Pen tool without snap

I have little bit provlem with using a pen tool in Photoshop. I am conviced that solution would by somewhere in options. When I use a pen tool it snap my path to whole pixels. Is there any settings where I could set that my paths which I make with pen tool won t be snapped to whole pixels. Just want to anywhere where I click to make new path/ anchor point will be exactly at this place without snaping?
Thank you very much for advice and maybe apologize for my english. If it is sounds not fully undrestandable tell me that :-)

go to view and make sure snap is off. then make sure when you are using the pen tool that align edges is unchecked.
-janelle

Similar Messages

Pen tool wont snap to existing paths - PLEASE HELP ME OUT!

Before, I could draw on a new layer with the pen tool and when i hovered over paths on existing other layers, they would appear red, or blue etc. NOW... I hover over those paths with my pen tool and they arent flashing up, meaning I can't use them as a reference! I am so upset, please someone give me a hand, please!

Larry, I love you. You're a hero, a life saver! I can't thank you enough!

Pen tool: handles snapping to grid not functioning

Since it was not answered by the Adobe Illustrator CC staff, I'll ask again:
I use the handles snapping to grid functionality extensively when creating icons and other detail-intensive shapes. How do I re-enable this feature, or is it necessary to revert to an older, more functional version of Illustrator?
This is very frustrating, such a simple feature and, for no logical reason, it has been removed from Illustrator. Makes me regret updating and paying for Illustrator CC.

there was a discussion on this when the feature was first removed. did you see it? I think a support staff member posted in it, but nothing positive...
edit: yeah, it was just people complaining and the staff guy stating that this was indeed the case.
Re: Have anchor points snap to grid changed?

Inaccurate pen tool / pen tool snaps to undefined point

HELP Adobe! Why is it so that I can't make an accurate point placement when I have turned off all "snap to"-options?! This is driving me crazy! I need to rely on accuracy when working with points in pen tool. Please fix this!

Limilitious,
In cases like this (without seing the video), the first guess is Align to Pixel Grid
You may select everything and then untick Align to Pixel Grid in the Transform pallete, and also untick Align New Objects to Pixel Grid in the flyout options.
You may avoid document types with that as default (RGB for web and the like) or change the default for such documents.

Photoshop CS3, using pen tool to make selection or path without any color

OK, here is my problem. I'm using CS3 photoshop right now. Last time I was using it regularly was in 2001, so it was version 5 or 6. At that time you could use the pen tool to make a selection or a path without ANY color. I'm trying to cut out something that needs precision (therefore the pen tool) but I need to be able to see what I'm doing. Therefore, would prefer no color option. This used to be easy, with paths, it was the default.
Can't figure it out now, HELP is no help. And, the User Guide is no longer available on Adobe.com. Looked for the one for the CS4 suite, not much much luck there either. I can call them tomorrow about that. *Right now, all I'm trying to do is put together a little pasted together thing for my niece. Two stuffed animals with antlers and santa hats on a Xmas background. Everything is done but cutting out around the stuffed animals. They need their little tufts of stuffing, so I need a tool that can create a smooth path without blocking what I'm doing with color.* Any help will me appreciated. I've tried for days to figure this out on my own, since last time I posted, I figured it out before someone responded. And, the response was quick, so I didn't want to waste anyone's time.
The pdf user guide for this is unavailable, I just ordered a book to help me with the stuff I can't figure out by myself. Thanks for everyone's quick help. –Suze

{quote:title=Suze159 wrote:}
I'm trying to cut out something that needs precision (therefore the pen tool) but I need to be able to see what I'm doing. *Right now, all I'm trying to do is put together a little pasted together thing for my niece. Two stuffed animals with antlers and santa hats on a Xmas background. Everything is done but cutting out around the stuffed animals. They need their little tufts of stuffing, so I need a tool that can create a smooth path without blocking what I'm doing with color.*{quote}
Suze,
I too use CS3 and I may be confused about your post. If so, I apologize for wasting any reader's time.
When I need a precision tool for rotoscoping a subject, I usually choose the Polygonal Lasso tool. Of all the Lasso tools, using the polygonal is the most labor intensive, but gives you the highest degree of control. With a little practice you can get quite good at it. If necessary, blow up the image to help you see what you are doing.
-- Duplicate the background layer
-- Rotoscope the subject
-- Click Refine Edge and adjust Radius, Contrast, Contract/Expand, Smooth and Feather to taste
-- Choose New>Layer via Copy or Cut
-- Hide background layer(s) and Save As or Move this layer onto your original graphic.
There may be other ways of doing it but this is what works for me. I hope that helps.
Eddie

