Premiere Pro wish list from CC 2014.2 (Feel free to complete !)

After a lot of projects in Pr since the CS6 version, here are my wish list for next updates. Feel free to complete it !
NEW FUNCTIONS FOR PR
Copy / Paste audio track FX (audio track mix view)
Ability to rearrange order of audio track FX
Missing plugin information : when a plugin or an FX is missing to open a project, it's impossible to know which clip is concerned and where to find it.
Ability to search and effect : I'd like to have the ability to search all the clips that are using "warp stabiliser" for example in my timeline / project.
Ability to remove 1 type of FX in a selection of clips. Actually we can only remove all the FX or not
Ability to temporary disable all FX / transformations on timeline / specified track. Like AE with his "fx" button on layer.
Change the standard label color names with STANDARD names (red, green, yellow). I know it's possible to do it but please do it by default.
Ability to change the color background of the source / program monitor to something not black. When a black or near black video is played, we can't simply find the border of this video.
NEW FUNCTIONS FOR MEDIA ENCODER
Ability to add text in the file name in regard of the encoding format. If I encode a timeline named "FILM" in my H.264 preset I'd like AME to automatically name the file "FILM_H264_1080p25" or whatever.
BUG FIX
Fix the timecode bug on frame holds. When frame hold is applied to a clip, the timecode displayed (program overlay) continues running. Worse : if this frame hold is trimmed from the beginning or the end, the time code shift... Making a conformation impossible !!
Fix the speed effect on clip. When a 400% speed effect is applied to a clip, it sometimes do 399.xx % speed effects. It's confirmed by precomp to an AE comp. AE is also showing a wrong value...
Lumetri FX is dissapering when a clip is precomp to an AE comp from Pr.
Missing font warning : when a font is missing, Pr does not tell which clip is concerned and simply replace with another font !

Those are all great suggestions. Here's my list.
FR: Instant AutoSave
FR: Project Specific Cache
FR: Proper Timewarp
FR: Background Rendering
FR: Global Templates for Titles
FR: Multiple Bin Views
FR: More Useful Properties
FR: Reference Monitor Live Update
FR: JPEG 2000 Preview Format

Similar Messages

CS5.5 Gripes/CS6 Wish List (from the perspective of an FCP switcher)

