Patches of silence in tracks

For some reason there are random seconds of silence in the music playback on my iTouch. The music plays fine on iTunes but when syncd with the iTouch these periods of silence appear. I know there are gaps between the music tracks but this is random silence during the track. I've tried replacing the sync cable and using other headphones, but without any improvement.
Has anyone else experienced this and found a solution?

+So you know as much about this problem as I do..?+
Yep, personally that's the case, however, the benefit of these forums is to access the whole communities knowledge of problems and fixes and the idea is to hopefully reach that one person who can help your problem. That doesn't seem to be the case here, though since people don't seem to know a solution for you.
+I've already tried all the usual dummie tests, like restoring, restarting etc.. It is a problem with the iOS4, its not that I'm thick and I'm imagining a problem that doesnt exist.+
I totally believe you are having these problems .. but it seems you have done the things I might have suggested to try and help.
+If you have a 3rd gen iPod Touch, running the iOS4 and are not experiencing any of these problems then I will be very surprised, because my laptop is brand new, with windows 7 and so is the iPod Touch, bought within the last 3 months...+
I cannot see the problem being widespread due to the few responses to this thread .. were it something happening to most people there would be a lot more posts I'd imagine. Therefore I would say that whatever the bug is, it is something more specific to your ipod or itunes set up (I have seen people complaining about the compatibility of win 7 with itunes .. could be it, might not be it).
Is it possible to try sync-ing from another PC/Mac (ie one with another OS), and then at least you could work out if your ipod is damaged? (and try another cable in case it is that that's the problem? .. I notice the OP tried that, but it's something to try for the second poster if he hasn't already)
Otherwise I would say your best bet is to contact apple itself (via the forums contact info, or a genius in a store) and see if they can find out what might be the prob

Similar Messages

Un silencing a track

How do you un silence a track that was accidentally silenced in the sample editor?

Hi
Actually, drummer guy, christian was drawing a valid comparison.
Calling out another Logic user *_who is helping you_* as an a** is soundly inappropriate here.
Especially so for a dummy test recording!
Having discovered this hitch to your future workflow you might have broken out the manual. It is clearly described within.
No one here called you out as an a** for not reading basic material in the manual. Instead, you got help.
Christian is a valuable asset to all of us Logic users seeking help here on this forum - as are all of the friendly, helpful, kind, and sometimes funny group here who take the time to help the rest of us.
Sorry for the lecture, I see that you are an infrequent poster here, but these are our peeps here - and they deserve to be treated with a modicum of respect.
Cheers

Newly created tracks (audio or aux) default to names/patches from old deleted tracks?

Hey all. I was an extremely heavy user of Logic 9 and still am of X, and I've worked out more problems than I care to remember in both programs, but this one has me totally stumped.
When I create new tracks, they're using patches from old tracks I've already deleted. There are not saved patches either-- Logic is just remembering the names, effects, and routing of tracks I deleted earlier in my work session and using them instead of clean tracks. Create a new auxillary track? It defaults to Ultrabeat inputs (UB 13-14, let's say) and various effects (Bitcrusher, Chorus, etc) that were used on long-since-deleted Drum Machine tracks. Create a set of new audio tracks? They use the names ("Luke Vox", "Nick Clean Vox") and effects of old, long-deleted audio tracks that I used to have.
This is a project file I got from a friend who is not necessarily as well versed in Logic X so it's entirely possible that something just got ticked or routed weirdly or who knows what. Any ideas?
Logic X 10.1.1
2 x 2.8GHz Quad-Core Intel Xeon
12GB 800Hz DDR2 RAM
Plenty of leftover storage on the drive.

Hi
Go to File:Project Settings:Audio
Do you by any chance have Automatic Management of Channel Strip Objects unchecked?
CCT

How to use new patch updates in track

Hi All,
I am a developer working in NWDI. We have everything in place and working fine upto now.
SAP has release a patch for the software component i am using in a track. Basis guys have updated the track and they confirmed the patch is updated successfully.
Now when ever i rebuild my DC, the changes are not effected as per the new patch. Please let me how I will be able to use new patch updates in my DC(In NWDS I can see the old source code only, I did all SYNC's and refresh but didnt worked, even NWDI is restarted)
How I can confirm that the patch is updated to track successfully, from a developer point of view.
I have access to CMS and CBS.
Regards,
Sateesh Chandra

Did you update your configuration in the studio?
--MLS

How do I remove a patch from a track?

