Photoshop 6 program color

I changed my program default color in Elements 4 and want to do the same in Photoshop 6 but cannot find where you can do this. The screen is way too dark.

Thank you for responding.
This is Photoshop Elements 6, ancient in todays standards. I was just working in Elements 4, video transfer, and ran accross the where I can change the brightness of the program color in Device Control / User Interface. Other programs allow different color 'themes'...however I just went to Preferences and looked for UI Brightness and did not see it.

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CS6: Can't switch off color management in the printerdriver when photoshop manages colors

So this is weird: I'm using CS6 Extended and Lightroom 5 on a Windows 7 Pro machine, printing to an old Canon Pixma Ip5200R. When i print from Lightroom, i am using a special printer profile for the pixma and my photopaper, so color management is switched off in the printer driver. The photos print fine.
Now when i print the same photo from CS6, it has a magenta color cast, so clearly something is wrong with the color management. Even though i am using the same printer, the same paper, the same printer profile and - of course! - had set photoshop to manage the colors, and switched color managent off in the printer driver. The magenta cast could be an indication that the photo is double colormanaged.
It took my quite a while to find out what happens, and this is really weird: When i re-checked the printer driver settings, i noticed that the color management settings did not stick. The canon printer driver offers the options "driver matching" "windows ICM" "none", e.g. having color management done by the printer driver or windows, or switch color management off. So when i go to the PS print settings and set it to "photoshop manages colors", add the correct printer profile, i have to check the settings in the printer driver and make sure that color management is set to "none". I set it to "none" and click OK. Now everything should be configured correctly. But it's not - because when i re-check the print driver settings, i see color management is set to "diver matching". I can go to the print driver settings again and agian, but whenever i check, color management is set to "driver matching". This setting simply does not stick. No wonder i get a mangenta cast on my prints, the colors are doublemanaged by photoshop AND my printer driver.
Now, this is getting weirder: Only the color management settings don't stick. I can change other settings like print quality and the stick.
But - how do i get rid of this? The culprit seems to be photoshop, not the printer driver. If i print from lightroom, i can change the color management settings in the (very same) printer driver and they stick. When i set the photoshop print dialogue to "printer manages colors" i can change the color management settings in the (very same) printer driver - and they stick! So this looks as if photoshop stops me intentionally from using the correct printer driver settings, that is from switching off the printer drivers color management if it is set to manage colors.
I have already resetted my personal photoshop preferences, but this changed nothing. What am i missing? What is going wrong? Your help is very appreciated.
Tobias

Hi all, Just to let you know that I finally solved my problem myself.
Essentially what had occurred was that I had updated my Epson driver for my printer , but it hadn't installed, despite informing me that it had! To cut a long story short when I checked in System preferences the older driver for Leopard O/S was still the current driver. I proceeded to ask Epson support for assistance, bu despite their efforts I could not immediately resolve the problem. They were directing me to my Utilities program to remove all traces of my current driver from Printer Utility which did not exist. When I queried this they stated it was not always visible and I should proceed to the next step then install the new driver. Problem was they required me to access this invisible utility in order to complete this process, and yes before you ask I had informed them I was using an Intel Mac with Snow Leopard 10.6.2 O/S. Finally I ignored their advice and took the following steps:
1. I opened System Preferences and double clicked the Printer & Fax icon.
2. I highlighted my Epson R2400 Pinter and removed it by clicking the minus sign at the bottom of the Printers window.
3. Next I did a search and deleted any old drivers for my R2400 that were on my system with the exception of the new Driver.
4. I restarted my Mac Pro.
5. I reinstalled my new printer driver which I had previously downloaded from Epson Support.
6. I restarted my Mac Pro and found that the new driver had installed correctly and full functionality had been returned to the Print Features Dialogue box i.e I could now turn of color management and access advanced features to set the quality of printing using the full spec of the R2400.
Hope this post will be helpful to others if they have a similar problem
Regards Denis
Message was edited by: Denisimo
Message was edited by: Denisimo

