PPRO CS5.5 - Would be nice if sorting of project material took place immediately

Hi there...
Perhaps I am doing something wrong or I have missed some hidden preference.
Anyway, what is really bugging me is that in my project I have LOTS of files and bins etc.
After importing a clip or creating a new bin and giving it a name PPRO does not sort the list according to names until I come up to the top of the project panel
and toggle-click the NAME pane.
After that sorting of recently added items is alphabetical. On the other hand, if I dont come up and do that little trick PPRO wont sort until I close and re-open the project....
Not so Pro
Anyway - THis is using Mac OS X Snow Leopard - Latest Version

2 instances I (or a poor assistant editor) has to rename that many or more clips:
- Anything long enough that's slated & w/ script notes from the shoot - you want your file names to be your scene & take. Alot of these types of projects are done on MC, which doesn't sort after naming and for a good reason. With some little details on how it handles it really optimizes how fast you can do the work.
- In AE, had to make about 200 versions of the same 5 graphic slates. I named the files so that I can easily go back to find it if I need to make any changes for specific versions; and it saved a bunch of steps in exporting because I named it specifically what the comp name was & exported file should be named.
So, doing around 1000 renames with AE autosorting after every rename (and having to scroll back to where I was each time), was not ideal. That's why it should be optional to whether it "automatically" does it or not .
I agree it would be nice if upon import, it automatically sorts everything into whatever you currently have set.. by name, by type, by label, etc. Makes sense.
- wb

Similar Messages

AME CS5.5 - Would be nice if Watch Folder also understood TIFF Sequences

Hi...
Like the header says...
Did you guys over at adobe forget to add TIFF and other sequences to Watchfolders.
Doesn't work here.
Trying to add a TIFF SEQ folder to AME as a direct Watch Folder will result in AME doing weird stuff and subjecting itself to me force quitting it
A fix would be nice
Thanks

Agreed - I would also like it if Watch Folders in AME could recognize still image sequences of any supported format; unfortunately that currently doesn't work. We didn't forget about this; it was a case of the amount of time required to engineer and test the functionality exceeded the amount of time we had available. We hope to include this functionality for a future release.
Also worth noting that Watch Folders don't support Premiere Pro or After Effects projects. That's an entirely different problem, and much stickier since you would have to somehow identify which sequence or comp inside of the project you want AME to render.
I've made a comment about these limitations on the AME Help page about importing files to the queue and watch folders. (Note that you too can make comments on the Help pages.) Hopefully that will be of assistance to people in the future who encounter the same problem.
> Trying to add a TIFF SEQ folder to AME as a direct Watch Folder will result in AME doing weird stuff
Can you be more specific about what weird behavior you saw? If you put a still image sequence into a folder being watched, the expected result is that AME will add each individual still file to the queue. If you put a long still sequence in there, that may take a long time.
As always, filing a feature request about changes you'd like to see is helpful. Each submission really does matter.
-=TimK
-=Adobe After Effects and Adobe Media Encoder QE

PPro CS5 Crash Course for Non-Linear Editors

Backstory: I was asked this morning to teach a crash course in Premiere CS5 for the students in the film program at my school in the Introduction to Editing class who have been using FCP. They have to edit several projects using RED footage, and rather than spend a huge amount of time transcoding it to a format which FCP can work with, the prof has just decided to have his students use PPro CS5 (which is also on their editing computers). Since the prof doesn't use PPro, he's asked me to teach the class for him.
I created a very brief crash course powerpoint to assist me in giving them the fundamentals of the program, and supply them with a resource to refer back to as they work on their projects after class is over tomorrow morning. I created this for students who already have done some editing in an NLE, and so don't need to be taught WHAT everything is and HOW to cut footage and put together a timeline. This is just to introduce editors to PPro CS5 who are not already familiar with the PPro workflow.
Anyway, I wondered if some of you gurus would want to take a look at it and give me your feedback on what I've covered well, what I might have missed, and any other thoughts y'all had.
You can view a PDF of the document at www.bryan.edu/pprocs5 The viewer will bring it up embedded in the page at about 40-50%, so you'd be best off to click the download link and open it in Acrobat where you can go full size with it.

