PhotoShop turning Colors black

My PhotoShop is turning certain shades of green to black, when I click on the image and move it I can see it perfectly while it move...But, after that goes to black as seen above. Any help would be great, its making school work difficult, others can see the source file I send them just fine, just not me.

Crystal ball at the ready... The message from "the other side" is fuzzy, but clarifying... Yes! You have an ATI video card, and you have reasonably up-to-date drivers.
The color-management (or related) programming Adobe runs in the GPU in Normal and Advanced modes is malfunctioning with every ATI released driver since 12.8, which was the last good release.
The good news is that their latest Catalyst 13.2 beta drivers seem to work with Photoshop okay. Or you could uninstall and drop back to 12.8 if you really want to stay with released drivers.
Or, without changing a driver, a workaround is to go into Edit - Preferences - Performance, press the [Advanced Settings...] button, then choose Basic drawing mode. Then close and restart Photoshop.
-Noel

Similar Messages

Photoshop turning to black

I have not had a problem with Photoshop CS4 until yesterday. I saw a message when it opened but closed it (sorry). Either a .jpg or a .gif will make the working area turn black and the image does not appear. It has something to do with the video card - but why now and for what reason. I looked up my Dell Inspiron E1505 video card of an ATI Mobility Radeon X1400 and there are no updates availiable to the driver. What do I do now?? Thanks so much.

That is a old chip. ATI is not updating their drivers for that card. According to the ATI website the last update was 4/10/2007. So unless Dell comes up with some drivers there is nothing you can do. You can try turning off Opengl in CS4 to see if that will fix it.
You have XP or Vista?
32 bit or 64 bit?
Anyways, here is a link telling you what drivers to use with XP. I do not see the X1400 listed. Not a good thing.
Oops, here is the link
http://support.amd.com/us/gpudownload/windows/Legacy/Pages/radeonmob_xp.aspx?type=2.4.2&pr oduct=2.4.2.3.9&lang=English

Transparency copied from photoshop turning black

I have found some images I'm trying to get them into illustrator, however when i drag them from photoshop, or place them into illustrator directly, the transparency turns to black... it shows up find in photoshop, but when i drop it into illustrator it goes to black.. can't figure out how to get this to work. I've been noticing this with a number of images... the one that started it is this: http://opengameart.org/sites/default/files/iso-64x64-outside.png

CHMprepress wrote:
thats becourse your image is a png and is in index color, just make your image RGB or CMYK (depending on the end result you want), save it as native photoshop and than link it in Illustrator
I agree with all of that except, “or CMYK.” Just convert to RGB. If the end result is for printing, let Illustrator handle the RGB > CMYK conversion.

Turn photo black and white and leave one paert color

turn photo black and white with one object color

In order of price here are some suggestions:
Seashore (free)
The Gimp (free)
Graphic Coverter ($45 approx)
Acorn ($50 approx)
Pixelmator ($50 approx)
Photoshop Elements ($75 approx)
There are many, many other options. Search on MacUpdate. You can set Photoshop (or any image editor) as an external editor in iPhoto. (Preferences -> General -> Edit Photo: Choose from the Drop Down Menu.) This way, when you double click a pic to edit in iPhoto it will open automatically in Photoshop or your Image Editor, and when you save it it's sent back to iPhoto automatically. This is the only way that edits made in another application will be displayed in iPhoto.

When i save a file on Photoshop the color turns darker.

Hi everyone,
I have CS6 and when i am working on Photoshop the color is fine and everything shows up how i want. Although when i save the file to a .jpeg the color drastically darkens to a point all my lighter details are lost. I tried emailing the .jpeg and .psd to another computer in my house and it works fine on them.My color settings currently are set to North America General Purpose 2 with sRGB selected. Past this point i don't really know what to try, if anyone has any suggestions on how to resolve this issue fire away please.

Photoshop is a color managed application, and uses icc profiles to maintain color appearance over a broad range of scenarios. This includes both a document profile and a display profile.
Many other applications are not, and all bets are off there unless you take specific precautions. So the question is, what application are you viewing the saved jpegs in outside of Photoshop?
A screenshot showing the two side by side would help pinpoint the exact issue here.

I bought my iphone 5 3 days ago, dropped it without cover by mistake and color turned shinny black to silver from corners

i ordered a cover from amazon, however before it wasnt yet delivered, i dropped my iphone 5 by mistake and the sides (top and down and some corners) turned shinny black to silver. how can i fix that? does the warranty hlep me do that? i dont want my phone to look hit from the first week !any suggestions?