Photoshop CC Color Issues

When I updated my Photoshop program two updates ago I began having color issues in Photoshop as the rest of the Adobe Suite. Regardless of whether the color mode is RGB or CMYK the colors appear washed out on the program. This image http://i.imgur.com/BWVwbx2.jpg is an example. The image on the right is a screen shot of the original image of the shoes copied from the website, the image on the left is the same image copied into photoshop. When I try to save the RGB file as a jpeg or a PDF it looks the same as it did in the program, washed out. However, when the file is CMYK color mode and I try to save it as a jpeg or PDF it looks like this http://i.imgur.com/TAUyeOf.jpg. Both my coworker and I started having this issue on our seperate computers around the same time so I don't believe that it is a graphics card issue or something along those lines. How can I fix this? I have tried calling Adobe support, but unfortunately the person on the phone was not very experienced in the program and unable to help.
Some Info about my computer:
Currently I have Photoshop CC with the 14.2.1 update. I have Windows 7 Professional SP1, 64-bit OS, 8 GB of RAM (7.87 GB Usable) and 360 GB free space on the (C:) drive.

Illustrator and Windows Photo Viewer agree. They should, because they're both fully color managed. I assume Photoshop shows the same.
Picasa is not color managed. All bets are off there, it can display like anything under the sun, depending on what color space the file was created in, and how your monitor displays color.
There is a basic checklist for color management issues:
1 - is the application color managed at all?
2 - is there an embedded document profile, and what is it?
3 - what is the monitor profile?
We've established #1. For #2, see in the lower left corner of the Photoshop image window. Click the little arrow and check "document profile". What does it say?
#3 is often the critical one. This is where your calibrated monitor profile should be - but if you don't do that, it's often a manufacturer supplied profile. These are often worse than worthless. The best option here is to use sRGB if you have a standard gamut monitor (like the U2412) - or Adobe RGB if you have a wide gamut monitor (like your co-worker's U3011). Yes, there is a significant difference between these two.
Anyway:
Go to Control Panel > Color Management > Devices. Set sRGB IEC61966-2.1 as your default monitor profile there and relaunch Photoshop:
With this setting, Photoshop, Illustrator and Windows Photo Viewer will display (more or less) correctly. It could still be that the file had the wrong document profile, or none at all, but the file will display correctly as it is.

Photoshop printing colors off when compared to HP printing software

Hello. my printer is an HP photosmart 6510- cq761a-b211a. my os is both windows 7 ultimate 64-bit and Mac OS 10.8.4.
I have scanned .tifs of artwork i am trying to make prints of, i have tried on both computers, and here is the issue i am running into:
Whenever i use the HP software to print by right clicking and selecting print, the colors come out pretty close to where i want them, however, the hp software does not allow many options for centering or sizing prints. If i try to print a 4x6 on 8 1/2 x 11, it does not allow it to be centered or adjusted and it just prints it at the edge.
on the other hand, if i print through photoshop CS4 on the pc or CS6 on the mac, i can select the paper and size and choose all the options of exactly how i want it to print, and it prints correctly, however, the colors are off. they do not look accurate, ex. the reds look like generic red vs the depth of all the reds the hp software catches correctly.
i would love it if i could just use the hp software to print, if it just had more control over the images. it seems to print spot on. but it looks like ill have to use another program, i have tried going through all the photoshop settings and made sure they all match the printer, i have it set that the printer manages the colors and printing, the colormetric options,rgb, and paper all match. i cannot figure out why there is such a huge difference when photoshop is open. ive printed about 35 test images and it isnt working right.
any help is appreciated, thanks

You have to have a calibrated monitor and the image must look right to you on that monitor. Then you let Photoshop manage colors and select your printer profile just below that setting, also you must use Print Settings>Print Settings over to the left to make sure you match the paper type.
You will need to go to G Ballard's site to read up on color management and workflow, bec ause your question indicates you don't understand the concepts.

