Premiere aaf export stereo audio

ich möchte ein AAF mit stereo wav exportieren.
1. ich dachte, man könnte einfach auf die origonal files pointen, statt sie zu kopieren? im jetzigen premiere 2014 finde ich die möglichkeit nicht. der kopiert in jedem fall..
2. wie kann ich die audio files (sind stereo spuren in premiere) als stereo im aaf exportieren? kriege sowohl in media composer als auch in protools immer nur mono files - auch bei STEREO als import-einstellung
cheers - m.

"wav" = WAV Format, unkomprimiertes Audio.
Ich bezweifle, daß ein Flash-Video das WAV-Format als Audiospur unterstützt.
1. Was hat das mit dem Export zu tun?
2. Dann liegt's wohl an den Ausgabeeinstellungen für Audio bei AAF.

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Premiere CC export causes audio to go out of sync...mac & PC...various codecs...including flat passes...disk cache cleaned...render files deleted...what is going on?

Hey all-
This is troubling. I'm getting slight audio shift every time I export a project. We noticed it originally when our sound guy brought in the OMF & realized the timecode and audio ended up coming out off by 3/4th of a frame. So we tested it...
Exports to .movs / .mp4s / .mpegs
Brought them back in to the project....
Sound gets off by a 1/4th of a frame to 3/4th of a frame.
Then we started tested different files. Doing flat passes where NOTHING changed, just a re-export under the settings of the source file...
sound gets off by a 1/4th of a frame.
Tried media encoder.
same thing.
cleaned the disk cache...deleted render files
same thing.
tried it on a new mac pro. tried it on a dell running windows 7.
same.
thing.
So is there a solve for this or should we just stop editing in Premiere? On a few occasions now I've had clients say "it seems like it goes out of sync right there" and I've gone back to the timeline and checked to see it was fine. Now I wonder if much of the work I've put out since I made the switch last year has fallen victim to this.
Is there any kind of solve for this? Should I just stop using premiere to cut? Because this is a deal breaker, especially if I'm going to have to rebuild the project I'm working on in another NLE.

avanishdivya thank you, but this did not help. I did exactly what you told me in both cases.
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Stereo audio export showing as mono

Hi,
I've been encountering an issue with exporting stereo audio from Premiere CS6 (v. 6.0.5) and After Effects CS6 (11.0.2.11). When I export a clip with stereo audio from Premiere or After Effects (usually to ProRes or Uncompressed QuickTime), the resulting file will show as having dual-mono audio in FCP7. When I check the file in QuickTime 7, QuickTime 10, MediaInfo, Premiere, After Effects etc., the audio is tagged as stereo. But when I bring the clip into FCP7, the audio shows as two separate mono tracks.
While this isn't a problem if I stay within Premiere/After Effects, it does become an issue when I need to work with the clips in FCP7 (they have to be relinked as audio pairs in the timeline), and one of the external distributors I work with has come back saying the file we delivered did not have the audio properly linked as stereo.
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Hm, not from what I've seen. Anything that's been exported as stereo through FCP, Compressor, MPEG Streamclip, Episode etc. shows up as properly linked stereo in Final Cut.
I just ran one of my Premiere exported files through MPEG Streamclip to the same format (ProRes, uncompressed stereo audio) and it showed up as having a linked stereo pair in FCP7, while the original showed 2 mono tracks. I am definitely exporting from Premiere with the stereo option selected (and stereo source audio).

How do I set up stereo audio tracks as default in Premiere using the ProRes 422 codec?

Forgive me if this has been asked many times before. I have searched but can't find anything that explains it in language that doesn't require an advanced degree in computer engineering.
I am a recent convert for our beloved FCP 7. I am learning to love Premiere dearly - but the audio part of it drives me nuts.
I have exported from FCP a series of files as ProRes 422 movies with stereo audio tracks. I want to bring them into Premiere in the same way. But when I do it squashed everything into a single audio file.
This plays havoc with the panning - especially in mixes that have stereo music mixes. Apart from that it just confuses me.
Also. when I create a new project from scratch in Premiere and I select the custom ProRes 422 setting it only allows ProRes 422 mono audio. I don't see a codec for anything else (ie. stereo).
Am I missing something?
I have looked in all the preferences areas and can't find anywhere to change this. I just want to be able to import simple, basic two track audio (and have it show up the same) as I would in FCP, ProTools and the myriad other editing programs I use.
I also want to be able to set up a basic two track stereo timeline/sequence without having to reinvent the wheel.
Many thanks for any help and your patience. I am slowly tearing my hair out and spending long periods sitting in the corner hugging my knees and weeping.
My specs. Preferred editing codec: ProRes 422
Premiere pro version CS6 (6.05)
Thanks again.

