Pictures rotated 90 degrees after separation in Photoshop

In an InDesign CS3-document all the pictures were RGB. I separated them in Photoshop CS3, saved them with same name and updated in InDesign. All the pictures that were rotated in the document got an extra 90 percent rotation. Pictures not rotated were not affected. Seems like a bug to me, but could not find any topic on it when searching this forum. Anybody knows?

I think this can have something to do with if the software reads the EXIF from digital images or not. My Canon can add some info to the image if the camera was held in portrait or landscape orientation when shot.
If portrait, they rotate automatically when opened in Photoshop, which I guess reads that info from the EXIF-data. But if placed directly in InDesign, they come in as landscape so I need to rotate them there. If I then edit original in Photoshop they take an extra turn when updated in Indesign needing to be rotated again.
Needles to say, that particular feature is now disabled in the camera.

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HP5590 after scanning to PDF, outcome rotates 20 degrees

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That's a strange one for sure Have you had a chance to try HP's Print and Scan doctor to see if it'll fix it automatically?
www.hp.com/go/tools
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If this reply also fixed your issue - please click the "Accept as Solution" button, so that others can find the same answer. ***

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I'm using Lightroom 1.3 and Photoshop CS3 with all the current updates. This problem was the same in LR1 and PS CS2.
I have a mix of orientations in the JPEGs in my library - portrait and landscape. When the photos are imported into LR they appear correct. If I select a bunch of them, open them in PS (using Edit in Photoshop > Edit Originals), run a noise filter, save them, and then go back to LR, the previews for the portrait images are rotated so that all the previews show as landscape.
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This is most of the reason why I was writing all the metadata into to files until now. I would write the metadata before editing in PS, do my PS edits, and then back in LR I'd "Read the Metadata" from the files to set everything correctly in LR. But of course now that I'm working with Leopard I get screwed if I do this because my files will crash the Finder.
To top it all off, I've run into the "...cannot be saved because the file is in use" problem with some files I opened last night.
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I really appreciate your explaining this Jao.
I'm going to explain how I got into this situation, in the hopes that it may prove useful to someone (I'm looking at you, Adobe) who wants to understand how the app is being used in the real world.
So as not to break up the narrative, let me just say that I'd be happy (ecstatic, actually) if I could use Lightroom for my entire workflow, but the noise reduction filter in LR is just nowhere near as good as NoiseNinja. (A problem shared by LR, PS, and Aperture.) If I could run NN from inside LR, that would rock.
Oh, and I shoot JPEG because I shoot live events where the lighting is usually crap and I need to be ready at any moment for something interesting to happen. Shooting RAW would be nice, but it's too slow and takes up way too much space.
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1. import all photos from source (usually memory cards)
The photos go onto a drive reserved for photos. I shoot events, so everything is organised by date-event. On import I set filenames (date - event name - time stamp.jpg) and keywords.
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In doing it this way I can protect myself if I need/want to change my cataloguing application. I'm on my fourth one at this point (Lightroom) and while I am generally finding that LR is meeting my needs more than anything else I've tried, I've been burned in the past (how many of us have regretted letting Aperture put all our photos into an incomprehensible database/folder hell?)
The Picks/Originals structure makes sure that the originals never get touched (because it doesn't show up in LR) and I can quickly find the Picks.
I -was- writing the metadata to the files so the ratings, keywords, and IPTC info was where it should be - attached to the photo. I've stopped doing this for the time being until this whole Finder-craching debacle is corrected.
So why am I not using LR's built "Edit - Copy"/stacking function, which more or less duplicates my process?
Well part of it was my own dumbness - Aperture made the edited copy/variation a Photoshop file, which ballooned my collections with staggering speed. I'm not sure if LR used to do the same thing, or I just made the assumption. My mistake.
The other part of the problem is just the simplicity of having an Originals folder that is effectively ignored. Using LR will mix the "-edited" files in with originals, which is not as efficient or elegant a solution, but I'll give it a whirl.
Thanks for your suggestion. If giving up my Picks/Original process solves the rotation problem then perhaps it's a fair trade.
Still, it seems that the right hand is somehow oblivious to what the left hand is doing in the whole PS/LR thing, and that it ought not work that way.

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Thanks MTD,
It is indeed one good trick ...
From your timeline, it seems that you applied a transition after each clip. Can I know why & what transition you applied ?
Can you please elaborate what you meant by "I changed the last keyframe in the last clip to a Smooth" ?
Thanks again ...
Cheers
Meg The Dog wrote:
Hi -
While Mr. Wolsky is absolutely correct that you need the other software to do the effect you describe correctly, I believe you can make an approximation of what you want using FCE. Whether or not it passes the smell test is up to you.
You can see a clip I made [HERE|http://www.spotsbeforeyoureyes.com/3DTurn_Example.mov]
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!http://www.spotsbeforeyoureyes.com/3dTurnTimeline.jpg!
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Pictures rotated 90 degrees after separation in Photoshop

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