PAL to NTSC frame control info needed

I need to convert a 25 fps PAL feature film to NTSC but there doesn't appear to be a frame control setting which will slow the film down by 4%.
What is needed is a 25 @ 23.98 with pulldown setting - is there a reason there isn't a setting for this?
Does anybody know of a workaround?
Message was edited by: Marc Morris

MacWorld published an article a while back describing how to use Compressor as a standards converter.
http://www.macworld.com/article/49306/2006/02/marchcreate.html

Similar Messages

  • PAL to NTSC Big Problems

    We shoot and edit in PAL on FCP and output to Quicktime MOV. When I convert the MOV to MPEG2 NTSC in Compressor I am getting some bad shuddering on any camera pans.
    I have tried changing field dominance and turning on and off the deinterlacing. I have even tried transcoding from an encoded mpeg 2 PAL with no improvement
    I am using version 1.2.1 of & have almost no control over the GOP settings. I don't know what do do
    Please help

    As a last resort (in case you are stuck which is a common fate of most users when dealing with this horrible legacy of NTSC frame rates) you have a simple solution that will produce flawless, no hiccups conversion from PAL to NTSC. You will need sufficient space, patience and willingness to accept 4% change in pitch.
    a) edit your footage in 25 progressive. Export it as image sequence. Export audio separately.
    b) In QTP import image sequence to NTSC frame rate 23.976. Add your audio (SCALED) to your movie.
    c) Import your movie to 23.976 FCP sequence.
    d) export it NTSC mpg2, which will add standard pulldown to bring it to 29.97.
    (all this can presumably be done in FCP, if only one could figure out how!)
    (Note to Apple.Please kindly note that 24 is not 23.98 nor it is 23.976, Your documentation is all over the place with no rhyme or reason. 24 can mean (FTC, QT) 24 or 23.976. Strangely 23.98 seems to be always used to denote 23.976. This is not nice nor professional and is awfully confusing)

  • Hdr-hc3 problems! Interlace? PAL to NTSC

    Hello. I am having problems editing a video shot in Sony hdr-hc3 PAL version. I captured in hdv and edited. In the timeline I put 25 frames per second. 1440 x 1080. 16x9... Compression HDV 1080i50
    Well, I exported everything. Export/Current Settings. Then I burnt a dvd with dvd studio pro and when I look the video in the TV it looks really really interlaced. Everytime there is movement, the image looks double. Well, I have tried with after effects to remove the pull down but it's not useful. It seems it's not really a interlace problem because when I say to guess pulldown... it doesn't appear anything. I also tried with cinema tools... i did the reverse telecine... but doesnt work... or at least i dont have any idea what i have to do...
    I also tried with compressor but the same problem... I dont know if I have to do something in final cut, after i export from final cut... or what i have to do with this problem. The motion looks horrible. HELP PLEASE!
    Thanks a lot!

    As a last resort (in case you are stuck which is a common fate of most users when dealing with this horrible legacy of NTSC frame rates) you have a simple solution that will produce flawless, no hiccups conversion from PAL to NTSC. You will need sufficient space, patience and willingness to accept 4% change in pitch.
    a) edit your footage in 25 progressive. Export it as image sequence. Export audio separately.
    b) In QTP import image sequence to NTSC frame rate 23.976. Add your audio (SCALED) to your movie.
    c) Import your movie to 23.976 FCP sequence.
    d) export it NTSC mpg2, which will add standard pulldown to bring it to 29.97.
    (all this can presumably be done in FCP, if only one could figure out how!)
    (Note to Apple.Please kindly note that 24 is not 23.98 nor it is 23.976, Your documentation is all over the place with no rhyme or reason. 24 can mean (FTC, QT) 24 or 23.976. Strangely 23.98 seems to be always used to denote 23.976. This is not nice nor professional and is awfully confusing)

  • PAL -  NTSC frame rate not changing

    I'm using compressor for the first time (version 2.0.1) and I'm trying to do a standards conversion of PAL to NTSC.
    I selected advance format conversion DV NTSC. It works fine except the frame rate is left at 25 fps even though the inspector had 29.97 in it before I submitted. I've tried it a few times now but the frame rate isn't changing to NTSC rates.
    Any ideas?
    Thanks
    Mike

