Possible Complicated Question

Hello. I asked this question in the FCP forum, and was directed here. Hopefully I can get some help.
Hello. Is there a way in FCP (or, rather, Motion here) to have a certain point in your video be "anchored" and "followed" by another "point", so to speak? I'll try to explain: Can I take, say, a certain specific area in my frame A, mark it, and then take ANOTHER specific area of another frame B, and have B follow A's movements across time? The reason I ask is because I'm doing a rather complicated matte and I need my matte to move over a pretty specific area WHILE the area to be matted is moving rather dynamically. I've tried individually moving each point in the 8-point garbage matte that I'm using - which 1) was an ABSOLUTE nightmare (not something I recommend for ANYONE with a level head upon their shoulders), and 2) it, ultimately, didn't work, because the movements didn't SUPER coincide, and you were able to tell that there WAS a matte there in the first place (which defeated the purpose of having it). So I'm trying to see if I can get FCP (Motion) to do the work for me this time . . .
Anyone understand what I just wrote?
Can anyone help?
Thanks!
Javier Calderon

There are some plug-ins for FCP, I believe Boris (Red? Blue? Green? Some primary color) has tracking. After Effects also. But you might pay more for those as Shake. iStabilize is another option, but I don't know it will track a matte for you...
There is a very complicated way of using a stabilizer to track a matte. If you have to go that route, lemme know and I'll try to explain it.
Also, the masking tools in Motion are Far superior to the 8 point garbage matte. So if you have to do hand tracking, you might try them.
Good luck,
Patrick

Similar Messages

Possible interview questions

I have 1 year experience in an implementation project.I am pasting my responsibilities below.Can you tell me the possible interview questions based on these responsibilities.
     Was part of the Organization Structure Workshop and General requirement Workshop to understand the as- is to-be study
     Was involved in the Business Blueprint document preparation
     Conducted Gap analysis and mapped business processes with SAP R3
     Was responsible for maintaining global settings - Define and assign the enterprise structure, Define Company, areas of business etc
     Successfully configured settings for Company code, Fiscal year variant, Chart of accounts, posting period variant and field status variant
     Defined Account Groups, Number Ranges, Maintain Field Status Groups, and Payment terms
     Created Bank Master data, House banks, G/L accounts for each bank account and create reconciliation accounts for vendors, customers and assets
     Worked on A/P & A/R and configure customer and vendor master data, local and global data, number ranges, payment types, manual and automatic payment methods, partial payments, residual payments, discount payments
     Configured Dunning Procedures taking credit worthiness of customers into account and made applicable procedure to customers
     In CO Configured settings for Controlling Area
     Created Primary and Secondary Cost Elements, created Cost Element Groups, in Cost Element Accounting
     Conducted user training after the implementation and supported the client in post launch session

I have 1 year experience in an implementation project.I am pasting my responsibilities below.Can you tell me the possible interview questions based on these responsibilities.
     Was part of the Organization Structure Workshop and General requirement Workshop to understand the as- is to-be study
     Was involved in the Business Blueprint document preparation
     Conducted Gap analysis and mapped business processes with SAP R3
     Was responsible for maintaining global settings - Define and assign the enterprise structure, Define Company, areas of business etc
     Successfully configured settings for Company code, Fiscal year variant, Chart of accounts, posting period variant and field status variant
     Defined Account Groups, Number Ranges, Maintain Field Status Groups, and Payment terms
     Created Bank Master data, House banks, G/L accounts for each bank account and create reconciliation accounts for vendors, customers and assets
     Worked on A/P & A/R and configure customer and vendor master data, local and global data, number ranges, payment types, manual and automatic payment methods, partial payments, residual payments, discount payments
     Configured Dunning Procedures taking credit worthiness of customers into account and made applicable procedure to customers
     In CO Configured settings for Controlling Area
     Created Primary and Secondary Cost Elements, created Cost Element Groups, in Cost Element Accounting
     Conducted user training after the implementation and supported the client in post launch session

Complicated Question...HELP!