Put it in a case or pay for an Out of Warranty replacement.
Warranty does not cover user damage.

CS6: Can't switch off color management in the printerdriver when photoshop manages colors

So this is weird: I'm using CS6 Extended and Lightroom 5 on a Windows 7 Pro machine, printing to an old Canon Pixma Ip5200R. When i print from Lightroom, i am using a special printer profile for the pixma and my photopaper, so color management is switched off in the printer driver. The photos print fine.
Now when i print the same photo from CS6, it has a magenta color cast, so clearly something is wrong with the color management. Even though i am using the same printer, the same paper, the same printer profile and - of course! - had set photoshop to manage the colors, and switched color managent off in the printer driver. The magenta cast could be an indication that the photo is double colormanaged.
It took my quite a while to find out what happens, and this is really weird: When i re-checked the printer driver settings, i noticed that the color management settings did not stick. The canon printer driver offers the options "driver matching" "windows ICM" "none", e.g. having color management done by the printer driver or windows, or switch color management off. So when i go to the PS print settings and set it to "photoshop manages colors", add the correct printer profile, i have to check the settings in the printer driver and make sure that color management is set to "none". I set it to "none" and click OK. Now everything should be configured correctly. But it's not - because when i re-check the print driver settings, i see color management is set to "diver matching". I can go to the print driver settings again and agian, but whenever i check, color management is set to "driver matching". This setting simply does not stick. No wonder i get a mangenta cast on my prints, the colors are doublemanaged by photoshop AND my printer driver.
Now, this is getting weirder: Only the color management settings don't stick. I can change other settings like print quality and the stick.
But - how do i get rid of this? The culprit seems to be photoshop, not the printer driver. If i print from lightroom, i can change the color management settings in the (very same) printer driver and they stick. When i set the photoshop print dialogue to "printer manages colors" i can change the color management settings in the (very same) printer driver - and they stick! So this looks as if photoshop stops me intentionally from using the correct printer driver settings, that is from switching off the printer drivers color management if it is set to manage colors.
I have already resetted my personal photoshop preferences, but this changed nothing. What am i missing? What is going wrong? Your help is very appreciated.
Tobias

Hi all, Just to let you know that I finally solved my problem myself.
Essentially what had occurred was that I had updated my Epson driver for my printer , but it hadn't installed, despite informing me that it had! To cut a long story short when I checked in System preferences the older driver for Leopard O/S was still the current driver. I proceeded to ask Epson support for assistance, bu despite their efforts I could not immediately resolve the problem. They were directing me to my Utilities program to remove all traces of my current driver from Printer Utility which did not exist. When I queried this they stated it was not always visible and I should proceed to the next step then install the new driver. Problem was they required me to access this invisible utility in order to complete this process, and yes before you ask I had informed them I was using an Intel Mac with Snow Leopard 10.6.2 O/S. Finally I ignored their advice and took the following steps:
1. I opened System Preferences and double clicked the Printer & Fax icon.
2. I highlighted my Epson R2400 Pinter and removed it by clicking the minus sign at the bottom of the Printers window.
3. Next I did a search and deleted any old drivers for my R2400 that were on my system with the exception of the new Driver.
4. I restarted my Mac Pro.
5. I reinstalled my new printer driver which I had previously downloaded from Epson Support.
6. I restarted my Mac Pro and found that the new driver had installed correctly and full functionality had been returned to the Print Features Dialogue box i.e I could now turn of color management and access advanced features to set the quality of printing using the full spec of the R2400.
Hope this post will be helpful to others if they have a similar problem
Regards Denis
Message was edited by: Denisimo
Message was edited by: Denisimo

CS5 print dlg reverts to 'Photoshop Manages Colors'