Go to the Project Panel, select all clips and rightclick/modify/audio channels.
Set it to 2 tack and mono.
When you drop the clip onto the timeline the stereo will come in on two tracks.
You can also set this to default in the Preferences under Audio (before importing the clips) (Stereo set to mono).

Can I edit footage recorded in 1080p24 with 5.1ch surround audio using Premiere Elements 12? I'm only seeing stereo audio...

Hi all,
Quick one - I've recorded footage using a Sony HDR-PJ810 in 1080p24 with 5.1ch surround audio (currently experimenting with different frame rates, resolutions and audio). If I import this into a 1080p24 preset in Premiere Elements 12 then I see only stereo audio with no obvious way to add a 5.1 channel.
If I import this into a 5.1ch surround preset (like 1080i 30 5.1) then I can see the audio across 6 channels but it's obviously having to unevenly spread 24 frames across 30 spaces in order to match the frame rates (skipping some of the slots which I suspect will cause playback artifacts).
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OraAmator
What computer operating system is your Premiere Elements 12 running on?
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Please see my work on the approach to doing this and related information. If necessary, I will write instructions specific to 1080p24 5.1 channel
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ATR Premiere Elements Troubleshooting: PE11: Exporting a 1080p25 or 1080p30 file with 5.1 Channel Audio
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Are you in a NTSC or PAL area? Reason for that question will be mentioned later.
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Premiere CS4 and Audition / Soundbooth - Exporting Multitrack Audio

This seems like it should be a well-discussed topic, but I cannot find any difinitive answers on the matter.
What is the best way (if there is one at all) to export the audio portion of a video project with the intention of editing it in a proper auidio editing environment? (Assuming I do not want to bounce down to a single, stereo mix.)
My specific issue is this: I recorded a live concert using four cameras. I want the final audio to be a mix of the recording from the board and the mics in the various cameras. (The cameras offer a bit of room ambience and some crowd noise which the on-stage mics did not capture.)
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Thanks, in advance, for your help.

What are your exact steps to edit in SB or AU? Do you first Rt-click on the Audio Clip and choose Edit in SoundBooth (or Audition)? Do you Render and Replace (basically what happens with the previous method), and then Open that resulting file in SB, or AU?
From SB, or AU, how do you Save your file - exact steps please?
Good luck,
Hunt

Aaf export from premiere could not be opened properbly in protools

aaf export from premiere could not be opened properbly in protools (by reference) is it a bug? I dont want to export all audio and video for a mixing-session. Does anyone have experiences with this problem?

Hi drahtzieher,
You might try what is suggested in the following article. Hope it helps!
http://soundslikejoe.com/omf-aaf-tutorial/
Thanks,
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Select and export multitrack to stereo audio file?

I have a live show in 16 tracks. I would like to select the tracks from each song and export songs as stereo audio file. I Can't figure this out. Looking for some advice! Thanks!

The function is called Bounce....
Check Logic Pro X's Menu bar... File > Bounce and then choose which ever type of bounce you need... (Project for example)
http://help.apple.com/logicpro/mac/10/#lgcp785a41c3

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i have never had formal training on adobe premiere, and therefore when i am working with my students it is basically down to expereince i have gained by myself.
with cs3, we always worked on the basis that it would always export the audio out of synch with the video by 6 frames so they would routinely have the audio tracks on two separate tracks, one for editing and one for exporting which was offset +6 frames.
when we made the transition to cs5 and new kit i was stunned to see that the synch issues were still there. and since a quick google yielded very little evidence that others shared this issue i thought it must be something i am doing wrong after years of bad habits learned on the fly.
so here is my workflow, where am i going wrong and why is it always out of synch?
open cs5
choose an editing format. (this varies but the synch issue is always the same)
import content
edit
export (normally as a microsoft avi, with no compression which i later convert into quicktime compressed with ANIMATION)
i teach on an animation course so normally the content we import is a sequence of stills such as jpg or tiff, but we also capture stuff on dslrs too
the timeline colour is normally yellow, which is fine at standard def, but larger def we will render workspace to turn it green
the editing format depends on our target format. the current project is 720 hd
the export as avi with no compressor i suspect to be a weak link in this work flow, but the problem remains if i export as anything else so....
now as an additional point on the matter, the current project we have had people miming to an audio clip which we played live for their performance. the audio blips were aligned on the timeline with the audio blips from the edit
but after rendering out, the footage is out of synch by 6 frames. it has always been this way.
any thoughts? i know i must be doing something wrong, but the issue is consistant across different computer, running different OS and different versions of PREM...so either i am doing it wrong or premiere is fundamentally broke.....i suspect its me though