I know this is annoying, but here's a complicated question. I first made several slideshows (30 slides each) in Keynote. Then, I exported into Quicktime Pro. Then, I used iMovie to edit it.
Next, I bought an external drive for keeping my VERY large imovie file. When I tried to transfer my HUGE imovie file, it wouldn't transfer because it was too big. I know I can't reformat the drive, so I thought I'd be clever and create a NEW imovie and save it in the new drive...then, I would copy the original HUGE imovie into the new one, piece by piece.
I did manage to copy a lot of it, but when I tried to copy the last couple of large pieces, it didn't go. It said there was an unknown error of some kind. I am stumped.
I even tried to take the original QT file and import it again into the new imovie, but that didn't take either. Next I'm going to try to export my original Keynote file into QT again and then try it in my new imovie...again.
Sorry for being so confusing, but I've had great luck with really smart people in this forum...HELP! Thank you in advance.

Hi bzzybee,
my guess: you stumbled into usb2/PCformatted drive problems...
first: is it usb2 connected or firewire? if usb2 - bring it back to the shop, no usage with iM! (any other files, as mp3, .doc, whatever, is fine, but not iM/large .mov/.dv)
firewire? ok, next step:
I don't understand that line of your posting: ... I know I can't reformat the drive...??? For sure, you can!
a reformat will erase any content which is on the drive - but as I understood, you need it for getting new content on it....
launch Disk Utitlity, choose drive, choose format, choose MacOs extended - after a while, you get a brandnew, empty, smart working drive!
besides: no known workarounds for both problems! only way: firewire+Mac formatted (could be a "PC"drive - after formatting, it is a Mac drive)

Help with possibly noobish question

Hello,
I need to make some complex graph structures such that this format will not do
1: 2 ->4
2: 4 ->2
I have several additions to each node to take care of that is the main problem.
each node has aarity which I could hold as a separate array to be accessed for each object instance of a node
Part 1:
The problem is that i have to know which node is connected to which arity element and then I have to search for the free elements and label their indexes with characters. I think I can solve this
Part 2:
The second problem is maybe a little worse as I have to translate certain groups graphs to something like this and then connect them to any graph as needed. Will i need to make a separate object for this purpose??
| ..................| n input wires connected |
|???????????????????????????????????|
| Wires maped to edges from graph |
|___________________________________|
| ..................| n output wires wires connected |
Part 3:
To compound this I have to find a way to implement a menu selector to choose random graphs or parts of graphs for a Genetic Algorithm. Selection is not the problem here its is mapping the structures into a chromosone which is causing me the problem.
Part 4:
Each connection has the graphs triggers different application specific rules that cause the graph to reduce or change connections.
Any help on strategies for these problems would greatly be appreciated
kind regards
Prashant

