Premiere CS3, problema con codecs

Hola, al iniciar Premiere Pro CS3 me dice que es necesario instalar codecs que no vienen con la versión trial. Le doy a aceptar y la instalación de codecs falla recordándome dicha necesidad de instalar codecs cada vez que abro premiere. Como puedo instalar dichos codecs o solucionar el problema???
gracias

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[FL CS3] Problema con Flash en Safari

Hola amigos del foro,
Tengo un problema con un formulario hecho con Flash CS3:
utilizando la
propiedad "wmode transparent" en Safari los campos no son
clickeables por lo
que no se les puede ingresar texto. En Explorer, Firefox y
Chrome funciona
Ok.
Alguien conoce alguna forma para que esto no ocurra, algun
script, o algo
para solucionar este problema?
Desde ya Muchas gracias a quienes puedan ayudarme.
Guille

Bueno, ya sabes que soy un curioso, y sí, probé los
foros web de Adobe
cuando nos los recomendo Don Claudio por primera vez, pero no
me gustaron,
la verdad, creo que se nota.
Lo que investigo ahora es cómo podemos hacer que
cualquier grupo de google
(como este mismo) sea leído por los lectores de news,
porque de conseguirlo
nos daría igual que lo cerrara Adobe, ya que
seguiría manteniéndos en google
mientras tenga actividad, y aunque sea baja (actualmente
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Salu2
`8¬]
Juan Muro
": : Ale Photoshop : :" <[email protected]> escribió
en el mensaje de noticias
news:[email protected]...
> ahh.. estuviste probando el foro web a la fuerza no?
jejeje... no te quedó
> otra!!! jejej
>
>
>
>
>
> "Juan Muro" <[email protected]> escribió en
el mensaje de
> noticias:[email protected]...
>> Piaccere, signori.
>> Salu2
>> `8¬]
>> Juan Muro
>> "Guille" <[email protected]> escribió
en el mensaje de noticias
>> news:[email protected]...
>>> Muchas gracias Juan. Propondré cambiar el
diseño para desechar la opción
>>> wmode.
>>> Saludos
>>>
>>> Guille
>>>
>>> "Juan Muro" <[email protected]>
escribió en el mensaje
>>> news:[email protected]...
>>>> Hola Guille:
>>>>
http://groups.google.com.ar/group/macromedia.general.espana/browse_thread/thread/0e42388e4 8f4d01c
>>>> Salu2
>>>> `8¬]
>>>> Juan Muro
>>>> "Guille" <[email protected]>
escribió en el mensaje
>>>> news:[email protected]...
>>>>> Hola amigos del foro,
>>>>> Tengo un problema con un formulario
hecho con Flash CS3: utilizando la
>>>>> propiedad "wmode transparent" en Safari
los campos no son clickeables
>>>>> por lo que no se les puede ingresar
texto. En Explorer, Firefox y
>>>>> Chrome funciona Ok.
>>>>> Alguien conoce alguna forma para que
esto no ocurra, algun script, o
>>>>> algo para solucionar este problema?
>>>>> Desde ya Muchas gracias a quienes puedan
ayudarme.
>>>>>
>>>>> Guille
>>>>>
>>>>
>>>>
>>>
>>>
>>>
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Antivirus, versión de la base de
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>>> ESET NOD32 Antivirus ha comprobado este mensaje.
>>>
>>>
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>>>
>>>
>>>
>>
>>
>> __________ Información de ESET NOD32 Antivirus,
versión de la base de
>> firmas de virus 3984 (20090402) __________
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>> ESET NOD32 Antivirus ha comprobado este mensaje.
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http://www.eset.com
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> __________ Información de ESET NOD32 Antivirus,
versión de la base de
> firmas de virus 3984 (20090402) __________
>
> ESET NOD32 Antivirus ha comprobado este mensaje.
>
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http://www.eset.com
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__________ Información de ESET NOD32 Antivirus,
versión de la base de firmas de virus 3984 (20090402)
ESET NOD32 Antivirus ha comprobado este mensaje.
http://www.eset.com

Premiere CS3 Problem

So I've made a video on my Polaroid i739 that I want to edit...But everytime I try, the video seems to be going way faster than the audio, and I can't slow it down because it repeats and stutters. It doesn't happen with any other device I use. How can I fix this problem?!