Thanks for the input!
I actually taught hem REDCINE-X last week so that they could use it to export their files to an intermediate codec that FCP would understand, and preserve the new colorspace. Unfortunately these computers are so slow that the export process was gonna take nearly a week for all the files they need to work with, so the prof opted to swtich over to PPro midstream since it can handle the raw 4k and supports the new colorspace.
I didn't mention the saving thing... forgot about it; but the conforming issue did come up and we were able to talk about that in class!
The class went okay, I guess... I don't know what it is about students these days, but most of them (like all but one) weren't really paying very good attention and they were just sorta goofing off, talking amongst themselves, etc... made it really frustrating to teach this platform!
Oh well.

It would be nice if the IOS7 calendar in weekly view would show more

When viewing in weekly view, all-day events appear at the top. When there are two or less, the size of that window reduces. It would be nice if it expanded to show all, all-day events for that day. Currently I have to scroll up and down to see them.

Hi Kathy,
No need to apologize. It's your first time submitting, so I'm going to go waaaay out on a limb & assure you that you are not being redundant!
Welcome to the Apple Support Community. Your post actually inspired me, if you will, to find a way to peruse through new music releases without having to come across genres that I absolutely do not care for... like Metal or Rap. Go figure!
Okay, what I found was that when you are in the iTunes Store, you can simply click on Music as shown below:
Then if you look over to the right just below the rotating billboards, you will see the following:
Then it's simply a matter of selecting which genre you want to see; for example:
Voilà! The page will show nothing but.... you guessed it, kathyfromindianapolis!
Then, if you want to see most of the newest releases by genre; then simply click on the " See All > " hyperlink just to the left of the 'genre selector box' & that will bring you to a page like this:
Finally, up in the top right corner, there is a 3-way toggle with a little triangle with which you can sort by Name, by Release Date, or by Featured. I believe that the default setting is 'Featured', however, I prefer the 'Release Date' as that puts it all in chronological order for y'all!
So, your suggestions are nice, Kathy, but since it would cost Apple the time involved in facilitating such a change; chances are (realistically speaking) that your suggestion(s) will go unheeded. Nonetheless, I hope that what I have found (because of your initiative) helps you come closer to what you suggested.
Best Regards,
mm~

Tests with Speech-to-Text transcription in PPro CS5

As a follow up to my earlier thread about the apparently reworked or, at least, enhanced speech transcription capability in PPro CS5, I just conducted a few tests to see if it is indeed any better than what we had come to expect of it from CS4. The results are, well, encouraging...
QUICK BACKGROUND: I have an approximately two-minute long voiceover, verbatim from a script, professionally recorded, that was originally delivered to me as a 192kbps, 44.1kHz MP3. Since transcription won't work on MPEG assets (at least, not in the trial which is what I'm using--the files import, but the transcription "analyze" button is grayed out), I used Soundbooth to convert it to a 48kHz, 32-bit floating point WAV. I created a couple of copies, so that each one would have its own transcription metadata. I always used the High quality (slower) option.
I ran the test four times, as follows:
Just the WAV, without a reference script
The WAV with a verbatim reference script as a text document (.txt), with "Script Text Matches Recorded Dialogue" option checked
The WAV with a verbatim reference script as an Adobe Story script document (.astx), with "Script Text Matches Recorded Dialogue" option checked
The original MP3 in Soundbooth CS4
I've linked to a text document with the results of these tests (no editing), along with the original text from the script, if you're interested in seeing how they stack up: right-click and save as.
As one would imagine, #1 (no script) was... not perfect. However, I think it did a decent enough job for most purposes. Granted, this was a professionally-recorded voiceover, with not competing background noise, but it was still marginally useful. What's funny to note is that the transcription process seems to trip up every now and again and then it seems to lose its momentum for awhile. It'll bobble a "difficult" word, and then for half-a-dozen words following, it's all over the place. Once it regains its footing, though, it'll be pretty much spot on for a sentence or so. Unfortunately, this repeats, but again I think you could make use of it.
For #2, the transcription was LEAGUES better... but still not perfect. That part is bewildering to me. The transcription generated a couple weird passages--for example "Enjoy" became "and Gillian"--which I could understand if there was NO reference script. However, my impression of how the reference script should work--particularly if the "Script Text Matches Recorded Dialogue" option is activated--is that the transcription should basically copy and paste the reference script into the metadata, NOT invent words and phrases that don't exist in either the script or the dialogue/speech. This process actually preserved capitalization (though punctuation was discarded), so that means it is definitely using that reference script; there is no way to discern capitalization from the spoken word.
I thought that maybe, just maybe, I could eliminate the anomalies by using Adobe's own script format, generated by the new Adobe Story--hence test #3. I copied and pasted the text into a new Story script, downloaded the ASTX file, and used that as a reference script as above. Unfortunately, it fared no better than the text document (I suppose this makes sense, but I was hoping...), but it was still about 98+% accurate. I'm reasonably satisfied.
For giggles, I tried test #4, where I used Soundbooth CS4 to transcribe the original MP3 file. Since CS4 doesn't have the reference script capability, this would more or less pit the transcription engine in CS4 against that in CS5. As expected, it turn the dialogue into textual chop suey, BUT... it actually did BETTER than CS5 sans reference script did on some phrases! Observe:
Original script: Our Club is YOUR CLUB.
CS5, no script: our love is your laugh
CS4, no script: our club is your class
Mish-mash that only Mad Libs could love! For the record, the tests that used the reference scripts were spot-on, capitalization included.
So, I'm feeling better about using this for the massive documentary and archival project I'm about to embark upon. I have human-typed transcripts for most of the interviews in this project--over 100 interviews, constituting some 200-plus hours--and keeping that text with the footage is going to be a great thing. There are some flaky things--I wish the punctuation could be preserved--but all in all, the reference script addition seems to make this feature much more plausible in a working production environment.

