PGA Shot Tracker

PGA Shot Tracker no longer works in Safari. Since upgrading to Safari 5 Shot Tracker no longer works, but it works fine in Firefox. Can't figure out why this is so.

Hi,
Go to your Safari menu bar, click Safari / Empty Cache.
Relaunch Safari and try again.
If that didn't help, from the Safari menu bar click Safari / Preferences then select the Security tab.
Click: Show Cookies. Click: Remove All.
Relaunch Safari and try again.
If that didn't help, in Safari / Preferences select the Advanced tab. Enable the Develop menu. Now from your Safari menu bar click Develop / User Agent and try Safari 4.0.5
If nothing above works, due to recent history with your Mac here: http://discussions.apple.com/message.jspa?messageID=12095507#12095507
Boot from your install disc, run Disk Utility to Verify and if necessary, Repair any errors on the startup disk.
Carolyn

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  • Rename shot/track?

    Hello,
    I've exported my entire FCP Sequence and imported it into Color, where it shows up as just one long shot.
    I'm using Color only to apply certain nodes, with keyframes, in the Color FX room.
    Sometimes I go back into FCP and change filter settings there (but I never change the duration of the Sequence), then export again, saving the export with a different name than before. I delete the old export.
    Of course, when I open my Color project again, Color can't find the old FCP export (since I deleted it). So, I reconnect to the new FCP export, which works fine. But the name of the shot/track in Color stays the same as it was before.
    Is there some way to change the name of the shot/track in Color? I'd like to change it to the same name as the new FCP export.
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    Any suggestions would be greatly appreciated.
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    Message was edited by: Robert Eidschun

    In a lot of ways, it would be much simpler for you to bring the rendered QT back into a new FCP sequence... cut it up with the razor tool (if you would like to pre-set the COLOR event boundaries) and send THAT to COLOR. All that other stuff would be taken care of.
    How would dealing with multiple shots in Color be simpler than dealing with just one shot? I can't think of anything simpler than applying one particular plugin in the Color FX room to one particular shot.
    Not to mention that cutting up my FCP Sequence would disrupt the operation of the timecode filter applied therein, and applying it before exporting and bringing the result into Color would mean that my timecode display would get processed by Color, which would screw up its look.
    Moreover, even if I use FCP to "Send To Color", I'll still end up with tracks/shots in Color whose names can't be changed.
    The only real issue that I have a problem with is that unfortunately, I chose a name for the track/shot in Color that suggests that I'm always dealing with a particular QT export from FCP. I just want to change the name to something generic, such as "FCP Export".
    What about editing some Color preferences or settings file, which perhaps contains the name of my track/shot?
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  • PGA Shot SHARE

    PGA Shot SHARE   Share your greatest shots, your round spanking best bits, and any of your little proud moments from your days walk wasted.  Don't let those elitist pro players put you off! Purple line, spin happy, or whether you have the green grid toggled,, or even those lucky few who 'shot it right in the basket', y'all welcome here Frank.    Even if it's one of those times you've knocked around the fringe, buried it deep in the rough, being out of your comfort zone and still managed to keep under 'em    *Not sponsored by BOSE 

    Hi,
    Go to your Safari menu bar, click Safari / Empty Cache.
    Relaunch Safari and try again.
    If that didn't help, from the Safari menu bar click Safari / Preferences then select the Security tab.
    Click: Show Cookies. Click: Remove All.
    Relaunch Safari and try again.
    If that didn't help, in Safari / Preferences select the Advanced tab. Enable the Develop menu. Now from your Safari menu bar click Develop / User Agent and try Safari 4.0.5
    If nothing above works, due to recent history with your Mac here: http://discussions.apple.com/message.jspa?messageID=12095507#12095507
    Boot from your install disc, run Disk Utility to Verify and if necessary, Repair any errors on the startup disk.
    Carolyn

  • How to track the fast movement camera (close shot)

    the shot is close to green screen and fast movement and camera cut off from the markers.
    any ideas how to fix this ? i knew i mignt need to shoot again but its impossible cuz of the actors are not here anymore. so i must fix it.
    any recommend plugin or technique ?