CS5 print dlg reverts to 'Photoshop Manages Colors'

Hello! I'm struggling with the Print dialog box in CS5 (12.0.4 x64). I want to apply printer color adjustments to a print job. I choose 'Printer Manages Colors' then open the Print Settings dialog for the printer, make the changes I want then click OK. On returning to the Photoshop Print dialog I see that where I had chosen 'Printer Manages Colors' has reverted to 'Photoshop Manages Colors.' If I open the printer properties dialog again I find the settings set to default rather than to the settings I had just previously selected.
FYI, under Printer Profile in the Photoshop Print dialog the printer's ICM profile is selected.
Any idea what is happening? What more information can I furnish here that would be helpful?
My system configuration is:
MOTHERBOARD ASUS P8P67 Deluxe LGA (P67 B3 Rev)
CPU Intel BX80623I72600K Core i7-2600K Sandy Bridge 3.4GHz (3.8GHz Turbo Boost)
DRAM 8GB (2 x 4GB) 240-Pin DDR3 SDRAM DDR3 1333 (PC3 10600) Desktop Memory Model CT2KIT51264BA1339
GPU ZOTAC ZT-40503-10L GeForce GTS 450 (Fermi) 1GB 128-bit GDDR5 PCI Express 2.0 x16 HDCP Ready SLI Support Video Card
PSU Cooler Master Silent Pro Gold Series RS800-80GAD3-US 800W
DRIVE0 (O/S) OCZ VTX3MI-25SAT3-120G Vertex 3 MAX IOPS Edition 2.5" 120GB SATA III MLC Internal Solid State Drive (SSD)
DRIVE1 (Data) Hitachi UltraStar A7K2000 0F10452 2TB 7200 RPM 32MB Cache SATA 3.0GB
DRIVE2 (Apps, Programs & Updates, Web site) OCZ VTX3-25SAT3-120G Vertex 3 2.5" 120GB SATA III MLC Internal Solid State Drive (SSD)
BLU-RAY Burner Lite-On iHBS212
O/S Microsoft Windows 7 Home Premium 64 bit, Service Pack 1
External Drive WD My Book 3.0 2 TB USB 3.0
Keyboard Rosewill Cherry MX Switch (Brown) Mechanical Keyboard
Monitor NEC LCD2190 UXi LCD 'twist' tech 1600 x 1200 ppi.
Printer Epson Stylus Photo R280

you have a choice of Color Sync or Epson (on a Mac
in the "Photoshop Manages Colors" work flow, you shouldn't be concerning yourself with ColorSync (or Epson controls)
you do have Adobe (ACE) set as the Conversion Options: Engine (in Ps Edit> Color Settings> More Options> Conversion Options )?
but let me go over the basic framework of this workflow in CS5:
it may be a wise move to delete your printer from Print & Fax and add it back (as well as updating to the latest driver)
1) Open a copy of WhackedRGB PDI test image in Photoshop
USE THE EMBEDDED PROFILE (do not convert)
confirm the "Document Profile" in the lower-left corner of Ps window
2) File> Print will pull up this window (below)
DOCUMENT PROFILE is WhackedRGB.icc
PRINTER PROFILE is your specific printer/paper/ink ICC profile
RENDERING INTENT (try Perceptual)
BLACK POINT COMPENSATION (try checking this)
if you are using CS6 be sure to uncheck 16-bit color
3) click on Printer Settings... and Printer Settings> Basic to pull up the following screenshot
Media Type is the "type" of paper surface (not an ICC profile)
Color Mode: Off (No Color Management) should be grayed (using Photoshop Manages Colors)
AT THIS POINT HITTING SAVE> PRINT is the correct move to start the printing
you don't need to monkey around the other areas under this basic tutorial
if you want to look at Advanced Color Settings to verify driver color management is "off" (for all practical purposes) -- click on Color Settings and confirm:
here is a more complete EPSON CS5 PRINTING TUTORIAL using an older version of the Epson 7880 print driver
here is a more complete EPSON CS6 PRINTING TUTORIAL
i hope this helps...

Comparison between Photo Deluxe Bus. Edition and current Photoshop programs?

I'm still using Photo Deluxe with Windows XP, and I know the XP emulator on Windows 7 Pro should allow PD to still work, but the next OS may not.
Can someone who's familiar with Adobe Photo Deluxe Business Edition and Photoshop tell me what current version of Photoshop will give me the same abilities as Photo Deluxe Business Edition did? (Or will come the closest.)
If anything possible in Photo Deluxe just CAN'T be done with current Photoshop programs, could you also specify what those lost features would be?

