PP6 Multiple tracks output setting & why MATCH SEQUENCE SETTINGS isn't seeming to work correctly!!

First... can you change a active timeline from stereo to mulititrack 16 channels for instance without creating a new sequence and pasting old sequence into new one.
Also, watch this video...
16 channels of audio... great... try to match sequence settings it changes from 16 channels to stereo. Um... what's happening there???? How do we fix that?
http://youtu.be/EslOPTRk79E

Jim, this is the best place for Mike to post.
This is where the Premiere Pro engineers, testers, and product managers will see questions. It's extremely cumbersome to try to forward a tweet to the relevant expert, and it's even worse to try to troubleshoot and give answers longer than 140 characters (with screenshots) over Twitter.
That said, I'll get someone more familiar with the new audio features to have a look.

Similar Messages

Match sequence settings, why is it exporting in a different size?

I am a little new to this but I want to export my timeline in 2704x1440. I have footage of varying sizes and when i tried to stabilise some of the larger shots in the timeline I got a warning that I can not do it, the shots would have to match the timeline. This is a real pain. I could't find a work around on line so I'm putting the shots into their own sequence, stabilising them there then trying to export them back into the project. All very well but with it set to "Match sequence settings" it down sizes the export to 1080? Anyone know what I'm doing wrong or a better way round the stabilising problem??

you may have removed files from iTunes but chose to keep them.
if that's the case, you should be able to track the files down using this script:
Music Folder Files Not Added v2.0
This application will list the file paths of the files in your designated "iTunes Media" folder which are not in iTunes' library. Additionally, you can select a different parent folder and its contents will be compared to the iTunes library. Options to Add a selection of found files to iTunes or move them to the Trash.

Exporting from PPro CC - Exporting using Match Sequence Settings issue with 24 bit audio

I am having an issue exporting my sequence which contains final AIFF mix (24 bit 48 kHz) into a 'same-as-source' ProRes 422 file with 24 bit audio. I am specifically trying to export media with 'Match Sequence Settings' checked to create an identical output of what my sequence is. I wind up only creating a PR422 with 16 bit audio rather than 24 bit audio.
My sequence contains ProRes 422 media and 24 bit AIFF final stereo mix (1 audio file) from our Sound department.
My sequence is currently setup as "Custom" at 1920x1080, 23.976 fps, Square Pixels, Progressive, etc. Audio is 48 kHz (I don't see an option for choosing different bit rates in the 'Sequence Settings').
Using 'Match Sequence Settings', my options to alter the audio are "greyed out" and unavailable. I'm not sure why 'Match Sequence Settings' doesn't recognize that I am cutting with 24 bit audio and, instead, only exports 16 bit audio.

Always skip Match Sequence Settings and set up the export manually.

Match Sequence Settings

Has anyone figured out how to export from PPro/AME with settings from an specific sequence? Meaning, if my sequence
is DVCPROHD 1080p and it has 10 mono audio tracks in it, I could export a QT in DVCPROHD with all those 10 mono tracks
embeded without stereo or 5.1 mix down. Any pointers? That would be a nice option to have. Thanks!
PS: I don't know why "Match Sequence Settings" exports as MPEG2... even when my sequence is DVCPROHD... Go figure...

PP cannot export anything but mono, stereo or 5.1 audio.
Sorry.
(On a side note, the Match checkbox matches your Preview Render settings, not your footage. That's why it comes out as MPEG.)

Exporting multiple sequences from Premiere with Match Sequence Settings...

If I individually select a sequence in Premiere and Export Media I have the option of checking Match Sequence Settings but with multiple sequences selected the option goes away. So I have to individually select the sequence, check the Match Sequence Settings box and add to the queue for every. darn. sequence. All I want is to export multiple sequences to Media Encoder with Match Sequence Settings (or add multiple sequences to the Media Encoder queue, same thing). Am I missing something? This seems like it would be used a lot...

For PC users, of which I am one, the Preview Render codec in the Sequence is usually MPEG so best to avoid it. If you can actually use ProRes, then it's understandable that you'd want to "Match Sequence" if possible.
Check this link - http://www.premiumbeat.com/blog/pro-tip-exporting-a-finished-video-from-premiere-pro/
Thanks
Jeff Pulera
Safe Harbor Computers

Remember Export "Match Sequence Settings" setting?