I have been a Final Cut Pro user for more than 10 years (starting with version 1.2 on a 500 MHz G4). Final Cut Pro X is a disaster, but that’s a well-covered topic for a different forum. After experimenting with Premiere Pro CS5.5 for a few months, I am ready to make the switch for all of my future projects.
I make a living editing video. I don’t, however, work for a big company, and I don’t have a lot of money to spend on third-party software or hardware. Much of my work is shot on DSLRs and delivered online. That may put me in the category of “pro-sumer” to some, but I wouldn’t be making the switch if I didn’t require a more professional alternative to FCPX to do my job.
I also don’t think “pro” has to be synonymous with clunky and ugly. (I’m looking at you, Avid.) When Final Cut was young, it was fun, intuitive, and sturdy. It became a robust, professional NLE over time. I think Premiere Pro is on that path now.
I like the look, the feel, and the functionality of CS5.5. It’s not quite Apple-slick, but it’s very much at home on a Mac. Overall, it’s an upgrade to FCP7 and a very strong alternative to FCPX. I have high hopes for CS6.
But this is not a comprehensive review. It is just a list of negatives: my gripes, wishes, and personal preferences. My list of positives would be much longer, but my concern right now is with CS6 and the improvements that I hope it delivers. As I am new to Premiere, it's quite possible that I am mistaken about certain functionalities or lack thereof, but I thoroughly researched each point in the help docs and forums before posting this.
My primary system is a 3.2 GHz iMac 21” (2010) with 8 GB RAM, 512MB VRAM (ATI Radeon HD), running Mac OS X 10.7 with external Firewire 800 drives and a DisplayPort-to-HDMI external display.
MAJOR ISSUES
Hardware acceleration support for ATI GPUs
There are rumors that Apple will be switching back to nVidia, but all recent iMacs have ATI and only ATI cards.
Background rendering (or at least improved rendering options)
Background rendering is probably FCPX’s most impressive feature and Adobe needs to catch up. However, even if true background rending can’t be achieved, there should be an auto-render option (after a set idle time), partial rendering (if you cancel a render, keep everything that has been rendered up until that point), and more render options (e.g. render all and render selected). Regarding that last point, I think the whole work area concept should be dropped. It makes sense for other apps, particularly for animation, but it just gets in the way of more important timeline functions while offering little functionality beyond being a clumsy way to control the area to be rendered. At the very least, have a way to hide it.
Full-screen preview
Maximizing the program frame just isn’t the same (although the grave accent key function may be reason enough to switch to Premiere). Full-screen preview isn’t just a nifty function for demo-ing sequences. It’s a big part of the way I work.
DisplayPort/Thunderbolt out to HDMI
It may be that a third-party card is required for proper color correction on an external display, but there’s no reason this feature shouldn’t exist.
Thumbnail images/show frames bug
This one drives me crazy. I’ve tested this on 3 different Mac systems with various hardware configurations. Thumbnail images in the bins and frame images in the timeline seem to be recreated every time a project is opened, even though the thumbnail image files in the media cache folder don’t actually appear to get rewritten. It’s as if there is no cache at all (even for the most recently viewed bins and timelines segments). It can’t be an intentional functionality for saving hard drive space because the cache files continue to take up more and more space.
Open multiple projects simultaneously
I know that you can cut and paste between projects but being able to open multiple projects at the same time is a very useful feature of FCP7.
Magic Mouse/Magic Trackpad scrolling
Premiere Pro is a cross-platform system and impressively so, but there need to be a few Mac-specific interface adjustments, the most important of which is support for the Magic Mouse and Magic Trackpad scrolling. I use a Magic Mouse. (It’s an irritating device sometimes, but once you get used to it, it’s hard to live without it.) When I’m in a window, I expect a flick up or down to scroll up or down -- in every situation, every time, including the timeline. Unless I stop using all other Mac apps, I will never get accustomed to the timeline suddenly flying left or right when I want to scroll up or down. Also, here’s a chance for Adobe to fix a problem that FCP7 shared: When you scroll up or down in the effect control window using the mouse, the drop-down effect controls sometimes twirl all over the place if the mouse happens to float over them. As it is, it very easy to throw settings into random disarray without even realizing it just by scrolling through the pane.
The timeline: selection indication, icons, and general improvements
It is very difficult to discern at a glance what, if anything, is selected in the timeline. Transitions always look selected! Audio tracks should be a different color or otherwise more distinct. There should be an option to show frames only without any text. The icons for track options are small, crowded, and ugly. Some of the editing icons are too similar, namely edit and ripple edit, although the excellent status bar at the bottom of the application goes a long way towards making up for this. Simply put, the timeline could use some polish. Don’t be afraid to steal from Apple on this one. Keep the tracks; just make it easier on the eyes!
