Premiere pro thumbnail order

Hallo! Ich bin neu hier, mal sehen ob es klappt J
Gibt es einen Weg die "Thumbnail-Order" dauerhaft nach meinen Regeln zu speichern? Jedesmal wenn ich ein neues Fenster öffne, sortiert Premiere nach "User Order". Die ist aber komplett durcheinander. Erst der Klick auf "Name" bringt eine Chronologie in das Fenster. Diesen Klick möchte ich mir gerne ersparen, zumal er bei größeren Projekten recht häufig vorkommt und eigentlich unnötig ist. Voschläge? DANKE!

Nö, nicht das ich wüßte. Die Mehrheit der Bildhäckslerzunft will ja die Bins manuell sortieren und es ist auch gerade etwas erheiternd, dass du danach fragst, nachdem Premiere das Jahrhunderte lang nicht konnte und Clips immer alphabetisch oder nach Datum sortiert hat...
Mylenium

Similar Messages

Premiere Pro 2014 upgrade question

Heya.
So, a while back I upgraded Adobe Premiere Pro to Adobe Premiere Pro 2014. But when I did, instead of just upgraded I was given 2014 as a separate program and I still had the original. It didn't seem to affect anything, so I paid it no mind and just proceeded with 2014. Lately though, all my adobe programs are working for only 15~20 minutes before slowing down to a snails pace and then freezing all together. At first I thought it was my lack of free disc space, so I deleted enough junk to put me at 83GB. But the programs are still sluggish after only a little bit of use. So my question is: What will happen if I delete the original Adobe Premiere Pro (in order to make more space)? Will I still have 2014, or can it not exist on my computer without the original?

Separate installs, separate functionality. Uninstalling older versions will drag down shared components, though, and necessitate a reinstall of the other product. Won't fix anything for you, though, I can tell you that. Your system is most likely simply showing signs of wear like fragmented disks or temp folders filling up just as any update to Windows or a driver could interfere operations. Do some housekeeping and check your settings.
Installation Preparations | Mylenium's Error Code Database
Mylenium

Thumbnail Order in Premiere Pro CC 2014

I thought I saw that my thumbnails remained in chronological order in Premiere Pro CC 2014, but on second inspection, they're all randomly mixed up, as in previous versions. Does anyone know if there's a way to specify chronological order in thumbnial (icon) view? It drives me mad!
Thanks,

Hi OstiaAlex,
Click on the icon pictured to see the Sort Icons menu. Does that work for you?
Thanks,
Kevin

Premiere Pro 5.5.2 crashes when generating thumbnails; faults ImageRenderer.dll

Hello all! I'm a new Premiere user. I've been working on a review show, and it's been going great for the last month. A few days ago, however, Premiere Pro started acting wonky. Part of my show involves putting in small clips from other sources, typically 3-4 seconds. With this most recent show, Premiere Pro started crashing left and right without warning. It took me a few days to narrow down the source.
ImageRenderer.dll seems to be crashing when attempting to generate thumbnail images of the sourced clips. Everything else seems to work fine. It seemed to start when I used the Clip Speed / Duration function to slow down a 30fps clip to about 25% speed. I realized later that the clips were at 30fps in a 24fps timeline (the rest of my material is 24fps). Once I changed the clip's speed, Premiere started crashing, perhaps due to how the clip interacted with the timeline. I removed the offending clip, but it seemed that the damage was done. I discovered that if I deleted the source file from the project inventory pane Premiere wouldn't crash.
I just recently discovered that if I collapse the video track of the source clip, Premiere won't generate thumbnails for those clips and thus remains stable. I stress-tested my rig all day yesterday using MemTest86 and Prime95, with no errors. I also uninstalled Premiere Pro, rebooted, and reinstalled from scratch. I still get the ImageRenderer.dll crash when Premiere attempts to generate thumbnails for the clips. So far I do have a workaround (collapse the video track) but I would like to figure out a better solution for it. I even created a new project and re-sourced the clips into a different frame rate.
Any help would be appreciated!
~Josh
Log Name:
Application
Source:
Application Error
Date:
1/31/2014 9:39:50 AM
Event ID:
1000
Task Category: (100)
Level:
Error
Keywords:
Classic
User:
N/A
Computer:
Relic
Description:
Faulting application name: Adobe Premiere Pro.exe, version: 5.5.2.0, time stamp: 0x4e960e56
Faulting module name: ImageRenderer.dll, version: 5.5.2.0, time stamp: 0x4e95f50d
Exception code: 0xc0000005
Fault offset: 0x00000000001756df
Faulting process id: 0x850
Faulting application start time: 0x01cf1e9244d9c6a7
Faulting application path: C:\Program Files\Adobe\Adobe Premiere Pro CS5.5\Adobe Premiere Pro.exe
Faulting module path: C:\Program Files\Adobe\Adobe Premiere Pro CS5.5\ImageRenderer.dll
Report Id: 89880013-8a85-11e3-bef2-60a44c639d5c
Event Xml:
<Event xmlns="http://schemas.microsoft.com/win/2004/08/events/event">
<System>
<Provider Name="Application Error" />
<EventID Qualifiers="0">1000</EventID>
<Level>2</Level>
<Task>100</Task>
<Keywords>0x80000000000000</Keywords>
<TimeCreated SystemTime="2014-01-31T14:39:50.000000000Z" />
<EventRecordID>4955</EventRecordID>
<Channel>Application</Channel>
<Computer>Relic</Computer>
<Security />
</System>
<EventData>
<Data>Adobe Premiere Pro.exe</Data>
<Data>5.5.2.0</Data>
<Data>4e960e56</Data>
<Data>ImageRenderer.dll</Data>
<Data>5.5.2.0</Data>
<Data>4e95f50d</Data>
<Data>c0000005</Data>
<Data>00000000001756df</Data>
<Data>850</Data>
<Data>01cf1e9244d9c6a7</Data>
<Data>C:\Program Files\Adobe\Adobe Premiere Pro CS5.5\Adobe Premiere Pro.exe</Data>
<Data>C:\Program Files\Adobe\Adobe Premiere Pro CS5.5\ImageRenderer.dll</Data>
<Data>89880013-8a85-11e3-bef2-60a44c639d5c</Data>
</EventData>
</Event>

