Plug-in Preset ?

Ok, Im a noob to Logic Pro 7. I come from the ProTools LE World. Anyway, I had 1 question pop up while perusing around in Logic, and mixing some previously recorded, imported music......
Its always been taught that when EQ ing tracks you want to take away more than add....... So my question is..Why does almost every EQ preset boost frequencies instead of cutting unwanted frequencies. I know its just starting points, but was just curious. Maybe one of you Logic Jedi Masters could brief me on why that may be.
Ok till my next Noob question later, and thanks for any and all comments......er except for flames.. : )
G4 933   Mac OS X (10.4.4)  

Music/ producers have been lazy this days simply because of presets
everyone wants presets to do their thing for them, y'all need to remember that those presets are there as just demos to show you what the plug-ins can do not what you are supposed to do
back in Analog days and still is, there where no presets, do it by ears was what they call it
which means you need to learn your hardware and understand what each button / knobs/ faders were for
different songs requires different settings
different engineers requires different settings
and different people have different ways of hearing things
have you thought about maybe those presets were setup on a Slap Bass which was originally about -12db then they EQ and compress to their need and save the settings in there for you
but now you got logic and you are trying to use the same settings or channel strips on a sub which is like -3db
what would you get if you do that ( Distortion or muffled ) and no space or room for other sounds
this applies to the mastering settings as well
not all songs are the same
I always start the EQ / Compressor off Flat then work my way up or down
the whole theory about " its better to cut than boost is cool but sometimes it doesn't apply to everything
let your ears and skills be the judge
hip hop needs more punch a lil distortion and really PUMPED
whereby classical music will be opposite to that
so you need to mess around with the plug-ins and understand what is what and whats good for you
presets is not always the answer
If you switch the Auto gain on, thats not the end of everything, you got the Gain contol, threshold, attack, release, ratio, knee, (PEAK/RMS), and the output clip to mess with as well
its all of this things that make up a compressor
try all of them and see whats good
and it helps alot if you know what they means and what they do
so read the plug-ins manual if you have to, to help your skills
or to make it even better you can even use the side chain to help control the volume as well
all this counts
there is alot to logic that presets, presets are there to guide you not to do it for you
stash

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    When Select All is used within a Score Set, the selection is now properly limited to regions within the Score Set.
    Tooltips no longer sometimes obscure the guidelines when inserting elements into the Score.
    The bar positions of SMPTE locked notes now update properly in the Score after the tempo is changed.
    Pressing the Control key now allows for finer granularity when editing Duration Bars in the Score.
    Undo now works after pasting Staff Styles.
    Undo now works after changing the Low or High note value in a Staff Style.
    In page view, the Score now correctly updates to reflect a different paper size selected in the Page Setup window.
    Track names are now reliably shown in Page View when the track contains overlapping regions.
    Drag handles now remain visible at all zoom settings when dragging parts into the Score in linear view mode.
    Adding special bar lines next to added clef or signature changes in linear view mode no longer causes the bar lines and clef or signatures to overlap.
    The mouse cursor now reliably shows the currently active tool in the Score.
    The Score now displays as expected after scrolling vertically at high zoom settings.
    Copy/paste of notes across multiple staves in the Score now works properly.
    Custom colors defined in the Score Layout window are now recalled properly when Logic is relaunched.
    The text cursor is now easier to see in various fields in the Score window.
    The Display Level button in the Score now follows the entire Score hierarchy when an Instrument Set is in use.
    The cursor now displays the Length Change tool when held over the end of a Duration Bar in the Score.
    It is again possible to assign no clef or a drum clef to non-mapped score styles.
    Plug-Ins
    Importing plug-ins to a track no longer unexpectedly changes the input source on the track.
    The pitch of notes held when using Sculpture or ES2 are no longer sometimes shifted when using non-Equal Tempered tunings.
    Moving the Delay slider in the Note Repeater MIDI plug-in while notes are repeating no longer results in hung notes.
    The cycle length in the Arpeggiator plug-in now reliably updates when set to Grid mode.
    Recall Default now works with the Delay Designer plug-in.
    Recall Default now works properly with Audio Unit plug-ins.
    It is now possible to activate bypass on plug-ins that are not currently available.
    When the I/O configuration of a plug-in is changed, its editor no longer opens.
    The timing of multi-output software instruments is now maintained when latency inducing plug-ins like the Ad-Limiter are used on the main output.
    Audio files created by the "Export All Tracks as Audio Files" command now maintain proper sync in projects where high latency plug-ins are used in Summing Stacks.