Conforming audio
The ability of CS5.5 to work natively with DSLR footage is awesome, but it’s not fully DSLR native if it has to pre-render a major component of the footage before it can play, even if it’s just the audio.
Media loading
When launching a project, it can take a long time for all the media in the project to “load” as tracked in the status bar. I’m sure there’s a reason for this, but since the program is able to determine which source media files are missing before this step (and gives you the option to reconnect them), what is it doing and why must it load every clip in the project, even those not in use by any sequences?
Page up/page down and arrow key commands
For starters, the current page up/page down key functions should take the CTI to the next cut in the sequence, not the next cut in the track that happens to be targeted, which can be way down timeline. In FCP7, I frequently navigated cut to cut with the up and down arrow keys. I’ve avoided customizing the keyboard commands to match FCP7 -- I would rather endure some hardship and learn the proper Adobe commands -- but this one is flat-out backwards. The page up/down keys should page through the timeline (left to right and right to left), while the up and down arrow keys should take over the clip to clip function (assuming the targeted track issue is fixed). Currently, the down arrow takes you to the very end of the timeline, a function already duplicated by and better suited for the “end” key.
Bin management and clip relationships
Deleting an item from a bin should not delete it from the timeline, but this is part of a bigger problem, which is the whole master file versus instance versus subclip versus dup clip thing. There aren’t any good indicators regarding the relationships of these clips, and there are few ways to adjust them. If clips are going to be connected, then they should be fully connected. For instance, changing the name of a clip in the bin should change it in the timeline. Adding an effect or trimming should affect the corresponding clips between bin and timeline. Otherwise, the clips should just be completely separate instances. I haven’t been able to find an option to turn a clip into an independent instance, although I have to think it exists. Also, editing an instance of a title does change every other instance of that title throughout the sequence. I would prefer to be able to edit them separately without having to duplicate them in the title editor.
Bin effects
Related to the above, it should be possible to add effects to clips in bins or keep effects on clips added to bin from timeline. It would also be nice to be able to group effects together in bins for a specific project. The effects window is better suited for global collections.
Clearer visual indicators that a clip has been adjusted in the effect controls panel
Even with the effects panel visible, you have to take a close look to see if there have been any adjustments to the standard settings. An indicator on the clip in the timeline itself would be useful.
Snapping should include the CTI
It should also include the blade tool, although the Cmd-K option to cut at the CTI position does make this less of an issue.
Smoother scrubbing
Scrubbing is pretty awful. While this is understandable with native footage, FCPX somehow manages to make this silky smooth at full resolution.
Color correction shape mask and better color correction in general
Simplify the primary functions of the 3-way color correction effect. Keep all the rarely used adjustments out of the way. I use Magic Bullet for some purpose, but I’ve always done most of my color correction within FCP. Put the most common adjustments front and center (or up top, as it may be). The highlights/mid-tone/shadows drop-down is inconsistent in what controls it pertains to.
FCPX’s color correction is actually one of its more underrated features. The way it allows you to layer corrections is dead-simple yet as powerful as anything in FCP7 or Premiere. Stick with the 3 wheels, but rely less on hard to control tonal ranges and add simple keyframe-able shape masks for secondary color correction.
Better support for shared media access
AVID is king in this arena and Adobe needs to improve. It should be possible for multiple editors to safely work on the same project files and share media over a server.
MINOR ISSUES
More vertically compact playback/edit control area in source and program panes
Make room for either a taller timeline or bigger previews. The virtual scrubber and shuttle controls are the nifty things you drag with the mouse the first time you ever use an NLE and never touch again.
Larger icons in icon view
Remember size and position of bin windows
Playback resolution setting indicator
There should be an always-visible indicator of the playback res setting in the preview pane that’s easy to adjust without right-clicking.
Better markers for sequences and clips
Include colors and more keyboard shortcut control.
Clip sliding with keyboard commands
“Opt-,” (that’s Option-comma) should cause a clip collision, not overwrite. Either that, or “,” and “.” should slide, while “Opt-,” should overwrite. Opt-arrow should only extend an adjoining clip if in the middle of two clips. Basically, this whole arrangement should be re-thought.