So in Garageband, the latest version (10.0.2), say you have a track.
And to that track I add a patch from the Library window - lets's say the Electric Guitar and Bass -> Clean Guitar -> Amazing Tweed patch.
Now say that I no longer want this patch applied to this track - how do I remove it? I want it so when I open the Smart Controls window I see the default blue Compressor / EQ / Sends interface, not the one for the Amazing Tweed amp and effects.
I cannot figure out how to do this and it's driving me insane.

There is not dedicated reset command for a Track.
When you create a "Guitar" Audio Track, it will have the Amp Designer and Pedalboard plugin already loaded. When you create a "Mic" Audio Track, it seems to have that basic Patch settings loaded. That is as close of a default reset you can get and I think that is what you wanted.
Here is what you do:
Create a new "Mic" Audio Track
Open the Library Window and click "Save" in the lower right corner of that window. This lets you create your own custom Patch
A Dialog Window pops up, where you enter a name for your Patch , i.e. "Default Patch"
Now, select the Track you want to "reset"
In the Library Window a new Category "User Patches" has been created where the "Default Patch" has been saved to. Click on the "Default Patch"
This will load the Patch onto the selected Track
That's it
You can more information about Patches, User Patches and the Library in my new book: "GarageBand X - How it Works"
You can use the custom Patches not only for this one but in general to store your favorite SOunds you created on your Track. It also stores any AU plugins that you have used on a Track.
Hope that helps
Edgar Rothermich
http://DingDingMusic.com/Manuals/
'I may receive some form of compensation, financial or otherwise, from my recommendation or link.'

Is there a way to creat a hard break in a song, followed by a measure or so of silence, then bring the music back in within the garageband format?

Is there a way to creat a hard break in a song, followed by a measure or so of silence, then bring the music back in within the garageband format?

I am not quite sure what you want to achieve, but you can
select all tracks at once,
move the cursor to the measure where you want to cut your song
Press cmd-T to cut all tracks at the same position
select all regions in all tracks to the right of the cut and drag them one measure to the right
Alternately you might show the Master Track (Main menu; Track -> Show Master Track) and use the Master Volume automation curve to silence all tracks at once for exactly one measure.
Regards
Léonie

Mastering but losing my mind with a "gap" between 2 tracks which shouldn't be there. What is wrong?

I have an album which I've been working on for a while and it's now all finished with the exception of one small glitch...
Throughout the album I have a around 4 overlapping tracks, when burning the tracks to a disc, 3 out of 4 of the tracks crossover into the next track perfectly. 1 of them doesn't...
My 1st method: Paste the 2nd Track over the end of the 1st Track, then cut the 2nd overlapped track and paste back over the original 2nd track, whilst saving over the now shortened 1st track... ( This, whilst not a great method, has never failed me in the past and worked on the the other overlapping tracks).
So I realised this wasn't a great method so then tried method 2.
My 2nd Method: Drop all the mixdowns into one waveform (in Edit view), and create Markers using the Marker List and F8, so that each track starts bang on the next .001 of a second.
Again, for 3 out of the 4 this was fine, but for the other... I can still her the tiniest click!
It's a click the listener will not notice, but it's a click that is killing me because the label putting out the CD is on me to get the final mix to them, but I won't submit it until this click has gone.
Things I should note:
1. When played in Winamp, there are no clicks. This is ONLY when burnt to a disc.
2. I've used Adobe Audition 3.0 to burn the audio disc with no silence between tracks.
3. I've also used Nero to burn the audio disc with no silence between tracks.
4. I've used multiple computers/dvd burners to test this.
5. I've used multiple brands of CD-rs.
6. I'm very sure that there is not an actually cilck on the waveform.
7. This is the 1st track leading into the 2nd track (I'm aware there is a 2 second gap before the 1st Track)
8. I've played the burnt CD-r on my PC, my DVD player, my Computer at work, my car stereo.
Please help me with this, it's driving me nuts as I've worked very hard and perfected the thing, and need to submit it very soon.
Is there any software you would reccomed to split tracks which I should try?
Thank you!

CD tracks should not be starting on the nearest .001 of a second but 1/75 of a second. The CD standard is 75 frames per second. If tracks do not start on the nearest 1/75 of a second the audio will be filled out to the nearest one causing clicks at the junctions. Make sure that the Display Time Format is set to Compact Disc 75fps and that Snap to Frames is turned on.