Hello all and thanks for the replies positive or not. Sorry if I offended you bbritta. I guess its not such and easy question after all.
Well its not due tomorrow and I am doing some research into a wierd topic so you guys are along the right lines. The topic I am researching is non-determinstic interaction nets. I don't know too many people doing this. Interaction Nets invented by a guy named Yves Lafont and you can google this and the topic I am researching.
All the code written thus far exists in C and is very hard to interpret as it uses a Lex and Yacc parser to implement the creation of tokens and syntax rules of the Interaction Nets programming language.
Basically its a high level visual graph programming language however it can also be used on low level based on interpretation. Thus the need for graph data structures. Essentially I have to modify this programming language for non-determinism and demonstrate this in a Genetic Algorithm. The latter would be no problem if I could get the data structure sorted. People familiar with Lamda calculus, Linear Logic and Process Calculus might have seen this in some research papers.
However I have not had a very good theoretical background so finding the data structures to map the complexity of the graphs is a little problematic. I will outline my idea and what I have done a little clearer below.
So far I have broken the prob into smaller steps as suggested by someone, I hope the pseudo code helps a little more.
class Symbol
convertASCIItoINt( char value) : return int
getChar() : return char
checkAvailability() : return boolean;
//each Symbol is assigned to a free port and is traditionally input.
//several instances of this obj are used to
class Port implements Symbol
initialisePort( num);
checkFreePorts( ) : return boolean;
setPortSymbol (port [num])
private ports [ num ];
setEndPortAsSpecial( ports [ num ]) // each node has a special port called principal port
// each node has a set of port and each port can have a label as a string
class Node
setNodeSymbol()
getnodeSymbol()
public Port node_obj [ port_num ];
setSpecialSymbol( string)
//destructor to delete node connected to
//duplicator to create a copy of cell value
//constructor create a copy of the cell
getSpecialSymbol() : return string symbol;
checkSpecialSymbol(node_obj [ port_num ]): return string symbol;
//so far as a typical graph goes i think its acceptable to connect the nodes in an vector with
//a list at each element although this is not shown below.
class Net
connecNodes( node_obj [ port_num], node_obj [ port_num] )
checkDeadlock(): return boolean; //check for cycles
public Node net_obj [ node_num ];
checkConnected( node_obj [ port_num], node_obj [ port_num] ): return boolean;
//this is where the execution engine will be placed
class InteractionRules
ruleTrigger( )
Node n = new n
n.checkSpecialSymbol()
// its here where things get complicated with the data structure as according to the rules I have to delete
// add or copy a value of a particular node in a Net
determineReduction()
    //if (ports [ num ] = num )
    // a reduction occurs according to the rule in the method above ruleTrigger();
   //at this point the relevant nodes will be removed and new nodes will be added according to the rules
storeCopyofOriginalNet()
   //needed to rollback if rules are infeasable or deadlock occurs.
}I desperately still need help to complete the data structure I have also considered manipulating the complex associations between the sets as multimaps and maps
Sorry if I am not clear I am trying my best to explain something I have had little background and almost no help in as I am creating the special rules as I go along such as keeping an copy of a net / graph before modifying it in the Genetic Algorithm.
Kind Regards and Best Wishes
Prashant

APEX possible feature questions

I posted another question that was answered, but have 2 more. We're attempting to configure APEX so that students can access it and run SQL commands on their own tables.
I've got how to get each student their own workspace that they can configure without touching any of the other students workspace, however, I am continuing to play around and read about APEX features and I am wondering if there is any possibility that I can disable the GUI wizard part that allows users to create tables so they can only use SQL commands (I'm starting to doubt that this is possible)
also
Is there a way for the administrator of the database to view the work done by each user and view their SQL work?
Thanks in advance!
We're running Oracle 11g R2
Application Express 3.2.1.00.10

Wr3ckin_Cr3w wrote:
I posted another question that was answered, but have 2 more. We're attempting to configure APEX so that students can access it and run SQL commands on their own tables.
I've got how to get each student their own workspace that they can configure without touching any of the other students workspace, however, I am continuing to play around and read about APEX features and I am wondering if there is any possibility that I can disable the GUI wizard part that allows users to create tables so they can only use SQL commands (I'm starting to doubt that this is possible)I think this can be done on a pure database level.
You can create a single workspace and a single schema for each student. Then just revoke the CREATE TABLE priviledge from the database schema.
Is there a way for the administrator of the database to view the work done by each user and view their SQL work?No. Although the DBA can of cause see all the stuff (tables, views, objects) that is in the database.
Otherwise I agree with acadet. FIrst learn SQL. Then start to use fancy tools like SQL Developer and/or APEX.
Edited by: Sven W. on Jun 18, 2010 3:45 PM

Newish to iWeb so excuse the possibly dumb questions!