Same problem - on MBPro 13-inch, Early 2011 running OS X Lion 10.7.4 (11E53)
Uninstalling 3ivx worked like a charm! thanks.

Adobe Premiere Pro cs6 is not loading thumbnails plz help

hey there hoping some 1 can help me I've got an extremely large project going on, project file is just over 400 mb and there is alot of content, alot ,alot , scatted over a few external drives and the internal and most of the are usb 2 connected to windows 8 pro 64bit intel core i7 3820cpu 16 gigs of ram and ssd drive and we are running premiere pro cs6 , and recently its taking for ever to open up and then way to long to load all the thumbnails, i really dont know what to do , and im really new to this forum
thanks
Bryce

Hey there, hoping some 1 can help me. I've got an extremely large project going on, project file is just over 400 mb and there is alot of content, alot ,alot , scatted over a few external drives and the internal one. Most of the drives are usb 2 connected to windows 8 pro 64bit intel core i7 3820cpu, with 16 gigs of ram and ssd drive, and we are running premiere pro cs6. Recently it's taking for ever to open up and then way to long to load all the thumbnails, i really dont know what to do , and im really new to this forum
thanks. (By the way, are you a grammar teacher who's taken to moonlighting for Adobe? Just answer the freakin' question. This was written by Bryce's boss, Paul.)
Bryce

Importing photos in pre-defined order into Premiere Pro

We have CS6 Production Premium, as well as Lightroom.
Previous to this, we used Photshop Elements and Premiere Elements (both 9.0).    We were very familiar with ordering photos in an Album within Photoshop, and then importing them into Premiere to make a slide show mixed with video.
How do I accomplish this using CS6?   We see how it is possible to make a Collection in Lightroom and rearrange photos, but doesn't seem we can dump those into Premiere Pro and maintain the order.    Is there some function in Bridge to do this?
Appreciate any input you might offer.   Thanks much.

You will get better answers in the PPro forum.
Mylenium

Premiere pro hangs on waving a mouse over a clip thumbnail

This problem has been going on for months. I cannot keep taking enforced 5 minute breaks.
Premiere hangs when waving a mouse over a thumbnail in a bin. The entire machine becomes unresponsive for up to five minutes. Hover Scrub is not switched on. The hang is codec independent. Happens on DPX files, Cineform, Pro Res and any other codec encoded clips.
Win 7, Premiere CC 2014 8.2.0 (65) Caravan. Dual Xeon machine, fast raid 48GB RAM, 4 GTX Titans. This machine is not short of horsepower and it runs Resolve flawlessly.
I have already uninstalled/reinstalled, deleted preferences and cache and all the other things that are suggested in the FAQ. I have also set Premiere to only use 1 of my GTX Titans (out of 4).
Wave a mouse over a clip thumbnail and the machine becomes very unresponsive. The mouse movements become jerky. Premiere windows all go white, then come back again. Task Manager shows over 90% System Idle, CPU usage as low as 3%. It's as if Premiere is waiting for something. Eventually I get control of the machine back and can continue unless I want to select another clip from a bin. Then I have another five minute wait, even if I click the same clip that I clicked on before. This is not increasing productivity.
I know there are thousands of people suffering from similar issues to this, either on PC or Mac. I don't even get a reply on Premiere's support 'chat' (case number 0186356023)
Adobe, what is going on?