Project browser should auto refresh/sort.
Option-drag on a Mac should always be copy, not move.
Copy is currently command-drag in the project browser.
Stop auto-save from interrupting adjustments in timeline.
Ideally, the auto-save should just be a background function, but it should at least wait until you’re not in the middle of dragging something.
Add ability to select a cut directly and add default transition.
CTI control
If you move the CTI while it’s in play mode, it should continue to play from that spot after you release the mouse, not stop there.
Show number of frames being adjusted during keyframe adjustments.
Enable/disable specific effect parameters/keyframes.
Clearing an effect should clear keyframes as well.
Or have an option to clear both.
Position controls
There should be a preference to make the default position 0.0 x 0.0 (as opposed to 50% of whatever the resolution happens to be), and include a reset button.
Through-edit indicator in timeline
And a quick way to join clips, such as a right-click menu option.
Border controls for images
Auto save location preference and functionality
In FCP7 I set the number of auto saves to keep to the maximum of 100 and Premiere can go even higher. I have always used this feature as an additional backup and archive system, which has come in very handy. Those files add up, however. So, I prefer to auto-save to an external drive. Also, auto saves in Premiere continue to occur whenever there are unsaved changes. This means that if you make a small adjustment and then leave Premiere for a while, it will keep auto saving the same iteration, which is not only inefficient but leads to my next point….
Tame the bouncing dock icon on auto save
While using other apps, there’s no need for the dock icon to bounce every time Premiere performs an auto save.
More/clearer control over cache locations
There should also be an option to reset the cache/render file locations to their defaults.
Export source range
When exporting, remember the last-used setting of the export source range (or just dump the whole work area thing as I previously suggested). It’s too easy to cut off a portion of the video when the export defaults back to the work area every time.
Larger timecode display
After spending hours and hours editing, the current timecode for clips and sequences is something you want to be able to track without squinting. Use the letters h,m,s and f instead of colons.
Simple slug
Creating a black matte works okay, but it involves a few extra steps.
Snapping toggle
FCP allows you to quickly toggle snapping while dragging a clip. Upon releasing the clip, the snap toggle returns to its original state. Premiere could use this fucntion, but I suggest something simpler. Holding down the “S” key should always turn snapping on regardless of toggle state, while releasing it returns it to however it was set before.
Ability to dock the audio meters along top
I like to give my timeline as much horizontal space as possible. I’ve noticed a lot of users keep the toolbar up there, myself included. I think it would be a good place horizontally aligned audio meters as well.
More detailed tool tips or hover explanations in preferences
For example: The options regarding XMP data should make it clear that the original files will be modified by Premiere. This caused me problems in other applications. (After researching these settings, I understand that various Adobe applications use this information to share resources, but it’s still very unclear what the specific benefits are or what functions are lost without this option.)
More detailed support documents
The online support documents on the Adobe site very good. They are nicely arranged and easy to search, but they could be more detailed and offer fuller explanations. (Peruse the support forums and you will discover all kinds of debates that could have been easily cleared up with one concise line in a help document.)
Icons and button design
Icons and buttons are often too small, too similar, and too crowded throughout the interface. Take some style tips from Apple on this one.
NEW FEATURE WISH LIST
Footage auto-analysis: shot recognition, color correction, and color match
If only Apple had just added these features and others to the FCP7 framework. Adobe can do it better though, by using smart folders in addition to the traditional bins that we know and trust (anything besides those dreadful iMovie-style “events”).
Effect previews
In the 64-bit era, there has to be a quicker way to preview effects.
Ability to render in alternate formats
Namely ProRes or DNxHD. This would save me considerable time on exports by allowing me to select the “use preview files” option.
PluralEyes functionality
Okay, I suppose I should just purchase PluralEyes...again.
Many, many more effects!
How about starting with the missing vignette effect? Just because an app is “pro” doesn’t mean you should have to custom build every effect.
Many, many more looks!
Will most of them be cheesy looks I would never touch? Sure...but give me some templates to play with before I tweak the look down to my exact specifications.
More speed!
FCPX, for all its flaws, blazes on any modern Mac. This probably comes back to hardware acceleration, but while Premiere Pro on a Mac isn’t slow, it doesn’t blow you away.