Mainstage volume patches

Hello,
Currently working with mainstage and not very expert, my problem consists in finding the way to have an indepent volume on each patch, so that I
can quickly adjust the volume of the entire patch without moving
all single channel strip's faders in the patch,and without altering the output level of the other patches.
The output 1-2 track in the patch is a "global" track, it changes for all
the patches.
Anyone can help me??
Thanks and happynewyear
Leandro

Hello, thanks for your answers!.
In fact , I've patches with up to 8 channel strips, and I need to change the patches very quickly in the same song. So my goal is to pre-adjust easily the level of all my patches
in order that when I change a patch (while playing), ther will be the same volume between a patch and the other.Of course I can "correct" it after the patch-change with a volume pedal, but, the first notes will be maybe too loud or not enough.
As sugested , I tried to send all channel strips into a bus, in each patch, so that I can "adjust" easily the level of the whole patch's multi-channel strip ensemble.
Leandro

Muting all tracks accept one

Hi everybody. I'm working on a project with 10 audio tracks. I'd like to mute 9 of them. Is there a way to do this in one fell swoop? Or do I have to mute them all one by one?

Sure, you use the mute or solo buttons.
Maybe this will help?
Using the Mute Button to Silence Audio Tracks
http://documentation.apple.com/en/finalcutpro/usermanual/index.html#chapter=56%2 6section=2
Using the Solo Button to Listen to Individual Tracks
http://documentation.apple.com/en/finalcutpro/usermanual/index.html#chapter=56%2 6section=3
Cheers
Ron

One Instrument change affecting all tracks

I'm having a problem changing the Instrument patch in just one track: When I change the patch (on EXSP24) on a single Audio Instrument track, it automatically applies the same patch change to ALL Audio Instrument tracks. For example:
I've got drums on track 1, Instrument 1, Channel 1.
I create a new Instrument track w/new channel & a different patch. Logic then automatically assignes this new patch to the previous drum track also, as well as any other existing Instrument tracks, & any new tracks I try to create! Any change I make in one track comes up the same on every track.
What gives? Does this have anything to do with choosing Mono, Stereo or Multi Channel in the I/O slot? Does the Cycle function have anything to do with it?
This is aggravating & my ProCare tutor can't figure it out either. I'm pretty new to Logic, but then again I get the sense that so is my ProCare tutor...

I can't believe your basic question has been ignored for this long. This is something that I had hoped somebody else would give you a better answer for because it has driven me crazy as well, but I do have a work around for you that I stumbled across. The manual as usual has been unhelpful, the proper information is probably filed away in a tiny corner somewhere. Here's how I do it. Use the Create command from the the Track sub-menu of the arrange window. Logic will create a track under and with the same assignment as whatever track was highlighted prior to that command. Any changes to the assignment of either of these tracks will affect the other, which could be very useful, but shouldn't be the default in my opinion. Now click hold in the middle of the track name or icon. Follow the menu hierarchy as such: Audio>Audio Instrument>Inst X, X being a different number than the instrument number of your initial highlighted track. You could also select Audio Track, Bus, Aux or Output this way. You can now go to the channel strip and select whatever software instrument assignments you like for either track and they will work independently of each other. This is way too many commands for something as elementary as setting up a new track. I've assumed that there is a more elegant way to do this but I can't find it in the manual. If any of my fellow geniuses know of a more streamlined method, please add it to this thread.

QuickTime GM Synth Banks and Drum patches

Hello,
I am using QuickTime GM Synth Instruments as my Playback sound source for Time Warp Technologies' Home Concert Extreme. (At this point I have no other choice than QuickTime GM Synth)
This Software (Home Concert Extreme) dose not allow me to edit the underlying MIDI file. (It just effects the way it PLAYS the file.
Question 1: Does the QuickTime GM Synth have Multiple Higher Banks, or just one?
Question 2: Does the Quick Time GM Synth have multiple Drum patches for MIDI file tracks on channel Channel 10?
Question 3: If there are multiple drum patches, where on the Net can I get this list and the note names with-in each patch?
Please help if you can. Thank you so much.
Curtis

No longer care

Grub Legacy with silent patches added (Binary Format x86_64 only)

The other day (before I actually took the time to learn how to use grub2 properly) I downloaded the PKGBUILD for grub legacy and edited it to patch for silence. I haven't found a single place where this is hosted so what the hell I'll post it here!
Download Link: http://ubuntuone.com/0kxIdONAFFAMc2Zbmwbi1l

FYI: I tried yet another version of solaris as i found out that theres a bug in the 64-bit kernel on update 4 for alot of new processors. Solaris 10 x86 update 7 did the trick! :). Installed right away on a standard 'Solaris 10 (64 bit)' VM. I still find it strange that the most recent version of solaris 10 fails to even start the installation.

