Premiere 6 Linear PCM audio

Hi,
i am trying to export a quicktime mov from Premiere 6 with the following specs:
XDCAM HD422 1080i60 (50mb/s) upper field first
Linear PCM audio - 24bit, little-endian signed integer, 2 channels, 4800khz
But I do not see an option for Linear PCM audio.... Can you help? What am I missing?

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Premiere Pro CS3 PCM audio recognized but not playing back

Hello all,
I have an AVI file which uses the Huffyyuv codec and PCM audio. Premier Pro (PP) recognizes the audio, as I see the audip specs in the project pane.
The following are the properties of the source video:
Type: AVI Movie
File Size: 500.2 MB
Image Size: 720 x 400
Pixel Depth: 720
Frame Rate: 25.00
Source Audio Format: 48000 Hz - 16 bit - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00:01:11:09
Average Data Rate: 7.0 MB / second
Pixel Aspect Ratio: 1.0
AVI File details:
Contains 1 video track(s) and 1 audio track(s).
Interleave: 1 : 0.50
Video track 1:
Size is 487.04M bytes (average frame = 287.06K bytes)
There are 1784 keyframes.
Frame rate is 25.00 fps
Frame size is 720 x 400
Depth is 24 bits.
Compressor: 'HFYU', Huffyuv v2.1.1
Audio track 1:
Size is 13.06M bytes
Rate is 48000 samples/sec
Sample size is 16 bits
The audio will play on all media players and also on Windows Movie Maker. But on PP, it does not play in the source monitor or in the timeline.
Any help would be appreciated - Thanks in advance!

Well, the PCM/WAV 48KHz 16-bit should be fine.
Since it is not, something must be afoot. The first thing that I would do is check that that Clip has a CFA and PEK file n the Media Cache folder. If not, then Conforming might not have been allowed to complete, though the Source Monitor should be able to play it, as it relies on the actual source file.
Then, if it's still a no-go, I'd try a Render/Replace for that file's Audio portion.
If that still does not work, if you have Soundbooth, Audition or even the free Audacity, I'd rip the Audio to PCM/WAV 48KHz 16-bit (yes, I know that is what it already is, but something is not working), and Import that resultant file, replacing any Audio stream from the muxed file.
Now, one quick question, and probably should have been asked first - do you get other Audio to play fine in PrPro? If not, see this ARTICLE.
Good luck,
Hunt

Losing Audio, MPEG2, Linear PCM

I'm attempting to take all of my home videos from the past 10 years that have been carfully edited, categorized etc.. and convert them to a common H.264 format. Over the years I've used a variety of editors, mostly on Windows, to create the finished products and as such I'm dealing with a variety of codec and container issues.
The latest issue I've run into has to do with .mpg files that contain mpeg2 video along with 160 Linear PCM audio. They play fine in Winodws but QT X refuses to play them nicely. I've got FCPX and Compressor 4 installed on this machine and other non Linear PCM audio MPEG 2 files play fine.
When I try and convert these files to H.264 using Compressor 4 the program converts the video just fine but basically ignores the audio since it believes there isn't any (as seen in Compressor Inspector). Other programs such as MPEG Streamclip, Handbrake etc.. deal with the audio just fine. I'd use those programs to do the transcode but I'm trying to have a consistent transcoder so that I do not run into compatibility issues down the road. Any idea why Compressor cannot see this audio?
Another option I tried was to demux the stream before transcoding. I could successfully do that and get the audio into an .aiff but do not know if compressor is capable of remuxing ( I don't believe it is ). TSMuxer which I've used before doesn't appear to be compatbile with Lion either so I'm looking for other ideas.
Any help would be appreciated.
Thanks

paoloj wrote:
Is Compressor the best software to convert MPEG 2 to H 264 ?
To answer your question, no. Use the MPEG Streamclip to convert your video. You can also use the Handbreak app.
http://handbrake.fr/
It's free....