Hi Kevin,
Thanks so much for your reply! I've reset the preferences in the past and did so again after your suggestion, but no luck. I even went into the AppData folder to remove the preferences sub-folder altogether. It still hangs and acts as "Not responding" for several minutes before startup.
I wonder if there's any connection between this issue and a second issue I'm having with CC not being able to play ProRes files. http://forums.adobe.com/message/5845690#5845690
In any case, I uninstalled every Adobe Product on my machine, ran the Adobe cleaner successfully, then re-installed Premiere Pro CC. Unfortunately, nothing seems to have changed.

I need to cancel my order of Premiere Pro. I have access to it on Campus so I no longer need to pay for it.

How do I cancel my annual subscription (with monthly payments of 19.99) to Premiere Pro?
I would like to keep the Creative Cloud, but I need to cancel the payment for Premiere.

This is an open forum, not Adobe support... You need Adobe support to cancel a subscription
-start here https://forums.adobe.com/thread/1703848
-or by telephone http://helpx.adobe.com/x-productkb/global/phone-support-orders.html
--and two links which may provide more details, if the above links don't help you
-http://helpx.adobe.com/x-productkb/policy-pricing/return-cancel-or-change-order.html
-http://helpx.adobe.com/x-productkb/policy-pricing/cancel-membership-subscription.html

How to choose the final thumbnail in Premiere Pro Export???

When exporting a video in Premiere Pro, how do you choose which frame from the video will be displayed on the file's thumbnail???

Because its part of the export codec protocol which would need to allow for it in the header.. andfor the the "player" to read it.
Where or in what situation do you need a Poster Frame?
YouTube / Vimeo offer you this ability to a degree.

How to define the default thumbnail, appearing after exporting a video in Premiere Pro?

Hi community,
When I export a video in Premiere Pro, the default thumbnail (appearing in windows file explorer for example) is never the best.
At my job, I need to create a lot of video that I publish through a CMS. Every time, i need to reset the preview thumbnail of the video because the default one is not accurate.
How to define which frame of my video will be used as a preview thumbnail after the video is exported?

This is not something you can control with PP.

Managing/viewing Premiere Pro reviews

I have a couple questions regarding managing and viewing reviews that are uploaded from Premiere Pro CS5:
Is the only means of navigating through the "parts" of a particular review the up and down arrows and the "# of #" box in the upper left corner of the review page? I've poked and prodded all around the service, and have found no other means of navigating directly to a particular review. If I'm missing it, please advise; if it's not there, this is something that has to be added soon to make this a viable means of sending previews to a client. I have a project with more than 20 sequences/parts in it already, and not having quick access to a specific part directly is going to frustrate already-fickle clients.
This hinges on the first question, so I think I already know the answer: is there a means of reorganizing the order in which uploaded reviews are displayed? For example, I have five reviews called A, B, C, D, and E, and I want them to appear in that order. However, the order they were uploaded is the order they are displayed: D, C, E, A, B. It seems that there might be a way of doing this for graphic/design reviews (I don't know for sure, as I don't work in this field or use CS Review for such), but I cannot find this option for video reviews.
This is more of a feature request than a "how-to" request: we need batch capability for encoding and uploading. I'm not sure if this would involve launching AME for background encoding (as is done currently for local exports), but one definite improvement would be assigning priority to encodes that are ready to be uploaded. In the example above with the 20-ish sequences (all about one minute in length), the encode goes quite quickly on my system--much faster than uploading. As a result, I can get five or six encodes done before the first upload is completed. Instead of spooling the uploads in order, the CS Review panel tries to shove every encode up the pipe as it is completed. This makes the entire upload process much slower than it would be if they were uploaded serially, instead of in parallel.
The first and second items are "gottahaves" if there is no way to do so now (I can already hear the client grumbling now), and the third would be a "nicetahave," so I hope feature and functionality updates are available in due course. For the record, I do like the service--I'm actually very impressed with it--and see great potential in it for making my life quite a bit easier when it comes to client relations. I just hope I'm missing #1 and #2 above, and there is an easy method of accessing both.
BONUS QUESTION (tongue-in-cheek): For those of us who are in video production and will only be using CS Review for video content, will we be credited for the amount of time between our CS5 registration date and the release of the CS Review service for Premiere Pro, so that we receive the full allotment of our free 12-month subscription?
Thank you for hearing me out, and any input you can provide.