Hello,
I would have posted this is "Feature Requests" but that currently seems to go to a dead link.
Longtime editor here, new(ish) to Premiere Pro.
My habit is always to set up my sequence to match what my final export specs will be. As a result I pretty much always want the "Match Sequence Settings" in the Export dialogue checked.
It seems that every time I export, Premiere defaults to unchecking this.
It's not really a big deal to have to check it every time, but it one of those little annoying things especially when under the gun if I forget to check it.
It also seems intuitive that software should be able to remember the settings a user frequently uses, rather than the user having to do the remembering. This is the sort of thing computers are good at.
Wondering if we can get a preference to either default this to checked, or default to last used setting? If such exists I have been unable to find it.
Thanks!
Declan

Hi Declan,
Declan Zimmerman wrote:
Hello,
I would have posted this is "Feature Requests" but that currently seems to go to a dead link.
Hmmm. Where were you clicking for feature requests? I'd love to fix that dead link to help others.
Feature requests can be made here: http://www.adobe.com/go/wish
Declan Zimmerman wrote:
My habit is always to set up my sequence to match what my final export specs will be. As a result I pretty much always want the "Match Sequence Settings" in the Export dialogue checked.
It seems that every time I export, Premiere defaults to unchecking this.
Yep, that's a feature request. Sorry it's interrupting your workflow.
Thanks,
Kevin

Does exporting DV using "Match Sequence Settings"

I am capturing VHS and Hi8 home video using a Canopus ADVC-300 and Premiere Pro CS6. The output is DV, about 14GB/hour. Most of the captures are unattended (have a 4 TB disk, backed up of course, but space is not a big concern right now). I'd like to get everything imported before starting any serious editing, so I capture each tape twice: the first time, the video itself; then I rewind, turn the timestamp indicator overlay on, and capture again with the camera running at 2x speed. That way I can quickly find when a particular segment of a tape was recorded without winding the tape around in the camera, looking for the scene and the time isn't overlaid over the image.
I have two questions:
1) Since the captures are unattended, I need to trim the blue screen off the end of each captured files to save disk space. I'd like to confirm that if I trim a sequence and export with "Match Sequence Settings" set, that Premiere will not re-encode the DV except for the parts that I actually changed (I sometimes use dip to black around damaged segment of tape). Based on the export speed, I don't think it's recompressing and the quality looks the same but I'd like to double-check.
Does Premiere Pro CS6 always mark the timeline with the colored bar if processing is required? The "dip to black" parts get a yellow bar, but the rest has no bar. That would be a clue.
Also, the export dialog has "Use Maximum Render Quality" unchecked by default. I check it -- does it matter?
2) What is the best way to permanently associate a date/time with the captured video? I didn't see any way to bake it into the DV for each segment. I'm using comments in sequence markers, set at the start of each clip, but the sequence markers don't move if I ripple-delete, say 10 seconds of noise in the middle of a track. I can't figure out how to get markers attached to the video track instead of to the sequence. I found some videos that say how to do this, but they don't seem to apply to CS6. I found that if I export the sequence, the markers then do get backed into the DV. But I need them not to move if I ripple-edit. Is that possible?
3) My plan is to add a 3 or 5 second overlay title to the beginning of each segment saying what it is and when it was captured, but only for the final export. Is there a trick that I could use to create a title from a marker? This is not a big deal, but seems like a useful feature.
Sorry if the answer to these questions are obvious -- thanks for your patience.

Thanks for replying. The reason I want to re-export the captured DV is because I capture unattended, and don't know how much video there is on a 2 hour Hi8 tape or VHS tape.
I could find out by fast-forwarding through the tape and stopping, but it's more efficient to just capture the entire tape and then trim the end off the tape and re-export. I'm planning on archiving the raw DV capture, and 1-1/2 hours will fit on a 25GB BluRay disk. Two hours won't.
Thanks for the tip about the project panel. I never scrolled it to the right far enough to see the "description" or "log note" field. Hopefully those notes will wind up in the metadata of the DV .AVI file, but even if it doesn't, I'm planning on archiving the Premiere Pro project file with the DV .AVI file.
The copy/paste from marker to title is what I'm doing now. I just wanted to make sure I wasn't missing something easier.
So... does anyone know if Premiere Pro will pass-through the original DV if I re-export after making minor edits?

Batch Export with Match Sequence Settings

How can I select a bunch of sequences in Premiere Pro and export them with Media Encoder as "Match Sequence" Settings? When I have multiple selections that option is not available. Also, is there an option to either use or ignore the in/out when batching sequences?