    How are you determining the ending framerate (what utility or method)?
    Also, the QuickTime Player always uses a 30fps counter, thus it can be a little misleading if you go simply by the head position counter.
    As for using Compressor 2 to do standards conversion, unless you explicitly turn on the new Frame Controls feature and use the Rate Conversion option you will just get resizing and frame duplication when you convert from 25fps PAL to 29.97 NTSC.
    Perhaps, however, you two are using some other technique to determine framerate (I'm just looking at what the QuickTime Player reports and also by counting the actual displayed frames when I single-step the movie -- thus my original question). I've not done a lot of standards conversion, but I just tried to twice-convert a short NTSC video segment and it seemed to work fine when I reconverted from PAL back to the original NTSC. However, since I'm NTSC based I had to create my own PAL after starting from an NTSC original (probably not a completely valid test since Compressor is doing both conversions).
    So, another question would be what is the source of your PAL video? I'm sure you did not "synthesize" it as I did, but maybe there is a conflict between your source and Compressor.
    In any case, I'm using Compressor 2.0.1 and I just converted an NTSC clip to PAL and back again (PAL to NTSC) and the framerates seemed to work fine (using Compressor's Advanced Format Conversions presets). When I went from NTSC to PAL I ended up with a 25fps movie that had dropped frames from the original. Then, when I went from PAL to NTSC I ended up with a 29.97fps movie that had frame duplicates (unless I explicitly use the Frame Controls -- Rate Conversion option and then with the higher quality options I get newly generated frames using Compressor's so-called optical flow technology).
    Also, Mike, your tag line indicates that you are using Mac OS X 10.2.X, but that can't be the case if you are using Compressor 2 since it requires QT7 which is only available on 10.3.9 and 10.4.X.

  • Question about changing frame rate from PAL to NTSC

    Hi,
    Usually, I would use JES Deinterlacer for changing the 25 fps of PAL into 29.97 NTSC.
    Recently I've started shooting with Sony's EX-3, full HD (in PAL mode)
    If I'm using JES Deinterlacer, the resolution would drop from 1920x1080 to 720x480 (adding 2 black rectangles to keep the 16:9 ratio)
    With the 720x480 res I would need to choose 4:3 aspect in iDVD.
    I'm somewhat confused here...Can I keep the original resolution of 1920x1080 and just use another software for changing the frame rate...then burn it with iDVD in widescreen 16:9? Is there anything like JES for that? Or does NTSC DVD means always 720x480?
    Thanks a lot!
    ymotion

    You could try doing it in compressor>advanced format conversions. Personally I like taking it to a terranex, but I also have had GREAT success with Graeme Nattress's standards converter. You can google it, or search this forum for a link. It's cheap, only a hundred bucks or so.
    1. Convert the footage pal to ntsc, no frame size change
    2. Open compressor and select the appropriate setting for the length of your video. And also add the dolby audio setting. Don't forget the anamorphic settings noted above.
    3. I don't remember anything at all about idvd, haven't used it since DVDSP came out. DVDSP allows you a whole host of display parameters and infinite customization for your projects. It'll only take you a couple of hours to figure it out, and those are hours well spent.

  • Do I actually need Nattress to convert PAL to NTSC?

    Hi Everyone,
    I have FCP 6.01 and I have PAL footage captured from a PAL DV machine. To convert to NTSC MiniDV, do I need to use Natress? Can't I just put the PAL clip in an NTSC timeline and render that bad boy?
    Thanks so much!
    Kirk

    Yes,
    you can either use a dirty way:
    you drop different formats on your timeline and if a window appears each time you bring a new format saying if you want it to conform it with your current sequence settings you say yes (this may cause frequent renderings).
    Or a clean way:
    Create a ProRes sequence to host different formats. ProRes HQ more suitable for HD flavors.
    Gig

  • URGENT!! Converting PAL to NTSC

    Hi all
    I need a reply on this badly!!
    I just [so I thought] converted a PAL Anamorphic FCP Movie to NTSC Anamorphic QT using the Standards Conversion NTSC Anamorphic Preset in Compressor. RESULT: The Aspect Ratio has changed BUT when imported into an NTSC project in FCP Item Properties says its frame rate is 25 fps and not 30 or 29.97 AND when dropped into an NTSC Sequence it requires rendering for the video and audio streams. [Using Compressor 2.01 & FCP 5]
    PLEASE PLEASE HELP, EXTREMELY URGENT!!!
    [email protected]