I am not a web designer also, so technically my skills in web stuff on a mac are basic ( i used to do some basic HTML stuff on a PC). I have my .mac account that I use for my family site, which is fine. But now I have a registered domain for my photography business, so I went ahead and created another web site for that, separate from my family site. I got it all done then went to save it to a folder and it is saying, "the document iweb could not be saved." I have tried a few times but nothing. IT won't even let me publish it to my .mac site. I NEED to get this done and am at my wits end. I am wondering if it would be easier to use the Adobe Creative Suite to design the webpage!
Also, is it easier to FTP the site to the domain server, or to have it at my .mac site, redirected from the new domain?
Last question. Can iWeb do a photo gallery that is more sophisticated than the slideshow option? As a photographer I would like something a little more snazzy that can also be divided by genre (babies, kids, family etc).
Thanks for any help!
Message was edited by: tracied

tracied wrote:
"Can iWeb do a photo gallery that is more sophisticated than the slideshow option?"
You could publish your photos to a +.Mac Web Gallery+ and make a simple hyperlink to it from your web site. Here's info about +.Mac Web Gallery:+
If you upgrade to iWeb 2 in iLife '08 you can pseudo embed a +.Mac Web Gallery+ into your site: Here's a video tutorial briefly showing that about half-way through:
To really embed your +.Mac Web Gallery+ into a web page, use HTML's IFRAME. Unlike frames created using FRAMESET and FRAME, IFRAME creates a frame that sits in the middle of a regular non-framed web page. IFRAME works like IMG, only instead of putting a picture on the page, it puts another web page.
iWeb 2 in iLife '08 uses IFRAMES to easily embed widgets into web pages via iWeb's +HTML Snippet+ window. Here are instructions to embed a +.Mac Web Gallery+ into an iWeb site via iWeb 2's +HTML Snippet+ window:
http://www.macosxhints.com/article.php?story=2007111620013523&mode=print
More generic instructions for using IFRAMES are here:
http://www.htmlcodetutorial.com/frames/_IFRAME.html

Dynamic Link complicated question

This is the story.....
1. I shot & edited a training session (many sessions - over 40 hours)
2. I did minor editing in Premiere, used Dynamic Link to send to Encore, set up a first run title page with 8 links to the 8 chapters.(all end actions going back to the main menu)
3. Burned a DVD for the client
4. The client made notes for additional changes for me to edit.
5. I went back into Premiere, made the editing changes (mostly increases in volume from audience questions, removing some comments, etc.)
Now... If I try and use Dynamic link again to "re-send" to Encore, my only choice is a new project... I cannot send using Dynamic link to an existing project (or if I can, I do not know how)
I know one work around is to encode from Premiere, then open a Encore project, import as a timeline.... & author away....
This way, If I go back to Premiere, make editing changes, export back out WITH THE SAME FILE NAME.... when I open the existing Encore project... everything is the same... except the timeline has the updated editing changes...
The only problem is that on all 18 DVD's, I used dynamic link to send to Encore... so does that mean, (unless I use a work-around, like stated above), I have to re-author all 18 DVDs. I would think that even when using dynamic link, if you open the timeline again in Premiere, make editing changes, that the Encore project would reflect those changes (to make sure, I set the audio volume to 0 on the first 10 seconds in Premiere, saved the project & closed it, opened Encore, did a preview, the audio was still at the regular volume (no change).....
Any suggestions...
Or should I just once again use dynamic link, start a new Encore project, re-author (& basically do the same thing over)?
Or should I do it the other way, encode from Premiere, (you know the rest), I do believe that all the editing changes have been made (according to the client)
Or, is there some way from Premiere to use Dynamic link to send to an existing Encore project?
David Kelley

I didn't read all your note carefully.
In your previous Encore project for DVD 1 (or whatever), right click on the "asset" for the timeline (the asset for a dynamic link is the Premiere sequece, not the Encore timeline that was created), and pick "revert to original." It should pick up your changes from Premiere.
Note that to update markers, you must select the video in the Encore timeline itself, right click, "update markers from source." You will lose all previous markers. If you created the markers in Encore, you must update manually.