AVI could have anything inside
Read Bill Hunt on a file type as WRAPPER http://forums.adobe.com/thread/440037?tstart=0
What is a CODEC... a Primer http://forums.adobe.com/thread/546811?tstart=0
What CODEC is INSIDE that AVI? http://forums.adobe.com/thread/440037?tstart=0

CRAM Codec & Premiere CS3

I'm doing some simple editing in Premiere CS3. My pre-recorded videos play fine in Windows Media Player, but export jerky and vibrating after editing them.
After doing some research I found out that my pre-recorded videos us the CRAM (Microsoft Video 1) codec. The program G-spot tells me that I do not have this codec installed.
If I install this codec will my videos export properly?, or should I be converting them before editing (is this possible?). My worry is that if installing the codec solves the issue, after burning to dvd will others who play the dvd experience issues?
I'm pretty new to this so very basic instructions are best lol.
Thanks guys.

Welcome to the forum.
Have to admit that I have not heard of the CRAM CODEC.
Now, the installation of some CODEC's will allow PrPro to Import, edit and Export - though not all. The first two operations in that list are usually the "weak sisters." Installation might help you with Export.
Now, before you do that, is a DVD-Video your ultimate goal? If so, do NOT Export in any CODEC, but either DV-AVI Type II w/ 48KHz 16-bit PCM/WAV Audio (or DD AC3 for DD 5.1 SS), or fully DVD-compliant MPEG-2.
One can Export in either of these (I choose DV-AVI elemental stream, and AC3 DD 5.1 SS elemental stream), and then Import the Video into Encore as a Timeline and the Audio as an Asset. Drag the Audio to the appropriate Timeline and author to DVD-Video in Encore.
If you know what you're doing, you can use bit-budgeting to calculate your MPEG-2 compression, Export that, and then Import it into Encore. Make sure that all settings are 100% DVD-compliant.
Now, back to your quality problem:
The source files are using CRAM, but you do not have it. Installing it might improve the quality, or it might not. What are the settings that you have used on Export, where you got the bad results?
Good luck,
Hunt

Hilights Clipping Problem with Premiere CS3 Media Encoder

I've just discovered a pretty serious problem with the way Premiere CS3 processes video to the Media Encoder.
Many of you are familiar with the term "super whites", the ability of modern cameras to capture and record levels above 100 IRE. With HDV and newer technology, recording to 109 IRE is quite common.
I was aware for some time that importing this footage into Premiere results in a hard truncation of whites above 100 IRE. However, I discovered last month that the Fast Color Corrector has a Output Levels adjustment that can rescale all the levels to fit down in the 0-100 IRE range. I verified this using the scopes in Premiere and by observing recovered details in my footage. I was even able to export frames to TIFF files and show the recovered highlights in the exported TIFFs. The difference is substantial and not subtle--it's the difference between a sky completely blown to white and one where you can see the sky is blue with clouds in it.
Last night, I discovered that the Unsharp Mask filter doesn't handle footage above 100 IRE, either. Even if I use Levels to set 0-235 RGB range, somehow, Unsharp Mask is processing the un-level-adjusted signal, regardless of stacking order of the filters.
I rendered two Blu-ray discs, one with Unsharp and the other without. To my astonishment, BOTH discs lacked any detail in the highlights--the whites were clipped at 100 IRE!
Now I turned attention to the Media Encoder. Pausing on a frame where I can see the difference between 100 IRE and 109 IRE and shades in between, I fire up the Media Encoder and note that even in ME's previews screens, the whites are already clipped. There is more highlight detail in the program monitor, whereas it's all gone in the Media Encoder's display.
It is obvious that highlight information, even scaled back to 0-235, is being treated as if it were 0-255 and clipped at 235 before passing to the encoder. This is a real disappointment, because there is another half f-stop of detail up there that I was trying to pull into the useable range of 100 IRE for the Blu-ray disc. Since it is very difficult to shoot footage and limit the peak whites in-camera to no more than 100 IRE, nearly all of us are losing valuable picture information.
Even if you can recover the highlights on the timeline through a Levels filter, it gets thrown away again on the way to the Media Encoder. Short of exporting a few hundred thousand frames as .TGA files and then loading those back in and rendering out to whatever motion CODEC, I am at a loss as to how to get Premiere to leave the whites intact.
I haven't seen this issue discussed in any detail here. Has anyone found a way around it, besides reshooting all your footage of one-time events to sub 100 IRE levels?