Did you link the Adobe story script through OnLocation? For some reason this is required (to my knowledge) to do an exact match.
When you import an adobe story script into OnLocation; it creates a shot list that is linked to the script. You then either shoot footage ot fill the shot list; OR link existing assetts to the shot list. This creates the linkage between the adobe story script and the shot list.
If you just add itin premire; I think it is the same as just linking a text file. But if you have ONE assett to ONE script; perhaps you will get the same results anyway. In Onlocation you can link multiple assets to one script.
Then all this metadata come in to Pr script attached.
Some more details pasted from Help:
Improve speech analysis with Adobe Story, OnLocation, and Adobe Premiere Pro
You can use Adobe Story, OnLocation, and Adobe Premiere Pro to create the most accurate speech analysis. Import a script written in Adobe Story into OnLocation. OnLocation produces a list of shot placeholders for each scene. Either record these shots using OnLocation during production, or link the placeholder shots to their respective video files when you import the video files into OnLocation. In either case, OnLocation embeds the text for each shot from the original script into the metadata of the shot.
When you import the clips into Adobe Premiere Pro, it automatically uses the Adobe Story script as a reference script. When Adobe Premiere Pro finds enough matches with the embedded script, Adobe Premiere Pro replaces the analyzed speech text with the embedded script text. Adobe Premiere Pro carries over correct spelling, proper names, and punctuation from the reference script, benefits that standard speech analysis cannot provide.
The closeness of the match between the embedded script text and the recorded dialog determines the accuracy of matched-script text. If 100% accuracy is important, edit and revise the script text first. Ensure that the script matches the recorded dialog before using it as a reference script.

Partial footage/black screen when replacing footage in PPro CS5

Let's see if I can get all the relevant info down here.
Started off with a project in PPro CS5; using two source files (one an MP4 from a Flip cam - not the footage I am having an issue with) the other a direct-stream feed from a 3D application, converted to Lagarith. Both were dragged into the timeline and manually synced so the footage matches up - the MP4 is overlayed over the direct-stream in the corner of the frame, scaled down.
I have been using the razor tool to cut both sequences into short clips at the same time in the timeline to maintain identical in/out points. The Lagarith-encoded stream is lower resolution than I would prefer, so due to some other additional factors I have taken the stream and scaled it up from the original 640x360 to 1280x720 using a neat app called "Video Enchancer".
Now, here comes the issue; I have been editing with the 360p footage, and would now like to replace it with the 720p footage (basically proxy editing). "Replace Footage" function to the rescue, right? Apparently wrong.
Once I replace the footage, most of the timeline gets diagonal stripes across the cut clips, as well as a black screen in the program monitor for preview - indicating that the footage is still missing (though no red "media offline" image). Oddly enough, of the three 360p original files I used to edit with, the first replaced perfectly fine, the second replaced fine up until a certain point, and the third didn't work at all.
The oddest thing of all, however, is that I can view the replaced footage in the source monitor without any issues, and PPro reports no issues with either the video or the audio stream (audio is uncompressed PCM WAV). I can even drag the replaced footage (now 720p) into the timeline, and watch it in the program monitor.
The scaled-up 720p footage is of the exact same length as the original 360p footage; down to the frame count. Both are using Lagarith - yet for some reason, replacing the 360p footage with my scaled 720p footage doesn't seem to work correctly. Even selecting "reveal in project" over one of the cut clips that shows no video/audio points me to the correct source file!
What's going on here?
If there is any additional info you would need or like, feel free to ask and I'll provide it. Sorry for the long post.