End of project markers

Hi
i read some of the post here regarding this and I believe i need to hit option-z then find the purple triangle. Problem is, i only see blue triangles. Is this the same?
I have a 8sec track which i cropped till it's 3sec. When I export it out, the removed part is gone (good) but it is now replaced by silence; the track remains at 8sec.

Thanks Christoph
I see the ribbon now, but when i "export song to disk" the track is still 8 secs long. Anyway, what i did was i "send song to itunes", then the track becomes 3 secs, like what i adjusted the yellow ribbon to.
Thanks again. You've been a great help.

I can't stop my song from looping back to the beginning

I have created some backing tracks for a swing band that has lost its rhythm section and have to date played them back (via a big speaker) using Logic pro X on a macbook air.
I want to use my ipad instead as it's smaller and handier when you have to juggle with ipad, an instrument, sheet music and mutes etc..
I've succeeded in copying tracks exported from Logic into GarageBand iOS version using the "Export All Tracks as Audio Files" option. I imported them as individual tracks into GB and they play back just fine. However...
I can't stop them from looping back and starting again, which in a rehearsal environment I DO NOT need! I assume this is because I had to import them using the loop-loading tool - set to "audio" - in GB iOS. Can anyone help me get round this please. Or is there an iOS DAW that would do this job instead of GB?
Many thanks in advance.

Looks like playback for GB on iOS always loops the current section or the whole song. Export the songs to iTunes and you can play them as you want, probably putting each in its own playlist so it is easier to play once then stop, or by adding long silences between tracks that you can then skip when you are ready.
tt2