Pen tool - turn off SNAP-TO points

Hello -- I'm running Illustrator CS3 on a Mac Powerbook. Somehow I've got some sort of "snap-to" feature turned on for the PEN TOOL, and I can't figure out where to tun it OFF.
It's the constraint aspect that is unwanted (the symptoms are: the cursor constantly displays "tool tip" info about all sorts of existing nearby anchor points, various constraint angles, etc -- which is OK as info, but it also keeps snapping to these points in the image when I create a new anchor point, rather than letting me just click wherever I want).
I want to reset to the DEFAULT behavior for creating arbitrary anchor points. This forced "snap-to" business is driving me nuts -- and I can't find where to turn this feature OFF. Someone point me in the right direction please.
Thanks -- Robin

Thanks -- good info from both Kurt and Wade -- I appreciate the help. I suspected that there was some menu item for this (probably "hidden in plain sight"), but I just couldn't find it.
Adobe HELP didn't seem to have this topic for the keyword "pen tool", which also surprised me.
I bet the SMART GUIDES are very helpful under certain circumstances -- but they were creating huge problems for what I was doing.
Thanks again -- Robin

Make the Pen Tool snap

Hello!
I've always created my paths in Illustrator, and then imported them to Photoshop, but
I wanted to give paths a goo in Photoshop but the first hick-up was; how do I created paths with the pen tool
and make it snap to the pixel grid?
I've tried both with the regular grid, and with the zoom-to pixel grid, but the Pen Tool won't snap to anything!
Am I missing something, feels like such a vital feature...?
Cheers,
Petter

Hello,
Thanks for the answers! I toke a couple of new approaches, but it wasn't exactly what I was looking for...
I've used Guides before, but then I really need to know what I'm drawing before I draw it
However, I managed to find a really good solution for me:
What I did was use FireWorks (which has a great workflow for paths, snapping to everything "out of the box")
and then save it as a PSD. When I then open it in Photoshop, I can use them as shapes/compund shapes
and use the Layer Style to put my colours on them!
Cheers,
Petter

Help with using the pen tool

I have a few different problems with the pen tool.
1. When using the pen tool I keep finding that the shape I'm doing is slightly overlapping where I've already gone with the pen tool.
If I try and go over that area again the path I've just drawn then jumps and ruins the shape I was creating.
How can I stop this from happening?
2. Also is there a limit to the amount of paths you can create and add text to? I created two paths and typed on them fine but when I added a third path it refused to type. The cursor didn't change to show I could type and if I did click on the path line and try to type jumped to my other path and typed there. All paths were on different layers and none were overlapping, but it is 3 circles inside each other that get smaller if this makes a difference.
How can I type on the third path?
3. When I have done a path and clicked stroke it is only a thin line. How can I make this line thicker?
Thanks.

Ok, the first example would be something like this. Pretending the lines go elsewhere, say I've drawn a path with the pen tool, gone round the bottom box and that then goes round the two lines going down. So if I go down the one on the left side it hits the previous path I did, but to go up the line on the right side I'd need to go across there. But if I make a point where the two lines meet to do this it then throws the line off elsewhere.
I did have snap vector tools on but it does that without it on.
The next one I was creating a car speedometer so it has lines on the outside, dots inside of that and then, where I've done the blue circle, would be the third path where I then write the numbers in. But I can never write on that third path.
And finally, the pen tool and I think it dd have Shape Dynamics set. I've changed a couple of things and it looks a bit better now so I think that should be ok. Thanks
I know I haven't shown the panels but I haven't got any for the first as it won't go right so I deleted what I was doing. And each thing I've done is on a different layer for the speedometer, all just paths created with the circle tool with the text on.

Any way to temporarily ignore smart guides while using the pen tool?