I'm editing my reply, and going to post a new thread, as I figured out at least what the issue is: PPro is not detecting the correct duration of my footage.
Message was edited by: XNtricity
Reason: New, more succinct question needs to be asked, as root cause of problem was discovered.

Most relevant test score for PPro CS5 to run on notebook?

Hi, I hope I didn't miss this topic anywhere in the forum. Since I am in the market for a new notebook to occasionally edit 3-5min clips of panasonic HMC 150 AVCHD material (most of the time just office work), I was wondering what the best and still affordable notebook (EUR 1500-1800) would be. Apart for a wide discussion of system requirements and recommendations I couldn't find what would be the most relevant test score to assess how well PPro CS5 is going to work. Some say you need to get a notebook for EUR 3000, some say one for EUR 1200 would still work - I guess it depends on how much you are going to edit and how much time you have. I was curious if there was such a score that serves as a guideline. For example, below you find such test scores for a Sony notebook. What would be the most informative as to whether and how well PPro CS5 will work. Any information is greatly appreciated.
btw: I would appreciate recommendations on these two notebooks
Acers Aspire TimelineX 4820TG-624G16Mnks
Core i7-620M 2x 2.66GHz • 4096MB • 160GB SSD • DVD+/-RW DL • ATI Mobility Radeon HD 5650 1024MB • 4x USB 2.0/Gb LAN/WLAN 802.11abgn/Bluetooth • HDMI • 5in1 Card Reader (SD/MMC/MS/MS Pro/xD) • Webcam (1.3 Megapixel) • Multi-Touch Trackpad • 14.1" WXGA glare LED TFT (1366x768)
Sony Vaio VPC-Z12
Core i5-520M 2x 2.40GHz • 4096MB (2x 2048MB) • 128GB Dual SSD • DVD+/-RW DL • NVIDIA GeForce GT330M 1024MB und Intel GMA HD (IGP) • 3x USB 2.0/Gb LAN/WLAN 802.11abgn/Bluetooth • HDMI • UMTS/HSDPA • ExpressCard/34 Slot
Thanks!
simpsonix
Benchmark: PCMark05
k.A.
Benchmark: PCMark Vantage
12.114 Punkte
Benchmark: Sysmark 2007
k.A.
Benchmark: 3DMark01
32.989 Punkte
Benchmark: 3DMark03
k.A.
Benchmark: 3DMark05
k.A.
Benchmark: 3DMark06
7.675 Punkte
Benchmark: Cinebench (1 CPU)
687 Punkte
Benchmark: Cinebench (2 CPUs)
1.416 Punkte
Benchmark: Quake 3 Arena
744 fps
Benchmark: UT2003
k.A.
Benchmark: Aquamark 2.3
k.A.
Benchmark: CCS 10x7
274 fps
Benchmark: CCS native
272 fps

