Pantone different from other apps.

Hello people, I'm designing a 1-colour flyer using Pantone 2602. The file contains a mono-tone image created in Photoshop and an eps logo generated in Corel Draw, both using 2602. Paper-coloured text is placed over a rectangle filled with 2602.
However, when the image and logo are brought into InDesign (CS3) they appear to be quite different colours from the rectangle. Still purple, but a differet shade. I opened the eps in Illustrator and re-saved it as an .ai file, placing that in the ID, and same problem, making me think there is a setting in ID that needs to be tweaked.
I've tried to find the setting in Bridge to synchronise settings across all Adobe products but the help file tells me to set this through Edit/Prefs/Advanced but there is no option to select colour synchronisation.
To be honest, I'm not too concerned if the colours look dfferent, as it all looks fine in Acrobat, but if there was a way to get the colour synchronised within all Adobe products that would be helpful.
Thanks in advance for advice,
Jo

Embedded profiles that differ from your ID working space, can result in different appearances on screen for the same color when you import. Turn on Overprint Preview in the View Menu and the appearance should match if that's the cause.
Another possible reason for this could be different names (and different definitions) for the same color. For example, InDesign would consider Pantone 2602, Pantone 2602 C, Pantone 2602 CV, Pantone 2602 CVC, Pantone 2602 CVU and Pantone 2602 U to be different colors even though they refer to the same ink, and would generate a separate plate for each. Do you see more than one named swatch for the color?
You can use the Ink Manager (accessible from the Swatches Panel menu) to alias all the variants (or any other color) to a single definition of your spot color. Use the Separations Preview Panel to verify that all areas  will be on the same plate.
But I wonder why you are going to so much trouble for a one-color job unless you need to show the client a color-simulated proof. Setting up using grayscale graphics is much less complicated, and you can output in any color you tell the printer to use.
Peter

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