Perhaps this will be helpful from an old thread on web.
"I transitioned from Deluxe 2 to Photoshop Elements (V. 1 and now 2) last year. I do the same kind of projects as you and really enjoy using Elements. Elements is much closer to providing the same functionality as the pricier Photoshop. The interface has less obnoxious "guide me" kinds of presentations that mar Deluxe and allows you to control the amount of application-provided help to a greater degree than with Deluxe. The only thing Elements lacks that Photoshop offers are color management and separation functions for commercial printing.
Elements also has some tricks that Photoshop doesn't, especially the Photomerge feature. This lets you stitch (or rather blend) two or more images into one. I use it a lot in scanning items that are larger than my scanner window. Also great for panoramic shots and artsy collages.
Opinion: Elements is far superior to Deluxe. The clone tool alone is worth the new software."
Note: Believe they are now on Photoshop Elements 11, so should be even better. Still under $100 I believe.

I am unable to open my Photoshop program after installing the entire Creative Suite: Premium Production 6. All other programs work, but with Photoshop it says that the program is "locked or in use by another user". I need this fixed immediately.

I am unable to open my Photoshop program after installing the entire Creative Suite: Premium Production 6. All other programs work, but with Photoshop it says that it "Could not open a scratch file because the file is locked, you do not have necessary access permissions, or another program is using the file. Use the 'Properties' command in the Windows Explorer to unlock the file." Then I select "OK" and the next message comes up "Could not initialize Photoshop because the file is locked, you do not have the necessary permissions, or another program is using the file. Use the 'Properties' command in the Windows Explorer to unlock this file. I installed all of the programs on the same day from a CD. I need this fixed immediately.
I am not interested in switching to Creative Cloud, so don't even suggest it. I spoke to Mashmi (or something to that effect) on the "Support" Chat and there was absolutely no support. Useless actually.
Thanks in advance.

Could not open a scratch file because the file is locked or you do not have the necessary access privileges. (…) | Mylen…
Mylenium

How do I install CC Photoshop Program?

I've been trying to install the CC Photoshop Program on my desktop. I can save it,, but can't install it. Keep getting a 206 error message.

Try Downloading the direct CC installer from this link. First carefully read the download instructions and follow or you'll get access denied. You may just have a bad download.
http://prodesigntools.com/adobe-cc-direct-download-links.html

Why does Photoshop display colors differently from the other applications even in sRGB mode ?

Hello all !
Here is my problem :
Photoshop is set to use sRGB workspace (in edit/colors.../workspace/RVB).
If I understand correctly this is how all native windows applications work.
This means Photoshop and the other applications should display the same colors on a file with a sRGB profile.
Now this is the case until I calibrate my monitor.
When I do, Photoshop colors become different from the other applications (irfanview, explorer, browsers...).
The only way I found to let everything display the same colors is to set Photoshop to use Proofing/RVB Monitor.
What upsets me even more is that Photoshop colors look "better" to me (dark grays seem to dark to me in the other applications.)
I have read that this is because Photoshop takes the new profile into account and others applications do not. But I don't think this is relevant here because everything is in sRGB so the only profile is my monitor's and I think calibration is handled globally by windows : everything (including browsers, explorer, and Photoshop) changes color if I choose to apply the monitor's profile or not with windows color management tool ("use my parameters for this device").
Here is my system configuration :
- Photoshop CS4 (11.0.2)
- Windows 7 64 bits
- HP ZR2440W and DELL 2209WA (these are not wide gamut screens)
I have spent two days trying to figure the logics behind this and really am upset. Any help would be greatly appreciated. Don't hesitate to ask me if there is something that is unclear or some information I forgot to mention.
Thanks in advance,
Yannick

