Point and find and energy profiler for N900?

hi are there any plans on a N900 version of point and find or energy profiler as i used them alot on my n95 i wound love to use them on my N900? many thanks
Nokia N900 v3.2010.02-8.203.1 RX-51

hi are there any plans on a N900 version of point and find or energy profiler as i used them alot on my n95 i wound love to use them on my N900? many thanks
As this is a users forum you need to contact Nokia/Ovi Store contact button top of the page .
jje

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How to use the selection profile and status profile for production order?

Hi expert,
I want to know how to use the selection profile and status profile for production order. what's the usage for these two selection profile and status profile ?
Please help me.
thanks in advance.
george.shi

Hi George,
There are are two types of statuses.One is system status and second one is user status.These statuses will tell us current situation of an order.
We can't change system statuses.But we can create our own statuses through status profile.With this profile we can control user statuses.
In this status profile,
1.We define the sequence in which user statuses can be activated,
2.We define initial statuses
3. Allow or prohibit certain business transactions.
Selection profiles are used to select the objects (say production orders) with different status combinations.We assign status profiles to selection profiles in BS42 T-Code.
Regards,
Raja.
Edited by: Rajarao on Oct 30, 2008 6:21 AM
Edited by: Rajarao on Oct 30, 2008 6:22 AM

In preview all is good...burning dvd the music cuts out 2 times in 4 songs...i have turned off all other programs, sleep and energy mode for battery...multiple tries... same result ...help

IDVD - in preview all is good...burning dvd the music cuts out 2 times in 4 songs...i have turned off all other programs, sleep and energy mode for battery...multiple tries... same result ...help

Hi
No audio on DVD disc.
Most common origin.
1. Imported audio from iTunes.
• In iTunes copy out as an audio-CD .aiff
• Use this in Your movie project
2. Low - Free Space on Start-up/Boot/Internal/Mac OS Hard disk makes it hard for iMovie to work as intended.
Down to 1.3 GB and it doesn’t work - especially audio don’t migrate over to Media Browser
(iM’08 & 09)
3. Material in iMovie’08 & 09 - Shared to Media Browser and here selected as Large
large.m4v. It silenced out this project in iDVD. By making a slight alteration - provocing it to ask for a new Share/Publish to Media Browser and here selecting 640x480 - and audio was back when a new iDVD project was created including this movie.
176x144
480x360
640x480
720x540 960x540
4. Strange audio formats like .mp3, .avi etc.
• Change them to .aiff. Use an audio editor like Audacity (free)
5. Main audio is set to off in System Preferences - Does this by it self - Don’t know why
Cheque Audio-Out resp. Audio-In
6. Ed Hanna
Had the same problem; some Googling around gave me a kludgy, but effective fix
Downgrade Perian from recent versions back to version 1.0.
That worked for me, and so far I haven't encountered any deficiencies—except it takes more advanced versions of Perian to enable QuickTime to handle subtitles in .srt format—that I have noticed.
7. GarageBand fix.
In this set audio to 44.1 kHz (Klaus1 suggestion)
(if this don’t work try 48 kHz - me guessing)
Before burning the DVD.
• Do a DiskImage (File menu and down)
• Double click on the .img file
• Test it with Apple DVD-player
If it’s OK then make Your DVD.
Burn at x1 speed.... (or x4)
• In iDVD 08 - or - 09
• Burn from DiskImage with Apple’s Disk Utilities application
• OR burn with Roxio Toast™ if You got it
Yours Bengt W

Could´nt find a camera profile for the M9.

I have just bought a Leica M9 but I could not find a camera profile for the M9. In the folder "application support/adobe/camera raw/" there is only a profile for the M8. Do I simply not see the profile or is there none. I am using Lightroom 4.4. and Camerea Raw 7.6. on a Mac.