You hit the nail on the head, Peter.
I recently started giving Premiere Pro CS5 a try, and was shocked by the amount of bugs and usability issues. I'm not even going as deep as you in the features, but the most glaring evidence of the lousy interface is that timecode offset bubble that appears everytime you move a clip in the timeline... the bugger appears just under your mouse pointer and won't go away, so if you try to just move a clip down a track quickly, and let go of the button ONTO the bubble, it acts as an obstacle and your drag/drop fails ! seriously, Adobe... don't tell me nobody has stumbled upon this one during beta-testing ?
Ditto on the autosave that basicly interrupts anything you're doing. No background saving in 2011 ? At first it bothered me to no end so I disabled the autosave. And then a few hours later, Premiere crashed, and didn't even try to recover my work. I lost 2 hours of intricate work. I put autosave back on, and learned to endure the constant, annoying save dialog. And it's not like the save process is instant... even the simplest of projects takes 5 to 10 seconds to save... on an SSD... come on... let me work already...
Of course, a headache-inducing implementation wouldn't be complete if the autosave didn't trigger even 30 seconds after a manual save. If I choose an interval of 5 minutes, just autosave 5 minutes after a manual save !
In thumbnail view, you can reorder the clips manually. It's all fine, but you can't reorder them by name or date or length, unless you switch to list view and of course, lose the thumbnails.
Dragging and dropping a clip in thumbnail view is a chore, because the palette doesn't scroll when the mouse reaches the edge. You know, when you want to move something at the top all the way to the bottom... so you have to drag, let go, scroll one screen, drag, let go, scroll one screen... it's a joke. Even the timeline can do it. Heck, it's a software standard, nowadays.
Renaming a clip and pressing ENTER takes you back to... the top of the folder !?! How many times I've renamed files that were at the end of the thumbnail view, and for each clip, I had to scroll back down. Time waster.
Want to locate a clip from the timeline, in the project ? the locate function takes you to the folder. But not to the file, you have to navigate towards it manually.
Ditto on the up/down arrows. I haven't found a way to jump from cut to cut like in FCP7. How often do I need to jump to the starting/ending points ? much less often than jumping to a nearby cut.
How come I can't reorder filters in the effects pane ? sorry, I can actually reorder the filters... provided I take them from the bottom and move them up. Moving effects down doesn't work. It's driving me crazy.
Conforming happens more or less anytime. Without reason. And even if the Media Cache is already full of conformed files.
When moving the boundaries of the work area, no timecode/offset appears. You need to let go of the button and THEN hover, then you'll know the exact time/duration.
Try scrolling up in the timeline, it scrolls to the left (which is stupid, it should scroll up). Now scroll up on the tabs of a palette : they scroll to the right !?!
Can't select an active track. Direct consequence : copy-pasting a clip overlaps anything that's on track 1. Say I want to duplicate clips on the same track... I can't do it.
Copy-pasting between projects doesn't keep the transitions, only the order of the clips.
Have you tried doing a frame freeze on a reversed clip and setting proper in/out points for the freeze ? Good luck.
"Duplicate" command, when you right click on a thumbnail, is way too far from the cut/copy/paste commands at the top, even though they're quite related.
The other day I transcoded footage with different audio parameters. Just the audio had changed. Upon opening the project, Premiere wanted me to locate the files, which I did. And it failed miserably. Instead, I opened the project ignoring the missing files, and then re-linked them. I pointed Premiere at the first missing file, and had to confirm the replacement. Premiere saw all the other missing files in that folder, and began prompting me FOR EACH SINGLE FILE !!! two hundred and forty three of them, precisely. Can't I have a "yes to all" button in 2012 ? and why does the relinking work inside the project and not when you open a project ?
That was just from 3 days with Premiere Pro CS5. I still can't believe it. Just to think people bashed Final Cut Pro X, praising Premiere in comparison... Sorry, but they both have serious issues. And Premiere doesn't even have the excuse of novelty.