Possible Stupid Question on Aliases

We're on iMS/SunONE 5.2. What I've yet to figure out is how to do something so simple that I may be overlooking the obvious solution. This is to duplicate what /etc/aliases does in sendmail. I.E take an email address which does not match a particular existing user and deliver that message to the specifed recipient. There are two aspects of this which I need to address.
1) Delivery of inbound mail if account is local. For example... [email protected] to [email protected] I think I understand this as I just need to add an alternate address for bob.jones into the ldap. Not centralized but the concept makes sese.
2) Forwarding of inbound mail to other mail servers. For example [email protected] to [email protected].edu where our.listserv.edu is handled by a seperate mail server. In this case the /etc/aliases file sendmail uses makes this dirt simple. Unfortunately i've poured through the iMS docs and have yet to find how to do this. It may have to do with terminology as I'm not sure what iMS calls this type of proceedure. We have many of these (hundreds) and not having a centralized way of handling these would be very very difficult. What is the solution here?
Thanks,
-Patrick

Not a stupid question at all, I fought with the same concept coming from sendmail. The concept is that it's simple to redirect mail using the aliases file (/etc/mail/aliases) and it only took one line to do it.
Under iMS you need to expand your mind and accept that ldap is <insert deity> and everything is done differently.
Alias entries need to be adapted to one of -
individual accounts (mailalternateaddress)
or
a new ldap entry with it's forward settings going to your other addresses.
or
a mail list, for local one to many distributions.
This applies to direct ldap and dirsync mode, however if you're running in dirsync mode, ensure you run the dirsync after making changes.
Finally, if you create an aliases file in -
<msg-home>/config/aliases
and you are thorough on the addresses, they still work.
Just my experience, search for "aliases" in the forum.
Doug

Installing iTunes (possible dumb question?)

Now I am no computer expert so for the savvy out there I trust you not to laugh at this question!
When you download a file such as iTunes and save it prior to install I understand it is visible as e.g. iTunes.exe. Opening the .exe file will cause a programme to be installed. Understand that.
Now, are you safe to delete the original .exe file you downloaded? This won't mess up your newly installed programme? Presume what goes for iTunes.exe in this regard goes for any .exe file? I would simply like to be in a position to delete any unnecessary files from my PC.
Comments anyone?
Local retailer custom built pc. Pentium 4 chip 2.4GHz Windows XP SP2 20Gb iPod

I always keep the last version of iTunesSetup.exe that I like. So I can go back to it, if there is a crummy update, which some of them have been....
hi y'all!
i've been religiously keeping a copy of every installer file i've ever downloaded from itunes (and ipod software upaters too) since my 5.0.1.4 install.
the most recent version of it lives on my desktop (for reference purposes, if i can ever find it in that cyberpigsty). when a new itunes version comes out, i go through my ritual of creating a folder for my previous version of iTunesSetup.exe, and tucking it into bed to leave room for the brand spanking new iTunesSetup.exe on my desktop.
(i'm inclined to believe my behavior is a bit perverse in this regard, though.)
love, b