It isn’t on the list but it produces DNGs with an embedded camera profile so it wouldn’t need any specific support from Adobe, I don’t think, so maybe they didn’t feel the need.
If you download the sample DNGs from KenRockwell, you’ll see an Embedded and an Adobe Standard camera profile, which don’t appear to be different because switching between them produces only the tiniest variation in the histogram. If something equivalent to Adobe Standard is already embedded in the camera’s DNGs that there wouldn’t be any other Camera-this or Camera-that profiles to match, hence only Adobe Standard is supplied.
http://www.kenrockwell.com/leica/m9/sample-photos-3.htm

Where can I find lens correction profiles for EF 17-35 f/2.8L lens using ACR 6.2?

Using Photoshop CS5 Extended on iMac 10.6.4.
I'm working with wedding photos shot by a friend but I cannot find lens correction profiles for Canon EOS 20D or the EF 17-35 f/2.8L lens. When I search online it simply says "No online profiles found". Is there a download for older lens profiles? I checked & I'm using ACR 6.2. I don't have the camera so there's no way to take test photos to create my own profile. But, shouldn't there be a profile available; the camera isn't that old?

Go to DXO Pro and download the 30 day trial. It works very well for lens/body correction, and unlike Adobe, DXO maintains data on the older cameras and lenses. Updates will always have those available. Adobe is a latecomer to this part of the correction process, so as Ian said, no call, no supplier? Out of luck.
http://www.dxo.com/intl/photo
It's fair to note that DXO does not necessarily have a complete line of everything, like my Tamron 28 to 75 isn't available as a module. They do pay attention to demands, or lack therof, that are not mainstream as well. But their offerings are excellent, and the tests, professional.

Can't find my lens profile for Lumix Fz 1000,?

can't find my lens profile for Lumix Fz 1000, on Lightroom 5

You can't download it. The lens corrections are included in the photo by the camera, which are read and automatically applied by Lightroom during import. In other words, the photos you see after import are already lens corrected.

Photoshop Black and White profile for printing

I'm a black and white photographer, so this issue is extremely important for me to resolve. I've been looking online and I have yet to find the answer, so I hope someone can help.
I need to know how to set up the black and White profiles in Photoshop for printing. The printer I have is a canon Pixma Pro 9000 a mark II
I need true black and white. Thank you in advance for any help or suggestions. If you need me to provide additional information let me know.

I frequently print black & white work on an Epson, using the Advanced black & white feature in the print driver.
A quick internet search found that there is something similar for Canon - Canon : PIXMA Manuals : Digital Photo Printing Guide : Black and White Printing
I print scanned grayscale files, and have the grayscale profile in PS set to Gamma 2.2.
If you are printing digital photos, they will be RGB, but that will probably not make any difference. But you have to read the documentation for the Canon to find out if it will. IOW - if the image should be Grayscale or RGB.
One very important thing when printing like this is to set the printer to manage colors (not PS) in the PS Print dialog.

Best point and shoot camera for concerts

Hi, I am in need of a point and shoot camera that takes awesome photos and videos at concerts. Here are the things I am looking for:
1. Takes good video and photos in low light settings.
2. Compact.
3. Good video mode with continuous shooting (at least 10 minutes in duration.)
4. Good optical zoom.
5. Looking for one around $250-375.
6. Can take good action photos.
Any information would be greatly appreicated as I am looking to buy within a month!
Thanks!!