That sounds like an invitation to continue to talk about the issue. Fair enough.
I'm not sure where you're getting "insecurity"... I am just trying to help you help others more effectively.
I invite you to re-read just the first sentence of what you wrote very carefully, putting yourself in the shoes of someone struggling with both the terminology and the concepts:
Photoshop (CMS) reads an embedded ICC profile and CONVERTS it to the custom monitor profile for a theoretical 'true color' display
Think about what "Photoshop (CMS)" might mean to a person who doesn't know the acronym might stand for "Color Management System" (which is I assume what you meant). Adobe themselves don't call it "CMS", they use the acronym "CMM" (Color Management Module). The term "CMS" is used in the computer industry for about a dozen different things.
While a color profile might have been embedded in an image file before it was opened by Photoshop, Photoshop works on documents. A profile is not "embedded" in a document, it is maintained by Photoshop with the document and describes the color values in the document. If Photoshop opens a document without an embedded profile, depending on settings and user choices it might assign a profile or it might even operate on the document without color-management. Oversimplification doesn't help people when they're trying to learn new things unless it's described as such, for example, "This is a bit of an oversimplification..." or "Generally speaking..."
Not every monitor profile is a "custom monitor profile". Quite often a standard profile (e.g., sRGB IEC61966-2.1) is associated with a monitor by the operating system as a default, or a factory profile is installed by a driver package or system update. Your use of the term "custom" is a bit ambiguous and could be read as implying the creation of a profile using a calibration and profiling device specific to the particular monitor.
Photoshop's color management code does not convert an embedded ICC profile at all (read carefully what you wrote). As I said, it transforms color values. That was the key error in your description that prompted me to comment.
If ever there is a time to pick words carefully, it's in a color-management discussion.
-Noel

Printing from CS5, Photoshop Manages Colors

I only do photo quality prints to Epson matte a few times a year so I run test prints with various settings to get what I want. My granddaughters wanted some prints from a web site framed and my wife wanted prints of an emailed photo of their old mountain cabin. I had to do some color manipulation of the cabin, but the web site images had been expertly processed and all I had to do was print properly. I experimented with the cabin image print settings. Epson changed the names of all their papers, so the Epson print profiles in the print dialog didn't match the name on the matte paper box. I deciphered that, but I wasn't happy with the result so I tried two of the other Epson profiles and hated it. There's quite a long list of profiles available, some specific, and some just conventional color spaces like sRGB, aRGB. For the heck of it I tried Pro Photo RGB as a printer to paper profile. The print of the cabinimage with an embedded aRGB profile was everything I could want. I did the web site sRGB images the samwe way and they were really nice.
The puzzle is this: What does using Pro Photo RGB as an instruction to the printer cocerning what it is printing to thru Photoshop even mean? The printer has never heard of the colors possible in Pro Photo, and the source image is in sRGB ( verified by Photoshop). I can conceive that an RAW image should be rendered as aRGB for inkjet and that the inkjet has some blues that are outside the aRGB, but I can't understand telling an inkjet to use Pro Photo to print sRGB.
Maybe gator soup knows what I'm trying to get at.

you have a choice of Color Sync or Epson (on a Mac
in the "Photoshop Manages Colors" work flow, you shouldn't be concerning yourself with ColorSync (or Epson controls)
you do have Adobe (ACE) set as the Conversion Options: Engine (in Ps Edit> Color Settings> More Options> Conversion Options )?
but let me go over the basic framework of this workflow in CS5:
it may be a wise move to delete your printer from Print & Fax and add it back (as well as updating to the latest driver)
1) Open a copy of WhackedRGB PDI test image in Photoshop
USE THE EMBEDDED PROFILE (do not convert)
confirm the "Document Profile" in the lower-left corner of Ps window
2) File> Print will pull up this window (below)
DOCUMENT PROFILE is WhackedRGB.icc
PRINTER PROFILE is your specific printer/paper/ink ICC profile
RENDERING INTENT (try Perceptual)
BLACK POINT COMPENSATION (try checking this)
if you are using CS6 be sure to uncheck 16-bit color
3) click on Printer Settings... and Printer Settings> Basic to pull up the following screenshot
Media Type is the "type" of paper surface (not an ICC profile)
Color Mode: Off (No Color Management) should be grayed (using Photoshop Manages Colors)
AT THIS POINT HITTING SAVE> PRINT is the correct move to start the printing
you don't need to monkey around the other areas under this basic tutorial
if you want to look at Advanced Color Settings to verify driver color management is "off" (for all practical purposes) -- click on Color Settings and confirm:
here is a more complete EPSON CS5 PRINTING TUTORIAL using an older version of the Epson 7880 print driver
here is a more complete EPSON CS6 PRINTING TUTORIAL
i hope this helps...