Premiere Pro won't update to 2014.1 release

Have existing user with Premiere Pro CC 2014.0 release who is working on a project with an external supplier; they now have PP CC 2014.1 release but we can't update our version. Tried uninstal & reinstall - still get 2014.0 not 2014.1 so fresh install on different Mac with CC - still 2014.0 release (8.0.0 (169) build) only available. Quit PP, signed-out of CC, shutdown machines, restarted but still same . Any ideas?!

Thanks, Emil - tried that but Updates was greyed out which seems to be left over from previous CS installs and a security setup made by our previous IT team. Have renamed theAdobeUpdateAdminPrefs.dat to *.old and it now works by both CC desktop app & individual apps via Help > Updates but the internal security setup still requests an admin-level password to apply the updates. Will speak to Adobe again as our reseller advised this would all be handled by the CC desktop app.

What happens to plug-ins for Premiere Pro when upgrading from CS6 Production Premium to CC?

If I upgrade from CS 6 Production Premium to CCloud, what happens to the plug-ins currently installed in Premiere Pro? Will I lose them (some Red Giant, Synthetic Aperture and such)?

Not only that, there was an internal code change when going from CC to CC2014
http://blogs.adobe.com/jkost/2014/06/installing-the-2014-release-of-creative-cloud.html
This messages says (at least some) CC 2014 programs use NEW plugins https://forums.adobe.com/thread/1499663
-so do not uninstall the older CC programs if you use plugins in your programs until you are sure you have plugins that work in CC2014
If you are sure you don't need the old CC programs
-http://helpx.adobe.com/creative-cloud/help/install-apps.html to install or uninstall
-read reply #3 about the ORDER of uninstalling & installing https://forums.adobe.com/thread/1242671

HT1491 how do i access my itunes wish list from iPad or iPhone?

I cannot figure out how to access my wish list in iTunes on iPad.
Is this feature not available on mobile devices?

Thanks for your answer. Prior to submitting my question, I called Apple Support and they tried to sell me a software insurance policy for $249.50/year before they would answer my question.

Premiere Pro CC file from MAC does not open on PC?!

Hello,
I had to edit a school assignment on Premiere Pro CC and I used my Macbook at home to edit it. When I tried to open the file on the PC computers at school with their Adobe Premiere Pro CC, it wouldn't open and said that I created the file with a newer version of Premiere Pro CC.
My question is, is it not cross-compatible between platforms? That is kind of annoying. Or is there a way around this in saving my projects so that I could use both Mac or PC to edit?
Thanks.
Eileen

Use the EXACT same version of CC. There is no way to open a CC2014.1 project with an earlier version. But you can open the source clips in an earlier version, only not the project.

Why does the picture in premiere pro gets interrupted from time to time even though the same file plays fine in a media player?

So like I said, the video itself is fine, if played in this case in windows media player classic, its fine no problems. However once I input the video in premiere pro, it starts showing up these things.
It does this in the preview window in premiere and even in the final exported version. Anyone know a solution to this?

More information needed for someone to help... please click below and provide the requested information
-Premiere Pro Video Editing Information FAQ http://forums.adobe.com/message/4200840
•What is your exact brand/model graphics adapter (ATI or nVidia or ???)
•What is your exact graphics adapter driver version?
•Have you gone to the vendor web site to check for a newer driver?
•For Windows, do NOT rely on Windows Update to have current driver information
•-you need to go direct to the vendor web site and check updates for yourself
•nVidia Driver Downloads http://www.nvidia.com/Download/index.aspx?lang=en-us
•ATI Driver Autodetect http://support.amd.com/en-us/download/auto-detect-tool
Exactly what is INSIDE the video you are editing?
Codec & Format information, with 2 links inside for you to read http://forums.adobe.com/thread/1270588
Report back with the codec details of your file, use the programs below... A screen shot works well to SHOW people what you are doing
https://forums.adobe.com/thread/1070933 for screen shot instructions
Free programs to get file information for PC/Mac http://mediaarea.net/en/MediaInfo/Download

Has anyone checked out the latest iTunes update where you are supposed to be able to view your wish list from your music library?

I updated my iMac yesterday to check out this new feature, but I can't seem to figure out how it works. Can anyone tell me how to view my wishlist from my music library. I restarted my computer, but that didn't work either. I'm obviously missing something. Otherwise, accessing my wishlist just works like it always did. I would appreciate some input on this.

Here are several screenshots from my iTunes Library...