I'd rather the camera added that extra lattitide within the appropriate 0 to 100 IRE range.
That's a lot like saying you want 10 gallons of water in an 9-gallon jug.
As it is, it looks like such adjustments will need to be done on a clip by clip basis.
Or, you can do it the "Dan" way in AviSynth. I wrote a script function called SoftLimiter: It applies photoshop-style curves on the Y + U + V channels to bring the maximums within legal range… using a sort-of "soft-knee" approach to reducing extreme highlights and/or oversaturated areas.
It causes a tiny bit of posterization in the highlights, just like all 8-bit per channel color adjustments do… but it is hardly noticeable on a computer screen and even less on TVs.
SoftLimiter for AviSynth 2.5
Create a folder C:\SoftLimiterCurves\ and place the .amp curves files in that folder.
Place the other files in your AviSynth 2.5 / plugins folder.
The example below assumes DV avi files and requires a DV codec (such as Cecocida DV, MainConcept, Canopus) that can read / write in YUV formats.
Create a script like this:
AviSource("dv.avi", pixel_type="YUY2")
SoftLimiter()
Open the script in VirtualDub, use Video / Fast Recompress, Select Cedocida DV codec. File / Save as .avi
Before:
After:
And, Jim… you can place your dv2film() command at the end of this script if that's what you're trying to accomplish.

Premiere CS3 AVI Problems!! (plz help)

I'm using Adobe Premiere CS3 on my Computer and I'm trying to import this AVI footage-- Now the footage imports smoothly BUT when I put it on the timeline it shows grey/pixelated image. I can hear audio, but the video doesnt play properly. I've tried Downloading numerous codecs to fix it, but I'm not sure that's the issue...
I can preview the AVI outside of Premiere using any media player and I can edit the same footage in After Effects..
ALSO I have Adobe Premiere CS3 on my iMac and I can preview the SAME AVI file without having that pixelated problem like I do on my computer..
I'm not sure what's up with my PC's version of Adobe Premiere CS3 or what.. **This particular AVI is a Panasonic DV Codec (i think) which I have.**
This/These video(s) with that type of AVI just doesnt work with the timeline's preview whereas all the other video types work fine... (For example, I can take the footage into After Effects and export it as an AVI and THEN it plays with Premiere with slightly altered quality..)
If anyone has some idea, let me know--
Thanks,
Ari

DV Type 2 AVI
Also-- I'm messing around with it trying to figure out the issue.. I think that it could be after effects. I think the intro to the video was made with AE or motion and Premiere isnt recognizing the colors or something..
I made a little animation in After Effects and exported it and Premiere wouldnt play it-- It imported it, but it wouldnt play on the preview window..
I just put that animation into GSpot and it showed me that it's a DV Type 2 AVI ( AVI v1.0 )
So there must be something going on with the AVI v1.0 and my Premiere doesnt want to play it.. I still cant figure out the solution though.

"problema" con el teclado entre el premiere pro 1.5 y 2.0

Hola a todos.
Tengo un pequeño problema con el uso del premiere pro 2.0
Seguramente a muchos les parecerá una tonteria, pero para mi manera de editar me causa una perdida de tiempo.
A ver si me explico bien.
En el timeline tengo 5 fragmentos de video (da igual la duracion).
En el pro 1.5, con las teclas INCIO y FIN vas al inicio y fin de lo que tengas seleccionado. Si tienes seleccionado solo un fragmento, vas a principio y fin del fragmento, si seleccionas 2 fragmentos, pues a inicio y fin de los 2 fragmentos.
Y con Av-pag y RE-pag, pasas de un fragmento a otro (muy util esto para poner transiciones con ctrl+D por ejemplo, a 50 fotografias)
Con el pro 2.0, con INICIO y FIN vas al INICIO y FIN de TODO LO QUE TIENES EN EL TIMELINE. No de lo que tengas seleccionado, sino de todo lo que tienes en el timeline.
Lo del AV-PAG y RE-PAG funciona igual que en el pro 1.5
He mirado en EDIT - KEYBOARD configure, y es la misma configuracion para los dos programas.
Yo trabajo mucho con proyectos grandes, y por ejemplo, si tengo 30 fotografias con una musica A, otras 30 fotografias con una musica B, etc... hasta llegar a tener 8 o 9 musicas.
Si selecciono la musica A, con INICIO y FIN voy a inicio y final de la musica A. Y lo mismo con las otras musicas.
Ahora, con INICIO y FINAL voy a inicio y final del todo lo que tengo en el timeline....
y me vuelvo loco para saber donde estoy.
A alguien le pasa esto?
Gracias y disculpas por el rollo.