    This shot will not track with any software I know of.
    There are a host of problems that should teach you a valuable lesson. First, to automatically track you need fixed unique geometry that is big enough to grab at least 100 pixels of detail from. That means at least 10 X 10 pixels. There is nothing in the background of your shot in any frame except for a couple of tracking markers that come close to bing big enough to track. To do Camera Tracking you need to establish at least 2 planes that are far enough to calculate perspective and parallax changes. Your shot does not contain even one of the elements required to do camera tracking.
    The only planes in your shot are the  net in the background and the ned in the goal. Motion blur and fine lines in these two planes give you nothing to track. You also zoomed out from frame 7 to frame 12. NEVER EVER ZOOM if you are planning to replace a background or do a camera track. Especially, NEVER snap zoom. It is nearly impossible for camera tracking software to calculate a camera zoom when the zoom introduces blur. A snap zoom and fast pan is nearly impossible to track in the best of circumstances.
    It's also going to be impossible to pull a clean key because the net in the background has a bunch of black lines on it and the white net in the goal gets completely blurred out in a great deal of the shot.
    Just a little pre-production planning and some story boards would have saved the day. You have created a situation where your only option is to roto your actor and the goal frame, then recreate the net and the background by hand. What should have been a half hour in post is going to turn into a couple of days unless you redesign the entire shot to be something way more stylized. There's so much noise in the shot from the nets and the motion blur that RotoBrush will not track anything but a single frame. You are going to have to cut out your actor by hand and rebuild the background and adjust the position, rotation and scale by hand a frame at a time. Don't count on making any money on this shot. There isn't enough detail anywhere in this shot to even stabilize the shot to make it easier to roto. I tried.
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  • Tracking a shaky dolly shot to a shaky plate shot

    Hey guys,
    I have a dolly shot pushing into a character with a basketball floating below his hand. The basketball is held up by a green c-stand that we would like to key out, so we shot the exact same movement without the boy or basketball and stand to use as a plate shot.
    The dolly move was made on a motion controlled rig, but we still have some shakiness to it and would like to align these two shots so it will not look.. awful.
    The only thing I could come up with to this point was to track the same point in both videos, then have one of those tracking point follow the other tracking points movement. Is it possible to have a tracking point track another tracking point?

    Stabilize both shots. Do the roto, lay one shot over the other so the BG plate fills the holes. Warp stabilizer won't be the best way to stabilize two dolly shots. You'll never get identical results. Instead, use Mocha. There are several tutorials available for stabilizing with Mocha.
    It would really help to see the master. No need to see the clean bg plate.

  • Tracking shots that need to be re-rendered

    Hi guys
    Been doing some jobs on Color and finding my way around. I normally work on DS or Film Master, so there are some questions.
    1. If I corrected some shots and rendered them, timeline goes green, all well. Now I make a change to the grade, timeline remains green..mmmm, is there a way to get Color to revert the clip to unrendered automatically.
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    Patrick Morgan
    Freelance Colourist
    London

    Jpo,
    You are right, it doesn,t say original format ( it's there but you can not apply it).
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    Those files aren't that big as 8 bit-uncompressed 4 2 2.
    Everything still looked nice. I do not have any experience in color with full HD but as color is a 1.0 release we just have to wait I guess.
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  • Tracking shot on photo with Adobe Premiere Elements 7 ?

    Hi everybody !
    I won't be long : is it possible to make tracking shots on fixed images with Adobe Premiere Elements 7 ?
    Examples of what I mean : http://tv.adobe.com/fr/watch/didacticiels-sur-premiere-elements-10/transformez-vos-photos- en-squences-amusantes/ with Adobe Premiere Elements 10 or http://www.youtube.com/watch?v=XzeFQjG4hDo with Pinnacle Studio 14.
    Thanks a lot !
    Olivier

    As Steve G. says, yes, and for most earlier versions of PrE. I recommend his great Basic Keyframing Series on Muvipix.com: http://muvipix.com/products.php?searchphrase=basic+keyframing&btn.x=19&btn.y=9
    Keyframing can be applied to most Effects, whether Fixed, or applied, so it can do much more, than Pan & Zoom. The application of it is almost limitless.
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  • Motion Tracking a Dolly Shot

    I'm having a little trouble figuring this out. Thought someone on here might have done something similar.
    The shot: A person walks down a sidewalk. The camera dollies parallel to them so it sees a wide of their profile. The person disappears and reappears in the shot as the camera dollies. 
    Is there a good way to pull off a poor man's motion tracking effect like this? Certain plug-ins to use to get it right?
    A somewhat similar effect occurs a few (brief) times in this video: http://vimeo.com/24569304
    Happy to clarify if that doesn't make sense. Thanks in advance!