linsle wrote:
Thanks for all of your advise, I really appreciate it! I know I'm not going to get everything I want in a camera unless I buy a SLR camera, but that wouldn't meet my needs since you can't get into concerts with those types since they consider them "professional." I was actually leaning toward the ZS7 because I have head a lot of good reviews on it from people at concerts and have watched amazing videos shot with that camera at concerts. The zoom is incredibly as well as the sound. Also to clarify my first post about low light, concerts aren't usually that low lighted so I wouldn't need a camera that excelled in low lighting. Do you own a ZS7? If so, what do you like about it and what don't you like about it?
Concerts are actually usually quite dark, especially by photography standards. Perhaps this will help to clarify things a bit:
Direct Sunlight: 32,000–130,000 lux
Full Daylight (indirect sun): 10,000–25,000 lux
Typical Family Living Room: 50 lux
This means that even the lowest amount of full daylight provides 200 times as much light as the typical family's living room. So you can imagine the scenario for a dimly lit concert.
However, I do own a ZS7 and have used one successfully at concerts. Using spot metering, shutter priority and going up to ISO 800 is the best advice I can give you. ISO 400 is better if you can get proper exposure with it. Keep in mind that you are NOT going to be able to hold the camera still enough at full zoom to get blur free pictures in this lighting, so make sure you get decent seats.
I love my ZS7 but the tiny sensor found in the ZS7 and all other P&S pocket cams (except for the Canon S90/S95, Samsung EX1, Panasonic LX3/LX5 and any others with equivalently sized sensors and faster lenses) doesn't do well in low light. Don't fall for that BSI (backlit) CMOS sensor crap that Sony pushes. There are marginal improvements over the other tiny sensor cams but performance is still poor and the daylight performance is much worse than their CCD counterparts at this point. Remember that low light essentially includes all indoor phtography as well as very overcast days, dusk, sundown, etc.
The ZS7 has great contrast and color and a slew of features. It's well made and very versatile. Really the old thing I don't like is the low light performance. I also find the video to contain a lot of artifacting, though it's in line with any other 720p pocket cam. I would defintiely recommend it but if low light is a major concern, check out the other cameras I mentioned as they offer a 40% larger sensor and a faster lens.
Here's a good concert pic with the ZS7. Metric was on during the day and even though it was overcast, it was fairly bright out.
... and here is a bad concert pic with the ZS7. It was very difficult to take pics once SSPU came on as it was after 9pm and dark out.

Steps to Configure Port and Partner Profile for Outbound process

Hi,
I want to Configure the partner profile and Port definition for outbound Message type REMADV ( for Vendor).
Could anyone please tell me the steps to configure.
Thank you,
Renu

Hi Renu,
In partner profile we define the system which are going to communicate between themself and send data, here we give some logical name for the system which are going to be partners in data communication.we set it using WE20
Port is a medium through which we send the data it connect one system with the system in other end its unique, depend on the scenario we use diff ports like file port(EDI) transactoional port(ALE) internet port(for internet apl), like this i dont remember all the name, so according to our application type we select the ports we set port using WE21 usally tport name start with A*** something like this. withour defining a port we cant communicate with other system its the linker b/w the 2 system.
For more information please refer the following links:
http://help.sap.com/saphelp_nw04/helpdata/en/3b/beb13b00ae793be10000000a11402f/content.htm
https://www.sdn.sap.com/irj/servlet/prt/portal/prtroot/docs/library/uuid/4943f2b7-0a01-0010-37af-faff35b2f08c
Regards,
Moqeeth

Updating User Status and Status Profile for a Project

Hi,
 I am creating a Project using BAPI_BUS2001_CREATE.
 which uses a structure BAPI_BUS2001_NEW for storing details of a New Project.
 It does not have fields for User Status and Status Profile , if any one of you worked on Project Systems, please tell me is there any way to update these 2 fields.
I have tried lot of FuncModules and BAPIs which deal with PROJECT CHANGE and PROJECT MODIFY but none of them has these 2 fields.
Please provide me some solution for this.
Thanks in Advance.