Hi Mike,
Thank you very much for your reply. As a general statement, I really appreciate that you guys are staying on top of what real end-users actually need, instead of what sounds shiny and poofy in marketing literature. I'll respond to each of your responses, but I'll also send an email as I'd be glad to communicate with you in more detail on our use of the service.
1. You have found the two means of doing this...via the arrows and the part number edit box. We are planning on improving navigation as a focus in our upcoming releases. Question: What kind of navigation where you expecting to find and didn't?
I was afraid of that. The arrows are problematic because they're linear, and the numbers entry box is problematic because "part numbers" don't mean much of anything to the client. Both means of navigation are not direct enough, are not very self-explanatory (there isn't even a text call-out that says something like "Navigation"), and require a bit of looking around in the interface to locate. I know where these things are now, but I don't want to have to educate each new client on how to navigate the system. I hate to say it, but this thing needs to be accessible to the lowest common denominator in order to be effective. Several of the clients I work for require several sets of eyes or departments to review a given piece, so making the interface basic and navigation immediately obvious is crucial, as I'm sure you'll agree.
I could be sated with a simple dropdown that pulled the name of the review part (the web client already does this, and posts it beneath the video player), or even better, use the wasted space on the left side of web client to display each review part in a thumbnail. The interface could and should resemble the CS Review Panel, and could display the number of views, replies, and status (Changes Needed, Revised, Approved, Completed, etc) of a particular review part. Here's a quick, crude mockup of what I envision (I didn't have time to paint it or build it to scale)...
Hopefully that makes some sense; I think this type of navigation, while it maybe isn't as stripped down as you'd like, would make the service much easier to use for multipart reviews. Maybe a small button could be added to the division between the panes to slide in or out the "parts list" so it could be moved out of the way when not necessary.
2. Reordering parts- you can drag n drop parts to reorder using the Review Panel. This was missing in the CS Review help chapter. Good catch Colin. We are considering ways to make this more obvious in the review panel and in the web client.
Maybe add some double-headed arrows (single-headed on the first and last part) that would serve as a visual indicator to click-and-drag, and add some pop-up bubbles that explain what the arrows do (this is already done with the Eye icon and the Comments icon)...
3. Regarding background processing of encode and prioritization of the upload- we are exploring using AME for enabling a encoding queue. We had not yet considered the use case for prioritizing the upload. Good stuff. This is valuable and timely information and thank you for the feedback. Question: how many simultaneous uploads and what size/length of video are typical?
It will vary, but to use the current project I'm working on as an example, I've got 20 sequences that are all approximately 1 minute in length. The source material/sequence in this case is DVCPROHD 720p/30p from Panasonic P2 MXFs, and I'm using the HD 1.5Mbps preset. My computer is fairly snappy, and on these simple first edits, will encode a minute clip in about 6-7 seconds; the upload takes several times longer, obviously. Doing this one-by-one is tedious, and I create a backlog pretty quickly. Once more than one upload starts, the process slows down significantly. Is this a typical project? No, not necessarily, for me or for other companies, but it's a quick way to reveal the deficiencies in the current encode/upload process.
Ideally, I'd love to send multiple sequences to a batch, either within Premiere or through AME, and apply a preset to all of them and have them handled sequentially. What would be killer would be the ability to drag one or more sequences from the Premiere Pro project panel into the CS Review panel and drop them into a waiting Review. One enhancement could be the ability to set up an encoding preset for a particular Review; since I'm typically working with the same video format in a given project, I wouldn't be altering this for individual Review uploads.
While I can't divulge to many schedule details, know that we are actively working on these items. The fun part about services is that we intend to have more frequent feature releases than the desktop apps.
That's great to hear. I just got off the phone with the producer I do a lot of post-production for, and he's pretty excited about CS Review, too. We don't feel like we're quite ready to deploy it on one of the clients yet (mostly because they're terrified of change), but also because we feel it has to be proven before we can rely on it. It's one thing if your desktop application doesn't quite work the way you'd expect--you can work around it and still get your jobs done, and your clients are none the wiser. However, with something like this, it had better be bulletproof because anything that doesn't work right is going to make clients unhappy--and when clients aren't happy, we don't eat I know you guys get this, and it's obvious in how well the service works so far; we just need to do some more internal tinkering (and hoping our requests will be heard and implemented) before we'll let it loose.
Thanks again for listening, Mike; I'll email you so you have my information.
Cheers, and great job so far,
Colin