Audio drop-out in FCPX with 1920x1080 & 2048x1240p @ 24p (codec Apple ProRes 4444 (Linear PCM))24p

Hi all...
I'm new to this forum.
Is there an audio issue (drop-outs) with FCPX (ver 10.1.2) for 1920x1080 24p, 1080p HD & 2048x1240 24p (2k) - note: films in FCPX are in codec Apple ProRes 4444, Linear PCM?
Very recently I've been working on a show reel and I have imported a file (short film) to snip out a section to add to the show reel.
I set the project to the film's settings i.e.. "set based on first video clip"...(1920x1080 24p, 1080p HD). When I play the film in FCPX the audio "hic-cups"..."dips to silence"..."drops-out" briefly (up to 0.5 secs in duration) and very frequently all the way through (approx 15 mins long film)...note: audio set is at stereo 48kHz. The audio monitors on the right hand side also show the dip taking place (if it's a long enough drop-out).
I also have a version of the film in 2048x1240 24p at 2k, again Stereo 48kHz...and this does the same audio "drop-out" all the way through. I'm unsure what other formats will create this problem i.e. higher or lower aspect ratios than those above.
Is this a software and/or OS issue? Or a hardware issue? Or both!?
About This iMac details:
iMac 27 inch: OS X ver 10.9.4
Processor: 3.5 GHz Intel Core i7
Memory: 32 GB 1600 MHz DDR3
Graphics: NVIDIA GeForce GTX 780M 4096 MB
Fusion Drive 3.12 TB
Final Cut Pro X was bought & installed with this iMac back in Feb 2014
FCPX version: 10.1.2
Note also: I used Compressor (ver 4.1.2) to convert the files (movies) above to Apple ProRes 422 HQ, Linear PCM and the issue disappeared - the audio and visuals played with no problems. All films play with no issue when opened in QT player. They are also fine when exporting from FCPX. The issue only occurs (as far as I can tell) within FCPX when editing or playing the audio there.
Has anyone encountered this problem?
Kind Regards,
Hakan

Hi Luis,
Thank you for that.
Seems like you have a point about the "hardware" issue. I'm unsure (new to it all) at what data rate my (er...wonderful) fusion drive provides FCPX for smooth playback - or where I can find that info on the iMac. Playing back movies in the 422 HQ codec seems to have no issues (when I converted the movie from 4444 HQ).
But playing the full 4444 HQ, the picture is smooth, but the audio has these drop-outs - even with "best performance" option ticked. Interesting that the audio suffers, not the picture in FCPX - so not sure what's going on there. I also read - perhaps - that to play a smooth ProRes 4444 HQ movie in FCPX the data rate should be min of 500 Mbs (based upon About Apple ProRes) for HD movies and up (i.e. 2k). ProRes 422 HQ needs a data rate of 220 Mbs - so that is my upper-limit to smooth video&audio playback with the current system I have, I guess.
Does anyone recommend a fast USB3 or Thunderbolt drive (500Mbs+) where I am able to run 4444HQ movies with no issues to picture or sound (away from the fusion drive)?
KR
H.

How Do I Detemine Maximum DVD Time For A PCM Audio DVD

I have been working with my CS2 Premiere to create some auto play, audio-only DVDs that are autoplay. To clear the air, yes I know that CS4 will permit 24bit-96 kHz. For the time being 16 bit-48 kHz will suffice as it has CD quality The bonus that a DVD format provides a greater playing times. So the object is to make a PCM audio only DVD.
Here is my problem: How to get really long playing time. I know I can make high quality, 2-channel (ordinary stereo) DVD-A's up to 3 hours using Minatonka Bronze. Unfortunately, DVD-A discs are worthless as they cannot play in 90% of DVD players, but they prove the time point. I would think that one should be able to make a conventional DVD, but with the PCM sound format of that same length.
I just finished one that fit with a 103 minute, 16/48 stereo audio file of 1.11 GB size.   I also had a video file that I created using several photos. Sorry, don't have the final video file size. I erased it all from my computer. However, the final disc size was 3.754 GB. A little extrapolation suggests a maximum DVD length of 119 minutes. That with simple video and PCM audio. Now, can one make a similar DVD with 150 minutes?
I had three 48 kHz files that I created in Adobe Audion. They were 1.599, 0.911, and 0.974 GBs in size. That added up to 3.480. The playing time is about 2:30 Hours; quite a bit less than 3 hours.   I tried burning a DVD with these, audio-files-only. I checked lowest quality video, used no video, and got an Export To DVD error that I had "insufficient" space on the 4.7 GB disc! So, I used the two latter files, which added to only 1.884 GB. Premiere did not baulk, and it successfully burned a DVD that played. Then I added the 1.599 GB file, and, once again, it produced an error. This was clearly not going to work.
At this point, I realized that Audition had done what it liked to do: It had saved the 16 bit-48 kHz files as 32 bit-48 kHz! So, I went back to Audition and used EDIT to change the files to genuine 16 bit-48 kHz files. When I opened them in Premiere, Premiere reported 16 bit-48 kHz files. Their sizes were now, 0.799, 0.456, and 0.487 GB. Please note that this totals 1.742 GB. This is less than the 1.884 GB I had successfully used before.   Once again, I was getting the "insufficient" space error.
I searched the CS2 Premiere manual and its index, but cannot really find any way to calculate maximum times, or squeezing the most out. So, anybody got some ideas?
Mike

