Premiere Pro CC crashes upon XML import from Final Cut 7 Export

Hello all,
I have recently tried to import a FCP7 XML into Premiere Pro CC 2014, and a few seconds after initiating the export Premiere Pro crashes. Any solution to this???
I Exported on a Mac Tower running FCP7 and then imported the XML on a PC Running the latest Premiere CC v8.1. Could that be a problem in itself?
Also I'm considering a workaround where I move the FCP7 to FCPX, generate the XML then try importing again. Worth a shot?
Also trying this strictly on an Apple computer to import and save before moving to my main PC station. Thoughts?
The sequence I'm trying to import is fairly massive too, not sure if this is why, but it is mult-layered, both in audio and video and is running about an hour in length with several other blocks of video files after that, probably running up to 2 hrs. This should not be a problem, right?
Help! It would be greatly appreciated to get out of the clutches of final cut finally.

I am having the same issue.
Your best bet is to logon to Adobe website and go to customer support. If you chat with someone they can go on your computer and trash all your preferences. Your computer will be stable again. It worked great for me, but I just imported an XML from Resolve and it is crashing the system again.
Good luck. 

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    I am having the same issue.
    Your best bet is to logon to Adobe website and go to customer support. If you chat with someone they can go on your computer and trash all your preferences. Your computer will be stable again. It worked great for me, but I just imported an XML from Resolve and it is crashing the system again.
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    21  com.adobe.AdobePremierePro              0x00000001000018cc main + 524
    22  com.adobe.AdobePremierePro              0x00000001000016b4 start + 52
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    Rendering and compression are two different beasts. If you are working in the DV format then you want to stay (render) in the DV format. Rendering to another format (HD, Animation, etc...) is not going to give you any more quality than what is already there: DV in this case. Compression takes your current format (DV) and turns it into an MPEG 2 (for most cases) for burning to a DVD. Keep in mind that 1-hour of DV is 13gigs while a DVD can only hold 4.7/4.3 gigs so the material must be compressed. Next, as you have surmised, these codecs were designed for SD Television display which has a much lower resolution than you computer monitor & also only displays one field at a time, alternating between two fields very quickly. The difference between interlacing fields and progressive scan. When editing in FC, you can hook a deck (or your camera) up to the computer and also send a signal via the analog outputs of the camera to a TV (I use an el cheapo 13" Philips but it serves my purposes). This allows you to have an idea of what the material will look like on a TV rather than the computer monitor.
    FC will use Compressor to create the MPEG 2 files (compression) for a DVD. iDVD uses the same compression engine but does not give you control over the variables of the compression. However, iDVD cannot use an MPEG 2 file created by Compressor, iDVD wants to do it's own Compression. When exporting out of FC, you can either save the file as a reference file or as a self contained movie (using the same settings you captured with, DV in this case). You can drag either of these files to iDVD for compression/burning. The following is by stock answer on iDVD & quality:
    Quality and iDVD- Quality is subjective; what one person finds as good another may not. Quality is also highly dependant upon input. In other words: quality in, quality out; garbage in, garbage out. It is helpful to have a basic understanding of what makes a DVD a DVD. When you record on mini-DV you are recording to an already compressed format. Arguably a very good compressed format but compressed nonetheless. This means information is being tossed at the point you are using the camcorder. iDVD, or any DVD authoring app on any computer, Windoze or Mac, compresses this material even further into the MPEG 2 format for playback via a tabletop DVD player. Now mini-DV has about 30 frames per second (NTSC). MPEG (in a very basic nutshell) takes a picture about twice every 30 frames and uses this as a reference frame and then only records the motion difference between that reference frame and the next time it creates a reference frame. So you go from 30 frames/second to TWO, with motion difference! This is how one hour of DV which is 13 gigs, can be compressed to fit onto one DVD. Two hours would be 26 gigs of DV compressed to one DVD! Hence the general quality difference between one-hour and two. And keep in mind that is compression will show artifacts that may have always been there but you didn’t see until the other 28 frames where tossed out.
    Having a basic understanding of what makes a DVD can help you make better DVDs. As example, if you see that your recordings have a lot of motion… that is bad. Remember, when compress to DVD it only records the motion difference so you want to keep the camera steady and use slow controlled movements (pans & zooms). Quick pans or zooms or jerky movements are the bane of any MPEG compression scheme.
    That is just one example. There are thousands more. Sometimes, merely recording to a different blank media yields better results. iDVD has a unique way of discovering bad RAM, so if you have added any RAM lately, this may affect your quality. The list goes on. /End my standard reply.
    Black also poses difficulties for compression (fades to and from black, black with no motion and so on) since the Compression is looking for motion. The first step in "fixing" this is understanding it. What are your black backgrounds? Can

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