Premiere Pro CC freezes when processing some .mov files

I'm new to Premiere.
I just got some .mov files to be edited. I'm not sure how they were created.
When I try to do anything with them Premiere freezes and I have to force it closed and then manually kill Adobe QT32 Sever.exe in order to restart Premiere.
If I can get a clip to play, the video freezes but the audio plays.
The Media Pending screen shows in the thumbnails when mousing over the clips in the bin.
Just importing all the clips into a project will freeze Premiere.
Quicktime Player plays the files ok.
Loading the files into VideoPad results in a 4 second clip. That is, every file ends up being just the first 4 seconds when VideoPad imports it.
I do not have this problem with other .mov files from a Nikon D3100.
Any suggestions would be appreciated.
Lee
My system:
Win7/64
Intel i5-2400 @ 3.1GHz (not overclocked)
12GB RAM
300 GB+ available on all drives
Boot disk: 7200 RPM SATA3 362 GB free
Scratch disk: 7200 RPM SATA6 2TB+ available
Boot, data and scratch disks are separate physical disks.
The clips:
Quicktime Player reports:
Premiere Pro reports:
Does that red line mean something important?
Complete file properties:
File Path: F:\scpa\source\Clip #9.mov
Type: QuickTime Movie
File Size: 80.7 MB
Image Size: 1920 x 1080
Frame Rate: 29.97
Source Audio Format: 48000 Hz - 16 bit - Stereo
Project Audio Format: 48000 Hz - 32 bit floating point - Stereo
Total Duration: 00:00:30:00
Pixel Aspect Ratio: 1.0
QuickTime Details:
Movie contains 1 video track(s), 1 audio track(s), 0 closed caption track(s), and 0 timecode track(s).
Video:
There are 899 frames with a duration of 1/29.97th.
Video track 1:
Duration is 0:00:30:01
Average frame rate is 29.94 fps
Video track 1 contains 6 type(s) of video data:
Video data block #1:
Frame Size = 1920 x 1080
Compressor = 'avc1'
Quality = Normal (3.00)
Temporal = Normal (3.00)
Video data block #2:
Frame Size = 1920 x 1080
Compressor = 'avc1'
Quality = Normal (3.00)
Temporal = Normal (3.00)
Video data block #3:
Frame Size = 1920 x 1080
Compressor = 'avc1'
Quality = Normal (3.00)
Temporal = Normal (3.00)
Video data block #4:
Frame Size = 1920 x 1080
Compressor = 'avc1'
Quality = Normal (3.00)
Temporal = Normal (3.00)
Video data block #5:
Frame Size = 1920 x 1080
Compressor = 'avc1'
Quality = Normal (3.00)
Temporal = Normal (3.00)
Video data block #6:
Frame Size = 1920 x 1080
Compressor = 'avc1'
Quality = Normal (3.00)
Temporal = Normal (3.00)
Audio:
Audio track 1 contains 1 type(s) of audio data:
Audio data block #1:
Format = 16 bit - Stereo
Rate = 48000 Hz
Compressor = MPEG 4 Low Complexity AAC

Thanks for your reply, Jeff.
The MOV files are client provided. He emailed me today that he recorded them on a consumer camera that created AVCHD files which he converted to MOV through a free utility he found on line. Sigh.
Since Quicktime Player plays the individual files he didn't know there was a problem until they were given to me to assemble into a finshed piece. As the clip numbers are not sequential, I'm guessing there was a committee who looked at all the clips and chose the ones they want in the final product and only those were given to me.
He said he could copy the original files onto a DVD (hopefully he has the entire contents of the chip so I will get all the files that were created as this knowledge base article indicates).
I tried Handbrake and what I get is a split second of live video which then freezes as the audio plays out. :-( I, too, suspect the fault is in the multiple video data types.
Thanks again for your input.
Lee

Premiere Pro 2014 long form ready?

I'm editing a documentary with lots of material and bins. In order to minimize the software from crashing, which it routinely does, I'm cutting scenes using separate sequences and then assembling into a larger sequence. However, this often requires me to recreate effects and insert new audio sources because PP randomly mutes audio tracks and does not faithfully copy effects so this makes for a somewhat cumbersome workflow. A friend of recommended Premiere Pro that he uses for short form work, commercials, music video's, etc. Apparently PP doesn't seem to be ready for feature film and long form work. Is anyone out there using PP for long form work? Or should I consider a more mature platform like Avid?