Logic Pro X v10.0.7 is out

http://support.apple.com/kb/TS4498
this is a looooong list

...and the full list of changes and fixes .......
Logic Pro X 10.0.7 update
New Features and Enhancements
It is now possible to insert the current values of volume, pan, and all active sends of selected tracks as automation points at the playhead position. The new functions are accessible as a menu option or key command.
It is now possible to paste track automation data at the Playhead or Marquee selection location.
A new MIDI Project Setting allows MIDI CC 7 (volume) and MIDI CC 10 (pan) messages to control the instrument plug-in instead of the channel strip.
The output of Auxiliary channel strips assigned to Tracks will now generate audio files when using any of the following Export menu options: "Region as Audio File," "Track as Audio File," or "All Tracks as Audio Files."
Logic now supports up to 24 processing threads on computers with 12 cores.
All menu items related to Snap, Alignment Guides, and "Snap to Grid" settings have been consolidated into the Snap menu in the Main window.
It is now possible to activate/deactivate multiple plug-ins on a channel strip by vertically click-dragging the mouse over their power buttons.
An auto-saved version of a project now contains the Undo History of the project from which it was derived.
It is now possible to install the Logic content to an alternate system drive even if the Logic application is not installed there.
Activating Auto Punch with a key command or Marquee selection now automatically adds the Autopunch button to the Control Bar.
It is now possible to use modifiers with the Velocity Slider in the Piano Roll and Score Inspectors to change its behavior in the same way as the Velocity tool. Holding Option allows velocities for notes to continue to be changed even when other notes have reached there minimum or maximum MIDI velocity value. Option-Shift sets all notes to the same velocity value.
The Scissors tool now works on arrangement markers.
It is now possible to drag a Summing Stack into a Folder Stack.
It is now possible to use the Beat Map feature with a track that has Flex enabled.
Flex Transient Analysis can now be aborted by pressing Command-period.
When a Transient Marker is inserted near the position of a previously deleted transient in the Audio File window, the marker will now only snap to the position of the deleted marker if the Option key is pressed while inserting it.
It is now possible to create more than 32 Folder Track Stacks in a project.
It is now possible to adjust sliders in the Mixer when controlling Logic via screen sharing, Apple Remote Desktop, or other VNC clients.
It is now possible to access the Recent Projects menu while the Open Project dialog is active.
It is now possible to remove the Master Output track from the Tracks area.
The master track of a Track Stack can now be designated as Groove Master.
Audio waveforms are now visible under automation on the master track of a Track Stack.
The Track Import window now shows plug-in preset names.
When Logic imports Final Cut Pro X XML, it now organizes audio tracks according to their assigned roles in Final Cut Pro.
Audio is now exported as 24-bit in projects exported to Final Cut Pro X XML.
When importing XML files that contain multiple projects from Final Cut Pro X 10.1 or later, Logic Pro X now offers a dialog to pick a specific project to import.
The 1/2 Note head symbol is now available in the the Score Part Box.
The Catch Playhead button is now available in the Score when the Advanced Tools preference is disabled.
It is now possible to load ".caf" format files into Space Designer with the Load IR file selector.
There is now a new key command to trim the start of a region to the end of the previous region in the track.
There is now a dedicated Piano Roll section in the Key Commands window. This includes commands for "View Mode: One Track," "View Mode: Selected Regions," and Toggle View Mode.
There is now a key command for “Detect Tempo of Selected Region.”
There is now a key command for “Adjust Tempo using Beat Mapping Track.”
The timeline in Logic Remote now changes color to indicate Logic is in Sync mode.
It is now possible to use the Option key to insert a mono plug-in between two existing plug-ins on a stereo channel strip or vice-versa.
The Velocity Processor MIDI plug-in now displays note-on as orange dots and note-off events as blue dots in the compression curve window.
Command-click on a vector point can now be used to modify the times of all subsequent points in the ES2 Vector Envelope.
The Distortion II plug-in now offers a Distortion Output Level and Mix control.
Stability
Logic no longer sometimes quits unexpectedly when:
Using the Option key to toggle all the disclosure triangles in the Project Audio window.
Dragging audio from the Project Audio window to the Tracks area.
Defining custom bank messages for a Multi Instrument in the Environment.
You insert a blank recordable DVD while Logic is running.
Changing the audio buffer size while the Audio Editor is open in Flex Pitch mode.
Selecting a font in the Number & Names panel of the Score preferences.
Deleting a group in the Project Audio window.
Undoing a flex edit.
Using the Glue tool on flex pitched notes after having switched from the Audio File Editor to the Audio Track Editor.
Performing undo and then redo in quick succession on an EQ in the Smart Controls.
Performing Undo after deleting a comp or take.
Closing a song while importing a MIDI file.
Enabling phase-locked editing on a group.
Using the Pencil tool in the Audio File editor.
Importing a long MP4 (AAC) file.
Changing a channel strip input from stereo to mono.
Disabling Core Audio.
Playing a Drummer track while downloading and installing new content.
Performing undo after certain operations.
Pasting channel strip settings in the Mixer.
Dragging a MIDI region over the Score editor.
Hot-plugging an Apogee Duet to a computer running OS X Mavericks.
Importing a patch that includes a Track Stack.
Adding AAC files containing Audio Transport Stream Data (file type “.adts”).
Performance
