a lot of generations of compression and lost information: DVPAL>ProRes HQ>H.264>MPEG-2. Much simpler, quicker and higher quality to go directly from DV PAL (or NTSC) to MPEG-2.
    Finally, if most of your output will be for computers (including mobile devices) and the Web, try to shoot progressive in the first place.
    Good luck.
    Russ

  • Video DVD PAL poor with Encore CS4

    Good day, I am new to this forum.
    I ask if you can help on this problem I have with Enore CS4.
    After you export a sequence from Premiere CS4 format MPG2 x PAL DVD on Encore, and built my menus for DVD video, the control of various features in Encore atemprima everything works well and the video is of excellent quality, but after doing Burning with a preset encore x DVD PAL, the video played back on any player (whether desktop, both PC) appears to have lost quality looks as blurry and with loss of contrast. I followed exactly all the settings encore, but maybe being transcoding is a loss of video quality.
    I tried the PAL Ulead DVD Workshop 2.0 (the program always used before encore) with the same filmato MPG2 used encore, with Ulead DVD is perfect and does not lose quality.
    Could you help me to see if something wrong or is it a problem encore cs4?
    I have a PC with OS Win XP Prof. Service pak3, Ram 4GZ DDR3, Intel Core Quad Q9850, n. 4 HD 7200/rpm, Grafic Ati Readon HD 4870 latest drivers installed.
    Thanks for the help I will be given.

    Just to be clear, when you initially did a Burn to Disc for the DVD, it tested and played perfectly, including the full Linked Timelines. It was ONLY with the Flash Export, that things went pear-shaped. Is that correct?
    Good luck,
    Hunt

  • Problems in Capturing NTSC VHS With a PAL MSI nVidia Personal Cinimea FX5200

    I live in Europe which as most of you know uses PAL format. Most European VHS machines will play NTSC VHS in a format caled PAL60. The FX5200 Personal Cinema card will only play a PAL60 format color NTSC VHS tape in black and white. Which means that in order to convert NTSC VHS to digital video, you have to have an NTSC VHS player in order to input a "pure" NTSC signal to the card.
    Having purchased an NTSC video in the US on a visit there, I now encounter the problem that you see in the image I have posted here.
    This was a oddly enough black and white film that I have captured but the effect is the same with a color film. The image will "blink" to a sort of negitive form of the image.
    It only covers the left half of the image and this occurs regardless of which recording software I use. I tried deinterlacing but that didn't help either. It usually occurs at the start of a recorded VHS recording and flashes for only a second but it can persist through an entire VHS recording.
    If I run the VHS directly into my TV set, which can play NTSC video, this doesn't occur. When I record, I use the iuVCR recording programand compress the avi files withTMPEGnc. But if I use the  software that came with the card, the samething happens.
    Does anyone have any ideas?

    i am getting same problem but i only get this problem when i have tv out enabled  this is happenning in other programmes as well like nvdvd and power dvd . powere dvd is not recognissing graphics card in tv out mode when hardware accelaration is activated. i have tried all possible setting s and will not sort problem out. in standered 1 monier mode everything is fine no stuttering or picture problems. i think it is driver issue. :O

  • NTSC PAL conversion with Atlantis software

    Anyone used this: http://www.dvfilm.com/atlantis/index.htm
    The demo appears to work well - but would be grateful for your input before parting with the cash.
    Cheers,
    Steve
    Message was edited by: Juzcoping

    I have about 2000 X 5 - 10 sec clips to convert from NTSC to PAL. Nattress, while very good, is a bit time consuming what with nesting files and all. Haven't considered using Compressor. Will look into that too.
    Cheers.

  • PAL Videos with NTSC camera

    I have problems capturing PAL video played with a Sony DCR-HC40 NTSC camera. Though I can follow the movie at the camera level, nothing in captured in the Premiere Pro 1.5 program. What is the correct setting in Premiere?

    I am with Steve, on not knowing how one might be able to do what you want, other than converting from NTSC to PAL. However, with PrPro 1.5, I would post to the PrPro CS4 and Earlier Forum, as many folk there do both PAL and NTSC work, and might have some nifty tips for you.
    Good luck,
    Hunt

  • Satellite L775-11F with a pale screen, a loose PSU connector, worn trackpad

    Hi guys & gals,
    I've had this L775-11F since Christmas, and I've noticed on occasion that the screen seems to lose some clarity, and go a little pale. It's nothing to do with the screen dimming when the backlight reduces to save power, as I can be typing when it happens. I've found that moving the hinge back and then forth again to the same angle corrects it, so I'm wondering if there's a problem with the electrical connection on the screen. Anyone else had that?
    My power cable also seems to have a mind of its own, and will slowly eject itself even if there's no-one using it. Is this something that happens a lot? This is my first Tosh, and it's mighty annoying, as I can't guarantee a full charge of the battery, or use the laptop safely without the battery installed, as the thing just switches off when the power cable gets far enough out.
    Finally, I have noticed that the trackpad surface is showing a lot of wear for a 6 month old laptop. The centre has become black and shiny. Looks a bit shabby for a laptop that's almost new.
    D'ya think that any or all of these issues are worth contacting warranty/tech support over? The screen is the biggest worry, because if that goes over the 1 year, I'm goosed, even though it's been an issue since the laptop was a few months old. The problem is that it's an intermittent issue, which is difficult if not impossible to replicate at will. It's only happened 4 or 5 times so far, but it's a concern.
    TIA
    Mike. :)
    null

    > D'ya think that any or all of these issues are worth contacting warranty/tech support over?
    Definitely. Your notebook should work properly and I think you should not waste your time discussing but contact nearest Toshiba service provider, explain the situation and ask for help.
    Let them check your notebook and do whatever must be done. Notebook has valid warranty and let Toshiba service people do their job and help you to have well working notebook.

Maybe you are looking for

  • Restore Disc Will Not Boot From External DVD Drive

    I am using an original MacBook Pro that I decided could use a good restore, and started to clean house. The optical drive is broken, so I am using an external USB drive. I inserted the restore disc that came with the computer (It has OS X 10.4.6 on i

  • Still frames not staying still...

    I've had this problem on a couple of projects and have manned up to make my first post ever in a forum to try and solve it. Any help would be appreciated. In Final Cut I made some still frames using the Modify--Make Freeze Frame command, then used a

  • Subversion with Apache issues - where is it/can I get mod_dav_svn?

    Hi, I have both the default Apache and MAMP installed. I have succesfully installed subversion and can use svnserve and the command line. I am trying to configure apache, but... There is no moddavsvn in /Apache2/modules and being a 'little knowledge

  • 10.4.4 broke load balancing on dual proc G4 (?)

    I have an older dual processor G4 (gigabit ethernet) and under 10.4.2, the cpu monitor showed great load balancing between the cpus. Now, under 10.4.4, the cpu monitor shows no activity on the second cpu. I have the CHUD tools loaded so I'm able to s

  • Insert a div box background for one document only while using external CSS style sheet.

    I am trying to set a background image in one of my div boxes, but because I am using an external style sheet it changes it in all my documents. How can I do it with just this one page? Preferably in design mode.