thank you very much for your answer. Do you think the following notebook would be suitable for occasional editing of 3-4min clips (we have got a desktop editing machine with i7, 12gb, nvidia gts250, and 4 7200 barracuda hdds)? so basically it should only be able to work as a backup editing machine in case two clips have to be finished at the same time. since there is only one hdd, I could put an sdd into it as well. and I could upgrade to 16gb ram. the reason, why this particular notebook is interesting for me, is that through a student discount I can get it for EUR 1,700 instead of EUR 2,500 (cheapest price on the market for this setup). I am aware that it won't be as fast as my desktop (which works spledidly with avchd!), but it should be faster than a retired snail overtaking during his afternoon nap ;-)
I would really appreciate your opinion on that one or from anybody else that has particular experiences with this notebook and avchd!
thanks
simpsonix
HP EliteBook 8540w
Prozessor: Intel® Core™ i7-740QM Prozessor
Takt: 1,73 GHz, 6 MB L3 Cache, bis zu 2,93 GHz mit Intel Turbo-Boost-Technologie
HD: 500 GB SATA (7200rpm) mit HP 3D DriveGuard
RAM: 2 x 4 GB (DDR3 1333 MHz), upgradeable to 16 GB RAM
Display: 15,6" (16:9) Full-HD anti-glare Display mit LED-Hintergrundbeleuchtung (1920 x 1080); Umgebungslichtsensor & HP Nightlight
Graphik: NVIDIA Quadro FX 1800M mit 1 GB dediziert GDDR5 RAM
WWAN: WWAN Modul nicht integriert, im nachhinein aufrüstbar
Batterie: HP 8-Zellen Long-Life-Akku (68 WHr) (3 Jahre Garantie)
optisches Laufwerk: DVD+/–RW, Blu-Ray Player/Writer, SuperMulti Dual Layer mit LightScribe Technologie (Upgrade Bay, second disk drive)
Kamera: 2 Megapixel Webcam
Gewicht: ca. 2,9 kg
Garantie: 3 Jahre PickUp & Return Garantie (3-3-0)

I suggest, that it would be nice, if there is a "Mark read" button in notify (about an incoming mail).

Hello!
I've got a suggestion.
When a new email comes there is a notify popup.
There is just "x" button on it.
So, the notification is active, until I open an email.
But I do not need to open all emails I receive.
So, it would be nice if there is a new button "Make read" in an popup, and in notification icon right button menu in future versions of Thunderbird.
Best regards,
Oleg

There is a way. First, Firefox is only a browser. It sends and receives
data and displays it on your screen.
The problem is at Live Mail. Here is what to do;
Open your mailbox. Now open your mail options. In the options you
will find how to sort incoming mail.
There is also a filter that when active, only sends mail from those
you choose to go to the Inbox. All other mail is sent to the Junk folder.

Notebook Solution 1366x768 for PPro CS5

Hi everyone,
I'm going to buy a new Laptop and I would like to know if the screen solution 1366x768 is to low for PPro CS5. In the requirements there is a minimum of 1280x900 displayed. Does it means that the programm doesn't start or it's not recommended to work with this low screen solution?
I've got a bonus question: can the gt425m with 1024mb be used for the mercury engine? (with the hack)

>Whats the advantage of two harddisk instead of one?
One hard drive has one read/write head (or set of heads if multi-platter... all physically locked together) so that one (set of) read/write head(s) may only be in one spot on the hard drive at a time
That means that any Windows activity precludes any file activity
You really need at least 2 hard drives... I have 3...
1 - 320G WD Win7 and all programs
2 - 320G WD Win7 swap file and PPro projects
3 - 1T WD all video files... read and write

Stutter after Upgrade PPro CS5.5

Hi,
I've spent a day with this and I'm not able to figure it out... Playing ProRes files back in PPro CS5 works superbly, even with an insane amount of FX attached. Same preset, same clip in CS5.5 dosen't even play back correctly without any FX on it... the bare clip stutters, drops out audio, etc. What can that be?
Thanks so much for your help...
Rob
Processor 2 x 2.26 GHz Quad-Core Intel Xeon
Memory 16 GB 1066 MHz DDR3 ECC
Graphics ATI Radeon HD 4870 512 MB
Software Mac OS X Lion 10.7.2 (11C74)

Thanks so much for your reply, Todd. No, I'm running 5.5.2
Could it be that it is a "bad install"? Would re-installing solve anything? And - could tha AJA drivers/plugins have anything to do with it, as in, "confuse" the system? (I tested a non-AJA sequence, identical on CS5 and CS5.5, and the latter made difficulties - so it might not be the AJA thing directly, if at all...).

Title issue with ppro cs5

I read this on a Creative Cow forum:
"Never use premiere for effects, titles, ect. Use After Effects then render it to a uncompressed animation clip - alpha settings selected. reimport to premier lay it down and gaze at beauty. Compression is bad, premier compresses everything it renders, the more you compress-layers, the more degredation and pixelation"
If this is why my titles look so fuzzy with ppro, can someone give me some advice as to the best workflow? I have a basic knowledge of after effects. I have a ppro cs5 project with titles that I have already created. There are about 10 identical titles (names vary, style, size, do not). I imagine that there is an efficient way to do this, help, please...
Regards,
Lisa

I would ignore that post on the Creative COW forum.
If you have a question about how to best work with titles in premiere Pro, then I recommend asking on the Premiere Pro forum:
http://forums.adobe.com/community/premiere

PPro CS5.5 freezes -- what's going on?