    Here's what I'd do. I'd shoot a clean take of the actor with a dolly shot with the dolly on track if possible and the camera locked off. Have an assistant keep track of the time.
    Once you have a clean take, roll back and take another shot.
    If you don't have a dolly and track then do the best you can to keep the shot as close as you can to the "good" take.
    Now you need to track both shots in Mocha. There a re tutorials on how to track a moving shot available. You would stabilize both shots, lay the clean plate over the plate with the actor and crop it with a soft edge mask big enough to cover the actor. Did you get that? You want to lay the clean plate over just the area where the actor is. Make any adjustments necessary to the timing of the shot to keep things lined up by using time remap on the clean plate.
    once you have the composited shots looking like there's no actor in the shot , then you can use transitions, fades, or other effects to bring in your actor by eliminating the top clean portion.
    Once this is all set up, remove the stabilization on the actor plate making sure that the clean plate is tied to it by parenting.
    Don't expect to be able to hold this hide the actor effect for more than a few seconds without dolly track. If you carefully watch the reference  video you'll see that there's not a lot of exact frame matching going on. There just kitschy transitions between takes. The first one is especially awkward and there's a big jump that's hidden fairly well by the transition. In fact, I can't see anything except the distortions of the sidewalk and the overlays that probably used motion tracking. 

  • Stabilizing a dolly/tracking shot

    Hi,
    I have a shot I filmed in a studio environment - the camera was on a skateboard tracking into the action like so:
    The problem is that the movement bumps at several points. I've tried the standard stabilize tracker (position/rotation), using the base of the chairs as tracking points - it stabilizes the image a bit but it also ends up zooming into the left side chair. Is there a particular technique to stabilizing such a shot except manually adjusting for each bump?
    Thanks,
    David

    Basically a stabilize does exactly that, it removes all movement from the shot, by shifting the frame in the opposite direction.
    So by doing a stabilize on your shot you'd end up with a static image (if the stabilize worked perfectly).  Essentially what you need to do is stabilize the shot to remove all the jitter and movement, then track the shot and match the move back on.
    This would (in an ideal track situation) give you the same result as you started with, however your camera moves is now animated with the tracking data.  You just need to go into the keyframes and either smooth out or find the keyframes with the bump and move them about to elimate the shake.
    This would work best normally if this was only a pan, or a pan and zoom.  However since yours is a tilt as well then it makes it alot more tricky as your dealing with 4 point tracks + the perspective shift.
    - Hope that makes sense am not always very good at explaining myself.
    ** A solution for your shot which i'd try first tho is this:
    Your shot is timelapse right, and since the jolt is only on 1 or two frames, why not go in and adjust those couple of frames individually?  Shift them up down a little bit to compensate for the bump on just those frames.
    Without trying it myself, i can't say for certain whether it would def work but worth trying, its easier than stabilizing then tracking the move back on

  • Matchmove tracking points go out of shot.

    Hi all, im new here. Im trying to create the effect of wall posters coming to life as they move across the shot. I have matchmoved the footage onto the layer below which works fine when all tracking points are in the shot - the problem comes when i get to the edges of the shot and the points im tracking are no longer visable - this causes the footage to distort.
    So i'm wondering if anyone can advise me on how i can prevent things from being distorted when a tracking point goes out of shot?
    Thanks for taking the time to read this.
    Regards,

    When you do your motion track, you could track the points up to the frame where those points leave the shot, then pick another point that is in-frame and moving in the same way and continue the motion track but check the "offset track" button.
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    I have a couple of tracking shots of an architectural wall that I would like to speed up.  Wasn't pushing the dolly fast enough. I have tried to increase the speed from 100% to 115% (from the Clips drop down menu not as a time remapping effect - don't need any keyframes) and even after rendering it out the tracking shot has a noticeable stutter that's not there when I view the speed at 100%
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    Thanks Jim, I truly appreciate the quick response.  I knew it was staring me in the face
    Thank you,
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  • Shot matcher with multiple video tracks and clips bug

    Hello again,
    Very problematic bug : at least in direct link mode, when using shot matcher, if the shot to be matched is on top of other clips below, then it produces odd results. In a word, it doesn't work.
    Can't think of a workaround or another workflow right now, so, again, very problematic.
    Fred

    As I'm producing a music documentary, it's often handy not to erase a clip beneath another one when there is a temporal continuity and the clip above only is there for a temporary angle change.
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    I've just upgraded to version 8, and low and behold........an issue.
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    Sounds like some kind of wonky Vista permission issue?
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  • Can you add audio tracks as selectable menu items on a dvd? I shot a wedding where the church had its own set up to record audio. I'm trying to make those songs performed by the artists available for viewers of the dvd to select for listening.?

    I'm trying to make audio (MP3) tracks available for viewers of this Wedding dvd to select for listening. Is this possible in iDVD?

    You will need to create a slide show for each of those songs with a minimum of 1 photo per slideshow and add the song to the slideshow audio bin. Set the audio to Fit to Music.
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