Hello! I'm struggling with the Print dialog box in CS5 (12.0.4 x64). I want to apply printer color adjustments to a print job. I choose 'Printer Manages Colors' then open the Print Settings dialog for the printer, make the changes I want then click OK. On returning to the Photoshop Print dialog I see that where I had chosen 'Printer Manages Colors' has reverted to 'Photoshop Manages Colors.' If I open the printer properties dialog again I find the settings set to default rather than to the settings I had just previously selected.
FYI, under Printer Profile in the Photoshop Print dialog the printer's ICM profile is selected.
Any idea what is happening? What more information can I furnish here that would be helpful?
My system configuration is:
MOTHERBOARD ASUS P8P67 Deluxe LGA (P67 B3 Rev)
CPU Intel BX80623I72600K Core i7-2600K Sandy Bridge 3.4GHz (3.8GHz Turbo Boost)
DRAM 8GB (2 x 4GB) 240-Pin DDR3 SDRAM DDR3 1333 (PC3 10600) Desktop Memory Model CT2KIT51264BA1339
GPU ZOTAC ZT-40503-10L GeForce GTS 450 (Fermi) 1GB 128-bit GDDR5 PCI Express 2.0 x16 HDCP Ready SLI Support Video Card
PSU Cooler Master Silent Pro Gold Series RS800-80GAD3-US 800W
DRIVE0 (O/S) OCZ VTX3MI-25SAT3-120G Vertex 3 MAX IOPS Edition 2.5" 120GB SATA III MLC Internal Solid State Drive (SSD)
DRIVE1 (Data) Hitachi UltraStar A7K2000 0F10452 2TB 7200 RPM 32MB Cache SATA 3.0GB
DRIVE2 (Apps, Programs & Updates, Web site) OCZ VTX3-25SAT3-120G Vertex 3 2.5" 120GB SATA III MLC Internal Solid State Drive (SSD)
BLU-RAY Burner Lite-On iHBS212
O/S Microsoft Windows 7 Home Premium 64 bit, Service Pack 1
External Drive WD My Book 3.0 2 TB USB 3.0
Keyboard Rosewill Cherry MX Switch (Brown) Mechanical Keyboard
Monitor NEC LCD2190 UXi LCD 'twist' tech 1600 x 1200 ppi.
Printer Epson Stylus Photo R280

you have a choice of Color Sync or Epson (on a Mac
in the "Photoshop Manages Colors" work flow, you shouldn't be concerning yourself with ColorSync (or Epson controls)
you do have Adobe (ACE) set as the Conversion Options: Engine (in Ps Edit> Color Settings> More Options> Conversion Options )?
but let me go over the basic framework of this workflow in CS5:
it may be a wise move to delete your printer from Print & Fax and add it back (as well as updating to the latest driver)
1) Open a copy of WhackedRGB PDI test image in Photoshop
USE THE EMBEDDED PROFILE (do not convert)
confirm the "Document Profile" in the lower-left corner of Ps window
2) File> Print will pull up this window (below)
DOCUMENT PROFILE is WhackedRGB.icc
PRINTER PROFILE is your specific printer/paper/ink ICC profile
RENDERING INTENT (try Perceptual)
BLACK POINT COMPENSATION (try checking this)
if you are using CS6 be sure to uncheck 16-bit color
3) click on Printer Settings... and Printer Settings> Basic to pull up the following screenshot
Media Type is the "type" of paper surface (not an ICC profile)
Color Mode: Off (No Color Management) should be grayed (using Photoshop Manages Colors)
AT THIS POINT HITTING SAVE> PRINT is the correct move to start the printing
you don't need to monkey around the other areas under this basic tutorial
if you want to look at Advanced Color Settings to verify driver color management is "off" (for all practical purposes) -- click on Color Settings and confirm:
here is a more complete EPSON CS5 PRINTING TUTORIAL using an older version of the Epson 7880 print driver
here is a more complete EPSON CS6 PRINTING TUTORIAL
i hope this helps...

Printing from CS5, Photoshop Manages Colors

I only do photo quality prints to Epson matte a few times a year so I run test prints with various settings to get what I want. My granddaughters wanted some prints from a web site framed and my wife wanted prints of an emailed photo of their old mountain cabin. I had to do some color manipulation of the cabin, but the web site images had been expertly processed and all I had to do was print properly. I experimented with the cabin image print settings. Epson changed the names of all their papers, so the Epson print profiles in the print dialog didn't match the name on the matte paper box. I deciphered that, but I wasn't happy with the result so I tried two of the other Epson profiles and hated it. There's quite a long list of profiles available, some specific, and some just conventional color spaces like sRGB, aRGB. For the heck of it I tried Pro Photo RGB as a printer to paper profile. The print of the cabinimage with an embedded aRGB profile was everything I could want. I did the web site sRGB images the samwe way and they were really nice.
The puzzle is this: What does using Pro Photo RGB as an instruction to the printer cocerning what it is printing to thru Photoshop even mean? The printer has never heard of the colors possible in Pro Photo, and the source image is in sRGB ( verified by Photoshop). I can conceive that an RAW image should be rendered as aRGB for inkjet and that the inkjet has some blues that are outside the aRGB, but I can't understand telling an inkjet to use Pro Photo to print sRGB.
Maybe gator soup knows what I'm trying to get at.