is there a logical reason for opting for a preset which is the lowest common denominator rather than a highest? is it not better to work at the best res possible?
does it matter either way? because i have often created 1080p content and worked in a 1024/576 edit environment only to later export at 1080p with no loss of quality?
i create the avi and then open this in quicktime to export to the desired formats.
now that you posted that comment i cant believe i have never done the simple trouble shoot of 'at what point does it go out of synch'
files are too big to playback uncompressed though.
i know it is a workflow issue and not a prem issue because no one else seems to have the problem.
im going to run some tests
thanks, will report back

When i export a audio mono channel it turns into stereo

hello
something went wrong somewhere along the way, now every time i export an audio channel it forms as a stereo channel.
by the way, how can i split a stereo channel on logic 9 into two seperate mono's?

Hi,
1st: There's a little circle below the channelstrip's level meter indication mono or stereo. If it's a single circle, it's mono. If it's a double circle, it's stereo. You'll also see the level meter single or double. Look for the single or double level meter!!
2nd: Be sure you've created a mono audio track. If the track yo try to export is stereo (look at the level meters if they are doubled or not!), the resulting audio file will be stereo. That's because the export function puts the audio data through the circuitry of the track's channelstrip. If you put any Audio file, be it stereo or mono, into a mono track, the resulting export file will be mono. If you put any Audio file, mono or stereo, into a stereo track, the export's result will be stereo.
Experiment - there seem so be a little inconsistency when or when not logic switches a track from mono to stereo and back!
3rd: If you want to avoid the channelstrip alltogether, use the sample editor or the bin to convert the stereo file into split files (one for L, one for R)
Fox

OMF and AAF exports -limited functionality now with 'raw' DSLR audio files.

I'm an post production sound mixer...and a film maker and thus I see PP CS5 from 2 sides. I'm using CS5 with a PC.
The industry uses OMF or AAF to export from a video workstation to an audio one. However PP CS5's OMF and AAF are both flawed.
I often had trouble exporting OMF's (from CS4) which failed without any reason popping up from the software. I usually believed this to be because of the OMF's restriction to 2Gb so I exported single tracks when I believe the source files are large...even when specifing say only 50 frame handles.
AAF more often worked with large files but the exports become large of course (that's OK) and all video material had to be deleted in the sequence before doing an AAF export.
I am now using CS5 and dropping my Canon 5D2 'H264' and Panasonic GH-1 'mts' files directly on the timeline instead of converting them to avi's with Neoscene. Great ...but alas all OMF's or AAF exports now fail....they will only work if I get my audio back to being wav files again, which isn't really viable once editing has occurred.
I know that OMF is fraught...Avid never made it easy but AAF is a more up to date exchange protocol. Could I request that this is investigated and an intermediate transcode to something like wav or AIFF be undertaken by Media Encoder when an AAF export is used? I assume that the encoder doesn't yet know how to process audio .movs or mts files into the required export audio file and just kills the process.
David Taylor Postfade Sound Pinewood Studios UK

Stan,
Thanks for the suggestion...I submitted a Bug Report.
I used both OMF and AAF to export from PP CS4 to my professional Fairlght DAW, which was happy with either, as long as the export was succesful. As I said there were occasional problems with OMF even though I selected small 'audio handles' for the 'embedded' OMF exports. My source audiofiles are often pretty big. AAF worked with these big source files however.
However I always used Neoscene to transcode my DSLR files before importing the Neoscene converted .AVI's into CS4, the audio was part of the new .AVI's and was probably now a .WAV.
Now with CS5 I can drop the Canon 5D2's 'H264. mov's' or the Panasonic GH-1's '.mts' video files directly into PP-which plays them beautifully.
My trouble now starts when I try and export the edited audio to my DAW. I can only get it to work with source files that are .WAV.
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David

Premiere not exporting audio files with the footage

Hello All, has anyone had trouble lately with Premiere not exporting audio files with the footage?