yo normalmente personalizo mi teclado con unas 5 teclas extra que no vienen en el teclado pero procuro no cambiarlo para no desacostumbrarme al normal ademas que siempre cargo mi archivo personalizado y si llego a trabajar a otro lugar solo guardo mi archivo del teclado en donde voy a trabajar
les tengo 2 opciones
1 intenten buscar el archivo de premiere pro 1.5 del teclado no recuerdo la terminacion pero configuren uno ud y le dan el nombre que quieran (mi teclado) despues lo buscan y ese es el archivo
posterior mente hacen lo mismo en premier pro 2.0 para encontrar la carpeta donde se guardan las configuraciones, despues sobre escriben los archivos o copian el archivo en esa carpeta (el archivo del teclado del premiere 1.5) abren premier pro 2.0 y activan el teclado que usaran.
2 en el caso de cualquier archivo incluso imagenes fijas premiere pro trae una opcion de bajarlas automaticamente al time line poniendoles una transicon de default, asi si tienes 500 fotos o videos los seleccionas en el proyecto y le oprimes ese boton y listo te pone trancisiones de audio y video automaticamente(el boton esta en la parte de proyecto cerca de donde esta crear carpeta y tirar a la basura es un iconito pequeñito y creo que por eso no lo conocen)

I have exported a file from premiere cs3 using quicktime animation codec, when i burn it the audio is not there..help!?

hello.
am having a proble with adobe premiere cs3
i have exported the file as quicktime using the animation codec, with 100per cent quality as it needs to be the highest quality
when i play the file with media player the sound is there, but when i burn it onto a dvd the audio is not there anymore... i really dont understand what i am doing wrong! can anyone help please?
i am using quicktine as im told this the best for optimum lossless quality
if i cannot burn it with audio using the quikctime animation codec, then i might try exporting it as an avi file. if so, what is the best codec to use for lossless quality?
thankyou!!!!

And when you follow Jim's suggestions, Export as elemental streams, i.e. one Video-only file and one Audio-only file. Encore will like that better.
Good luck,
Hunt

Premiere CS3- HDV problems¡¡ Help¡¡¡

Hi
I have been working in a movie since 2009, in Premiere Pro CS3. Project settings: HDV 1080i. I have been having a lot of problems with the render process, new timelines, and saving the project. Sometimes when i make renders, save the project, close and open again, It doesnt save the render, so I have to start from the begginning. But that´s not the big problem. 2 weeks ago, I capture 4 hours of hd video and aded to the project. Since then, all my other sequences have dissapear. I only have the main sequence with the movie, and the rest of the sequences are still ther, but only as video clips, not as sequences. So, I´m just working in one sequence, one timeline. The size of this only sequence is about 7 hours in full hd. Since then, Premiere have been crashing every 5 or 6 minutes. Sometimes when I´m working and I want to save, it pops up a message and say that it cant save the project becouse of an unknown problem, so I try to save it in a different location, but it doesnt work, so simply, I cant save my project.
This is the machine Im working on:
PC Microsoft xp Profesional, Version 2002, AMD ATHLON 64x2 Dual Core Processor 5200+, 2.61GHz, 3 gigs RAM..
Hard disk memory: I have like 130 gygabites available. The size of the project with all the captured videos, autosaves etc is about 200 gygabites.
I really cant understand the problem, I have uninstall and install two times Adobe Premiere cs3 and every time I have the same problems. Somebody tell me that Premiere only works fine with less than 4 hours of video in the timeline so, is this my problem? Is it the computer? I really cant undersatand.
I really need some help.
Thanx

First, read Harm on drive setup http://forums.adobe.com/thread/662972?tstart=0
Then, work through all of the steps (ideas) listed at http://ppro.wikia.com/wiki/Troubleshooting
If your problem isn't fixed after you follow all of the steps, report back with ALL OF THE DETAILS asked for in the FINALLY section, the questions at the end of the troubleshooting link

