Premiere Pro 3.2 XDCAM EX "Codec Missing"
I downloaded and installed Premiere Pro 3.2.0 a few days ago and I'm really excited about getting to work with footage from Sony's EX-3.
I created a new project set for "XDCAM 1080 (HQ) 1080p" with a timebase of 23.976. The project opened up fine and when I opened the Import window the XDCAM files appear as Quicktime movies. I selected one and clicked "Import" but Adobe gives me an error message saying "A codec is missing or unavailable".
I am running Adobe Premiere Pro 3.2.0 on Windows Vista Home Premium with Service Pack 1 on a Toshiba laptop with an Intel Core 2 Duo T7250 @ 2.00 GHz with 2GB RAM.
Everything else works like a charm. DV footage, DVCPRO HD are no problem. But it won't import my XDCAM EX footage no matter what I do.
Anybody got any suggestions?
First, work through the steps here http://ppro.wikia.com/wiki/Troubleshooting
If your problem isn't fixed, report back with the DETAILS asked for in the questions at the end of that link
>downloaded and installed Premiere Pro 3.2.0 a few days ago
Do you mean you installed the UPDATE to what you had?
It is not possible to download the actual program now, Adobe is selling CS4
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<binaryImage start="0x58340000" end="0x5838d000" type="__TEXT" path="C:\WINDOWS\system32\msaud32.acm"/>
<binaryImage start="0x582e0000" end="0x582fe000" type="__TEXT" path="C:\WINDOWS\system32\sl_anet.acm"/>
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<binaryImage start="0x141d0000" end="0x14203000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\MediaIO\writers\CNNativeWriter.vwr"/>
<binaryImage start="0x14830000" end="0x14df7000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\AdobePDFL.dll"/>
<binaryImage start="0x14270000" end="0x14317000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\JP2KLib.dll"/>
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<binaryImage start="0x14e50000" end="0x14e7e000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\AXE8SharedExpat.dll"/>
<binaryImage start="0x14f20000" end="0x14f38000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\MediaIO\codecs\QTVideoCodec.vca"/>
<binaryImage start="0x14ec0000" end="0x14ef0000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\MediaIO\writers\CNNativeWriterWMV.vwr"/>
<binaryImage start="0x14f10000" end="0x14f1f000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\MediaIO\codecs\WMSDKVCodec.vca"/>
<binaryImage start="0x15ce0000" end="0x15dc8000" type="__TEXT" path="C:\WINDOWS\system32\WMVXENCD.dll"/>
<binaryImage start="0x59090000" end="0x590ae000" type="__TEXT" path="C:\WINDOWS\system32\wmsdmoe.dll"/>
<binaryImage start="0x15bc0000" end="0x15cc2000" type="__TEXT" path="C:\WINDOWS\system32\WMVSENCD.dll"/>
<binaryImage start="0x15720000" end="0x158b0000" type="__TEXT" path="C:\WINDOWS\system32\WMVENCOD.dll"/>
<binaryImage start="0x15380000" end="0x1555c000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\MediaIO\writers\FLVNativeWriter.vwr"/>
<binaryImage start="0x150c0000" end="0x150de000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\MediaIO\codecs\FLVVCodec.vca"/>
<binaryImage start="0x158b0000" end="0x159c2000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\ad2h264vout.001"/>
<binaryImage start="0x15660000" end="0x15681000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\ad2h264vout.dll"/>
<binaryImage start="0x15560000" end="0x155ad000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\MediaIO\writers\MCMHH264Writer.vwr"/>
<binaryImage start="0x15690000" end="0x156ac000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\MediaIO\codecs\MCMHH264VideoCodec.vca"/>
<binaryImage start="0x156b0000" end="0x156c2000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\MediaIO\codecs\H264VideoCodecH264.dll"/>
<binaryImage start="0x156e0000" end="0x156f3000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\MediaIO\codecs\H264VideoCodecH264Bluray.dll"/>
<binaryImage start="0x155c0000" end="0x1560a000" type="__TEXT" path="C:\Program Files\Adobe\Adobe Premiere Pro CS4\MediaIO\writers\WinMediaWriter.vwr"/>
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</crash>
<reproSteps>
</reproSteps>
</crashreport>
can you make anything out of that ??
thanks for the reply though -
Impossible d'importer un .avi dans premiere pro CC sous mac
Bonjour,
Quand j'importe un fichier .avi dans Premiere Pro CC, il m'indique "codec manquant ou indisponible". Je suis sous Mac, Maverick. Comment puis-je solutionner mon souci ?