The Channel EQ no longer causes unexpected CPU spikes in live track mode on MacBook Pro with Retina Display.
Logic no longer becomes less responsive after making several adjustments to the size and/or position of a floating Transport window.
There is no longer a delay opening the list when clicking in a Send or Output slot on a channel strip.
Logic no longer becomes less responsive when working for long periods with Flex Pitch.
The Drummer track now reliably maintains proper timing if it is selected with Low Latency mode enabled.
Control points in the Transposition track now move more fluidly when edited.
Scrolling a channel strip fader in the Inspector with a mouse wheel now adjusts its value at the correct resolution.
Comping takes is now more responsive when Flex Time is enabled.
Playing a Touch Instrument in Logic Remote no longer sometimes leads to hung notes in Logic Pro X.
Improves responsiveness when dragging tempo events in the Global tempo track.
Songs with a very large number of regions now play back as expected.
Logic’s performance has improved when previewing notes in the Score, Piano Roll, and Event List for regions on a track other than the one selected.
Multi output Software Instruments with complex routings no longer sometimes cause Logic to become briefly unresponsive when starting playback.
Logic now reliably creates thumbnails to the end of the video track with long movie files.
Selecting Channel Strips in very large projects is now faster.
Improves compatibility with ProRes movie files on OS X Mountain Lion v10.8.5.
When scrolling over an open Take folder at high zoom levels on OS X Mountain Lion v10.8.5, there are no longer unexpected spikes in CPU usage.
Automation
Clicking on an event in the Score no longer sometimes selects the wrong events.
It is now possible to paste automation at the playhead or marquee selection area rather than only at its original position.
All MIDI Draw data created by moving track based automation to a Region now appears on the Region and in Piano Roll as expected.
Volume automation moved from a track to a region is now displayed in the Tracks area MIDI Draw view as expected.
It is now possible to use MIDI Draw for an event type that does not yet exist in the region.
When track based automation is moved to a region, the region now immediately switches on MIDI Draw to show the automation in the Track area.
When region automation is moved to a track, the automation now starts at the beginning of the track.
MIDI Draw now reliably creates Surround Diversity and Surround Angle fader events in regions.
It is now possible to make a Marquee selection over region loops when automation is visible.
MIDI Draw data is no longer shown on additional automation lanes when the main automation lane is set to “Off.”
MIDI Draw no longer incorrectly displays a ramp between isolated Pitch Bend events.
When switching between MIDI takes, the MIDI Draw area now properly updates to show the currently selected take.
Option-clicking a MIDI Draw point again selects all following MIDI Draw points for the region.
MIDI Draw points inserted with the Pencil are now reliably placed at the clicked position.
Audio no longer glitches when editing automation while playing back.
Score
It is now possible to deselect a voice in the Staff Style window by Command-clicking it.
The floating Part Box window in the Score no longer shows overlapping elements when first opened.
Clefs in the Staff Style window now scale properly when viewed on a Retina display.
Rests in Mapped Drum styles are now correctly positioned with their associated drum groups on the staff.
When printing a score part with Advanced Tools disabled, Logic no longer prints the track name twice.
Changing the split point of one voice in a multi-stave Staff Style now properly affects the other voices assigned to the same channel.
Page view of scores in songs created in Logic 9 now retain their proper paper size when opened in Logic Pro X.
Scores printed as PDF files now render properly when viewed in Adobe Reader.
The cursor now reliably shows the correct tools when editing the score in linear display mode.
It is no longer possible to give a new Score Part Box a name that is already in use by another Part Box.
The font names for Jazz Cord and Swing Cord fonts now display correctly in the Root Font and Chord Extension Font display in the Chords & Grids panel of the Score settings.
The staff display in the Staff Style editor now shows the proper key signature for transposed styles.
It is now possible to change settings for multiple selected staves in the Staff Style edit window at the same time.
Pasting a compound time signature in the Signature track no longer corrupts the time signature display in the Score.
Filter buttons on floating part boxes in the Score now remain visible when the part box is resized.
Tap to click on a trackpad now works with the Pencil tool in the Score.
It is again possible to insert a bar line at the end of a region in the Score.
The pencil tool again works in the Score when assigned to the right mouse button.
In the Score, selected notes in loops now show the selection color.
The Part box is no longer empty when first opened in a stand-alone Score window after recording.
The print border no longer sometimes changes unexpectedly when printing to PDF from the Score.
When Select All is used within a Score Set, the selection is now properly limited to regions within the Score Set.
Tooltips no longer sometimes obscure the guidelines when inserting elements into the Score.
The bar positions of SMPTE locked notes now update properly in the Score after the tempo is changed.
Pressing the Control key now allows for finer granularity when editing Duration Bars in the Score.
Undo now works after pasting Staff Styles.
Undo now works after changing the Low or High note value in a Staff Style.
In page view, the Score now correctly updates to reflect a different paper size selected in the Page Setup window.
Track names are now reliably shown in Page View when the track contains overlapping regions.
Drag handles now remain visible at all zoom settings when dragging parts into the Score in linear view mode.