Hi TBC,
I think you're on the wrong track with the export. Camera codecs are for acquisition. There are many different options for Export, and they do not need to be, nor should they be in most cases, the same thing you started with. The general consensus I see on these forums is to avoid "Match Sequence Settings" most of the time.
Please let us know the destination, and we can then suggest options. For instance, if you simply want to create a "Master" copy of the completed work, on a Mac you might want ProRes, while on the PC you could look at the Lagarith Lossless codec, or the Avid DNxHDcodec (both need to be installed to use them). If going to the web, there's a ton of options, but a YouTube or Vimeo preset is a good place to start, found under "H.264" format.
Thanks
Jeff Pulera
Safe Harbor Computers

Video gets SOFT after using export/ media/match sequence settings

Never had this on any other version of PP. PC based 64bit Win 7
EX: I get a job delivered to me that was shot on mini dv (now on a HD) & the clips are all seperated as they were shot.
I put them on the TL & want to make 1 long clip out of them.
I export-media-match sequence settings & the video gets 25% softer. Yes my sequence settings are correct.
I have tryed using "max render quality" button but made no difference.
Does cs5 have a problem in this area? The video looks terrible!
Please advise

Just drag your footage to the New Item button and will create a sequence that matches your footage.
There isnt a preset for that size but you can use the Desktop setting and create one that way too.
GLenn

PP 5.5 - DNxHD Matched Sequence Settings exports washed out video

Just want to make sure I'm not missing something. We shot on Scarlet, and after color we got back 1920x1080 DNxHD files.
Im concerned because after conforming, I'm using Match Sequence Settings to export from Premiere and my export video is washed out and different than the original.
Here's the original DNxHD video that I got from our colorist. (all i did was change the filename)
https://www.yousendit.com/download/TEhXNU1KTlF6RS9xYk1UQw
This is the file Premiere spit out after using Match Sequence Settings (a little shorter because original clip had handles)
https://www.yousendit.com/download/TEhXNU1KTlE0b0R2WnRVag
Sequence Settings below. It's also worth it to note that even though I'm choosing 1080p 23.976 DNxHD 175 10-bit and clicking okay, whenever I click configure again under "Video Previews", the dropdown list has defaulted back to 1080i 59.94 DNxHD 220 10-bit. weird. 709 vs. RGB is not making a difference for me.
My Export settings, just for good measure. "Use Maximum Render Quality" isn't making a difference for me
Side by Side comparison. You can really see the difference in the hair above her left eye. Original has a bit more contrast.
I can get good looking exports using other codecs and settings, PhotoJPEG works pretty well, but I know in a lot of cases DNxHD is kind of a standard for finishing work, and up until now I've done mostly broadcast and I've never worked with this Avid codec before. This is our first project with this camera so I want to make sure I'm doing the post-color work correctly. Our colorist already kinda boned us by not haing a red rocket and basically forcing me to take this codec. I'm just wondering if there is some color management step or setting that I'm missing. I really need this export to match the original.
Thanks for all your help, hopefull i can learn something here

Have you tried comparing the footage from inside of Premiere? Put each of the before and afters over top of each other in Premiere itself and see if they look different. Honestly I downloaded your test file and played them from inside premiere right side by side and didn't notice the problem that I see occuring in your pictures. However I did notice a bit of aspect change or something. But nothing related to color.Anyways just try placing them in premiere and comparing them both from inside Premiere.
If just simply placing the files inside Premiere doesn't fix the issue to begin with. Then attempt to change your preview file format in premiere to something besides Quicktime.
But honestly in the pics you posted I can see a clear difference however when I pull both of your files from rapidshare into Premiere Pro on my windows machine using the standard mpeg preview codec I see no color differences.
Like Jim said though Quicktime can't be trusted for color accuracy it has several known gamma issues.