    Just had a quick go taking a 4:3 pal clip (no anamorphic to hand) and outputted to Anamorphic NTSC and I got 30.12 fps! It seems something is up with compressor (search here)
    If totally pushed for time try JES Deinterlacer its free, otherwise pop for
    http://www.nattress.com/standardsConversion.htm
    EDIT: It appears you must turn on frame controls (searching here) to get the frame rate corrected. You may want to set everything to the fastest since frame controls can take time to process
    A bit more info:
    http://discussions.apple.com/thread.jspa?messageID=1107697&#1107697
    Message was edited by: i5m

  • Converting PAL to NTSC using Compressor, FCP or iDVD?

    Hi guys,
    I'm currently editing some PAL footage from a Canon DSLR which has been compressed into an Apple Prores which measures 1920 x 1080.
    I need to put my finished project on a DVD so it to play in the US.
    Should I export to NTSC in FCP, Compressor or simply setup iDVD as an NTSC project and hope that dropping my completed PAL is converted into NTSC?
    What are my options to convert my PAL footage into NTSC and at what stage should I do it?
    Finally what NTSC video format would be ideal for HD video on DVD?
    Thanks in advance!

    You could pay to have a post facility do the conversion, which would give the best quality. OR, do your standards conversion in Compressor or in JES Deinterlacer.
    Giving iDVD an NTSC 1080 Pro Res file may work well. Do a test on a short representative section of your movie and see. If it doesn't meet your expectations, go into Compressor and resize to 729x480 anamorphic (PAR of .84); turn on Frame Controls and set Resize Filter to Best. Submit and then bring that into iDVD.
    No doubt you appreciate that all DVDs are SD and that the end product, while potentially quite good, is compromised in image quality compared to your high rez original. If you want higher resolution, you have two options: red laser AVCHD disks for videos <20 minutes or Blu Ray, which is a whole different kettle of fish.
    Good luck.
    Russ

  • Good old PAL to NTSC

    Ok I have to convert Pal to NTSC and then burn to DVDSP. Is what Im doing correct and giving me the best possible quality?
    1, Cut my master piece in fcp and exported it with QT (pal) 15GB
    2. Opened compressor 2 and used advanced format conversion DV NTSC
    3. Change file format to mpeg2 (in the inspector)
    4. 1 pass VBR best (in the inspector) - is this the best/normal setting
    5. Thus got a summary saying something like this - please forget the est file size as I used small clip to get same info
    Name: DV NTSC
    Description: DV/DVCam NTSC with 48kHz stereo audio
    File Extension: m2v
    Estimated file size: 5.91 MB
    Video Encoder
    Format: M2V
    Width: 720
    Height: 480
    Pixel aspect ratio: NTSC CCIR 601/DV
    Crop: None
    Frame rate: 29.97
    Frame Controls: Off
    Aspect ratio: 4:3
    Field dominance: Progressive scan
    Average data rate: 5 (Mbps)
    1 Pass VBR enabled
    Maximum data rate: 7.5 (Mbps)
    High quality
    Best motion estimation
    Closed GOP Size: 15, Structure: IBBP
    DVD Studio Pro meta-data enabled
    It is saying it will take 4/5 hrs to encode this. Do I then import this asset into DVDSP with NTSC mode on and build and burn my DVD? Ship it to the states and never have to worry about doing this crap again.
    Owen

    If you are planning to use Compressor's default PAL-to-NTSC preset then I'd do a short test to look at the quality of the conversion. I believe that the conversion presets that Apple offers use a low quality setting which may not produce results to your liking (others have reported so).
    In any case, you can change Apple's presets to give higher quality but the processing times will increase dramatically. As an alternative, you might want to give the freeware utility JES Deinterlacer a try. JES does fast, good quality deinterlacing and standards conversion (PAL to/from NTSC) and it's a free download from places like VersionTracker.com.

  • 25fps footage to put on PAL and NTSC DVDs - Inverse Telecine?