Merci de votre aideFirst, you need to ask in http://forums.adobe.com/community/premiere/content
Second, when you go there, you need to provide more information
AVI is a wrapper, what is inside YOUR wrapper?
Codec & Format information, with 2 links inside for you to read http://forums.adobe.com/thread/1270588
Report back with the codec details of your file, use the programs below... A screen shot works well to SHOW people what you are doing
http://forums.adobe.com/thread/592070?tstart=30 for screen shot instructions
Free programs to get file information for PC/Mac http://mediaarea.net/en/MediaInfo/Download
This forum is about the Cloud as a delivery process, not about using individual programs
If you start at the Forums Index https://forums.adobe.com/welcome
You will be able to select a forum for the specific Adobe product(s) you use
Click the "down arrow" symbol on the right (where it says All communities) to open the drop down list and scroll -
Go to Next/Previous Marker shortcut bug in Premiere Pro 2014
The keyboard shortcuts Shift+M and Ctrl+Shift+M to move to markers takes you to the next edit point or marker, whichever comes first.
I found that using the shortcuts to navigate to the next Marker in the timeline will take you to the next Marker or Edit point, not to the next Marker as it does in Premiere Pro CC.
If I have missed something, I would love to know. Otherwise, this seems to be a bug in the new software.Hi Kevin,
Thank you very much for your response. I now can see what I was doing wrong.
I have markers on the timeline. I had forgotten that I had also put some markers on my audio file.
As a result, each time I wanted to go to the next marker, of course, it went to the timeline or clip marker, whichever came first.
I have never made this mistake before. Very embarrassed and sorry to waste anyone's time. I, at least, have now learnt something about working with markers that I didn't know.
Thanks for helping me out,
Thornie -
New PC just for Adobe Premiere Pro
Hello all, I've decided against the iMac for a PC. It will only be used for video editing and some school work, not gaming. I've never built a computer and have little knowledge so I would appreciate all the help I can get.
This is the computer that I've been suggested with a budget of $1200 (before tax) including a LCD.
CPU: Intel Core i7 2600 - $300
Mainboard: MSI P67A-GD65 - $170
RAM: 4G x 2 - $56
HD: 1 TB WD - $55
Case with 500W power supply
Thermaltake V9 BlaX Edition HDD Docking Stations, 600W power supply - $150
Video Card: EVGA Geforce GTX570 - $300
Total: $1031 + LG 24' LCD $170 = $1201
Does this computer bring out the best of Premiere Pro? (MPE, etc)
Am I missing anything else?
As I have little idea, I don't know whether the prices are correct.
How should I improve the build, whether it be because it's inferior or there are better prices. Is that a good case?