Hello,
U need to do like this:
PERFORM CHANGE_STATUS_CLSD.
FORM CHANGE_STATUS_CLSD.
DATA: LR_PROJ LIKE PROJ,
 WA_JEST LIKE JEST,
 LT_PRPS LIKE PRPS OCCURS 0 WITH HEADER LINE,
 LT_JEST LIKE JEST OCCURS 0 WITH HEADER LINE,
 RA_PRPS TYPE RANGE OF POSID WITH HEADER LINE.
CLEAR: LR_PROJ.
SELECT SINGLE * FROM PROJ INTO LR_PROJ WHERE PSPID = SP_PSPID.
IF SY-SUBRC = 0.
 SELECT * FROM JEST INTO TABLE LT_JEST WHERE OBJNR = LR_PROJ-OBJNR.
 LOOP AT LT_JEST INTO JEST.
 IF JEST-STAT = 'I0001' OR JEST-STAT = 'I0002'.
 JEST-INACT = 'X'.
 UPDATE JEST.
 ELSE.
 JEST-INACT = SPACE.
 UPDATE JEST.
 ENDIF.
 ENDLOOP.
 CLEAR: LT_JEST.
 REFRESH: LT_JEST.
 SELECT * FROM PRPS INTO TABLE LT_PRPS WHERE PSPHI = LR_PROJ-PSPNR.
 IF SY-SUBRC = 0.
 SELECT * FROM JEST INTO TABLE LT_JEST FOR ALL ENTRIES IN LT_PRPS
 WHERE OBJNR = LT_PRPS-OBJNR.
 LOOP AT LT_JEST INTO JEST.
 IF JEST-STAT = 'I0001' OR JEST-STAT = 'I0002'.
 JEST-INACT = 'X'.
 UPDATE JEST.
 ELSE.
 JEST-INACT = SPACE.
 UPDATE JEST.
 ENDIF.
 ENDLOOP.
 ENDIF.
 LOOP AT LT_PRPS.
 CLEAR WA_JEST.
 SELECT SINGLE * FROM JEST WHERE OBJNR = LT_PRPS-OBJNR
 AND STAT = 'I0046'.
 IF SY-SUBRC NE 0.
 WA_JEST-MANDT = SY-MANDT.
 WA_JEST-OBJNR = LT_PRPS-OBJNR.
 WA_JEST-STAT = 'I0046'.
 WA_JEST-INACT = ' '.
 WA_JEST-CHGNR = '001'.
 INSERT INTO JEST VALUES WA_JEST.
 ENDIF.
 ENDLOOP.
 COMMIT WORK AND WAIT.
ENDIF.
ENDFORM. " CHANGE_STATUS_CLSD
REagrds,
Vasanth

Best Point and Shoot camera for concerts and all around photos

What point and shoot camera would be best for good concert pictures and videos yet also having good pictures for basic use.? I would like a good zoom lense also....I've tried the Nikon S9300, P510, and canon Powershot Sx260 yet the nikons made pictures bluring at a recent conert and wasnt always getting in focus..
Ive been looking at the Sony DSC-HX20v, Panasonic Lumix DMC-ZS19 as well as the previous ones too
want good zoom, HD video and not too bulky

I could not tell you the best because I have not tried all cameras.
However, i researched for a long time and purhcased a Canon SX270 and I am exceptionally happy with it.
It works very good i low light
Canon - PowerShot SX230HS 12.1-Megapixel Digital Camera - Black
Model: PowerShot SX230HS Black | SKU: 2030078
This digital camera features 14x optical and 4x digital zoom to bring you close to the action and image stabilization to help capture clear, crisp images. Smile and face detection help ensure you get a great shot every time.
4.3 Read reviews (156)
Sale: $299.99

Please help me find a color profile for Samsung 2343bwx

Hi Everyone,
Im just trying to get started in the graphical design field, I just bought a Samsung 2343BWX Lcd monitor (i know I know TN isnt the best for graphical design but im not rich), the color profile that came with the monitor is defective and displays everythign in a deep yellow tint, Ive tried using samsungs Natural Color Pro monitor profiling software but it results in a really ughly profile that is too dark and has a blueish tint to it.
Samsung's support isnt much help (no sprise there) and I cant afford a spyder or eye-one hardware calibration tool at this point.
Does anyone have or know where I can get a good color profile for this monitor? You have no idea how much I would appriciate it.
Thank you in advance for your help
All The Best

