Premiere Pro CC and Canon Log

I appear to have a very unique issue which Canon can't understand why it's happening. Their suggestion is Adobe is doing something to the clips. However, the Avid treats them the same.
In the example I shot a clip in Log. Using XF Utility I can view the clip and use the LUT Assist button to see the original Log and then see it with the Canon LUT. This is as expected. However, when I export/merge the MXF's or even if I import directly into Premiere from the Card bypassing the XF Utility the clips come in saturated as if there is an "Auto-Lut" being applied.
Anyone experience this issue. I've only noticed it on the C300. I can bring 1DC Clog files in and as expected they are log. It's not the camera either as I have tried 2 of our 4 C300's.
EDIT:
Also Speedgrade treats the clips the same as Premiere and the Avid treats it the same. Could it be a combo of recording settings? For example in this case it was the EOS Std. Matrix in a Canon Log Gamma.

There is a very definite bug in the Adobe Media Encoder engine which is used in both Premiere Pro and After Effects. H.264 exports seem to randomly choose their own export quality, using 2-pass VBR. I have found with some DV-size exports on 'match quality' in Premiere Pro, that setting the export above 10Mbps pushes the quality down to well under 1Mbps, e.g. 167kbps. I've found that using the default min 6, max 8 seems to work the best. I've worked with this on two different machines and fiddled with it extensively and this is definitely NOT an intended 'feature'. In fact, I have found that exporting from the same sequence, if I select the first 20 seconds, I get very low bitrate, but if I select 30 seconds or more, I get the higher bitrate that I want! And I tend to get different results when I enable and disable 'use previews'.
I am also having some trouble with missing frames when exporting progressive animation files to h.264 mp4 files that never occured before. Not sure yet if this is related to the same issue, but interestingly, I don't get the 'blinking' missing frames issue when the bitrate drops itself down to a very low 150-200kbps. When I do get the export rate up higher, then the missing frames on just this animation clip return.
So, after my tests, here is a screen capture of sample export settings (yes, 15Mbps is a very high bitrate for DV, but the same happens at 6Mbps or 7 or whatever I try in some cases):
This gave me a 1.5MB file with a reported 167kbps bitrate and a quality level as shown below:
A currently working 'workaround' is to use 1-pass VBR which gives me a crisp, clean 5.5MB file. Would a few others please try to reproduce this so we can get it escalated to bug status? I'll report it if you can confirm it there, this is happening on two computers here.
Thanks,
Sean

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Benjamin Peterson wrote:
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Enviado desde mi iPhone
El 29/03/2014, a las 01:51 p.m., BanksMeador <[email protected]> escribió:
Re: Premiere Pro CC and the New Mac Pro (2014)
created by BanksMeador in Premiere Pro - View the full discussion
I have had my 12 core 2014 Mac Pro for a couple of weeks now, and I'm not very impressed with Premiere CC performance with 4K R3D on a 1920 x 1080 timeline.
I understand that there may be an update soon that will take adantage of the CPU's and GPU's when it comes to the complex task of de-bayering the R3D footage, but it's just not there now.
I get similar playback performance to what I experienced on my 09 Mac Pro tower.
Any insights on getting better playback performance in this scenario would be greatly appreciated.
Thanks!
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