My budget is $1200 but I'm definitely willing to go over that if you guys have suggestions on what I should change or any advice, etc.You MUST have more than one hard drive... TWO is the absolute minimum, Three is better
My 3 hard drives are configured as... (WD = Western Digital)
1 - 320G WD Win7 64bit Pro and all program installs
2 - 320G WD Win7 swap file and video project files
3 - 1T WD all video files... input & output files
Search Microsoft to find out how to redirect your Windows swap file
http://search.microsoft.com/search.aspx?mkt=en-US&setlang=en-US
Trying to use only ONE Hard Drive for Video Editing
You are a music conductor, with a baton that you use to point to various parts of the orchestra... this is like Windows pointing to various parts of the hard drive to do Windows housekeeping or to load program segments for various functions
Now, at the same time and with the same hand... while still using the baton to conduct the orchestra... pick up a bow and play a fiddle... this would be doing something with your video file at the same time as all the other work
You as a person cannot do both at the same time with the same hand
A computer is a LITTLE better, in that it can switch from one kind of task to another very quickly... but not quickly enough for EASY video editing
You need AT LEAST two hard drives (separate drives, never a partition http://forums.adobe.com/thread/650708?tstart=0 for more) with Windows (or Mac OS) and software on your boot drive, and video files on a 2nd drive so the boot drive is not slowed down by trying to do everything
I find that the three drives I use work very well for me, for editing AVCHD video... some people use a 4th drive, so video INPUT files are on drive three and all OUTPUT files are on drive four... I only bought a mid-tower case instead of a full tower case (my bad... but had to fit in the space available on my office desk!) so I use the three drives that will fit
Depending on your exact hardware (motherboard brand & model AND USB2 enclosure brand & model AND external hard drive brand & model) AND the type of video file, you may... or may NOT... be able to use an external USB2 hard drive for SD (Standard Definition) video editing
Steve Grisetti in the Premiere Elements forum http://forums.adobe.com/thread/856208?tstart=0 and Jim Simon in the Premiere Pro forum http://forums.adobe.com/thread/856433?tstart=0 use USB externals for editing
A USB3 hard drive connected to a motherboard with USB3 is supposed to be fast enough for video editing (I don't have such, so don't know) but eSata DOES have a fast enough data transfer for video editing... I have not used this eSata Dock... for reference only, YMMV and all the usual disclaimers
http://www.amazon.com/Thermaltake-BlacX-eSATA-Docking-Station/dp/B001A4HAFS/ref=cm_cmu_pg_ t
I don't think a 500w power supply is large enough... read the other discussions over the past week-to-10-days for more ideas -
Can Premiere Pro smart render footage from a Canon 5D mark III ?
I already read that Premiere Pro can smart render certain codecs. But I want to know exactly: Can it smart render the video from a Canon 5D mark III?
In case smart render is not very specific: I'm asking if it can export the footage after cutting without rencoding it by just saving the individual frames into a new video container with the same codec. This should increase export time alot.
I'm asking because I have Premiere Elements and this feature would be the only reason for me to switch to Pro. I currently need 40 Minutes to render 10 Minutes. As a journalist I need to be faster.Do you have any other tips how to boost export speed? I don't need the video to be small. I only do a raw edit where I cut out the junk. Quality loss should be minimal and speed ist most important.
Its hard to know if your export speed is normal or otherwise without some detail from you for comparison.
Hardware, system, OS and current export settings and times etc..
Generally the system and set up will determine the speed and editing experience.
5D footage should be no problem at all to a decent system ( and setup)
If you do a test export for us...tell us how long the export takes for how much footage . eg 1 minute footage = X export time.
No Effects. -
CS5 After Effects and Premiere Pro
I am using CS5 After Effects and Premiere Pro with footage from a Canon 5D Mark III. Shooting/editing 1080p 24 (or at least their version of it). What are the best render settings/codecs to use to export from AE for import into Premiere Pro other than the animation codec or Pro Res? I dont have Pro Res and the animation codec is great but the file size slows down the app. Thx in advance.
Or a few resources to explain the whole codec/export/bitrate/etc issue once and for all for different situations wether it be brodcast or internet or simply burning a dvd to play on a HD TV. It is almost like this is some kind of secret no one will tell...LOL...i cant find a difinitive answer anywhere.As is stated above there are Production codecs which can be lossless, nearly lossless, and at higher bit depth. Production Codecs include Uncompressed (huge files but fast do decode and will not playback in real time) Editing Codecs like Black Magic, Avid, ProRez, and others that are smaller, can still be lossless, may support alpha channels and higher bit depths, and Archival Codecs like Microcosm, JPEG2000, PNG, which support alpha channels, are lossless, and on some systems, will playback in real time.