I'm having a hate and love relationship with Smart Guides. When I want them they're bad; when I don't they're good.
While trying to do some things with the pen tool, I am frequently faced with the smart guides snapping my tool around without my wanting it snapped. I'm not really that good with the pen tool yet, so it's making an uphill climb even harder when they interfere.
Now I know that I can disable smart guides by doing Ctrl-U, but this has the side effect of releasing my pen from the current curve I'm working on. When I click the end of that curve to start where I left off it changes the anchor to a corner instead of curve and messes up what I was going on. This wouldn't be such a problem except that I sometimes want the guides while I'm still on the same curve so I don't want to fully disable them as I'm working and then have to re-enable to fix a spot, know what I mean?
So, is there a key I can hold down to temporarily turn disable smart guides or ignore them in some way? I've hit quite a few keys trying this out so I'm guessing no. This probably indicates I just need to improve my skill to learn how to work with this best.

At least up to Illustrator 13, there is a trick or rather a lousy hack that involves the Snap to Grid command and its talent to temporarily disable any Smart Guides functionality. The following has to be prepared in case you're going to execute the hack as an action:
1. In the Actions Palette, create a new Action set. Call it 'Disable Smart Guides'.
2. Within the Action set, create a new action. Call it 'Disable Smart Guides', assign an F-key to the action, let's say F3, and hit Enter.
3. In the Actions Palette menu, select the Insert Menu Item command and go to View > Snap to Grid
4. Stop recording the action
5. Go to Edit > Preferences > Guides & Grid
6. In the Gridline Every text box, enter 0,01 mm. It's the minimum value you can set here.
7. In the Subdivisions text box, enter 1000, the max. value accepted here.
Now, take any document, turn on Smart Guides, make sure Snap to Grid is turned off, and start drawing a path. Hit F3 and continue drawing the path. Hit F3 again as soon as you need your Smart Guides again.
As you can see, after hitting F3 to enable Snap to Grid, the path will not be interrupted when placing the next point. And as you've got a kind of microscopic Grid settings, Snap to Grid has almost no influence on where the points are placed. In fact, it still snaps, but due to the absurd Grid settings it's rather negligible.
This palpable workaround was originally invented by a young lady located around Edmonton in Canada.

Pen Tool Practice app

I know I will never get anywhere in Illustrator unless I can get a handle on the pen tool. It would be so handy to have a small application or game that uses the the pen tool as a way to navigate/trace around a maze or whatever to build my skills. I would so much rather gain a degree of pen tool mastery than play Words with Friends with my sister-in-law.
Does such an app exist?
Thanks
Joanne

A good learning exercise is to trace type.
Turn off all snaps (Snap to Grid, Snap to Points, SmartGuides).
Set some large type, using a quality normal sans-serif typeface which contains Type 1 outlines, not True Type outlines. (Because Type 1 outlines are drawn using cubic Bezier curves, whereas TrueType outlines are stored as quadratic Beziers. Type 1 outlines have fewer anchors and better represent the way you would efficiently draw paths in a drawing program.)
Give the text a light colored fill. Move it to its own Layer and lock the Layer, Draw on a separate front Layer.
Start with simple straight glyphs (E, A, T, F). Then use characters with bowls (B, P, R) to introduce smoothPoints. Then work on round glyphs (c, e, f, g, o) to involve curves which involve only smoothPoints and/or bothmoothPoints and cornerPoints which must work together. Then work on charcters which require ess curves (a, S).
As you proceed, always try to achieve each shape with the fewest anchorPoints, and by figuring out the fewest moves by using the momentary keyboard shortcuts (alt, shift, altShift).
Occasionally convert the text object you are tracing to outlines and compare how you drew it to how it was drawn in the font.
Work toward drawing the paths with good accuracy at the first go, without having to go back to tediously adjust curve handles. (But be sure to practice the keyboard shortcuts for doing that, too.)
When you've achieved reasonable accuracy then turn on SmartGuides and start learning how to use it to ensure horizontal / vertical alignment between anchorPoint placements as you draw, including alignment between the new anchorPoint and two existing anchors at the same time.
JET