    So, I've shot and edited a short item in 25P from my PAL HVX200...
    I'd like to create a 'movie feature'-style NTSC DVD. One that has MPEG-2 files with inverse telecine flags to tell the NTSC decoder to repeat the fields to pull up the footage to 29.97fps.
    Does that mean I need to scale my footage from 720w by 576h down to 720w by 480h, set the speed to 95.904% to 23.976fps? Can I do this in Compressor? Will Compressor take the audio and speed it up too, but keep the pitch the same?
    That will get me a 24P NTSC file. How do I encode this as an MPEG for an NTSC DVD?
    If I wanted to create a 'progressive' PAL MPEG for DVD (with the inverse telecine flags), are they encoded as 576 by 720 frames at 23.976fps, or at 24fps?
    In the PAL world, a bit in one of the 50 non-broadcast lines is used to tell TVs and DVD players that the content is anamorphic. Is there an equivalent for NTSC? Does Compressor take care of that?
    G5 2x2.5GHz   Mac OS X (10.3.9)  

    Hey Alex
    a little confused here, but from what i can gather:
    you have a movie shot @ 25 fps (PAL)
    you want to make a NTSC dvd and a PAL DVD, is this correct from the above source and make sure they are progressive?
    well ok the PAL one is easy, just take your source video into compressor and in the frame control tab, make sure that your ouput field is progressive.
    the NTSC DVD is a little tougher. do you have FCP?
    the only difficulty i do see, like you said was the audio pitch/speed.
    i guess you CAN do a conversion in compressor, but how well it looks.. dont know i will run some tests and let you know
    Mikey

  • How do I convert from PAL to NTSC in compressor?

    I have a project I converted from mp4 file to Apple Pro Res to edit it in FCP.  I exported using Compressor and tried to import the files to DVD Studio Pro.  It said it can't put PAL files into an NTSC project.  I didn't even realize it was filmed in PAL (yes, I have the rights to use the footage).  How do I convert the files from PAL to put it into FCP...in Compressor?  If so, how?  Thanks for any help!

    To  convert the 25fps PAL file to a 29.97fps file staying within the ProRes codec:
    • Open up compressor. In the Settings window select: Apple>Formats>Quicktime>ProRes 422
    • Select the "Duplicate Selected Setting" icon in the upper left of the Settings window
    • This creates duplicate of the preset that you can edit
    • Select the preset copy and, in Inspector, give it a new name (something like ProRes PAL>NTSC)
    • In Encoder>Video Settings>Frame rate - and change the frame rate to 29.97
    • In Frame Controls> turn them on and set Resize Filter and Rate Conversion to BETTER.  (If so set them to BEST, be prepared for a long wait)
    • In the Geometry tab, set the Frame Size to 720x480 (you don't say if the file is 16:9 or 4:3)
    • Submit the file and go have dinner. Depending on the length of the file, it may take hours.
    Have fun.
    x

  • NTSC to PAL or PAL to NTSC

    I have a client shooting a project in a couple of days and they are wondering what is the best frame rate to shoot at. They will be shooting to HDCAM SR 1920 x 1080 4:2:2 YCbCr 10 bit or to a drive 2880 x 2160 RAW 12 bit Bayer data. If they shoot 2k, the files would be rendered out into 1920 x 1080 Quicktimes to work with.
    Ultimately, the project will end up as 1000 NTSC DVDs and 1000 PAL DVDs.
    I will be editing with FCP and creating the DVD with DVDSP.
    I had received advice to shoot everything PAL 25fps, and then convert the final product to NTSC. We never work with PAL so I was wondering if it would be better to shoot NTSC and then convert the final product to PAL.
    I'm new to PAL so any advice, information or links to other posts/workflows will be appreciated.
    Thanks,
    Chris

    G.
    One of the advantages of Shooting with a PAL camera is that you don't have too many frame rates to worry about and no pull down is needed.
    You can shoot PAL (50 fields per second as opposed to NTSC 60 ) at 25frames ps (or better 50fps, talk to your DoP about this) edit easily with FCP on a PAL timeline and eventually convert to NTSC using [Nattress Standard Converter|http://www.nattress.com/Products/standardsconversion/standardsconvers ion.htm] or Compressor 3.
    However, there are a couple of things you can take into account:
    1)most DVD players nowadays can play both PAL and NTSC (Not all though)
    2)If you are used to a specific workflow stick with it or do some tests before you take any decision.
    You could shoot with a PAL camera and edit a few minutes in FCP, do a standard conversion with Compressor then encode and import the asset in DVDSP to burn a DVD to see if you are happy.
    Testing is a crucial step of the work and hiring the camera for half a day will cost you much less than a rushed decision.
    Best,
    G.