When working from DVD-Videos, this ARTICLE might be helpful - All VOB's (the container for the MPEG-2 files in a DVD-Video) are not created equally.
Most DVR's write a VOB 01, that is not up to the DVD-specs. That can create a problem for PrE (and also PrPro), and if you have issues, please do follow Neale's advice.
Good luck and welcome to the forum.
Hunt

Premiere Pro CS4 PCM export with 5.1 channels possible?

Due to the missing SurCode DD 5.1 codec in CS4 I wonder if Premiere Pro CS4 or Encore CS4 can export or create a Blu-Ray disc with 5.1 PCM audio?
I only can choose PCM stereo or DD stereo so far.

I've a question. So far I could not export 5.1 channels with Premiere Pro CS4.
Even I could not Master in 5.1. I hav same 5.1Master, but I could not change the (final) Master settings to 5.1. Can this be changed? Or maybe the probleme is that I don't have a driver or a plug-in, or can this be solved with puuting a 5.1 or 7.1 audiocard in the PC?
Thanks forward!
Oh I'd forgot. I only export to .avi, .mpg, .mp4. I don't use the other formats. Can this be somhow the probleme?

IMovie 11 and Jpeg Linear PCM. (Codecs).

Hello everyone. I recently shot on a camcorder for use in iMovie 11. The default format was .mts. It imported to iPhoto, automatically when it recognized the device. I moved it out to convert it to a format readable by iMovie 11, like .mov or .mp4. all imported well.
I have also tried to now reconvert it from the source, without it being imported to iPhoto.
I assembled my project. Again, all well. When I went to "share" it shot me a 25 hours to 5 day estimate.
Off to the Apple store I went, the guys were great as usual. This time they had to escalate the matter to an iApps senior analyst. Again, wonderful fellow.
We determined via a set of tests that the problem is in the source clips. Even though they look and play fine, something is not adding up.
I began to reconstruct the project anew. I used the same source but in very small increments. I noticed that a 3 minute clip was estimating 15+ minutes. iMovie is slow at times, but that is extreme. So, I started fishing around and finally noticed this from my source clips (after conversion from .mts)
Figure 1 below shows the file as dragged from the camera to my hard drive
Figure 2 is after conversion
That is the file I imported to IMovie which is gargantuan.
The good news is that I do still have all the original source (.mts) files; I just don't know if that will help me.
Now, sadly I know nothing about Codecs, but the Jpeg-Linear PCM description leaves me really wondering "my Lord, what have I done?"
And so, after all of your patience, I finally ask this:
If I am onto the answer; is there away I can convert this to an iMovie frienly format that will allow me to export effectively?
I am sorry for the length of this post and am greateful for any help you might offer.

Thank you again.
You are correct, of course. I do not have the media card that housed the .mts files. I had, perhaps errantly, thought that by dragging the entire contents of the media card to a hard drive that this would suffice. Clearly, something went wrong. I was able to have iMovie read the files, as I had used a 3rd party package to convert to .mp4. The issue was the size of the resulting files and their behaviour in iMovie.They were so bloated that I could not even skim over the clips in the editor window without a 1-2 second delay and even then, they would stutter.
I seem to now have my hands on a converter that is doing the job, although I am navigating through some audio to video sync issues.
I am very grateful for your time and expertise.
Thank you

Codec: MPEG-2 Video, Linear PCM doesn't function in iMac 10.8.3

I have recently purchased an iMac OSX version 10.8.3 which has Quicktime v10.2. Today while working to edit some old digitized footage I opened up some files that were shot on a Sony FX1 shot in HDV 1080i60 and digitized through FCP (Final Cut Pro) which made them into MPEG-2 Video, Linear PCM, Timecode files files. On my older MacBook Pro 10.5.8 I can open them with Quicktime 7.6.9 and play the files without a problem (it also has FCP with Qmaster, etc). In my research I found I can open and view the files on my iMac, if I open them with VCL. Also note I can open them on the QT player in the iMac and hear the audio just no video.
Now I did read some responses that include converting the footage to H.264 or some other format, however I am dealing with over 500gb of footage so that's not really a viable issue. My assumption is that I am going to need to purchase some upgrade to QT to get this stuff to play or hopefully download a compatible software that will make this all go away with little trouble...
Does anyone know of the software that could solve this problem? Any personal experience out there for solving this?
Thanks in advance for your time and consideration.