11 Nice Features with New Awesome & easy Magnetic Pen Tool (Updated)

1.      Scale effects during the scaling object, in the control bar there is more space (Empty) that will be the helpful to show you the example of the picture that I have made myself, when you transform any object, you will see these options in the control bar.
2.      Save preset of filters in filter gallery:- will be really powerful, it must be exchangeable so that we could send that preset to any one, it must be applicable on percentage(%) of document size, (depends on document resolution).
3.     Filter gallery must be the (live filter gallery), if this works on any raster object without converting to smart object, this will be helpful for creating live PSD.
4.     History panel:- history panel must save the history of document. It will be helpful and powerful, we could apply that history to any document like actions, and history should not be saved with document itself, it must be separate like actions, create 2 arrows in the bottom of panel like layer combs’ panel, to check the history, if any step is wrong we could be able to remove that step,
                              OR
5. Also create/convert history into action, see the pic as example,
If (to Adobe Photoshop Team) history saving is not a good idea! Then before closing the document you must convert history into actions, when any person saves document and has forgotten converting history into actions and wants to close the document, at that time that dialogue must be opened, (Do you want to convert your history into actions, when you open (that) document again you will miss history, and also must create a CHECK BOX for don’t show again.
6.     Layers Group:- In the group (folder) we move the objects with move tool and it moves all grouped objects that’s much better, but when we open the group (Folder), after opening it moves also all grouped object !!!, that’s not perfect, I suggest you how to do it, double click on grouped any object to open the group then move any object, and double click on any grouped object to close the group (folder). ( like Illustrator )
7.      Photoshop Extended can create powerful creative animation with audio and animation panel support completely the smart object and smart object makes animation really smart. But the problem is that it takes too much time to generate animation of few seconds and generated video file size is very large up to 1.GB.
        Here is solution, like new document dialogue box under the Device Central button it shows the document size, as hint, same way in the render video dialogue box it must show the file size and generating time and reducing file size hints.
        I had created (20 months ago) in Photoshop extend CS3 really awesome animation of earth, from where it starts it ends there, and shadows on earth are really awesome, map that moves to the shadow side, it changes from day to night and in the shadows you can see the roads’ and cities’ lights’ just like real night map photo it happens like naturally cause of smart object, I have two photos of the map day and night used for animation, you can see that creative animation on youtube.
(Link)= http://www.youtube.com/watch?v=sd86xGIkQxM
watch this animation in full screen Mode, b/c Youtube has reduced the Quality of Video.
8.   Welcome Screen:- Why welcome Screen is necessary?
                Adobe’s all products must be linked with Design sequence. (Interface)
Design Standard Suite which itself is a famous printing and publishing suite for design ( creation) layout, must keep same sequence of all products and should not affect the attraction,
                Example for Interface, now if CS6 all programs are created with new interface will you don’t change the Photoshop's interface???
Here are my Design Sequences Examples
These Pictures I have Designed in Illustrator
Photoshop with Welcome Screen Looking like Illustrator & Indesign now it matching with its Family.
Benifits of Welcome Screen for ( New ) user
A.    Many people don't know that Photoshop has free few samples with it these are nice example to understand that what photoshop can do!
B.    Photoshop Exchange : is really Necessary : for to exchange Workspace, color profile, Actions, Key Board Shortcuts, Layer Styles,    Swatches, Filter Gallery Presets & PSDs etc.
C.    This will be helpful for New Users TV.Adobe.com they will watch free teqchniques, as see this welcome screen.
D.     Any older user don't want to see the welcome screen that person can turn on that check box (Don't Show Again).
9. Pen Tool + Magnetic Pen Tool =
In my idea pen tool is the perfect tool for vector drawing it gives us perfect result as we want. but about those people like (Toys-R-Us (One Really Big Pen Tool Shortcoming) or other like him, if they can't understand, although pen tool is very easy to use, & he wants short key without going back for to breatck the handle, (for those people) if you want to create short key then short key should be "c or any easy" press to breat the handle, then press again to get back handle again during the using pen tool, or create a magnetic pen tool it must work like magnetic lasso tool works for selection, it will be the best & easy to use & to understand, during to use this tool if it goes to wrong way simply press back space key to go back to last step same like Magnetic Lasso.
(Awesome Magnetic Pen Tool)
or create pen tool like fireworks its pen tool shows next click's preview (very nice pen tool is in fireworks to understand ( really Awesome )
10. keyboard shortcuts like Illustrator for Blend Modes Next , Previous & Opacity 10 to 90, I had started to learn Illustrator CS3 & since CS3 I use these shortcuts for that, (~)tildi for next blend mode, Shift (~) tildi for previous mode, & opacity 10=1 key 20=2 to 90=9 key
11.PANEL ICONS Should be Attached under or above the tool Bar but not on Right or Left Side only ( like Indeign CS2 ).
Note :-
I shall appreciate your frank comments on the above suggestions.
Message was edited by: Muhammad Amjad Khan Abro
Message was edited by: Muhammad Amjad Khan Abro