I'm an experienced video editor, but new to Premiere Pro. Running on an iMac with Mac OS 10.6.8. My first project is a pretty simple one -- only one long captured clip plus a few still photos overlayed in Video track 2.
I'm playing the sequence timeline, and about 4 minutes from the beginning playback just stops. Sometimes, Ppro just hangs completely -- no response to mouse clicks in the app or the menu bar, space bar, etc. Sometimes, though, I can select menu items, move the current time indicator, switch tabs and activate different windows within PPro, but nothing I've done restarts playback.
In the menu, I selected Quit. PPro closed all of the open windows, and then it hung before it completed the Quit operation. I got rid of it with a Force Quit.
This freezing behavior has occurred several times while I've been working on this project, and I'm only about 4 minutes into the timeline. At this rate, I'll never finish the project.
As a "newbie" to PPro, I would appreciate any explanation of what's going on, and all suggestions about how to avoid this "freezing" behavior.
Thanks,
FastBIll

Thanks for the suggestions, John.
In PPro, my timeline contains two clips on Video 1:
1. Teaser, about 11 seconds long
2. Show, just under 1 hour long
These were both captured from a miniDV tape as a DV/DVCPRO NTSC .mov file. Frame rate, 29.97 fps. Dimensions, 720x480.
At about 4:12 into the timeline, to cover a shooting flaw I inserted a JPG photo on Video 2. Dimensions, 720x534. I added a cross-fade transition to the beginning and the end of this photo.
Yesterday, I noticed the red "unrendered" line above the photo, so I rendered that portion of the timeline. Now there's a green line above this photo.
I moved the current time indicator to the left of the photo and pressed the spacebar. The movie began to play. The cross-fades and photo looked perfect. A few seconds after the end of the photo, PPro just froze. Moving the CTI does not change the frame in the Program window; it's frozen at the frame where playback stopped.
I'm running PPro CS5.5 on an iMac with Snow Leopard 10.6.8. The entire PPro project is on an external Firewire 800 drive, which is formatted Mac OS Extended (Journaled).
Thanks again,
FastBill

I am using a Photoshop cs2, and I wonder if it is possible to keep the settings of the guidelines when closing an image, with the actual document ? It would be nice to have the guidelines locked down, I find it than when opening the same or another image,

I am using a Photoshop cs2, and I wonder if it is possible to keep the settings of the guidelines when closing an image, with the actual document ? It would be nice to have the guidelines locked down, I find it than when opening the same or another image, the guidelines are not locked, it is annoying to have to lock them down again. and it would actually be nice, to ba able to give specific directions when placing the guidelines. Thanks

Then why are the guides unlocked when I reopen a document that I saved with the guides locked ?
Thanks.

Is there any way to tell which formulas a particular cell is in, reverse look-up style? That is, is there a way to search somehow for which formulas in a sheet contain a particular cell in them without opening all of them up? If not, it would be nice

Is there any way to tell which formulas a particular cell is in, reverse look-up style? That is, is there a way to search somehow for which formulas in a sheet contain a particular cell in them without opening all of them up? If not, it would be nice.
I'm fixing a Numbers document that I use in business daily that's become overly complicated, but while I want to clear/delete a number of cells in it to clean it up, I'm not sure if those cells are being used as source for other formulas on the page. I don't have to open all my formulas one by one to see if that cell is in there, do I?! That'd be a huge amount of work if I wanted to eliminate say 10 cells to search each formula on the page to see if it is in there or watch all the cells when I delete that cell to see if the numbers change! There's got to be an easier way! Right click doesn't seem to be any help.
I don't want to damage my daily tool to make it cleaner and reorganize it. Is there really no way to do a reverse look-up of which formulas a particular cell is in?! Any time I click on a formula it highlights all the CELLS in that formula. Why can't I (or can I?) do the reverse and see all the FORMULAS that contain a particular cell?
As a Numbers document ages or gets used frequently, you can sometimes forget which cells are tied to which formulas. You just look for the results of your formulas. Would be a nice thing to be able to do. Thoughts? Work-arounds? Answers?