I think the answer to this in no-not that I know of, unless it was installed as part of the stock purchase. However I am NOT getting a message from MPEG StreamClip to install it or anything for that matter. Instead when I drag and drop the file into MPEG StreamClip I get a white screen from which I can play audio, but no video.
The QT MPEG-2 Playback component is sold by Apple so I assume you would know if you had purchased and installed it. The lack of a message from the MPEG Streamclip app would tend to indicate that either the file you are trying to open does not contain MPEG-2 compressed data or that the data is not being read/loaded to the application. Since you indicate the file opens in apps like VLC, the QT Player, and MPEG Streamclip, can you post a copy of the "Media Information", "Inspector", and "Show Stream Info" windows. (Am assuming here that the MPEG-2/PCM data is not "muxed" within the MOV container which is a separate problem.)
I reviewed the article and downloaded QT7 on this version of iMac, which I gather that it was not there before. However the footage problem is not resolved. I did read where the article suggests I purchase QT7 Pro...is this the next step in the trouble shooting? Do I need to purchase this? It this what you are referring to as the component that need be purchased or is there another? And if no, do you know where can I find the Apple playback component?
a) If you upgrade an older operating system to Snow Leopard, Lion, or Mountain Lion and had QT 7 Pro installed on the older system, then the system installer should normally install a 32-/64-bit compatible version of QT 7 and apply the "pro" key automatically. Systems purchased with Snow Leopard, Lion, or Mountain Lion pre-installed do not have a QT 7 player installed.
b) It would be expected that QT 7 v7.6.6 would not play the file if MPEG Streamclip (which you previously tried) could not play the file. Both apps access the same embedded QT structure within the operating system and employ the same codec component configuration installed on your system.
c) It would be a waste of time and money to purchase a QT 7 "Pro" key if you cannot play the file using the standard player since the "Pro" key only adds editing features and not new playback components. Once playback is working you can consider your need for the "pro" features.
d) See http://store.apple.com/us/product/D2187Z/A/quicktime-mpeg-2-playback-component-f or-mac-os-x?fnode=62 You will note that this component is not required for/not used by QT X based apps but is still required for QT "classic" based apps such as QT 7/QT 7 Pro, GarageBand, MPEG Streamclip, etc. once you get it installed—which is another problem.
I do want to purchase and install...can I find this within this Apple site or are there other Apple supported sites I can find it?
See Apple Store link above. However, my personal recommendation at this point would be to hold off on this purchase until it is determined just what your current playback problem is. For instance, can you post a sample problem file for download in order to examine/test on my system?
I am not sure I understand how to answer this completely, however I trancoded/imported these files from tape through the capture feature in FCP5 and the files have been living and transfered from drive to drive over a series of 8 or so years. They have never NOT played on my MacBook Pro which was not actually the computer they were created from, but since they functioned here I didn't think twice about. However I don't think this is answering your question. It may be best to ask how do I learn about if they are orphaned or not, so I can properly answer?
Basically, a media file consists of a container in which data is placed. In some cases only certain foms of compressed data can be contained in a specific container type. In other cases, multiple or any form of compressed data can be contained. For instance, an MOV file container may hold any form of compressed data that was compatible with the codec component configuration for the system on which the file was created. Unfortunately, this does not mean the file will be compatible with other systems. Since you indicate the files were imported or captured by FCP5, their compression format would depend on both the tape device and/or "Easy Setup" software option used to store the original digitized data which thereafter may or may not have been re-rendered to another compression format during or after your project was completed as part of the "output" process. Since there seems to be some question as to the actual compression format of the data you are trying to access, the first thing you need to do is reconfirm this information. Here are the usual medods of doing this:
a) If files do not open in any media player, use the Finder "Info" window to see what it can tell you about the file. This information may be minimal.
b) If the file opens in a media player app, then use that app's "Media Info", "Inspector", "Stream", "Properties" or similar window to see what it can tell you.
c) You can also use a dedicated utility app like MidiaInfo (free) to examine the file characteristics. These apps usually provide the most information.
(NOTE: In the case of most of these apps, it is usually best to simply screen capture the information window and post it to the forum since most users fail to provide suplementary details about the file which may or may not become significant later.)
d) "Orphaned" files usually refer to "reference" files. Reference files do not contain all of the data needed for playback. Instead, they contain a resource pointer to another file that actually contains the needed playback data, as well as, playing instructions telling how the resource data is to be played. When a reference file is moved to a different drive, the resource data must also be moved. It it isn't, then the data will become "orphaned" when the reference file tries to locate and play it. Reference files are usually very small and are handy for the passing of data from one application to another—such as when sending data from FCP to DVDSP for burning or from iMovie to iDVD. If your files play in VLC then either they are unorphaned reference files or they are standalone files. So, once again if the files play in VLC but not in QT, then we need to look at the specific compression formats involved to determine just what the problem is.
THIS IS GREAT NEWS! This is an issue of great interest to me. I copied FCP6 from my MacBook Pro to my iMac, but the files did not function. I also attempted to install them from disk, but I received a message that the software is not supported. I was under the impression FCP 6 was not compatible with this iMac and Mountain Lion, then I had heard from a friend that they corrected that but I haven't seen any change on my system and I have update my software to current at this point. Do you have thoughts on this and/or how I can get my FCP 6 to function on my iMac? I would love to be able to make use of it.
In my case, I migrated the everything (including the FCP Suite installation) from my Leopard system to my new iMac while it was operating under Snow Leopard and updated the iMac to Lion and later to Mountain Lion. Based on what you say, it appears the FCP installer, like the QT MPEG-2 Playback Component installer package, is not compatible with Lion or Mountain Lion. This does not mean the apps are not compatible with these systems but it does likely mean you would have to use a third-party app like Pacifist to install the FCP software package. (Pacifist can also be used to install the QT MPEG-2 Playback component instead of the "helper" intaller utility provided in the MPEG Streamclip download mentioned above.) Have not really tested this method of installing FCP on Mac OS X v10.8.3, but it does seem logical that it would work since I can still use FCP still operated under Mountain Lion.