OK Here goes my wannahaves...
1) create new table or sheet from a file instead of having to open the file and copy/paste into current document. ie "Insert Sheet from file", "Insert Table from File"
2) show linked data from a data source other than the address book - eg an ODBC data source or Filemaker database
3) Ability to paste a filtered table into a new table with just the found rows.
4) Ability to freeze rows and columns to allow for very wide or deep tables
5) When typing data into a cell, automatically adjust its width as you type. Depending on your enter key config, hitting enter puts a new line in the cell and adjusts the row height to fit.
6) Printer page formats default to regional standard: eg in Australia, UK - A4
7) Popup list or menu contents based on a data range: eg a list of categories
8) Media to be selected from anywhere on the system, not just in iTunes/iPhoto (eg most of my video is on an external hard drive)
9) "Autofilter" based on contents of the column.
10) Vlookup and other reference functions: need to be able to select a table (by name) as your range, a column/row (by name) to look up from and a column/row (by name) to retrieve. All functions should work this way, not just the basic ones.
11) When inserting a table you should be asked how many rows and columns.
12 "Format painter" - copy styles and other formatting from cell to cell and table to table.
13) Outlining based upon repeated cell values

Better ways to work with the pen tool

I'm finding the pen tool a real aggravation to use... first off you cannot hardly see the points once a path is completed. Even blowing the artwork up really big doesn't help much.
Then its really easy to loose the ability to move individual points... at least I've found that at one point I can select and move the points easily with keyboard and somehow I loose that ability and seems to difficult to regain it. Instead I'm moving the whole path.
I wondered if any of the plugins out there might be dedicated to making the pen tool points easier to manipulate and edit. Just making them easily visible would probably be enough.

Jacob Bugge wrote:
Harry,
The Direct Selection Tool is the one to use for moving Anchor Points after the path has been drawn. Always work on paths without anything selected when you start; this is one place where Smart Guides are your friends because they let you see highlights of what you may select.
If you Click an Anchor Point, you will see that it is shown as a filled square; the other (non selected) Anchor Points are shown as hollow squares; you can select additional Anchor Points by ShiftClicking them.
With the desired Anchor Point(s) chosen, you may ClickDrag (either of them), or use the Arrow keys, or Object>Transform>Move, to move it/them.
You can also ClickDrag across the desired Anchor Point(s), starting from an empty spot with no fill (normally outside the path).
If I'm following you above... I do not see that behavior here. I speaking particularly of your third and fourth points.
You are talking about doing point 3 and 4 with direct select right?
To make it simple I'll just work with one point on a closed path :... I first click on an empty part of art board, then click a single point. At that point all the points light up and show there handles. The clicked one is a solid red dot, the others are a hollow dot with red stroke.
Now according to what I got of your comments, I should be able to move that single selected point with the arrow keys.... but I cannot.
Far as point 4, same thing applies... It is good to know that I can select multiple points that way, but after selecting ... the keyboard arrows do nothing to the selected points. But at least I can quickly pull mutiple points around with the mouse... so thanks for that bit.
Are you able to select a point on a closed path, and control it with arrow keys?
Is there some circumstance I may have initiated inadvertantly that would prevent the arrow keys moving points around.
I pretty sure there was while early on where I was moving individual points with keyboard but cannot get it to happen now.

Pen tool and masking in cs6.