I'm editing a feature with Premiere CC and I'd have to say that Premiere is getting less and less stable with each Creative Cloud release. The latest update on October 8th now makes simple dragging of a few elements on the timeline chug like I just downgraded my machine to a Pentium 4. Yes, I'm pushing Premiere with 8tb of Red media, but instead of improving performance, the latest version has reduced it.
I have a i7 3770k CPU with 16gb RAM and 3 4tb WD Black drives in RAID 0 formation. My OS and program drive is a 240GB SSD drive. My computer should be able to handle this project.
My current issues with Premiere CC:
1) My project takes between 1 and 5 minutes to load. I'm not talking about the project file load, I'm talking about the 'loading' of 8000 media elements for the feature film... which makes Premiere unusable until it is complete. This variance seems to occur because of problem 2 below.
2) Premiere suddenly decides to re-generate peak files sometimes (and Prelude, the media ingesting program, just generates peak files over and over again and is completely unusable for me!). When Premiere is generating these peak files, 'loading' of media after you've loaded a project takes much longer. I've recently turned off 'auto generation of peak files' and this problem seems to have gone away for now.
3) Occasional crashes... Premiere becoming completely unresponsive after doing simple tasks. When combined with this 1 to 5 minute project reload time, it makes crashes much more frustrating! I last lost 20 minutes of work while moving one wav file from one track to another, which crashed Premiere... and then I had to wait for the whole project to load again.
4) File sharing issues between Premiere and Audition. When I send certain audio clips to Audition, Premiere doesn't release the new rendered files properly and I can't save them in Audition. I'm forced to switch back to Premiere and save the project, which seems to clear up the audio file so that I can then save it in Audition.
5) I used to use the Y mode to slip start and end points of a clip in my edit. This is now unusable in Premiere CC 2014.1. The preview of the start and end thumbnails get updated about once every 2 seconds of mouse movement, making this mode unusable.
6) Probably most frustrating is Premiere's ingestion of Red media (and seemingly any media). If your media is in sub-directories (like most professionally recorded projects), Premiere will make a complete mess of it's organization within your bins. Some of the ingested media will be in the folder structure as it is on your hard drive and some will not. Premiere will also sometimes create multiple copies of media that spans multiple files....as is the case for all camera's output... One take might have four 4gb files. Premiere will sometimes understand that these files are all part of the same clip and create only one instance in the imported bin. Unfortunately, other times, it creates clip instances for every single sub file within that clip. I've spent hours reorganizing my project data after importing it with Premiere (and as I said earlier, Prelude is completely unusable with Red media... if constantly regenerates peak files and creates duplicates every time you 'send' the media from Prelude into your Premiere project).
I moved from Sony Vegas to Premiere last year because Vegas had become an unstable mess. Sony Creative Software management determined that new features (and a consistent release schedule) were more important that stability. That is why they continue to remain an afterthought in most people's choices for an editing suite. Adobe has huge market share now, but continues to shoot themselves in the foot with professional editors because Premiere is getting more and more unstable.
I've heard rumblings of a management change at Adobe so I'm hoping that they will renew their focus on stability rather than features, because I certainly can't recommend Premiere use for long-form projects right now. Perhaps Premiere was stable enough with Red footage when Fincher's team was editing Gone Girl last winter, but I'd like to see them edit it now with the latest version of Premiere released on October 8th... Heads would be rolling at Adobe.

Premiere Pro CC 7.2 Update

Facebook just announced another update to the video tools!
Here is the link for SpeedGrade.
To bad I won't get to use any of it. No renting for me I just wanted to let people know.
http://blogs.adobe.com/movingcolors/2013/12/12/speedgrade-cc-7-2-update/

