PREMIERE PRO cs3 & cs5 - audio out of synch by 6 frames after export

i have never had formal training on adobe premiere, and therefore when i am working with my students it is basically down to expereince i have gained by myself.
with cs3, we always worked on the basis that it would always export the audio out of synch with the video by 6 frames so they would routinely have the audio tracks on two separate tracks, one for editing and one for exporting which was offset +6 frames.
when we made the transition to cs5 and new kit i was stunned to see that the synch issues were still there. and since a quick google yielded very little evidence that others shared this issue i thought it must be something i am doing wrong after years of bad habits learned on the fly.
so here is my workflow, where am i going wrong and why is it always out of synch?
open cs5
choose an editing format. (this varies but the synch issue is always the same)
import content
edit
export (normally as a microsoft avi, with no compression which i later convert into quicktime compressed with ANIMATION)
i teach on an animation course so normally the content we import is a sequence of stills such as jpg or tiff, but we also capture stuff on dslrs too
the timeline colour is normally yellow, which is fine at standard def, but larger def we will render workspace to turn it green
the editing format depends on our target format. the current project is 720 hd
the export as avi with no compressor i suspect to be a weak link in this work flow, but the problem remains if i export as anything else so....
now as an additional point on the matter, the current project we have had people miming to an audio clip which we played live for their performance. the audio blips were aligned on the timeline with the audio blips from the edit
but after rendering out, the footage is out of synch by 6 frames. it has always been this way.
any thoughts? i know i must be doing something wrong, but the issue is consistant across different computer, running different OS and different versions of PREM...so either i am doing it wrong or premiere is fundamentally broke.....i suspect its me though

is there a logical reason for opting for a preset which is the lowest common denominator rather than a highest? is it not better to work at the best res possible?
does it matter either way? because i have often created 1080p content and worked in a 1024/576 edit environment only to later export at 1080p with no loss of quality?
i create the avi and then open this in quicktime to export to the desired formats.
now that you posted that comment i cant believe i have never done the simple trouble shoot of 'at what point does it go out of synch'
files are too big to playback uncompressed though.
i know it is a workflow issue and not a prem issue because no one else seems to have the problem.
im going to run some tests
thanks, will report back

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    Display: Format 30fps Drop Frame Timecode
    Audio: Sample 48,000 Hz
    Display: Audio sample
    Video Rendering: Maximum bit depth is Unchecked
    Previews: File format Matrox uncompressed 8-bit NTSC (tried Matrox uncompressed 10-bit too.)
    I think the jerky video might be due to dropping frames but Im not sure.
    Any help is greatly appreciated!

    While it seems that the field order is consistent, I have seen issues where converting from clips that change field order creates this sort of problem. This is particularly obvious when converting from MJPEG codecs like Meridien or Miro/Pinnacle to DV.
    What happens if you just import the files into Premiere and let it do the rendering to the project settings?

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