    The Expander plug-in no longer sometimes introduces audio crackles with certain source signals.
    With Beat Sync disabled, the Course Rate control in the Auto Filter plug-in again behaves as expected.
    Audio now plays reliably from tracks in which there are two Tube Burner pedals inserted in the Pedalboard plug-in.
    VoiceOver now works reliably to activate Smart Controls for the Vintage Clav and Vintage B3 Organ plug-ins.
    Improves the behavior of Smart Controls when used with Voiceover.
    The stand-alone Smart Controls window now properly remembers its last state when reopened.
    When editing vector points in ES2 in loop mode, all envelope values are now properly shown as percentages when the envelope is time-synced.
    Shift-clicking can again be used to insert a vector point in the ES2 Vector Envelope.
    In the ES2 Vector Envelope, the Delete Selected Point contextual menu item again works as expected.
    EXS instruments created in EXS24 MK I no longer exhibit unexpected random velocities when played.
    Logic no longer changes a user-assigned track color when swapping Software Instruments.
    Space Designer’s Filter and Density controls now remain active when the plug-in window is opened more than one time in a session.
    Projects with multiple Ultrabeat instances now play back with reliable timing when the Process Buffer Range is set to Small in the Audio > Devices preferences.
    A plug-in inserted on the 16th slot of an audio channel strip or the 15th slot of a Software Instrument channel strip now remains visible.
    The percussion controls in the Vintage B3 now respond as expected to knob movements from the Native Instruments B4d remote control.
    The mapping of value to position for the Organ sliders in the Smart Controls window is now consistent with the sliders in the Vintage B3 Organ.
    In the Mixer, it is now possible to drag a plug-in from one channel strip to another when there is an External MIDI channel strip between the source and target.
    One shot samples triggered in EXS24 no longer play back with clicks when Rewire Live Mode for Rewire is disabled.
    All plug-in windows now reliably open after changing the order of plug-ins in a channel strip.
    The Scripter plug-in now reliably triggers notes when playing back outside of an active cycle zone.
    The meters in stereo instances of the Adaptive Limiter plug-in now show independent levels for the left and right channels.
    Tuned taps in the Delay Designer plug-in now reliably play in sync.
    Flex
    Flexed regions no longer sometimes show waveforms in the wrong positions.
    Flex Markers no longer unexpectedly change positions when moving them in songs that contain tempo curves.
    Logic no longer sometimes incorrectly shows that an audio region is flexed in songs that contain tempo changes.
    If Flex is enabled, Logic now properly includes manually added transients when an audio region is converted to a sampler track.
    Flex Pitch controls are now available in the Tracks area and Audio Editor immediately after Flex Pitch is enabled for a track and analysis is complete.
    Setting a Flex Mode now applies to all selected tracks.
    It is again possible to cancel flex analysis before it completes.
    The Transposition Track now works with flex-pitched regions.
    Flex mode now gets enabled for all tracks in a group even if Group Clutch enabled.
    The Audio Track editor now reliably shows all notes when scrolling with Flex Pitch enabled.
    Logic no longer sometimes hangs when adjusting notes in Flex Pitch.
    The Flex Pitch grid is now displayed for all takes in the Track Editor even when a Software Instrument track is directly above the selected Audio track.
    Logic now offers the option “Do not show again” in the alert dialog that reads "This region contains inactive flex markers, which will be deleted if you perform the edit."
    If a Flex mode has already been set, clicking the Flex drop-down menu will correctly highlight the currently selected Flex mode.
    When dragging a region from one track to another, the region "Flex and Follow Tempo & Pitch" checkbox settings are now maintained as expected.
    Transient detection is improved with quieter source material.
    When Flex is bypassed on a Take folder, the Follow Tempo checkbox is also now disabled.
    General
    Resolves several issues with Snap introduced in Logic Pro X v10.0.6.
    "Snap to Relative Value" now reliably works at all zoom levels with Smart Snap enabled.
    Adjustments to the left border of a region now use relative snap when that option is enabled.
    When Alignment guides is enabled, Snap to Absolute value now works with Cycle.
    Alignment Guides now work as expected when Snap is set to Off.
    The track icon picker now activates with the first right-click or Control-click.
    Toggling the Tracks Inspector no longer sometimes activates Alignment Guides.
    Logic no longer incorrectly shows an alert that the content must be installed the first time it is launched on computers purchased with Logic pre-installed.
    The Capture as Recording key command no longer creates odd length regions when used in songs with time signatures other than 4/4.