Linear PCM - Big Little Endian

Sorry - I'm at a loss.
Assumptions:
Linear PCM is the correct format for exporting audio for FCP - ie Lossless
Ok...
Big Endian seems to be a default with Little Endian wanting a checkbox.
IS there a reason FCP wouldn't accept one or the other?
CaptM

Drew13 had this to say:
Little Endian and Big Endian is how the data is stored with the most signifcant byte on one end or the other (taken from Gulliver's Travels and how the egg should be cracked.(ETA) One of the conflicts in the book is between people who preferred cracking open their soft-boiled eggs from the little end, and the people who preferred the big end.). For the most part you do not need to concern yourself with this (unless you like finding out about those things more) it is transparent in your workflow on the Mac using these apps.(FCP, FCE etc.)
PPC Mac > Big Endian (default)
WIndows PC > Little Endian (default)
• Endianness
This is all well and good except when it comes to the Intel Macs and Dolby AC3 creation with Compressor.
At the moment there's a byte-order compatability Problem mixing UB versions of AC3 with PPC versions of AC3 within the same DVD SP 4.1 project.
Read this:
http://discussions.apple.com/thread.jspa?messageID=3130608&#3130608
MaxR says:
Apple's developer site specifically cites byte-order as a concern for developers of Universal binaries, but seems to have let this slip out anyway. Shame, shame, Apple.
G5 1.8 DP (PCI-X) Mac OS X (10.4.8) ATI X800 XT, 4GB RAM, 20" & 23" ACDs, M-Audio Revolution 5.1, Fostex D15 DAT

Interlacing issue, no linear pcm codec

I've been working on a project which looks fine in FCPX but when I export it is interlaced.
I noticed the footage im having issues with doesnt appear to have a linear PCM codec listed in its informmation menu when the others do
Im guessing this is my problem but im unsure as how to resolve this.
Any help will be greatfully recieved!

Linear PCM is the audio format and has nothing to do with interlacing. In the viewer appearance popup switch on both fields to see the interlacing. If you don't want an interlaced delivery format you really should avoid shooting interlaced video. Most cameras now can shoot progressive. If your material is interlaced and you want a progressive output change the project properties to 1080p.

