Perspective transform for Smart object.

Hello!
I working on the  Photoshop with Smart Object with link to Illustrator. How can i transform perspective for Smart Object in Photoshop? There are accessible to me only Scale Rotate and Skew, others is gray out.
Thanks all!

That's a special type of SO you've got: Vector SO. Right-click it in Layers panel and pick Convert to Smart Object. That'll put the VSO inside a SO which you can transform with perspective.

Similar Messages

  • Perspective effect with Smart Objects (SO)

    Hi,
    i would like to create a perspective efect on smart objects.everything i read so far was that perspective effect doesn't work (distort) on SO.
    everybody place the SO almost as they want but to create the perspective effect, they rasterize layer and finish perspective effect using the Free Transform tool.
    1. so is it really the only one way to do it ?
    I mean i have a lot of business cards design and i have a master design for their presentation... in this presentation i can change just 1 SO (the master one) and all other SO (representing business cards) are automatically updated...
    so it is really great for creating a new presentation of product. owever, if i must rasterize SO i loose this feature/possibility.
    2. So what is the best solution ?
    thx.

    Hi Conroy,
    at work we have CS6. I tried all kind of File > Preferences > General > Image interpolation, but nevetherless still the same issue. The bicubic is the best one for card border/edge but they are still to "stairs steps" and not clean line for borders.
    Here is my work.
    A) The top card is former verctor SO, rasterized and once again convert to SO (for later applying effects/filters)
    B) The bottom card is a standard Vector SO with content from a vector tool.
    there are 2 main issues.
    1. the perspective for the card B (vector) is not as perfect as for card A, as if you move individually a corner, other corners move also
    how to solve it in order to not have a destructive one ? i mean if i have on 1 artwork 3 visible business cards, i don't want to replace content 3 times + filters, etc.. i would like to maximum replace 3 contents and that's all... imagine if i have 100 business cards ready for that...i will spend months to recreate each perspective and effects.
    2. the 2nd issue is with card edges/borders...they are not anti-aliased at all..maybe the top one (card A) is more than the vector SO as it has been rasterized...but nevertheless it is far from what i see on internet for same work.
    so what did i miss ? where is my mistake ?
    thx.

  • Hello, i'm creating a very simple animation in ps cs5, but when I try to transform a smart object in a frame, all the frames are affected by it. What can I do ? Thanks, Ep

    Hello, i'm creating a very simple animation in ps cs5, but when I try to transform a smart object in a frame, all the frames are affected by it. What can I do ? Thanks, Ep

    Ok, you are in frame animation mode. I thought cs5 had a timeline mode, but now I think I was wrong.
    In frame animation mode what you do is in one frame you have the object rotated in one position, then select an other frame and rotate it. If it rotates the first frame, which I think it will. Create duplicate of the object in a new layer. Then rotate the second layer.
    At this point in my example you would have two layers, one of which has a rotated object.
    Clear the frames
    Convert the two layers to frames.
    You now have two frames, one for each layer.
    Select both frames then click the tween button.
    This will create the in between frames.
    In the tween dialog box the higher the number of frames set here, will create a smoother animation but will result in a longer time frame for the animation to play.
    Because Photoshop has no way of knowing which way the object should rotate, it is feasible for it to rotate the opposite direction or could look wonky. Just undo and add an in between layer showing how it should look in the middle, then continue on.
    So your layers should be the following, a frame that shows all objects in their rest state.
    All objects that remain in a rest state must be copied to the next layer (ctrl-j on Windows or cmd-j on Mac)
    All subsequent layers are then used for rotating a duplicate of the object. (Ctrl j or cmd j)
    You will find the commands to clear the frames, convert layers to frames and tweeting in the hidden menu found when you click the small icon in the upper right hand corner of the animation panel.

  • Link Smart-Object Filter mask to transformation of Smart object

    Often it would be very nice, if you could link the filtermask of a smart object to the smart object itself. So that when you transform the SM (rotate, scale etc) the filtermask of the smartfilter is transformed, too.

    It would seem if a linked layer mask can be transformed with the smart object the filter mask could be linked as well.
    I didn't mean the workaround to be vote against the request. But it does have an added benefit. When you transform a smart object with almost any smart filter the appearance of the filter changes. Blurs become more or less blurred depending on the transform. Same with sharpen. If you want the effect of the filter to appear the same after the transform you need to embed it into a new smart object.

  • Transforming a Smart Object Layer

    Plain ordinary photograph.....  Start with a background layer.  Add a layer for doing non-destructive cloning.  Add a couple layers for adjusting curves and hue/saturation.
    Then do a merge visible to create a new layer from all the underlying layers and still keep all the underlying layers.
    Convert this layer to a smart object and apply Smart Sharpening.
    All the above works fine.........................
    Now I want to do a transform - free, scaling, whatever.....  I can select the marged layer but all the transforms are grayed out.
    How do I do a transform on a smart object layer?