you have a choice of Color Sync or Epson (on a Mac
in the "Photoshop Manages Colors" work flow, you shouldn't be concerning yourself with ColorSync (or Epson controls)
you do have Adobe (ACE) set as the Conversion Options: Engine (in Ps Edit> Color Settings> More Options> Conversion Options )?
but let me go over the basic framework of this workflow in CS5:
it may be a wise move to delete your printer from Print & Fax and add it back (as well as updating to the latest driver)
1) Open a copy of WhackedRGB PDI test image in Photoshop
USE THE EMBEDDED PROFILE (do not convert)
confirm the "Document Profile" in the lower-left corner of Ps window
2) File> Print will pull up this window (below)
DOCUMENT PROFILE is WhackedRGB.icc
PRINTER PROFILE is your specific printer/paper/ink ICC profile
RENDERING INTENT (try Perceptual)
BLACK POINT COMPENSATION (try checking this)
if you are using CS6 be sure to uncheck 16-bit color
3) click on Printer Settings... and Printer Settings> Basic to pull up the following screenshot
Media Type is the "type" of paper surface (not an ICC profile)
Color Mode: Off (No Color Management) should be grayed (using Photoshop Manages Colors)
AT THIS POINT HITTING SAVE> PRINT is the correct move to start the printing
you don't need to monkey around the other areas under this basic tutorial
if you want to look at Advanced Color Settings to verify driver color management is "off" (for all practical purposes) -- click on Color Settings and confirm:
here is a more complete EPSON CS5 PRINTING TUTORIAL using an older version of the Epson 7880 print driver
here is a more complete EPSON CS6 PRINTING TUTORIAL
i hope this helps...

Replicating Photoshop's Color Blend in Flash

Hi, I'm trying to repllicate PhotoShop's 'Color' blend in
Flash. Flash 8 does not offer a 'Color' blend mode. The closest
that it offers is 'Overlay'.
Do any Photoshop/Flash users out there have any suggestions?
Thanks.
/t

Whoa, stop right there. This is not nearly as complicated as you think.
The monitor profile is used by Photoshop to display the image without any intervention from you. You calibrate and forget it, don't touch that profile. You can work in any color space you like.
The way this works is that Photoshop converts from the document profile to the monitor profile, on the fly, as it displays the image. The calibrator automatically sets the profile as system default for that monitor at OS level, so that Photoshop knows where to look for it.
When you calibrate, two things happen. The first is that the monitor is calibrated to a basic set of parameters: white point, gamma, luminance, black point. This happens either in the video card or internally in the monitor and affects everything globally.
Then a monitor profile is created. This is a complete description of the monitor's response, in 3-dimensional color space, in its calibrated state. Some applications will use this profile, but most will just ignore it.
The reason Photoshop matches other non color managed applications if you use the ColorMunki profile as document profile, is because you then have effectively disabled color management, so everything will behave identically (but not correctly).
Remember, Photoshop converts from document profile to monitor profile. If they are the same, nothing happens, which is exactly what a non color managed application does: absolutely nothing. It doesn't even matter which profile you use as long as they're the same. The net result is always the same: no color management.
EDIT: cross post

Question about HSL Develop Controls vs. Photoshop Selective Color

Im an advanced Photoshop user and I enjoy shooting landscapes, macros and abstracts. Ive just started to experiment with Lightroom and have used it to process several hundred shots from a recent trip to the California Coast.
Even though my usage of the next Develop controls in Lightroom is still pretty limited, I find the new Basic Develop and Tone Controls to be very intuitive to use and Im getting better results than I could from Adobe Camera Raw 3.7 and earlier. Therefore, kudos to the Lightroom team.
But, I also have some questions regarding the HSL controls and what seems to be an omission of some useful functionality. To help with framing my question lets assume that we have shot of a waterfall in the forest. The waterfall is in partial shade and the rest of the scene is in partial to full sun. Also the histogram for image indicates that a blend of several bracketed images isnt needed to deal with the overall dynamic range within the scene.
If I was processing this shot in Photoshop, I would likely adjust the overall White Balance / Exposure / Black Clip / Contrast / Brightness in Camera Raw and then finish the image within Photoshop. Since the water of the waterfall described above is in the shade, it will likely have a color cast relative to the White Balance that I set for the rest of the image that is full sun.
With Photoshop, I would often set a couple of sample points and then use a Selective Color layer to correct for the color cast in the whites of the water and to neutralize the blacks in the shade. I would also sometimes increase the amount of black in the Selective Color Blacks tab to enhance the image contrast. These adjustments could have layer masks associated with them but for this example lets assume that the dont need any mask. Thus, I would hope that I could accomplish the same type of globally based whites and blacks color cast removal within Lightroom but I cant seem to find a way to accomplish this.
With Lightroom, I see that there are a set of HSL controls that should be able to handle much of what Selective Color could handle on a global level within Photoshop but I dont see any controls to deal with the Whites or Blacks. Am I missing something? Is there a way to accomplish the type of correction that I described above with Lightroom or am I going to have to take the image out to Photoshop and use Curves and/or Selective Color?
Dave