You have a few choices....
1. Use the generic monitor profile supplied with your monitor, the one that came with it when you bought it. This will be generic, and will not account for drift, and probably won't be all that accurate. But, at least it should be in the general ballpark since it represents a cross section of a grouping of similar monitors.
2. Try one of the presets that came with your monitor. I don't know what presets or controls are offered with this monitor, but I would shoot for a color temp between 5000K and 5500K, a 2.2 gamma, and a reasonably dim brightness setting.
3. Find someone who can do a hardware/software calibration, either a friend, or someone who will do it for a fee. This will get it right once (if they know what they are doing), but will not account for drift over the long term.
4. Search online and see if you can find some visual calibration target and do it by eyeball. This is usually not easy to do, and probably won't be satisfactory, but you can give it a try.
5. Buy a calibration package and do it yourself. You should probably calibrate an LCD monitor at least monthly (I do mine weekly). This is the best way to go, at least if you are serious about accurate color. And this doesn't guarantee that your monitor and print will match. For that, you need to calibrate your printer for each type of paper you use, or rely on generic printer profiles. Then, you have to make sure you set everything up properly and utilize all your profiles properly. Sorry, but this is all part of the price you have to pay if you want good color.The fee involves money for the proper tools, education on how to use them, and experience in applying them properly.

Where do I find the ICC profile for my new Canon Pro-100 printer?

I downloaded ICC profiles for several different papers, but for optimum color management, do I not also need a ICC profile for the printer itself? Very new to this......I have my ColorMunki and I use Photoshop and Lightroom. Trying to get everything coordinated properly...........
Thanks for the help,
Laura Mowrey

If you downloaded ICC profiles for papers they should be for the Pro-100. The paper vendor prints a known pattern of colors using a Pro-100 and then uses a device to analyze the print. The ICC profile contains the correction info that adjusts the printer to make the prints look like the known color pattern.
The Color Munki will calibrate your monitor to make sure that the colors you see are correct.
I suggest you calibrate the monitor to,D50 at 80-90 lumens/m^2.
John Hoffman
Conway, NH
1D Mark IV, Rebel T5i, Pixma PRO-100, MX472

How about two SDN "blogspaces" : one FOR points and 1 NOT FOR points ?

I suggest that the current SDN logspace be divided into two subspaces:
one for points: this is where technical and/or non-controversial messages would be posted and be rewarded according to the current rules
one not for points: this is where folks would post "controversial" messages (technical or non-technical) that would not get any point reward.
I would personally prefer to post in the "not for points" subspace, for several reasons.
But I'd prefer to see what others have to say before saying what they are.
By the way, there's a US expression "preaching to the choir". The new blog (for no points) would be for those who are not necessarily "preaching to the choir".
djh

david,
i think i do understand your intention and therefore agree with you.
IMHO, the blogsphere here on SDN, as execellent as it is, is kind of a 'posing platform' rather than a discussion space. People do post their contributions, receive their points reward and expect some congratulations and cheering if anything at all. I happened to me that people got upset when I questioned the use or correctness or usefulness of some of the content of their blogs. When it did this with the intention to discuss matters, I recognized that people actually didn't want to discuss their contributions.
Of course the things said above do not hold true for for a big number of contributors.
The same thing thing in the forums. A lot of people do provide very valuable answers but often not discuss matters when points are already given.
So having a discussion area, free of the rewards system's pressures might be a helpful addition. Something like a discussions corner. In Vienna we call this 'Kaffeehaus'
A place where you post some free thought where you don't have to justify the minimum blog reward points, where you don't have to apply the care expected in drafting a blog, etc..
Just freestyle discussion on useful or not so useful topics.
regards,
anton

ADF Mobile : iOS Developer Certificate and Provisioning profile for Team

Hi,
We are starting to build Mobile apps using ADF Mobile. In order to deploy on to iOS devices, Developer Certificates are a mandate. When you go to developer.apple.com, there is a option to Buy Individually or For a company. Query is how should one go about buying the Developer certificates, since we would be working as a team, would it be better to buy as a Company or Individual Certificates? Also if some one can share the implications of the individual versus company certificates/provisioning profile, much appreciated.
Regards
Naveen

Hi,
At a high level, as an individual (annual fee is $99 USD) allows you to deploy to developer devices (i.e. register the device in Apple Developer portal), and distribute through the app store (only).
As an enterprise (annual fee is $299) development program, you canalso deploy to developer devices that are registered, as well as distribute the app directly to any device within your company. Technically you can deploy an app compiled with Enterprise Certificate to any device, but Apple SDK terms specify that it can only be deployed to company internal devices.
Thanks,
Joe Huang

Point and find and energy profiler for N900?

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