Please help me with export settings and format

I'll try to explain my problem the best I can. I recently captured some footage from old VHS tapes to use in a Christmas video. I imported one of the MPGs that I captured to AE and applied a grain removal plus a couple other lighting effects to the video to improve the quality as well as I could. When I went to export it (through the render que) I found myself confronted with a huge amount of format options and after doing some reading online thought a Quicktime .MOV file with Photo JPEG compression would give me a reasonable size video but after doing the math (an a bit of the rendering) realized that my 2 hour video, that was originally only around 6GB was being converted into a .MOV file that was around 80GB, which is too large for my HDD. Now, I would love to go out and purchase a 1TB SSD right now but I can't currently afford it. I need to end up with a file as close to the original file size as possible but with the grain removed, and the highest quality (for the file size) and just need to know the best settings to use to accomplish that. I looked around for several hours and couldn't find a quick and easy answer like "just export a MPEG 2 file" with ..... settings. The file is going to be imported into Premiere for final edit with several others that are probably going to need the same adjustments. It will then be exported to a 1080p BluRay (with an HD photo slideshow). Also I am using Production Premium CS4, if that makes any difference.
Any quick tips about the grain removal effect would be greatly appreciated as well. I'm currently using a removal amount of .8 with the effect running 6 passes. I also changed the texture setting under "fine tuning" to .4.  It's a little blury but MUCH better than grainy, and about as good as I can expect from a 25 year old VHS. If you've used this effect before and know a couple little tweaks I could apply to make the video a little sharper (without the grain) that would be amazing.
Thanks in advance.

The file size is defined by bitrate. The winners among production codecs regard to 'quality / render time / file size' ratio, DNxHD and ProRes, utilise almost identical bitrate: up to 440 Mbps while encoding with 4:4:4 colour subsampling and up to 220 Mbps while encoding to 4:2:2. Do some math, and you'll end up with 90-200 GB/hour.
So, the only option to save on disk space is to utilise highly compressed codec like H.264. With target bitrate set to 100 Mbps (you can set the bitrate in the Export Settings dialog) the quality loss might look affordable (don't remember if you can encode to Level 5 on CS4 though).
If you eventually choose H.264 (working with which on CS4 might in turn result in a nightmare), do not export to H.264 from AE directly. Export to H.264 via AME...

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