Adding special bar lines next to added clef or signature changes in linear view mode no longer causes the bar lines and clef or signatures to overlap.
The mouse cursor now reliably shows the currently active tool in the Score.
The Score now displays as expected after scrolling vertically at high zoom settings.
Copy/paste of notes across multiple staves in the Score now works properly.
Custom colors defined in the Score Layout window are now recalled properly when Logic is relaunched.
The text cursor is now easier to see in various fields in the Score window.
The Display Level button in the Score now follows the entire Score hierarchy when an Instrument Set is in use.
The cursor now displays the Length Change tool when held over the end of a Duration Bar in the Score.
It is again possible to assign no clef or a drum clef to non-mapped score styles.
Plug-Ins
Importing plug-ins to a track no longer unexpectedly changes the input source on the track.
The pitch of notes held when using Sculpture or ES2 are no longer sometimes shifted when using non-Equal Tempered tunings.
Moving the Delay slider in the Note Repeater MIDI plug-in while notes are repeating no longer results in hung notes.
The cycle length in the Arpeggiator plug-in now reliably updates when set to Grid mode.
Recall Default now works with the Delay Designer plug-in.
Recall Default now works properly with Audio Unit plug-ins.
It is now possible to activate bypass on plug-ins that are not currently available.
When the I/O configuration of a plug-in is changed, its editor no longer opens.
The timing of multi-output software instruments is now maintained when latency inducing plug-ins like the Ad-Limiter are used on the main output.
Audio files created by the "Export All Tracks as Audio Files" command now maintain proper sync in projects where high latency plug-ins are used in Summing Stacks.
The Expander plug-in no longer sometimes introduces audio crackles with certain source signals.
With Beat Sync disabled, the Course Rate control in the Auto Filter plug-in again behaves as expected.
Audio now plays reliably from tracks in which there are two Tube Burner pedals inserted in the Pedalboard plug-in.
VoiceOver now works reliably to activate Smart Controls for the Vintage Clav and Vintage B3 Organ plug-ins.
Improves the behavior of Smart Controls when used with Voiceover.
The stand-alone Smart Controls window now properly remembers its last state when reopened.
When editing vector points in ES2 in loop mode, all envelope values are now properly shown as percentages when the envelope is time-synced.
Shift-clicking can again be used to insert a vector point in the ES2 Vector Envelope.
In the ES2 Vector Envelope, the Delete Selected Point contextual menu item again works as expected.
EXS instruments created in EXS24 MK I no longer exhibit unexpected random velocities when played.
Logic no longer changes a user-assigned track color when swapping Software Instruments.
Space Designer’s Filter and Density controls now remain active when the plug-in window is opened more than one time in a session.
Projects with multiple Ultrabeat instances now play back with reliable timing when the Process Buffer Range is set to Small in the Audio > Devices preferences.
A plug-in inserted on the 16th slot of an audio channel strip or the 15th slot of a Software Instrument channel strip now remains visible.
The percussion controls in the Vintage B3 now respond as expected to knob movements from the Native Instruments B4d remote control.
The mapping of value to position for the Organ sliders in the Smart Controls window is now consistent with the sliders in the Vintage B3 Organ.
In the Mixer, it is now possible to drag a plug-in from one channel strip to another when there is an External MIDI channel strip between the source and target.
One shot samples triggered in EXS24 no longer play back with clicks when Rewire Live Mode for Rewire is disabled.
All plug-in windows now reliably open after changing the order of plug-ins in a channel strip.
The Scripter plug-in now reliably triggers notes when playing back outside of an active cycle zone.
The meters in stereo instances of the Adaptive Limiter plug-in now show independent levels for the left and right channels.
Tuned taps in the Delay Designer plug-in now reliably play in sync.
Flex
Flexed regions no longer sometimes show waveforms in the wrong positions.
Flex Markers no longer unexpectedly change positions when moving them in songs that contain tempo curves.
Logic no longer sometimes incorrectly shows that an audio region is flexed in songs that contain tempo changes.
If Flex is enabled, Logic now properly includes manually added transients when an audio region is converted to a sampler track.
Flex Pitch controls are now available in the Tracks area and Audio Editor immediately after Flex Pitch is enabled for a track and analysis is complete.
Setting a Flex Mode now applies to all selected tracks.
It is again possible to cancel flex analysis before it completes.
The Transposition Track now works with flex-pitched regions.
Flex mode now gets enabled for all tracks in a group even if Group Clutch enabled.
The Audio Track editor now reliably shows all notes when scrolling with Flex Pitch enabled.
Logic no longer sometimes hangs when adjusting notes in Flex Pitch.
The Flex Pitch grid is now displayed for all takes in the Track Editor even when a Software Instrument track is directly above the selected Audio track.
Logic now offers the option “Do not show again” in the alert dialog that reads "This region contains inactive flex markers, which will be deleted if you perform the edit."
If a Flex mode has already been set, clicking the Flex drop-down menu will correctly highlight the currently selected Flex mode.
When dragging a region from one track to another, the region "Flex and Follow Tempo & Pitch" checkbox settings are now maintained as expected.
Transient detection is improved with quieter source material.
When Flex is bypassed on a Take folder, the Follow Tempo checkbox is also now disabled.
General