And here's the list of bugs that were fixed in 7.2:
Import/Export
Import
AVCI-200 files have banding artifacts.
Premiere hangs on importing longer XAVC files
Some 2k RAW files show no video; instead, Media Pending graphic is displayed
h.264 movies that were FFMPEG-generated and have uncompressed audio take an excessively long time to load
XAVC SLOG2 clips now decode to 10 bit range with the proper color space clamping.
Some AVC-Intra100 clips display artifacts
Label colors are not preserved when a sequence from another project is imported.
AAF import files path is missing backslashes
Some metadata fields are missing or wrong when importing DNxHD assets via AAF from certain third party NLEs
Merged clips from xml come into Premiere out of sync.
Import of FCP XML sequence fails (“Generic Error”) if it contains a slug
After pausing and resuming playback of a growing file in Source Monitor, playback stutters and audio sometimes cuts out.
AVC-Intra files cause intermittent freezes in the Source and Program monitors
When a sequence from another project is imported via Media Browser, the organization of constituent clips in bins is lost
Importing XML from certain third-party color correction apps crashes Premiere Pro
Media Browser does not remember the path it was last opened to. (Paths are saved to each project file, not application-wide.)
Export
Clip timecode is not written correctly in AAF encodes; Start timecode of the output is 0;00;00;00
If a Premiere sequence containing a Universal Counting Leader is exported to AME, encoding sometimes hangs at Reading XMP (Mac only)
When exporting to QuickTime, the Channel Layout setting is valid only with Audio Track Layout set to Single Track, but the Channel Layout control remains available with ATL set to N Mono Tracks or N Stereo Pairs
Sequences exported to FCP XML do not include the elements “logginginfo” and “comment”
In FCP XML exports, the start times for audio clips do not match in Premiere Pro CC and some third-party NLEs
If a sequence contains a nested sequence that was synced in a third party app, then exports to FCP XML contain an incorrect <ntsc> element
Playback
Playback stutters with a nested multitrack audio sequence
when Playback Resolution is 1/4 (one-quarter) and Mercury Playback is set to Software Only, HD sources that use ImporterFastMPEG appear square
The video preview does not update correctly upon trimming the Out point when the direct manipulation control is active.
When the direct manipulation control is active, moving a clip in the sequence causes the Program Monitor to display all black.
Overlay displays multicam sequence audio as audio time units.
Garbage matte effects are incorrectly rendered via Open CL with source content that has non-standard dimensions.
Decoding errors with specific files manifest as red frames
Poor performance rendering AVCI-100
With certain hardware, SDI Transmit has audio issues
Artifacting in Program Monitor when scrubbing with Transmit enabled [OSX10.9 only]
Poor performance (dropped frames) when Transmit is used for playback to external monitor or export to tape; limited to certain hardware & drivers
Editing
Timeline
Duplicate frame indicators impair performance with large projects
Audio sequence clip name does not change when renamed
Adjusting height of all tracks by scroll wheel with Shift key pressed works in the opposite direction vs. scrolling without Shift pressed (Mac only)
In the Timeline, thumbnails are black for track items that have speed change to greater than real-time
Sync by Audio
Sync by audio fails if selected track items include multiple instances from the same master clip.
Synchronize by Audio does not work with trimmed clips in some cases
Synchronize by audio is not available if there’s no clip on either A1 or V1
Sync by audio does not work correctly if the clip on Track 1 (or Camera 1 for multicam sequences) starts later than the other cameras.
Merged Clips
Importing sequences containing merged clips adds duplicate media files to the project.
Importing a sequence containing a merged clip does not add the merged clip to the Project, but it adds the merged constituent source clips and renames the project items to match the merged clip.
Subclips of merged clips uses the incorrect range of frames and do not respect the “Restrict Trims to Subclip Boundaries” option.
If the audio in a merged clip starts before the video, that offset is not accounted for with subclips.
Matching frame for a subclip of a merged clip does not go to the correct frame
Multicam
Occasional crash (TrackItem.cpp-205) upon right-clicking a multicam source sequence in the Project Panel
After scrubbing a multicam sequence, playback sometimes causes the playhead to jump to the prior position.
Reveal in Project from Timeline fails with some multicam clips
Switching the Program Monitor from multicam mode to trim mode via keyboard shortcut puts monitor into undefined state
If the camera order has been edited, the Program Monitor’s multicam view sometimes displays the wrong camera.
Selecting a camera in the Source Monitor’s multicam view does not affect what is displayed on an external monitor via Transmit
With some multicam sequences, loading into the Source Monitor via Match Frame does not draw the In/Out points.
Nesting
Mono source tracks don't show waveforms in a nested sequence (even when routed correctly, so as to not do any mixing).
Rendering audio doesn't work on nested sequences (which means there is no way to force creation of audio waveforms)
Recording:
Audio Recording fails if an out-point is set and another clip is on the same track
Effects and Transitions
With GPU acceleration enabled, a transition's start and end times are sometimes not honored
With certain graphics cards, Premiere Pro crashes on scrubbing a clip with Video Limiter Preset applied and GPU acceleration enabled.
With some third-party transitions, layer parameters cannot be enabled after being disabled.
With some third-party transitions, layer parameters do not initialize properly.
When clips with transitions applied are copied & pasted from one project to another, the transitions are lost.
Keyframe control icons in the Effects Control Panel do not appear after clicking stopwatch
Markers
Crash on tabbing from a comment marker to any type of marker other than a comment marker (e.g., a chapter marker)
In the Source Monitor, the Edit Marker dialog does not open upon second "Add Marker" command.
Selecting a clip in the Timeline does load the master clip’s markers in the Markers panel.
Markers panel goes blank when a marker or In/Out Point is added/moved/cleared from a Multicam sequence loaded in Source Monitor
Closed Captions
The presence of captions in an XDCAM sequence prevents smart rendering and stitching.
The app stops displaying many 708 blocks one frame earlier than programmed, which results in no captions being displayed in caption panel thumbnails or in the Source Monitor when you use the CC panel to jump to a block
Some CEA-708 roll-up captions are decoded as a single paint-on caption block.
Metadata: Metadata not editable on network files on windows
Project/Sequence
Project
Relatively poor performance opening projects and relinking assets over some networks with Windows workstations versus Mac.
Crash on loading a project with a preview file stored on network drive that’s not available
Loading some projects takes a very long time, caused by proliferation of Link Index lines in the project file. (Afflicted project should be fixed by opening in 7.2 )
With an image sequence selected, "Source Settings..." is disabled
Relink
Crash on relinking to valid media
Opening certain projects invokes the link media dialog even though all content is present and linked.
Relinking a clip with the “Preserve interpret footage settings” enabled can result in incorrect audio duration
Relinking to a different master clip with longer duration sometimes fails to sync correctly
Relinking fails on Windows if the project was created on Mac and content is stored on certain file server systems
Sequence Settings:
When Sequence Editing Mode is set to one of the AVC-Intra, XDCAM HD, or XDCAM HD422 options, the Preview File Format is locked on “I-Frame Only MPEG”; the PFF now has options optimized for these editing modes.
Misc.
Auto Save can interrupt multi-camera editing
New Sequence from Clip adds one History entry for creating the sequence and one for each asset added.
Source monitor misrepresents Audition subclips
Crash on sending a sequence containing a track item that is entirely danger striped to Audition.
Edits to keyboard shortcuts are saved despite exiting the dialog via Cancel.
When an audio-only clip is loaded in the Source Monitor, scrolling by mouse wheel scrubs in the opposite direction of video clips (Mac only)
With QuickTime Reference Files, Premiere uses the wrong timecode
With UI Brightness at the lightest setting, track selection highlight and In/Out points are not visible