The workings of Photoshop's color management

Hey guys!
I've been spending some time researching and trying to understand the workings of Photoshop's color management and come across a lot of fuzzy and contradicting information, particularly regarding the Proof Setup. I think I have figured some of it out but (for the ease of my sleep) I figured to ask a couple of direct questions just to be sure. I guess it's more of a curiosity thing.
I'm on a Mac OS X 10.8, Photoshop CS6, calibrated standard gamut monitor, working in sRGB for web.
1) From what I gathered, to achieve as precise color as possible on my display, all I have to do is set Working Space to sRGB or have images with embeded sRGB tag and have my calibrated monitor ICC profile loaded in the OS X. In that way, all the images and colours in Photoshop will adhere to sRGB and my calibration profile will make sure my monitor is actually displaying correct sRGB colours (to the best of it's ability anyways). Correct?
2) I have come across a lot of 'quick tips' where people mention using the Proof Setup > Monitor RGB as a way to monitor colours for web and then I've seen people saying that's not right. From what I understand, the Monitor RGB function strips the embeded tag and ignores the working space of the image, instead showing you the RGB values in the 'native' colour space of the monitor, which in my case would be sRGB-ish. Kinda bypassing Photoshop's color management, but not the display calibration profile. Correct?
3) When viewing an sRGB tagged image, toggling the Proof Setup: Monitor RGB on and off has absolutely no effect. Am I right in assuming that it's because the sRGB tag is getting "switched off" but since the monitor is standard gamut, the native color space is still sRGB?
What I find weird is when I change the display profile in OS X from my calibrated one to, for example, a Generic RGB, toggling the Proof Setup: Monitor RGB has effect - the image brightness changes visibly. If my assumption above was correct, it shouldn't happen, right? Hence my confusion.
Thanks!
Kris

In terms of Calibration, it's useful to keep this in mind: Calibration ideally places a device in a known, desried and repeatable state. In terms of a display, the 'ideal' calibration for most is one in which the display and the print produce a visual match. YMMV a great deal! You can calibrate a display such it doesn't produce a match quite easily, getting calibration to produce the match takes work! If any of the targets aim points (White Point, Luminance and contrast ratio) is less than ideal, the calibration doesn't produce a visual match. See: http://www.luminous-landscape.com/tutorials/why_are_my_prints_too_dark.shtml
In theory, if you didn't need to match the display to a print, you don't have to even calibrate the display for an ICC workflow. But you should <g>. You could simply profile it's current behavior which would work in an ICC workflow because you built a profile that reflects the current display conditions. The display will change over time because a display, unlike say an Epson Pro printer, is unstable and it's behavior will change over time. You need to calibrate or get that display back to it's original condition ideally. With the Epson, it's very, very stable (although I'd point out, not necessarily calibrated ideally, if we had more control over the native driver, we could 'adjust' or calibrate a more linear behavior). So with an Epson, you build a profile on top of the less than ideal driver conditions but the driver and the rest of the system is super stable and consistent. You simply need a profile to define that behavior and you're done. The printer and inks are very stable so you could also in theory place a different driver or RIP and calibrate better behavior and profile.
I'd forget the 'calibrate' a display to sRGB on a modern LCD unit short of perhaps an Eizo or NEC SpectraView system. The sRGB color space is based upon a theoretical CRT display circa 1994 or so, with very defined primaries and conditions. There is no real 'standard' to how one can and should define the display, especially if you want to visually match a print next to the display. The illuminant used to view the print plays a huge role! So providing one set of calibration aim points and expecting all displays to produce a match is pie in the sky. Might be close, might be spot on (I wouldn’t depend on that), might be way off. All explained in the URL above. If one setting worked properly, we'd all use that one setting and calibration products wouldn’t vary from only a few presets (kind of uselss) to products like Eizo and NEC which provide a huge number of options for setting white point as just one example.

