Playback and encoding problems premiere pro cs6 and lightroom4

BIG BLOCKY ARTIFACTS
the problem ocours in all videos(every 1sec) i recorded in my dslr d5100. 1080p 30fps .mov files. in media player classic it play flawless all videos as seen in my pics.
how to fix it? i tried unstalling codecs and nothing. will try installing quicktime. i think its codecs or maybe hardware.
my pc is i5-2500k gpu gtx560 8gb ram.
please help me. thanks

[URL=http://www.4shared.com/video/94VvVdUM/0511_videogasometro_002.html][IMG]http://dc584.4shared.com/img/94VvVdUM/0.4382360316505566/0511_videogasometro_002.MOV[/IMG][/URL]
its 280mb, original. worst artifacts at 13secs.

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Premiere Pro CS6 and Media Encoder CS6 Color shift on export

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My footage is shot with the Canon 1D Mark IV shot 1920X1080 at 24 FPS
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Benjamin Peterson wrote:
I started my career as a photographic retoucher and use photoshop and light room constantly so I am pretty confident that i know color. I also calibrate my Lacie 526 and Lacie 324i montiors monthly as well as have a sensor that will slightly shift the profile depending on the time of day.
I've been doing this for a few years now, and have come to some conclusions. Basically, the difference between still photography and video is like the difference between playing the trumpet and the sax. What you bring to the sax from playing trumpet is your ability to read music, what you know about composition, blending while playint with others, ect. But playing trumpet tells you nothing about how to physically play a sax. So it is with still photography and video.
For starters, your carefully calibrated computer monitor is just that, a computer monitor. It doesn't display the correct working space for video. What you need for WYSIWYG in video is a monitor that can show you the Rec.709 working space. Rec.709 has a different gamut, a different gamma, probably a different white point (D65), different phosphor colors, etc., etc., etc. Enought differences that it's difficult to make a computer monitor that can successfully display Rec.709. Yet there are a couple of computer monitors that can do this (a few Eizos, one HP). The vast majority of people doing serious color correction work in video use a production monitor for just this reason.
But a production monitor isn't enough. You also have to make sure that the signals you're sending the production monitor are correct. There's a sub-industry making signal converters for signals from NLE video cards (usually RGB based) -> signals for production monitors (usually YUV based).
That said, it is certainly possible to get a very good match between your NLE suite and a DVD / BD as displayed on an HDTV. But it's not as simple or easy as a calibrtated computer monitor for still photography use.
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Greetings.
After a few browsing sessions, I haven't found direction for a specific problem within a project bloat. First and foremost; we're always backed up. I have a restoration copy of the project that I will reference herein. Check that off the list.
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REALLY_ Mac has a history of being more stable than PC with Premier ...
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Re: Project Bloating and Repair in Premiere Pro CS6; Max Project File
Size? Adobe Coders Welcome...
created by joe bloe premiere
(http://forums.adobe.com/people/joebloepremiere) in Premiere Pro - View the full discussion
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Playback and encoding problems premiere pro cs6 and lightroom4

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