What is the best way to organise remote collaborative editing with Premiere Pro CC

I am writing to enquire about a solution for a collaborative project between two filmmakers in different countries. Ideally, we would be able to have a cloud media library that could be referenced by both of us as well as a project folder with work in progress that would allow one of us to review the other’s progress or pick up editing where the other left off.
It is a relatively small scale project and I’m not sure what would be the best platform on which to base it. We are currently both using Adobe Premiere Pro CC but it is the cloud library aspect which concerns me. We would need approximately 2TB of space in order to accommodate all of the footage and work in progress sequences.
My immediate thought was to use the cloud storage integrated with CC, but as far as I'm aware there is not an option to increase storage size to the amount we would need. My second thought was to use something like Google Drive or Dropbox, but someone has told me that it is not suitable due to issues in Premiere Pro referencing the files? I'm not sure I completely understand the issue, hence the reason for writing.
Thanks

Adobe sells the Adobe Anywhere platform for collaborative editing, but it's not a realistic option for small-scale projects due to the huge investment in hardware required for the servers. Premiere in desktop mode isn't designed for parallel editing - two people cannot have the same PRPROJ file open at the same time, and you cannot merge changes from two separate copies - so if you're sharing the project file on a cloud service you will have to ensure that only one editor is working at any moment. Without active file locking, that has to be done through a manual process (phoning to confirm handover, etc.).
Sharing your original source footage on a cloud service isn't necessary as Premiere won't be changing those files - so the inexpensive option is to distribute copies on hard drives to both editors, and/or for the primary editor to set up a proxy workflow so the project files are much smaller. Both editors then work of locally-saved copies of the footage and download the updated PRPROJ file from the cloud service when the work hands over. Premiere can rebuild its preview/cache files provided it has the source material and the project file in the same place, so both editors would set up the same absolute folder names - don't work from a My Documents or ~library folder!

Premiere pro thumbnail order

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