Premiere CS3 install problems

I cannot install Adobe Premiere CS3 Pro.
The error I get is
Product: Adobe Update Manager CS3 -- Error 1935.An error occurred during the installation of assembly 'Microsoft.VC80.CRT,version="8.0.50727.163",type="win32",publicKeyToken="1fc8b3b9a1e18e3b ",processorArchitecture="x86"'. Please refer to Help and Support for more information. HRESULT: 0x80070422. assembly interface: IAssemblyCacheItem, function: Commit, component: {98CB24AD-52FB-DB5F-A01F-C8B3B9A1E18E}
I have tried making a new account
disabling UAC
using fsutil
granting full permissions to winsxs
updating the .net framework
renaming the files that might be trying to be replaced
fixing any JavaScript problems
using the adobe cleanup tool on level 5
trying everything in safe mode
I work in IT and know what I am doing, I tried using the process explorer to monitor exactly what setup.exe did, but could not find any reason why it was failing. This is insane.
My os is vista32, cpu is intel core2.

If you have an Acer computer, there are known problems with some of the "helper" software pre-loaded by Acer
I don't have an Acer so don't have details... if you do, use the search and read all messages which contain Acer

Premiere CS3, codec. NVIDIA GE force experience

When I open Premiere CS3, it tells me right away that my hardware is not compatible. Does that mean that I need to buy a new card? or do I need to contact NVIDIA for the codecs? or is their a place I can download them myself? if so, whats the name of the codec? The windows Media creator works fine.. what's the difference? Thanks in advance, Linda

What error message are you exactly getting?
These are the system requirements for CS3.
System requirements | Adobe Premiere Pro
Windows Media Creator is not Premiere Pro, not even close.

Error compiling movie: out of memory !!! Premiere CS3

Hey every1 --- desperate need of some guidance here. I've been all over the internet and these boards --- have seen this come up with a lot of people but no real solid answers that I'd seen or that have helped.
First off, my comp is an imac 3.06 Ghz Core 2 Duo, 4GB memory. (just bought the computer last year)
I'm shooting with a canon 7d in HD (1920 x 1080p) and I'm editing using Premiere CS3. I've noticed that editing has become very difficult since I started using HD; playback is very choppy and the 'quality settings' in the preview monitor are a joke and do absolutely nothing whether it's on draft or automatic.
Anyway, despite the choppiness and slow editing, I was able to get a 3 min clip completed. These are my export settings:
Export > Movie
H.264
960 x 540
23.976 fps
Square pixels,
100% quality,
recompress: unchecked.
Once exported (I was able to export smaller timelines previously--- say, 50 secs of footage or so) the files look AMAZING and from there I use them for online video via vimeo -- stuff looks really awesome.
Anyway, recently I'm getting: 'Error compiling movie. Out of Memory. Change optimization preferences to memory', etc. etc. Well, I did as it asked and that did absolutely nothing.
So, I decided to open up my activity monitor and watch what's going on with my memory while premiere is exporting. I also closed ALL unused applications. System runs at about 2.16gb free memory before I start exporting. Memory seems stable during export UNTIL around the 50% exporting mark, and then its starts climbing like crazy and my memory just gets eaten up --- finally resulting in a crash at about 70% render.
I really don't know what else to do. Does my computer not have the power to export 3 min of HD footage??? This seems surprising to me ... I don't know what else to try.
Thanks for any help !!!
-Mark