Editing codecs are specifically designed to be played back in a NLE. These are good choices for a Premiere Pro / AE workflow. So are Archival Codecs. If your project involves a lot of sharing of files between users and apps, then pick a format common to everyone that is at the highest bit depth your storage system can accommodate.
There are also image sequence formats. These include PSD sequences, TGA, TIFF, PNG and others. Some support higher bit depth (32bit Float). Image Sequences work great, have advantages when it comes to correcting just a few frames here and there, and are used to a great extent in professional production pipelines. They are much more flexible than video but they have a distinct disadvantage when it comes to keeping track of the files and keeping things organized.
Then there are delivery codecs. These are designed for playback. They are not suitable for production because delivery codecs use GOP compression, are limited to low bit depth, and are not lossless. IOW, if you render to a delivery codec, then you process and render again to the same codec the artifacts start to build up. H.264 for example, after just 2 or 3 passes, even at very high quality settings, falls completely apart.
Consumer and ProSumer cameras use delivery codecs for image capture. Your Cannon 5D does. This is OK, and it's the only option you've got with some cameras, but the best workflow for these types of capture systems is to transcode the footage to a production codec before you do anything. Production codecs will render faster because it takes less time to decode the footage for processing. You should never render AVCHD or MPEG footage back to the same codec. Always use a production codec until you're project is ready to archive and deliver.
One note on ProRez on Windows. This is not a good idea for production. You cannot maintain proRez native 10bit color space. You should not render to ProRez using 3rd party workarounds because you're just building a proRez container for a windows compressed video. Sure, it will playback on a Mac, but the actual image will have lost important detail and color depth.
Let me give my humble opinion on Dynamic Link. This works great for a shot or two in a Premiere Sequence. This works great for working with Audio in Premiere and Audition. This works great for rendering for delivery or even production using the Adobe Media Encoder. Did you note my second sentence? Dynamic link between AE and Premiere Pro for a few shots in a sequence is a good idea and a time saver, but if you're cutting a film that's over a few minutes, each scene should be it's own sequence. If the scene has more than just a few shots that need to be processed in After Effects then using Dynamic Link can easily become a monster you don't want to deal with. The key to efficient post production of an effects laden production is planning. You've got to cut for story first, then produce your effects shots with sufficient handles (extra frames) to allow some fine tuning, then recut the final. Any other workflow on a long project is just wasting time. -
Premiere Pro CS6 Error Message Codec Missing or unavailable?
I know there is already a thread about this... but I couldn't figure out how to add to that thread. I have been googling for like 2 hours and get this figured out! Sorry if this is a silly question, I am very new!
A videographer sent my company a hard drive with video footage he took from our event. I need to split these clips up and import them to Premiere Pro.
Here is all my info:
Premiere Pro 6.0.2 just updated about an hour ago-
Mac OS X 10.7.5
I am trying to import and edit footage a video-ographer gave my company from an event. He sent it to us on an external hard drive. I am not sure what kind of camera he used.
I have downloaded RedCode or whatever. Updated Premiere Pro.
The file type is .mov. It plays fine in Quick Time 10, but only the sound plays in Quick Time Pro 7.
The Codecs for this file are MPEG-2 AND LINEAR PCM, TIMECODE
I also need to split these clips into smaller clips before importing into Premiere Pro, the clips are all between 8-11GB, if you want to help me with that too.I had the same issue after I re-installed both Mountain Lion and Adobe products. MOV (XDCAM) media was not reading on Premiere Pro CS6. "Codec Missing or Unavailable" kept prompting. Following ComputerNovice25 advice did not do the trick for this problem. But, I was able to fix issue by simply updating my OS. A ProApps Quicktime Codecs 1.0 was included in the update, which added the following video codecs for Quicktime-based applications:
Apple Intermediate Codec
Apple ProRes
AVC-Intra
DVCPRO HD
HDV
XDCAM HD / EX / HD422
MPEG IMX
Uncompressed 4:2:2
This update is highly recommended for all users running any MacOSX and any type of NLE.
Hope this helps.
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