Warning when making DVD...AC3, PCM audio tracks !!!

Greetings,
As soon as i start the creation of a DVD using my MPEG-2 source files (MPEG audio.. not Dolby, etc) ... Encore shows a dialog box saying :
NTSC DVD requires at least one ac3 or PCM audio track for every title set. Do you want to continue the build?
I select OK but then the DVD it produces is unreadeable in DVD players. (But my pc DVD player and the DVD burner i used can read it.)
I tried to export my MPEG-2 assets from Premiere using other audio formats but then the files are way too big. (Please don't recommand using AVI format since it is not an option for my case... for many reasons !)
Note that it use not to do that... and the DVD i was producing were readeable in regular DVD players... i did created them with Encore and was not getting the warning message.
Something must have changed somewhere....
It strange to see that i do not see this error/warning message on the Internet..(Except for one instance which doesn't provide any help.)
Thanks for any help !

From the Encore DVD 1.x FAQ Entry,
What type of Audio files can I use?
2/. In general, all MPEG audio is best avoided. Until fairly recently, MPEG Audio was a required format for PAL regions, but this has now been dropped back to an optional format instead. This means that a DVD-V disc with just MPEG audio is out of spec, and may not play back correctly on some set top players.
3/. Mandatory formats are those that all DVD players are required to be capable of playing back. Optional formats are not required to be supported, and in cheaper players are often dropped.

PCM Audio Codec Help

Hello,
I am currently trying to submit a commercial for Comcast cable to be aired. They rejected the spot and asked for me to "resend the spot using PCM" and that the audio codec was the problem.
After reading up on it, I am still confused about how exactly to achieve this.
In general they want either MPEG-1 Layer 2 or LPCM SMPTE 302M encoding. Any help on how to create this would be great.
Thanks

Hi G.
Hard for us to tell you how to adapt your current workflow (to produce an export with audio that conforms to the needed specs) without you first telling us what your existing (or preferred) export workflow is.
Need more details. That said, its hard to go wrong as these settings are generally the default:
If you are using Quicktime Conversion then press Options to bring up the Movie Settings window, and click on Sound >> Settings... Format >> Linear PCM is usually the default.
If you are using Compressor to export an MPEG Transport Stream (or Program Stream) then MPEG-1/Layer 2 audio is the default.
Hope it helps
Andy

MPEG-2 Video Linear PCM Timecode no longer working in FCP7

I edit daily with Final Cut Pro 7.0.3 on my MacBook Pro. I have several projects in which I imported files from an MR HD-100 hard drive. Not only did I successfully edit several projects, but I could open the individual files in QuickTime. They are 1280 x 720 MPEG-2 Video, Linear PCM, Timecode HD (1-1-1) files. Now suddenly they will not open. All I get is a white screen in Final Cut. Even the old finished projects I open in Final Cut show a white screen where this footage used to be. When I try to open one of the files in QuickTime I get the message, "An invalid public movie atom was found in the movie." I have not needed any type of conversion to make these files compatible before. They just worked. Any ideas as to why they suddenly won't work now?

I finally had time yesterday and today to tackle this problem. I read the link you sent and jedi knights had the solution if you had access to a mac still running 10.6.7 which I did not. So.....I bought a 32gb flash, intalled osx 10.6.3 from my disc, reinsalled QT7, did the 10.6.7 update, installed FCP7 so the codecs would load into QT and then transferred the one file (System/Library/QuickTimeComponents.component/Contents/MacOS/QuickTime Components) onto my laptop. ALL IS NOW RIGHT WITH THE WORLD!
Thank you for your help.

How to rip RAW PCM audio from a DVD

Hi guys,
I know audition can rip audio from a cd and from a video file but how can I rip the raw pcm audio from a dvd. I usually just record using 'what you hear' through my soundcard but is there a more accurate way of ripping the audio from a dvd? Any help would be nice....thanks in advance
George

I don't know of a way to do it with Audition, but there are some free little programs like VirtualDubMod or SmartRipper that can rip the WAV. There are some tutorials on the net on how to do it.
Just as a side note, PCM Audio on DVDs has 48 kHz samplerate, not 44.1 kHz like CDs.

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Hi,
My Ematic EVH528 camera capture 1080p videos and I watch my pc with xvid codec. But premiere pro see only audio file.
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Read Tweakers Page - Video Codecs and then convert to an editable format.

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