Hi Mark,
Hope you are having a wonderful day.
Sorry to hear that you are having such a hard time. Although I did not specifically get the out of memory error, I can only be convinced that that is the problem.
Although I am not a computer whiz, I have learned my share of things. I have been troubleshooting a video all this week (really, a couple of months), but I had to put it aside and come back to it.
I tend to be talkative; so I will get back on topic or at least try to stay on topic, so bare with me. Smile....
Here is what I have learned and maybe it will help you with yours if you have not found a solution already.
Based on your hard drive specs and ram, I was thinking the same thing e.g. hard to believe that you are not able to render 3 minutes of video in HD. I primarily work in HD/1080p.
The place where we are similar is that I eventually could get the video to render by reducing the workspace that is rendered piece by piece until I was able to render the entire file. When I tried to encode the video, I kept getting error compiling messages. I tried different codecs, deleting xmpses, not rendering xmpses, etc. I could not figure out the keyframe trick so I just put in a black video from after effects. By the way, all of my videos intro the same and no problems with the other videos fading from black to a still photo.
Here is the problem from what I could gather.
Simply, out of memory. I was rendering and trying to encode a 45 minute video with after effects compositions and the dynamic linking kept timing out once the file reached a certain size. There were no other true fancy effects. I do alot on the green screen and just use after effects to make a white background. Smaller videos, rendering has been slow, but doable. This massive video would never compile. I won't bore you with my system specs, but know that similar to your situation, the system in theory should have been adequate.
Work around...
I ended up exporting the video as 3 separate 15 minute video clips. I could not get them to encode as .wmv files so I encoded them as .mp4 files. By the way, I still encoded in HD.
Here is the kool stuff.
After what seems like forever, I found a converter that could convert .mp4 to .wmv and rejoin the files to play as one large file with the same quality as my source file and no audio synching issues. By the way, I do not work for this company. I just found this encoder at 4 o'clock this morning after trying all of these other converters that were straight garbage or were free to try and not really free if you wanted quality. By the way, the conversion tool is not only user friendly, but free which is awesome.
The name of the software is Media Cope. Just visit www.mediacope.com.... Be sure to send the owner an e-mail to thank him and let him know that Mark sent you. I just sent him an e-mail earlier to let him know that I was going to post on Adobe what a wonderful software he created. I just needed something free, quick, easy, and user-friendly.
Whoops... got off topic....
I'll do a summary at the end for my recommendation to you.
Here are some other tidbits that I learned as well that may save you some time.
When editing this is what I do now...
1) I use CCleaner from www.piriform.com to quickly clean my system especially temporary files before I start editing and if I am switching from project to project.
2) In all of my troubleshooting this week, I found a kool little software call Smart Close. (Just google to find this one.) It closes all of your non-critical background files in order to maximize system resources. (When I am done editing, I just reboot and all of my background programs start up again. You do not have to do it that way, that's just how I do it. The nice thing is that it is a wizard interface; so you do not have to try to figure out if a process in the background is critical or non-critical.)
3) Depending on my mood and if I did not forget, smile.... I change the priority to high for the adobe products in the task manager.
More things that I learned...
1) We are not able to change the temp file for how Adobe encodes. My logic was if I could change the encoding to a hard drive that was simply empty so Adobe can render there, then I would be good. Wrong.... Adobe does not allow you to change the temp location. (Note: This is what I discovered in the different forums; so encoding to an external hard drive is not the best move. Read more to se why.)
2) It is best to have your scratch disks as your internal disk. If you have multiple internal disks, then you shoud check some other forums for the best way to set up your scratch disks. When I was just starting out, I bought an external hard drive enclosure with the thought that I would work primarily off of those external drives with the option of doing some RAID work. Bad idea... Even the simplest of tasks took forever. It was best to work off of the internal drive. By the way, I still use the enclosure hard drives for backups in order to allow me to free up some space on the primary hard drive. When rendering, it is truely a use of the RAM and the hard drive space in the editing process.
I'll leave you with this...
I take back what I said earlier, you do need a new computer with more RAM. If you can get 16 GB, great. The primary reason is that if you are editing in Premiere and if you do anything with dynamic linking into your after effects, it will cause your ram to climb as the file gets larger. Of course, be sure to get the largest hard drive possible as an internal drive, the maximum on processor speed, 64 bit operating system, etc.
I know you are like by now, Mark, what is the point of all of your gibberish... Really, it was to share with you and others on some really kool work arounds.
My recommendation for you are as follows.
1) You have already proven that you can render and encode 50 second clips and you are very happy with those clips, so create separate smaller clips for this particular project.
2) Once you have the final clips outputted, then use Media Cope to rejoin the files as one large file and you are done.
(Note: The one thing that I did notice is that there is a small break right between where the files are merged. The nice thing is that as a video editor/film maker, you will be the only person likely to notice it because you know where the breaks are. The other nice thing is that the untrained eye will not notice it and if you had to submit your work to a television station especially on DVD, the video system should recognize the file as one large file and play all the way through. Note: For the last sentence, I said 'should play all the way through' as I have not had a chance to check this one yet as I just finished this project today and still have to turn in all of my videos. I still have some more videos to merge.)
By the way, the only specs that I will share are that I work on a PC and it has 8 GB of ram.
The summary of the summary is that sometimes an error compiling message could simply be that your system does not have resources to render and the encode that large of a file. At least that is what I learned this week or at least my specific situation. The confirmation is that I just finished shooting a documentary which was one hour and some change and was able to render and encode to .wmv with no problems. Of course, I was not using after effects for this particular project.
In either case, hope all the information helps you with your project.
Have a wonderful day and happy holidays everyone.
Mark