Answer would be no unless application provided such feature. Numbers does not as far as I know.
Note that even if you have complete list of formulae used in a table, identifying formulae referencing any given cell is not simple.
E.g., cell T20 is referenced not only in
=T20+1
but also in
=SUM(T)
=SUM(20:20)
=SUM(S19:U22)
=OFFSET(S1,19,1,1,1)
=INDIRECT("T"&(10*2))
In order to identify such formula, we have to actually evaluate it to see if it references the given cell. Especially such formula as OFFSET() and INDIRECT() may not be found by static parser because their parameters can be dynamic.
Sorry to be the bearer of bad tidings.
H

Technical problem: PPro CS5.5 won't play DSLR MOVs

Hello!
I am new to PPro CS5.5 (first day, actually) and I cannot play back .MOVs from my Canon 5D Mk2 (with audio). Every other file format that I tried worked, which is quite bad because I bought the Production Premium package just to work with DSLR footage.
It doesn't matter whether I create a sequence (still haven't figured what that is for) with/for the file or not, it doesn't matter what project settings I have. After I start the application I can play (or scrub) DSLR files for ten seconds max before the output starts to jump erratically within the clip (the playhead doesn't) and then turns green (RGB: 0x008600), sometimes interjected with images from other clips that have been played before, sometimes even garbage. There is no recovering from this. All other file formats continue to work fine. "Project New" or exiting the application then may take up to a minute while the program remains unresponsive and looks like it has crashed. It is totally unusable (the competition and every other software works fine with the files).
I have a Win7 64Bit 3.4GHz Sandybridge system with 16GB RAM. The harddisks are large, fast and quick enough to handle DSLR video. There are no other applications running in the background (really nothing as the computer is of course not connected to the internet) and there's lots of memory and harddisk space available.
What can I do or what did I do wrong? Thanks in advance.
...Mike

To edit/play MOV you must have Quicktime installed... what version of QT do you have installed?
CS5 User Guides - online and PDF (right click PDF link to save PDF to your hard drive)
http://blogs.adobe.com/premiereprotraining/2010/08/help-documents-for-creative-suite-5-pdf -and-html.html
Here Tutorials
http://forums.adobe.com/thread/913334
http://forums.adobe.com/thread/845731?tstart=0
-and http://forums.adobe.com/message/3234794
Encore http://tv.adobe.com/show/learn-encore-cs4/
A "crash course" http://forums.adobe.com/thread/761834?tstart=0
A Video Primer for Premiere http://forums.adobe.com/thread/498251?tstart=0
Premiere Tutorials http://forums.adobe.com/thread/424009
CS5 Premiere Pro Tutorials http://forums.adobe.com/message/2738611
And http://blogs.adobe.com/premiereprotraining/2010/06/video_tutorials_didacticiels_t.html
And http://blogs.adobe.com/premiereprotraining/2010/06/how_to_search_for_premiere_pro.html
CS5 Tutorials http://bellunevideo.com/tutlist.php
PPro Wiki http://premierepro.wikia.com/wiki/Adobe_Premiere_Pro_Wiki
Tutorial http://www.tutorialized.com/tutorials/Premiere/1
Tutorial http://www.dvxuser.com/V6/forumdisplay.php?f=21
Tutorial HD to SD w/CS4 http://bellunevideo.com/tutorials/CS4_HD2SD/CS4_HD2SD.html
Premiere Pro Wiki http://premierepro.wikia.com/wiki/Main_Page
Exporting to DVD http://help.adobe.com/en_US/premierepro/cs/using/WS3E252E59-6BE5-4668-A12E-4ED0348C3FDBa.h tml
And http://help.adobe.com/en_US/premierepro/cs/using/WSCDE15B03-1236-483f-BBD4-263E77B445B9.ht ml
Color correction http://forums.adobe.com/thread/892861?tstart=0
Photo Scaling for Video http://forums.adobe.com/thread/450798?tstart=0
-Too Large = Crash http://forums.adobe.com/thread/879967?tstart=0
After Effects Tutorials http://www.videocopilot.net/
Authoring http://www.videocopilot.net/tutorials/dvd_authoring/
Encore Tutorial http://www.precomposed.com/blog/2009/05/encore-tutorial/
And more Encore http://library.creativecow.net/articles/devis_andrew/
Surround Sound http://forums.adobe.com/thread/517372

PPRO CS5.5 - Would be nice if sorting of project material took place immediately

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