    The Hide Step Input Keyboard key command again works as expected.
    The Nudge Region to Nearest Beat option in the Adjust Tempo using Beat Detection dialog now works as expected.
    The Snip at Playhead Position key command no longer sometimes causes notes in the new righthand region to shift to the beginning of the region.
    Logic Pro X no longer displays the error “Could not open source file” when opening certain MP3 files.
    Logic now properly includes time signature, key signature, and tempo events when moving Arrangement markers.
    Undoing the repositioning of an Arrangement Marker now correctly moves affected automation back to its original position.
    Command-dragging one arrangement marker over another now replaces the previous marker as expected.
    Colors assigned to arrangement markers now take effect as soon as the color is clicked in the Color Box.
    It is now possible to use the Marquee stripe to delete a section within the area encompassed by an Arrangement Marker.
    Using the "Split at Playhead" command on the last arrangement Marker in a song now properly sizes the arrangement marker to the right of the Playhead.
    When an arrangement marker is split, the new marker to the right now maintains the same color and name as the original.
    Arrangement markers can no longer be inadvertently moved by mouse clicks in an empty area of the Arrangement track.
    Copying Arrangement markers no longer creates extra tempo events.
    The Beat Mapping track now continues to display properly when it is resized after other Global tracks have been resized.
    The Beat Mapping Track no longer disappears if Global Tracks are shown while it is already visible.
    Deleting a connection in the Beat Mapping track now correctly also deletes its associated tempo event.
    Tempo events created in the Global Tempo track now reliably display in the Tempo list.
    Setting one track of a phase-locked edit group as Groove Master or Groove Follower now reliably shows all members of the group as being enabled.
    Time signature changes are now reliably displayed in the timeline.
    Logic no longer re-downloads basic content that has already been downloaded by MainStage.
    Arrange Folders now reliably display as expected in the Mixer.
    Double-clicking on the icon for a folder channel strip in the Mixer now opens the folder.
    Commas may now be used as decimal separators when typing values into controls on the Mixer.
    It is now possible to drag regions vertically without an unexpected horizontal shift when "Snap to Grid" is enabled in the Tracks area.
    Recording a new take over multiple existing regions again works as expected.
    It is now possible to create an empty MIDI region on a track hosting an Auxiliary channel strip.
    Shift-click to delete a take selection again works reliably.
    Region Gain now works as expected when applied to comp segments in a Take folder.
    When a take selection is disabled and then re-enabled, the change is now properly reflected in all tracks that are part of the same group.
    Logic no longer unexpectedly re-extends a shortened Take folder when the folder is dragged vertically to a different track.
    When recording in Cycle mode, Logic no longer creates an automatic comp when a take encompasses only part of the Cycle range.
    When regions are packed into a Take folder, regions from the same track are now placed on the same sub-track in the Take folder.
    Fixes an issue in which it was sometimes no longer possible to change the length of a Take folder after performing several other Take folder length edits.
    Take regions no longer unexpectedly shift horizontally when dragged vertically from one sub-track to another when the "Limit Dragging to One Direction In: Tracks" preference is enabled.
    Copied Take folders are no longer missing their contents in certain rare situations.
    Regions on audio tracks inside a folder now are reliably placed on their proper tracks when the folder is unpacked.
    The key command “Select Previous Section for Realtime Comping” now works correctly when used while recording multiple takes in Cycle mode.
    When Bounce-in Place is used with a channel strip that contains a plug-in that performs a mono to stereo conversion, Logic now creates a mono file if the option to bypass plug-ins is selected.
    Regions created with "Bounce in Place" are no longer sometimes given random names.
    Addresses and rare issue that could cause some MIDI notes to play back at the wrong pitch.
    In Link mode, the Piano Roll now reliably shows the contents of the selected region.
    The Event Float window no longer loses focus after a selected note has been edited in the Piano Roll.
    The "Split Events by Playhead" command now works reliably with multiple notes in the Piano Roll.
    Editing notes in the Piano Roll with multiple regions selected no longer sometimes results in notes being inadvertently moved from one region to another.
    Closing the local inspector in the Piano Roll editor no longer leaves a blank area on the right side of the editor.
    Opening MIDI Draw in the Piano Roll no longer offsets the keyboard into the editing area.
    When adding notes in the Piano Roll with the Pencil, newly created notes again have the same Velocity as the last edited note.
    It is now possible to lasso notes in the Piano Roll editor using a Wacom tablet when Logic’s Right Mouse Button

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