Premiere CS3 and 24p exporting

Hello,
I've been working on this problem for a long time.
I have some clips shot with a Canon XL2 in 24p mode with 2:3:3:2 pulldown. I import in Premiere CS3 in a 24p project, go in "Interpreter footage" and set "Remove 24p pulldown", and in the timeline the clips are good, 24p without interlaced frames.
Then I go exporting: I want export in 24p (23,97) DV format.
1) If I choose "Microsoft DV AVI" with "DV (24p Advanced)", the clips I get are in 29,97 with still the flagged frame that should have been removed. So I have the same output format that I get setting DV NTSC with his 29,97 framerate.
2) If I choose "Microsoft AVI" and then I go with an alternative DV codec, such as the Panasonic's one (but I've tried many and I've got the same results, so I don't think it's their fault), I get a 23,97 clip, but the frame that has been removed is not the flagged and interlaced one, is one of the progressive. Watching the clip frame to frame I see that I have 24 fps: 3 progressive, 1 interlaced, 3 progressive, 1 interlaced, and so on.
Let me know. Sorry for my bad english but I'm italian.
Thank you

My own testing shows that Premiere doesn't create 24p friendly DV files. I've had much better success creating 24p MPEG2-DVD files.

Importar mp3 en Adobe Premiere CS3

Hola!.
Estoy probando el premiere CS3, pero cuando le doy a importarv, en los tipos de archivo no me deja escoger ficheros .mp3 (deja muchos otros, avi, jpg, etc...) y si pongo en tipo de archivo *.* y elijo un archivo de audio en mp3, me dice que el "formato de archivo no admitido". Esto no me ocurre con el premiere 1.5 por ejemplo.
Podria alguien decirme como puedo importar mp3 con premiere cs3 ???
estoy desesperado ya :( gracias.

hola
tengo un problema con premiere cs3, es que la linea de tiempo no esta activa, trato de arrastrar un clip o musica o lo que sea y no lo permmite, en la pestaña de la ventana de linea de tiempo solo dice: Linea de tiempo(sin secuencias)
alguien puede ayudarme?
gracias

Rendering H.264 Quicktime from Premiere CS3

For a cliënt I have to make a H.264 file in Quicktime that is meant for a website www.leraar24.nl
Since people before me used to deliver using FinalCutPro they made a short tutorial of the exact settings used in FCPro. Now I have to translate those settings to my setup: Premiere CS3 on Windows. I'd like to have your opinion on what settings I should use. Here's what they give up for FCPro:
Video settings:
Compression type: H.264
Frame rate: current
Key frames: automatic, vink frame recording (I think someone misread this 'cause the only the choice in FCP is frame reordering)
Data rate: automatic
Quality: high
Compressor: best quality
Video size: 512x288. vink deinterlace source video
Sound settings:
AAC
Stereo (L R)
48.000 Hz
best quality
256kbps
Streaming moede: Hinted streaming (prepare for internet streaming)
I thought this should match the following in Premiere CS3:
Format: H.264
Range: Work Area
Preset: Custom
Basic Video Settings:
TV Standard: PAL (it's the Netherlands)
Frame Width: 512
Frame Height: 288
Frame rate: 25
Field Order: None (Progressive)
Pixel aspect ratio: Widescreen 16:9
Profile: High\
Level: 5.1
(I have a jpg attached with the settings I used execpt I chose 25 frames instead of 50 frames)
But apparantly I was wrong 'cause the reported me that they don't want .mp4 but they want .mov instead. They only othter option for me is to export it to DV 25 .mov and then export it from Quikctime Pro which gives me the exact parameters as they gave for FinalCutPro. But then it doesn't look as good as when I export direct from Premiere.
Does anyone have a better idea?

Thanks a lot Rod,
Here's what I used this weekend:
The only problem is that for audio it won't let me choose AAC like it was 'told' to do in the FCPro settings guide. do you know why the option AAC isn't available? Because when I would choose H.264 as a format then there `is the option AAC so apparantly the audio codec AAC is on my machine. Or isn't it? And should I install it separately? What I did now was chosing the Apple Losless instead:
Tomorrow I'll be hearing if they can get along with these settings.
Thanks for your feedback.
Gr. Karel

Premiere CS3, problema con codecs

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