Fred, Richard - Thanks for responding.
I've tried the TAT tool but it only controls the colors controlled by the sliders in the HSL palette. Therefore, it doesn't seem to have any affect on the hue of the whites or blacks in a picture.
Regarding selective editing, I realize the the controls within Lightroom are global but unless I use a Layer Mask the Selective Color functionality within Photoshop is also global. That is, if I change the hue of the blacks then all blacks are affected. Hence, it seems to me that the HSL controls within Lightroom and the CYMK controls within Selective color can be used to do much the same thing. The big difference is that the Selective Color control set include the ability to adjust blacks and whites but this isn't included within Lightroom.
I also posted my message in the ACR forum as ACR 4.0 is going to include the same set of controls that the Develop module in Lightroom contains. Someone there suggested that I might be able to use the split toning controls to warm up the shadows and I will give this a try. I also plan to post in the Feature Requests Forum.
Thanks again for your help.
Dave

TIF thumbnails initially populate, but turn 80% black when I "Open With PS"

I'm scanning photographs with a relatively-new Epson 10000XL scanner. I save the scans as ~300MB TIFs, copy the entire folder, then crop the copies with Photoshop CS5 12.0.3 on a Win XP 2.2GHz Pentium Dual Core CPU with 3.25GB RAM. The crop goes fine and the the save seems to go fine. Filesize of all cropped files is consistent. A few days later, I notice the image is 80-90% black, with only the top strip OK. This happens to about 15% of the images I've scanned. The original scans are always OK, so I think I can rule out the scanner. The cropped image thumbnails look good in Bridge, but when I right click and "Open with PS", the thumbnail turns 80% black and an 80% black TIF shows up in Photoshop...baffling. Sometimes half the image is black, but usually it is mostly black. Always, it is the bottom area of the image that is black. I can rescan and recrop the image, but a 15% rescan rate at 6-7 min/scan is killing me. What the devil is causing this? Is this a hardware issue, and if so, is it a RAM deficiency? Defective RAM? Defective hard drive? Conflicting software? Whimpy graphics card? Something else?