    Hi Noel.  Your questions are valid...  This isn't my normal post-processing. 
    NORMALLY, I have a couple layers for dodging and burning, probably something for other fiddling, my normal adjustment layers for curves and hue/saturation, then a "stamp visible".  Depending on whether or not I wind up converting to b&w I may have a couple other layers for that....  Then I save the psd, and afterward crop and sharpen as needed.  Generally,
    my sharpening is to use the Smart Sharpen on my merged layer, OR to duplicate thelayer and do a high-pass sharpening.
    Recently, I've seen two presentations by well-regarded Photoshop experts extolling the virtues of doing as much as possible in non-destructive ways.  For sharpening, as I understand it, this means either opening the original image as a smart object, or converting to a smart object prior to sharpening.  SO, I've been trying this on some images, just to see if there are some real advantages, or if it's just a big pain-in-the-neck way to do something that's pretty standard....  Frankly, I"m still not sure.
    In THIS particular case, I had an image that had been edited, and the sharpening applied through the smart filter PRIOR to cropping.  My wife requested a non-standard resizing, not a crop, that meant using a transform to change the aspect ratio of the image.  That's when I found that the transforms wouldn't work on my smart object..
    Unfortunately, as it turns out, I was right - it was an error on my part.  I SELECTED part of the image on the layer with the marque tool...  Had i NOT done the selection, the transform would have worked fine.....
    So, the bottom line is yes, I agree that it's easy to get caught up in trying to make everything non-destructive and flexible, but sometimes it's more trouble than it's worth.

  • Original filename for Smart Objects in CS6

    After processing a camera raw image in ACR, I want to open the image in CS6 as a Smart Object.
    Then I want to run a java script that depends on the original filename.  Where in the metadata can I find the original filename?
    Background:  I have a script that executes very well if the file is opened in CS6 as a regular layer.  However, when I open a file as a Smart Object, the script fails, complaining about an invalid filename.
    The problem is associated with my favorite time-saving script and I am very keen to resolve the problem.   :-(
    Thank you for your assistance.
    BA

    rj acton wrote:
    After processing a camera raw image in ACR, I want to open the image in CS6 as a Smart Object.
    Then I want to run a java script that depends on the original filename.  Where in the metadata can I find the original filename?
    Background:  I have a script that executes very well if the file is opened in CS6 as a regular layer.  However, when I open a file as a Smart Object, the script fails, complaining about an invalid filename.
    I think the the only reason it works when you open them as a regular layer is because of your work-flow and habits. Try opening it twice as a normal layer an see if it works.
    When you open a RAW file through ACR as a normal layer and as a smart object layer there is no backing file associated with the open document yet.   I feel you problem is you script is using something like the document name.   If you look at the title in the image floating window or tab you will see that Photoshop has assigned a name the first time you open it as a normal layer you will see something like filename.cr2 @ 25% (RGB16) the second time you will see filename-2 @ 25% (RGB16) when you open as Object you will see filename as smart object-1 (filename, RGB16). These title will change when you save the document to a image file type the title will change to the associated backing file you just saved.
    I you look at Photoshop File info you can see all the image metadata and you can find the RAWFileName you want here a text file I wrote using a  Photoshop script
    It is enev in small jpef file saved from raw conversions if you don't strip mete data
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             <crs:ConvertToGrayscale>False</crs:ConvertToGrayscale>
             <crs:ToneCurveName>Strong Contrast</crs:ToneCurveName>
             <crs:CameraProfile>Camera Faithful</crs:CameraProfile>
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             <exif:MeteringMode>5</exif:MeteringMode>
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  • Identifying all TR/UR/Transformations for LOOKUP Object in whole BW System

    Hi ,
    I have one ODS object ZTEST in BW system. This ODS object is used in many other data flow's Transfer Rules, Update Rules and Transformations as LookUp object like
    SELECT * FROM /BIC/AZTEST00 INTO ITAB WHERE DELIVERY = DATA_PACKAGE-DELIVERY
    Now how can i findout all the Transfer Rules, Update Rules and Transformations where this ODS object ZTEST is used as the Lookup object in all BW system .
    Please let me know the step by step procedure for it .
    Regards
    Mubeen

    Mubeen,
    This is kind of hard to do.
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    Thanks for your responses.
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    Message was edited by: JJMack
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    Message was edited by: JJMack
    So to me it look like CS5 and CS6 transform work basiclly the same.  There seems to have been some behavior changes made to CS6 I can not seem to put my finger on as well as the addition of the interpolation method in the option bar. I can't put my finger on it so it may be the same in CS5 and CS6.
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    Message was edited by: JJMack
    Over in the Adobe Feedback site several issues were posted with CS6 Transform one was marked "Not a problem" by Adobe. One was marked "Solved" by Adobe and the others have no Adobe markings the may on not be a problem
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  • "Anti-alias" greyed out when free-transforming smart objects.

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    On top of what Zeno Bokor wrote that while your doing the transform your viewing a quick scaled preview not the actual transformation you wrote
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  • Vector smart objects still looking for older version of Illustrator

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  • Does Extract for PSD support smart objects?

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    You are right that we don't expose this right now. We do have plans to do this in the future soon!

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    So.  I've been working in Photoshop extensively for about 6 years now and I am well aware that nothing we do in Photoshop or Lightroom is supposed to overwrite a raw file.  I'm not talking about changing it to something a little lighter or darker, I'm talking about replacing a picture of one baseball player with another one - and the original? Gone. 
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    mojoimagery wrote:
    Now - JJ - when you say "overlay files" - what do you mean?  Because that feels like a good description for what happened.
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    Disclaimer: I do not know how to script, but am willing to learn and am looking for advice.
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    I took a quick look at your script.
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