Resolves several issues with Snap introduced in Logic Pro X v10.0.6.
"Snap to Relative Value" now reliably works at all zoom levels with Smart Snap enabled.
Adjustments to the left border of a region now use relative snap when that option is enabled.
When Alignment guides is enabled, Snap to Absolute value now works with Cycle.
Alignment Guides now work as expected when Snap is set to Off.
The track icon picker now activates with the first right-click or Control-click.
Toggling the Tracks Inspector no longer sometimes activates Alignment Guides.
Logic no longer incorrectly shows an alert that the content must be installed the first time it is launched on computers purchased with Logic pre-installed.
The Capture as Recording key command no longer creates odd length regions when used in songs with time signatures other than 4/4.
The Hide Step Input Keyboard key command again works as expected.
The Nudge Region to Nearest Beat option in the Adjust Tempo using Beat Detection dialog now works as expected.
The Snip at Playhead Position key command no longer sometimes causes notes in the new righthand region to shift to the beginning of the region.
Logic Pro X no longer displays the error “Could not open source file” when opening certain MP3 files.
Logic now properly includes time signature, key signature, and tempo events when moving Arrangement markers.
Undoing the repositioning of an Arrangement Marker now correctly moves affected automation back to its original position.
Command-dragging one arrangement marker over another now replaces the previous marker as expected.
Colors assigned to arrangement markers now take effect as soon as the color is clicked in the Color Box.
It is now possible to use the Marquee stripe to delete a section within the area encompassed by an Arrangement Marker.
Using the "Split at Playhead" command on the last arrangement Marker in a song now properly sizes the arrangement marker to the right of the Playhead.
When an arrangement marker is split, the new marker to the right now maintains the same color and name as the original.
Arrangement markers can no longer be inadvertently moved by mouse clicks in an empty area of the Arrangement track.
Copying Arrangement markers no longer creates extra tempo events.
The Beat Mapping track now continues to display properly when it is resized after other Global tracks have been resized.
The Beat Mapping Track no longer disappears if Global Tracks are shown while it is already visible.
Deleting a connection in the Beat Mapping track now correctly also deletes its associated tempo event.
Tempo events created in the Global Tempo track now reliably display in the Tempo list.
Setting one track of a phase-locked edit group as Groove Master or Groove Follower now reliably shows all members of the group as being enabled.
Time signature changes are now reliably displayed in the timeline.
Logic no longer re-downloads basic content that has already been downloaded by MainStage.
Arrange Folders now reliably display as expected in the Mixer.
Double-clicking on the icon for a folder channel strip in the Mixer now opens the folder.
Commas may now be used as decimal separators when typing values into controls on the Mixer.
It is now possible to drag regions vertically without an unexpected horizontal shift when "Snap to Grid" is enabled in the Tracks area.
Recording a new take over multiple existing regions again works as expected.
It is now possible to create an empty MIDI region on a track hosting an Auxiliary channel strip.
Shift-click to delete a take selection again works reliably.
Region Gain now works as expected when applied to comp segments in a Take folder.
When a take selection is disabled and then re-enabled, the change is now properly reflected in all tracks that are part of the same group.
Logic no longer unexpectedly re-extends a shortened Take folder when the folder is dragged vertically to a different track.
When recording in Cycle mode, Logic no longer creates an automatic comp when a take encompasses only part of the Cycle range.
When regions are packed into a Take folder, regions from the same track are now placed on the same sub-track in the Take folder.
Fixes an issue in which it was sometimes no longer possible to change the length of a Take folder after performing several other Take folder length edits.
Take regions no longer unexpectedly shift horizontally when dragged vertically from one sub-track to another when the "Limit Dragging to One Direction In: Tracks" preference is enabled.
Copied Take folders are no longer missing their contents in certain rare situations.
Regions on audio tracks inside a folder now are reliably placed on their proper tracks when the folder is unpacked.
The key command “Select Previous Section for Realtime Comping” now works correctly when used while recording multiple takes in Cycle mode.
When Bounce-in Place is used with a channel strip that contains a plug-in that performs a mono to stereo conversion, Logic now creates a mono file if the option to bypass plug-ins is selected.
Regions created with "Bounce in Place" are no longer sometimes given random names.
Addresses and rare issue that could cause some MIDI notes to play back at the wrong pitch.
In Link mode, the Piano Roll now reliably shows the contents of the selected region.
The Event Float window no longer loses focus after a selected note has been edited in the Piano Roll.
The "Split Events by Playhead" command now works reliably with multiple notes in the Piano Roll.
Editing notes in the Piano Roll with multiple regions selected no longer sometimes results in notes being inadvertently moved from one region to another.
Closing the local inspector in the Piano Roll editor no longer leaves a blank area on the right side of the editor.
Opening MIDI Draw in the Piano Roll no longer offsets the keyboard into the editing area.
When adding notes in the Piano Roll with the Pencil, newly created notes again have the same Velocity as the last edited note.
It is now possible to lasso notes in the Piano Roll editor using a Wacom tablet when Logic’s Right Mouse Button

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