  • How to convert from PAL to NTSC in compressor

    I have a project I converted from mp4 file to Apple Pro Res to edit it in FCP.  I exported using Compressor and tried to import the files to DVD Studio Pro.  It said it can't put PAL files into an NTSC project.  I didn't even realize it was filmed in PAL (yes, I have the rights to use the footage).  How do I convert the files from PAL to put it into FCP...in Compressor?  If so, how?  Thanks for any help!

    Since you've already edited it, export from fcp (file:  export:  quicktime movie - NOT quicktime conversion) with current settings.  Bring this file into compressor and apply the appropriate dvd preset.  Thencustomize the preset, changing the frame rate to 29.97 fps and video format to ntsc in the encoder panel:  the pixel dimensions in the geometry panel to 720x480 (not sure if this is necessary, but doublecheck it).  Then in the frame controls panel, enable frame controls and change the resize filter to best, and rate conversion to 100% of source and rate conversion to best.  This may take a long time to output, so you might want to do a short test by setting an in and out in the compressor preview window.
    Hopefully, I haven't left anything out.  If there are any questions, post back.

  • I live in Australia, should I use PAL or NTSC settings when creating my DVD?

    I am new to creating DVDs and I am not sure what settings will give me the best quality when I burn it to DVD. I live in Australia, should I use PAL or NTSC settings? Any other hints?

    Hi
    My best Guess is - PAL
    Does Your electicity current use 50Hz or 60Hz
    Sweden 240V 50Hz - TV - 25 frames per sec = PAL
    USA 110V 60Hz - TV - 29,97 fps = NTSC
    AND
    Then it comes to HOW the Video was recorded - AS iDVD does not convert in a very good way. I use JES_Deinterlacer to do this when I need to send a DVD to USA. and it's free on Internet and even very expencive converters doesn't do it any better.
    Yours Bengt W

  • PAL or NTSC for international distribution?

    Hi everybody, we have a 5 hrs film shot and edited in Premiere Pro CS6 in HD pal, 50fps, 16:9  intended for international distribution on 2 double layer DVDs. How should we best author it to guarantee worldwide compatibility and best possible quality? PAL or NTSC? There is no budget to press both, PAL and NTSC DVDs. Thanks for your help!!!

    NTSC every time.
    All PAL players these days will happily output NTSC content either as true NTSC (by running an on-the-fly standards conversion in the video decoder chips) or else as PAL-60.
    Very few NTSC players will output PAL in any form.
    Your biggest problem will be standards converting your 50i footage into 29.97.
    EDIT.
    Here's a great tip for you.
    Do not ever shoot at 25 fps in any shape, way or form if you need international release. Use 24p instead - and when the time comes to burn a DVD all you need to do is scale it down & render to DV 24p widescreen from Adobe Media Encoder. All will be fine, and you can use fully progressive images all the way through.
    Pros:
    24p footage is universal, 25p is not spec compliant, must be interlaced & will only work in PAL regions.
    24p will play - in an upscaling player (such as a modern Universal, or a good BluRay player) at the encoded rate (Hollywood have been pulling this trick for years now) and in a non-upscaling player it will automatically pull to 29.97 with no intervention needed from the user.
    Cons.
    None that immediately come to mind - although of course 24p footage has it's own issues but these are outweighed by not having to standards convert.
    Why this is needed.
    Because although most US discs will play in PAL players, either as pure NTSC or PAL-60, the reverse is not true and even when you can find a US player that will handle a 25i stream, you will run into difficulties with the display because the mains is at the wrong frequency (60Hz instead of 50Hz) and the image will be garbled, black & white or missing altogether. A study by Sony showed that perhaps 1/20 players can output PAL frame rates properly in NTSC regions.

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