Replies to Curt and Omke:
In original post you said you were running Win XP, so it that home computer and work is Win7?
Work PC = Win XP, Photoshop CS5, Dual-core processor and 4 GB RAM. Home PC = Win7, Photoshop 5.0, Quad-core processor and 4GB RAM. Both are 32-bit OS. I cropped and saved 20 of these TIFs on the home Win7 machine, and had no problems with black images at any time. I tested those same TIFs on a work machine that is identical to my Win XP work machine, and had lots of problems with them turning black. This suggests that the OS, video card and/or CPU are causing trouble on the work machine, not necessarily the RAM. It doens't seem to be a problem unique to my PC, but rather to all the PCs that are just like my PC (our organization buys in bulk, and we all have identical PC setups).
Most likely it is the RAM. With a 64 bit machine you are really handicapping yourself with 4 gigs. You also need a good deal of space on the scratch disk, so make sure you have ample free space.
I have 62GB out of 150GB free on C drive, but it’s fragmented. Will try defragmenting to see if that helps. I think, with my 32-bit Win XP, I am limited to 4GB, right? Does a 64-bit system have that much improvement over 32-bit?
Graphics card is the other likely suspect.
On the work PC that is causing me trouble, graphics card= ATI Radeon HD 3450.
In Bridge go to advanced preferneces and check "use software rendering". That will help if graphics card is underpowered.
That will help with what, exactly? Will that help avoid corrupted files? It seems like the problem lies in Photoshop, not necessarily with Bridge.
In photoshop go the edit/kpreferences/file handling and make sure Open GL is not checked.
It was checked. I unchecked it, but still had images turning black on me when I cropped and saved them.
Your files are still OK, they only show not good in Bridge? or are they all damaged?
~15% of cropped scan tifs open mostly black in PS and Windows Explorer, and open mostly black in Bridge full-screen preview also. The other 85% look OK in all programs. The 15% initially look OK as thumbnails in Bridge, but after ~30 min, or if I try to open them in PS or full-screen preview, they turn mostly black. It would appear to me that those 15% of cropped scan files are corrupt, and perhaps only look OK in Bridge initially because Bridge is accessing some embedded low-resolution preview, then later updating the preview using the actual image file, but I’m not sure on that last point.
You state to have PS 12.0.3 in, while I'm on a Mac I have 12.0.4 installed s the latest so first try a software update.
That’s a pretty involved process with our IT dept. I don’t have Admin privileges to do that, but I’ll raise the issue.
Also check your PS performance settings. If you have only 4 GB RAM installed and you did point PS to more then the default and having some other applications open you will become soon short of RAM. (Bridge pointed to that already)
This is a point of confusion for me. PC specs list 3.25GB RAM, but in PS prefs, “Available RAM: 1691MB, of which 71% (1201 MB) is allowed for PS use. I would think PS would at least recognize all the PC RAM as available, but this is also the general trend on my home PC where PS doesn't recognize all the RAm that Windows does...must be a distinction between total RAM and available RAM.
In Bridge Prefs the default setting for maximum file size to build HQ preview is 1GB. Could you check if this is also your case?
Yes, that is the case.
And I also agree with Curt that if you have multiple files open with that size your machine specs should be above average, and you should have at least 10 % free space on your HD.
I’m running at about 50% free HD space, though fragemented. I would like to make some sort of recommendation to IT about a system upgrade, and it seems like a better processor is a key factor, followed by the OS and graphics card. Without going to a 64-bit system, I believe I'm maxed out on RAM, but correct me if I'm wrong. Our organization prefers everyone to be on the same OS, which is why we're all still on WinXP.

File keeps turning colors, pixelating when adding content or scrolling down

Dear all,
I have a problem with my file - for some reason the background, which I have inserted from Photoshop keeps pixelating and turning to a bright green, whenever I add things to the file. When I started out working on it it did not, but the more I add the more it turns and I can not get it to turn back. It starts in Patches and then spreads throughout the document, I don´t know how to better describe it. I´m adding a screenshot, maybe you can help me. The green you see in the middle is the one it is supposed to be. In this shot it just started turning and will then spread. It is worse when a photo is involved, because then the photo uses will also turn colors.
Really hoping someone knows what went wrong.
Kind regards!
A.

That's a pretty complex file. When was the last time you did a Save AS to remove old and inaccessible change information?
I've never seen any color anomalies, but it's not rare for me to see preview degradation, which I've traced to lsft/right scrolling using my mouse's tilt wheel. I'm able to restroe the view by holding the Alt + Spacebar keys to get the Hand tool and clicking anywhere on the page,so I'm curious if that works for you, too.
Finally, I'd recommend exporting this to .idml to clean up any crud in the file. See Remove minor corruption by exporting

Converting 4-Color Blacks to 100% Black

Is there a way to convert 4-Color Blacks(Rich Blacks) to 100% Black? For example today I got a file that was CMYK 4 Color however the blacks in the PDF file were not 100% Black is there a way to convert the 4 Color Blacks to 100% black in Acrobat? I don't want the whole PDF to be Greyscale. I still want the color but I want to specifically target the 4 color blacks and turn them to 100% black. Can this be done? I am using Acrobat 8.

It's possible but not easy.
You first need to identify exactly what the "rich black" in the document is - 4-plate CMYK, RGB, etc. then create a Preflight Check that finds only that color combination, with a second item in the check to filter only by text objects.
You can then use it as the trigger item for a Convert Colors preflight fixup, applying something like a dot gain 30, which will blow the rich black out to 100K.

CSS code turn to black

well i did something wrong, but couldn't find it out by
myself.
On my CSS File folder i have abccss.css file.
it had icon just like file icon, but now that icon disappear
and on CSS page all my code turn to black
no more blue or red color.....
i did i do.....
thanks for reading this email

Link please.
"wefollow" <[email protected]> wrote in
message
news:emn26r$s06$[email protected]..
> Please help.....
> I have three sites and all my CSS code turn to black
from color code.
> also icon from mycss.css file turn little window icon
with color.
> thanks

PhotoShop turning Colors black

Similar Messages

Maybe you are looking for