Complicated question: dialog box-batch processing script

I am adapting the working script I found on this forum.
Script: Open files as layers in Photoshop
https://forums.adobe.com/thread/1313579
The goal of the adaptation is to include a javascript Folder dialog to set the save folder destination at run time and
use this folder destination for the remaining script batch processing functions.
Presently, the script loads a Bridge stack as Photoshop layers and saves the layered tiff using the Folder dialog.
The folder dialog is manifesting every time the script encounters a Bridge stack.
The question is what is the correct script logic to set the destination folder once at run time and keep this destination
folder for the stack batch processing.
#target bridge
var stacks = app.document.stacks;
var stackCount = stacks.length;
for(var s = 0;s<stackCount;s++){
      var stackFiles = getStackFiles( stacks[s] );
      if(stackFiles.length> 1){
           var bt = new BridgeTalk;
           bt.target = "photoshop";
           var myScript = ("var ftn = " + psRemote.toSource() + "; ftn("+stackFiles.toSource()+");");
           bt.body = myScript;
           bt.send(5);
function getStackFiles( stack ){
      var files = new Array();
      for( var f = 0; f<stack.thumbnails.length;f++){
           files.push(stack.thumbnails[f].spec);
      return files;
function psRemote(stackFiles){
app.bringToFront();
var thisDoc = open(File(stackFiles[0]));
var Name = decodeURI(app.activeDocument.name).slice(0,-4);
thisDoc.layers[0].name = decodeURI(Name);
for(var a = 1;a<stackFiles.length;a++){
    open(File(stackFiles[a]));
    Name = decodeURI(app.activeDocument.name).slice(0,-4);
    activeDocument.activeLayer.duplicate(thisDoc);
    app.activeDocument.close(SaveOptions.DONOTSAVECHANGES);
    thisDoc.layers[0].name = Name;
var tifOptions = new TiffSaveOptions();
tifOptions = new TiffSaveOptions();
tifOptions.embedColorProfile = true;
tifOptions.imageCompression = TIFFEncoding.TIFFLZW;
tifOptions.alphaChannels = false;
tifOptions.byteOrder = ByteOrder.MACOS;
tifOptions.layers = true;
var theFolder = Folder.selectDialog ("Select Folder");
if (theFolder) {
        var myFile = new File( theFolder + "/" + app.activeDocument.name);
        app.activeDocument.saveAs(myFile, tifOptions, true);
app.activeDocument.close(SaveOptions.DONOTSAVECHANGES);

I am thinking the Folder dialog is not correct for this application.
On a second thought a persistent dialog to set the save folder path and run the script from the persistent dialog can make sense.
Any ideas?

Possible Noob Question: Correcting Colors From Cheap Digital Camera

I'm somewhat embarrassed to ask this here, but ya gotta start some place.
I'm a web dev so forgive my ignorance. I work with photos a lot, but they've always come to me from people who know what they're doing. I don't really understand digital -photography- that well---which is quite different I realise than film.
Anyhoo, I'm trying to get better colors from a pocket digital camera (Canon Elf 310) which (supposedly) has 12MP. The pictures I want to take for the job I have in mind involve clouds and landscapes and I gotta take a pocket came because we're camping/fishing.
Anyway, they -could- be very cool but the tests I've done show that the colors are going to be just -wrong-. And by 'wrong' I mean everything either seems -under- saturated or hyper-statured. For example... the subtle pinks in clouds are rendered as washed out or will be overly contrasty (hyper) yellow to orange.
The detail is quite sharp, however so does that mean there's something 'there' there which can be properly corrected? And if so, how?
If it's too wordy, perhaps maybe someone can just recommend a good text on the subject?
TIA,
---JC

I completely agree with Mylenium.
Beyond working with the various Tools in PS, for "Color Correction," I would start with a properly calibrated monitor, so that you know that what you are "correcting," is the Image, and not the monitor.
Next, familiarization with those Tools, such as Hue/Saturation, will be very useful. The Help file can get you started, by defining what each Tool can do, and a short-course on how it does it.
I would always work with non-destructive techniques, so that one can always go back and re-edit things. For that Hue/Saturation, mentioned above, I would use a Hue/Saturation Adjustment Layer. Same for Color Balance, and the rest.
Last, you eye should be your guide, on that calibrated monitor. Adjust, until you get what YOU like (or what your client likes). Remember that by default, most of those "corrections" will be "global" for the Image, BUT with Layer Masks, you can restrict/constrain the corrections to just certain areas of that Image. At that point, knowing about the various Masking techniques will be very helpful. Besides the Help file, there are many useful tutorials on various Masking techniques, and many will apply to Layer Masks.
Also be aware that different camera sensors might bias differently, and also with lower-resolution Images, you will likely not have a great deal of Dynamic Range to work with. Start with the best possible, from your camera. If possible, shoot in Camera RAW, and use the "processing" power of ACR (Adobe Camera RAW), to get started. You should be able to create a Preset for your camera (maybe shoot a McBeth Color Checker card, and calibrate that), to get that processing started.
Good luck,
Hunt