Files too large if "Match sequence settings" selected

Hi there
I have a MTS file of 802MB as source file with below information. Besides this I am using a 30 seconds small AE intro animation using dynamic link.
If I choose "Match sequence settings", I get a file that is 2.15GB. You can see the source file was 802MB and output is 2.15GB which has become a real problem for me to upload it due to repeated disconnection and failure of ftp tools like Filezilla and CuteFTP to resume the upload process. (even though they claim to supprt resume of file transfers but I have to start it from zero bytes everytime)
So, all I need is to improve my understanding about the right encoding method instead of using "Match sequence settings". I had many hopes from H264 but I guess I am still getting large output files. Plase advise I have to finish this project as soon as I can and I am done with editing, inttro animations etc. Only the getting optimized output file and there upload has become a issue for me.
Thanks.
Vibrant Graphics

Don't use "Match Settings" - decide who the viewer is and choose from a variety of presets to suit your needs. For instance look under "H.264" and you will find a YouTube Widescreen HD preset, or there are iPod and iPad presets, all kinds of options.
Jeff Pulera
Safe Harbor Computers

Export to Match Sequence Settings

I am using Premiere CS5 and I want to export a video clip in the same format as the original footage (Canon XF MPEG 2) at 100% quality (having edited it obviously).
So I go to >File >Export >Media and check the box 'Match Sequence Settings'.
How do I change the default 50% to 100%? (I've checked the original Sequence Settings and there doesn't appear to be a 50% or 100% option).
Many thanks.
TBC

Hi TBC,
I think you're on the wrong track with the export. Camera codecs are for acquisition. There are many different options for Export, and they do not need to be, nor should they be in most cases, the same thing you started with. The general consensus I see on these forums is to avoid "Match Sequence Settings" most of the time.
Please let us know the destination, and we can then suggest options. For instance, if you simply want to create a "Master" copy of the completed work, on a Mac you might want ProRes, while on the PC you could look at the Lagarith Lossless codec, or the Avid DNxHDcodec (both need to be installed to use them). If going to the web, there's a ton of options, but a YouTube or Vimeo preset is a good place to start, found under "H.264" format.
Thanks
Jeff Pulera
Safe Harbor Computers

How do I export multichannel audio with match sequence settings?

I have a prores file that has 10 channels of audio. I made a sequence with the same audio and video settings (I also tried dragging the video on the new sequence button with the audio import set to adaptive) and then I tried to render a clip out of it by using the match sequence settings. The audio export defaults to stereo and can't be changed. I'm using Premiere CC 7.2.2 on a Mac at the moment.

It's difficult to be helpful when you have an attitude. I read your post, and was offering suggestions for how to achieve what you seem to want to achieve. If you really need to use the Match Sequence Settings - rather than changing the settings to match manually - then clearly you're not going to be able to get multichannel audio. Since this does not seem like a bug, I would suggest submitting a feature request and asking for the Match Sequence Settings to support multichannel audio export.
Adobe - Feature Request/Bug Report Form

Show match sequence settings in clip dialog premiere 5.5 where?

I am working in Premiere Pro 5.5 and I purposely made the Sequence 4:3 and 29.97 frames per second to test something out.
With the sequence at 4:3, I imported some HD DSLR clips into my bin. Of course this foothe is a much higher resoultion and the frame tare is 23.976 Frames Per Second not 29.97 FRames as is the sequence.
I add my clip to the sequence and it's supposed to ask me if I want to match the clips settings to the sequence. If I say yes, the sequence is supposed to change to 23.976 FPS and the Video is also supposed to match the clips video settings as well.
When I put my clip down, the box does not come up asking me if I want to change my sequence settings to the clip.
Why not?
Is there a box where I can check "show match sequence settings in clip dialog?"
If so, where is it?
If not, How can I get the box to come up when the clip does not match the sequence settings so I can check Yes.
Thanks in Advance
Premiere 5.5
Power Mac
Mountain Lion os 10.8
10 GB RAM

This is a feature that is new to CS6.
Jeff

Stretched export even when "Match Sequence Settings" is checked

I've been stumped by an export problem I've never faced before. I'm reediting the audio of the Rocky Horror Picture Show movie, so I began this project with a sequence based on the settings of the mp4 file of that movie. I edited it and exported it with "Match Sequence Settings" checked, but the final is horizontally stretched. Here are some screenshots.
Sequence Settings
Export Settings (the source and output previews match!!)
Original Movie
New Export, Weirdly Stretched
Any thoughts? The sequence settings of my edit are based on the original movie, so I can't understand how the final output could be different. What am I missing?
Also this is in CC 2014.

Hi Ttraversy,
It may have to do with non-square pixels, however, I'm not sure you should be editing with other people's source material. I highly recommend you avoid doing so to avoid legal problems.
Thanks,
Kevin

PP6 Multiple tracks output setting & why MATCH SEQUENCE SETTINGS isn't seeming to work correctly!!

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