In previous versions I could create a custom (vector) mask using the pen tool in 2 easy steps.
Draw a shape then drag that shape to the image i wanted the mask on. Done.
This "feature" has been removed from CS6 and its extremely annoying. Or has it just become a lot more complicated to achieve this?
I know i can create a clipping mask using the shape layer but that requires another visible layer in the layers panel. Having "roto'd" 50 elements in previous versions in the same workspace gave me 50 layers (cleaning up the solid black shapelayers after). In CS6 it gives me 100 layers.
I know i can select the shape as a selection and then apply a mask but that would make the mask a solid. I want to be able to move my tangents around etc. 100% non-destructively.
I work 100% non destructive and yes, my psd's become very large but thats no biggie, my computer can handle it. I don't want to rasterize.
If you have CS5.5 or earlier versions, create a shape and drag that shape to the layer you want to mask, remove the fill layer and you'll see what i mean. Thats what i want to be able to do in CS6.
Is this 100% gone from CS6?

Kenneth Mcitalo wrote:
"If you have CS5.5 or earlier versions, create a shape and drag that shape to the layer you want to mask, remove the fill layer and you'll see what i mean. Thats what i want to be able to do in CS6.
Is this 100% gone from CS6?"
You are being affected by an almighty f**kup by the Photoshop CS6 User Interface designers.
With CS6, Adobe try to pretend that Shape Layers are a wonderful new type of layer. The reality is that they are the old type Fill Layer with Vector Mask and the addition of a stroke attribute. There are numerous workflow disruptions caused by the "new Shape Layer" pretense.
Here's how to get the functionality to which you are accustomed...
The VM of a Shape Layer is only displayed in the Layers panel when the VM is disabled. To disable it, shift-click its "Shape Path" thumbnail in Properties panel. (You can record an Action of shift-clicking that thumbnail to create your own Disable Vector Mask command which can be run when the Properties panel is closed.) The revealed VM can now be dragged to another layer in the Layers panel.
By the way, you can draw a path and directly create a Vector Mask for a regular pixel layer without making a Shape first. Draw the path with the Pen Tool or with a shape tool set to "Path" mode in its options bar, then Cmd/Ctrl-click the Add Mask button at bottom of Layers Panel when the pixel layer is targeted.

Pen tool: Resize image inside a layer/ stop pen outline / white space after crop

I have 3 noob questions all related to the pen tool.
1. Whenever I use the pen to outline something and drag the image to another psd file I see a grey pen outline around the image.
ex. http://screencast.com/t/GmKWAr5UH
2. Whenever I outline with the pen and then select inverse and then delete the background, the background becomes white. I want to drag my outline into my new file but without a white background. it should be transparent so it appears like a collage.
ex. http://screencast.com/t/Rh4Uvq4xBM
3. how do I select an image inside a layer to resize it. Nothing I do creates handles around the image isnide the layer.

Theres some basic stuff you are not understanding…
1. In Photoshop there is the pen tool for creating abstract vector edges, and selection tools (lasso, magic wand etc). You need to turn the results of the pen tool into a selection. Best way is using the the Command/return shortcut, or command clicking on the path in the paths panel.
2 layers need to be , not - If you want to delete areas (make them transparent). To do this either go to Layer/New/Layer from background - or hold Option and double click the Background layer.
3 See answer 2, and use Free Transform (command T)

How to use bone tool without getting my vector/object distort?

Wish to get some help here. I drawn my human body figure using pen tool. I connect the bone tool directly without separating the part of (hand,legs and head) into symbol. After that, I try to move the hand but it get distort. Not just the hand but the body and head also getting distort as well. Do we need to necessary convert the body parts to symbol first before connecting the bone? Thanks.

> So, is it right if I say that the services available in the backend are already implemented? And just creating an endpoint for them would make them ready for use?
Yes: kind of instant services
> Also if I consume a service, say, 'CreateSalesOrder_In' for example, will it create entries in all my Sales order relevant tables (VBAK, VBAP) automatically using a BAPI internally?
The service has the task to do all necessary steps, whether with or without using a BAPI.
> Actually, I have these doubts because during my time at SAP Labs (for the composites team in BusinesByDesign), I used to create business objects in the ESR and create an implementation for the same in the backend using BOPF. But now, in the customer scenario, where a full fledged ECC implementation is used, I am unaware as to how the services would update the tables or even read the relevant data.
My consumer view on aservice is that I do not have to know how the service works, just need to know how to call it.
Regards, Boris

Pen tool without snap

Similar Messages

Maybe you are looking for