A possibly dumb question re exporting clip for web use

Hi,
I've been experimenting with diff resolutions etc for exporting a clip intended to be added to a web page. Diff levels of mpeg compression, etc.
I'm most impressed with the quality of H264, the video codec for the video ipod. I play it in a quicktime player just fine & it looks great. Its a choice in FCP HD 4.5
The question is, can I make a little clip in H264 & put it on the web? Will web browsers with plug-ins set up to play quicktime files be able to play it? are there any compatibility issues? Windows browsers? etc?
Thanks
Duane

Yes, they are playable on the web. They were able to do that before the video iPod came along, so that was their original intent.
For others to see it they need to have QT7, and unfortunately many PCs cannot see videos in this format.
Shane

Need search & replace help dreamweaver 2006 (complicated question)

Hello:
if somebody could help with this I'd really appreciate it
....I have a site with tons of two word dir names word1_word2 a few are 3 word - there are a few images with this also (same as the dir names)
I generate the site with the dir names in the metatage (discription and keywords) and at various places in the pages
after building it I search and replace _ to space with dreamweaver (option not in any tag) so this kills the _ where ever it's visable but leaves it in img src and alt tags ect but most important leaves in metas where it looks like heck and I don't wan't it
I've tired Everything in dreamweaver to search it out of metas and can't - I can live with it in alt img ect but rather not
basic question"
(is there a regex to leave _ only in hrefs & css styles and replace with space Everywhere else - if not remove in all visable text & metatags)
beter yet can I do this with options in dreamweaver search & replace - 2 steps is ok - I killed the in visable text - I could live with them in alt & link titles but not in metatags (description and keywords)
please Keep in mind I need it in href's (not the visable text though)
thanks,
MEF

Just so I get this straight, you want to change this:
http://example.com/Annette_O_Toole/index.html
to this:
http://example.com/Annette O Toole/index.html
Using spaces instead of underscores? That is not a good thing. You should never use spaces or special characters in folder or filenames. Ok?
I hope this answers your question. If not, post back with an example of what you're trying to change.
Nancy O.
Alt-Web Design & Publishing
Web | Graphics | Print | Media Specialists
www.alt-web.com/
www.twitter.com/altweb
www.alt-web.blogspot.com

TLF possible VerticalAlign question

Hi folks,
There is a simple question here...
I have a TLF object in my project, That I want set vertical align for specific part of that!! let me describe it more:
Look at this code:
<s:RichEditableText editable="false">
     <s:textFlow>
          <s:TextFlow>
               <s:img source="adobe.png" />
               <s:span>Adobe!</s:span>
          </s:TextFlow>
     </s:textFlow>
</s:RichEditableText>
Result is something like this:
But I don't want it in this way. I want something like this:
How can I make this?!

Try using baselineShift to move the image around.
This sort of worked for me.
<img baselineShift="-90" lineHeight="16.8" height="100" width="100" source="surprised.png"/>
The surrounding text was 14 point with leading of 120%.
TLF won't wrap around the image on the following lines.
Hope that helps,
RIchard

Possibly easy question.

I created my applet through Visual Cafe.
I have a database on a different server from the html & class files.
When I try to open the applet through the web, I get an error in my console as follows:
could'nt do kill all
Couldn't kill the mediators
could'nt do kill all
Couldn't kill the mediators
F_Shopload___JDE_WkCtrs_Record
F_Shopload___JDE_WkCtrs_Record
null
F_Shopload___JDE_WkCtrs_Record
null
No example provided
F is the drive letter that maps a folder from another server. Shopload is the database &
JDE_WkCtrs is my table.
The problem is the applet GUI pops up fine, but
it would say
Error: F_Shopload___JDE_WkCtrs_Record
Please help.
James
[email protected]

maybe its because in an applet you cann only access the server from which the applet downloaded. Thats a question of security.

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