1st, show your export screen so people may see what you are doing
https://forums.adobe.com/thread/1070933 for screen shot instructions
2nd, when you ask a question you need to provide more information for anyone to try and help
-Premiere Pro Video Editing Information FAQ http://forums.adobe.com/message/4200840

Can't export MP3 audio from Premiere Elements 9

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Are you using version 8 or version 9? It's hard to tell because you reference both.
In version 9, if you go to the Share tab and select the Computer option, you'll be taken to a screen with seven output options.
Audio wil be listed as your last option. (You do have to click on the Audio listing to select it.) and MP3s are certainly among the options listed on the Preset menu.
If you can't see it, you need to scroll down or resize your panels -- or your computer monitor may not be large enough. But it's there.

H.264 export without audio creates files that are not recognized in Quicktime or VLC

Dear all,
I need to generate h.264 files with video only. (short clips for use with a "clickable" catalog on an iPad)
Used the "H.264" category and chose a preset. Unchecked "Audio" so I only get the video exported.
The resulting .m4v file is not playable in Quicktime or VLC or MPEG streamclip.
When I leave audio enabled with the same preset, the file is fine, but as soon as I export without audio, the resulting file is unreadable.
Source material is ProRes 422HQ, audio+video, about 30-40 seconds long.
Any clues?
Carl.
Mac Pro 5,1
24GB RAM
Nvidia Quadro4000
4TB internal RAID0
OS 10.7.5
Premiere 6.0.2

Thanks Jeff, I did get that far ;-)
I'm sorry, probably my question wasn't very clear. Of course I can find some technical info about the iPad...
And of course some of the presets in Media Encoder provide basic starting points for encoding.
But... there is also the first iPad, I couldn't find the specs about it on the Apple site. On everymac.com I found:
Apple reports that the iPad supports "H.264 video up to 720p, 30 frames per second, Main Profile level 3.1 with AAC-LC audio up to 160 Kbps, 48kHz, stereo audio in .m4v, .mp4, and .mov file formats; MPEG-4 video, up to 2.5 Mbps, 640 by 480 pixels, 30 frames per second, Simple Profile with AAC-LC audio up to 160 Kbps, 48kHz, stereo audio in .m4v, .mp4, and .mov file formats."
So if I want to be compatible with all iPads I need to probably stay under 720p30 with [email protected] for H.264
When I look at
http://en.wikipedia.org/wiki/H.264/MPEG-4_AVC
I find (from the example values) that 1280x720@30p is quite near the maximum matrix size. So with 1024x576 I should be ok there. My bandwith of about 2Mbit is also well within range in this case. But what if I want to fill an iPod screen (1024x768) with the highest possible quality video? How do I calculate if this fits the max frame size requirements, where this is expressed in a number of luma samples and macroblocks? What is my max bandwith? The tables says that the "Max video bit rate for video coding layer (VCL) kbit/s" should be <14.000kbps. Does that directly translate to the sliders in my encoding app?
If you look in the table "AVC software implementations" (under Software encoder feature comparison) you can see that some features that are supported in MainConcept, and not supported in Qt. (8×8 vs. 4×4 transform adaptivity, Quantization scaling matrices, Separate Cb and Cr QP control, etc. What are these exactly?)
In Streamclip one can choose to have B-frames or not, in AME there is no such control. Does that mean it always encodes with B-frames? Why would one not want to have B-frames?
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As I said earlier, Quicktime reports different codecs for what should be the same format but from different encoders. Why? Is there a program that can analyze a H.264 stream and report about it in more detail than VLC/Quicktime?
etc. etc. etc....
If anyone could recommend an online resouce or a book to learn more about the ins and outs of H.264 encoding/decoding that would be great. I have the first edition of Charles Poynton's (brilliant!) book "Digital Video and HDTV", which does talk about MPEG-2 but not H.264. I saw that the second edition goes a bit more into detail about H.264. Does anyone have the second edition? Worth buying just for the relatively small addition about H.264?
Thanks.
Carl.

Exporting merged audio tracks to audition problem

Hello,
I recently started to work with the Adobe suit so i am not yet used to the workflow. We are serval people working on the post production of a short movie filmed with a red SCARLET in raw which means that the files are pretty big. The audio where captured in serval tracks who all have been merged with the video clips. The clips have thereafter been cut and placed in its right place. So now it is my job to work with the sound design. I have tryd to export the audio in both AAF and OMF and every time i open it up in Audition it sais that the media is offline. On my computer all i have is the orgininal Audio files. Is there anyway to get only the audio (all the tracks) to Audition, without having them searching for the merged files. For example creating new Audio from the cutted tracks?

Have you tried this?
http://tv.adobe.com/watch/learn-premiere-pro-cc/roundtripping-a-soundtrack-from-premiere-p ro-to-audition-and-back-again/

Premiere aaf export stereo audio

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