I would like to cancel the photoshop program. Order n° AD005353543IT. Thank you

I would like to cancel the photoshop program. Order n° AD005353543IT. Thank you

We're not really going to be able to help you here in this user to user help forum.
My suggestion would be to find an Adobe Sales or Customer Support number and call it ASAP.
-Noel

Replicating Photoshop's Color Blend in Flash

Hi, I'm trying to repllicate PhotoShop's 'Color' blend in
Flash. Flash 8 does not offer a 'Color' blend mode. The closest
that it offers is 'Overlay'.
Do any Photoshop/Flash users out there have any suggestions?
Thanks.
/t

Whoa, stop right there. This is not nearly as complicated as you think.
The monitor profile is used by Photoshop to display the image without any intervention from you. You calibrate and forget it, don't touch that profile. You can work in any color space you like.
The way this works is that Photoshop converts from the document profile to the monitor profile, on the fly, as it displays the image. The calibrator automatically sets the profile as system default for that monitor at OS level, so that Photoshop knows where to look for it.
When you calibrate, two things happen. The first is that the monitor is calibrated to a basic set of parameters: white point, gamma, luminance, black point. This happens either in the video card or internally in the monitor and affects everything globally.
Then a monitor profile is created. This is a complete description of the monitor's response, in 3-dimensional color space, in its calibrated state. Some applications will use this profile, but most will just ignore it.
The reason Photoshop matches other non color managed applications if you use the ColorMunki profile as document profile, is because you then have effectively disabled color management, so everything will behave identically (but not correctly).
Remember, Photoshop converts from document profile to monitor profile. If they are the same, nothing happens, which is exactly what a non color managed application does: absolutely nothing. It doesn't even matter which profile you use as long as they're the same. The net result is always the same: no color management.
EDIT: cross post

My computer broken, help with Photoshop-program!

Hi! Started my membership in creative cloud Photoshop program 3.6.2014. AD005025068FI I downloaded program on my I downloaded program to my laptop computer, which broke yesterday. Two questions, how can I get Photoshop program to another computer use? Can the program be in two of my computer just in case?
t.Kalervo

Yes, you may have it installed on two computers at any one time. Simply install the Creative Cloud app, sign in, and install Photoshop.
Benjamin

Best equivalent to Photoshop's Color Balance dialog

I'm trying to understand what's the most equivalent function to Photoshop's Color Balance dialog in Lightroom 2. e.g. suppose I move the Cyan/Red a bit toward the red to make the image more 'redish'. What LR2 action will produce similar results?
thanks!
David
PS: for reference, this is what the dialog looks like in CS2:

Photoshop does Color Balance with far more detail and multiple-input fine tuning options than LR, obviously. I mean look at the screen shot and all the options available there.
But in very general terms, and often, for many photographs and many shooters, this is all the Color Balance adjustment they need, moving LR's Develop>WB Temp to the right would have a similar effect to moving Cyan-Red to the right. Both should warm the shot. (Try moving these sliders while watching caucasian faces shot in outdoor light in the winter in the north... they'll go from pale to a slightly glowing tan to ruddy. Or white t-shirts or snow will go from a white or bluish-white to a pinkish-white in ordinary daylight.)
Just to keep you on your toes, moving the Tint slider to the left in LR's Develop>WB Tint will give a similar effect to moving Photoshop's Magenta-Green to the right. (YMMV of course, but personally, with a RAW shot taken with a Canon camera and no color profile sliders moved in the camera, I find moving the Tint slider in LR rarely helps a shot look better and so I usually leave that one untouched... but I often do warm shots to varying degrees using the Temp slider. I think some greyscale workers, or some color workers going for highly creative effects, like to use the Tint slider more than I do.)
Photoshop's Yellow-Blue would also, I believe, change the warming effect using different tones than Cyan-Red, similar to LR's Develop>WB Temp, again working in the opposite direction. The advantage of having two sliders that can warm or cool an image in Photoshop is that you can adjust the degree of yellow separate from red in warming, to give more or less of an orange tone to your warming as desired.
Amping up those Color Levels windows in Photoshop might give a similar effect to boosting Vibrance or Saturation in LR>Develop, though in Photoshop you can tinker with separate levels for separate primary tones, which in LR you could only try to approximate with Develop>Camera Calibration.
All these sliders may have unintended effects if your monitor and printer are not calibrated, or to the extent that you're using consumer-priced monitors or printers where color balance can be dicey at best.

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