Problems while open a premiere pro CC project from open cl to cuda

Hello.
So, we work in network, between two pc's using cuda acceleration and one macpro 2013 using openCL.
When i was opening a project created with the macpro on CC2013 and try to open it with CC2014 it was impossible to switch to the cuda gpu acceleration. I can only work with the software acceleration and it's not good at all.
Does someone has the same problem here ?
Any solution to fix this ? or Adobe didn't think about collaborative jobs on multiple plateform/GPU ?
Thank You all

hello kevin.
Well i have find the issue to this problem. I discovered a cuda gpu update for adobe CC 2014. I've made the update and it's semms to be good.
But It seems that it creates a new problem : Now, when i open a Cs5.5 project into CS5.5, a message appaears who says "this project was used for the last time with acceleration gpu mercury playback engine, this software is not available on this system. Mercury playback engine software will be used only".
And I've created this project with the same machine, on CS5. WTF ?
I've tried with others projects and it's the same, It's a pain in the *** because i don't want to create a CC version for all the projects of the company who i working for.
Have you any idea that could help ?
Thanx

Premiere Pro CC: Drag from source monitor to timeline

Hi,
I'm trying to figure out why this does not work. I can only drag video from the Source Monitor into my timeline. But when I try to drag audio, it just shows me a stop sign and no errors. So I can't really figure out why this is happening.
The workaround for this is to make the clip in the project window into it's own sequence, cut the clip and it's audio, and paste into the working timeline. However I don't think this is a good way of working and it's really annoying. Tried looking for results on how to fix this and only found ways of going around the problem instead of getting the problem resolved.
S

How funky, thanks Kevin. This solved the issue, I knew it had to be something extremely small that just kept bugging me.
S

Can't open Premiere Pro after installing from CC

Says there is an error and the program has stopped working... even before it starts working. Uninstalled and reinstalled, same problem. Restarted computer after install, same problem.
Any ideas?

If you have a Mac with AMD graphics hardware, it may be a problem caused by the CUDA framework, which AMD hardware does not need. I just fixed a problem with PPro CC not launching on my iMac (with AMD Radeon graphics) because of this.
If you don't have an NVIDIA graphics card, go to your main HD, then Library>Frameworks, and delete "CUDA.framework". Reboot and try launching PPro again.
If you do have an NVIDIA graphics card... the problem is elsewhere, sorry
BTW I have no idea if the same CUDA problem applies to Windows machines with non-NVIDIA graphics hardware.

Top 15 Issues/Fixes Needed in the next Premiere Pro release/update (CS6.5 or CS7)

I’m excited for what’s coming next in Premiere Pro CS6.5 or CS7 (whichever update is next). As a former FCP7 user myself, Premiere CS6 was a quick and necessary switch (especially after changing the main keyboard shortcuts back to what I was used to). I’ve since gone back to FCP7 on occasion for certain things and I can tell you that I’m so glad I’ve switched. For all the headaches and serious errors that I still get daily/weekly with Premiere Pro CS6, it’s still definitely a big step up. I'm encouraged by staff members like Mitch W. that have expressed confidence that many of these issues will be resolved in the next release. Here is my personal list of “Top 15 issues/fixes” needed in the current Premiere Pro CS6…
(Adobe STAFF...feel free to print this out and hand it to the engineers responsible for making changes )
1) The infamous multicam FLAW. Needing no introduction…when you are editing your video in the multicam window and you hit pause or stop Premiere has decided that’s a great time to make a cut on your timeline and also switch angles back to the original angle whether you like it or not. You cannot stop ever while editing multicam without Premiere making these unwanted cuts and angle changes. Awful. Multicam in PPro is otherwise pretty nice, but this issue is terribly counter-productive especially when you are editing longer complex multicam sequences. Imagine if every time you hit pause or stop in the regular timeline it made a cut there and switched clips. Ugh. You get my point.
2) The audio meters/levels do not work while in the multicam window. A staff member in the forums (I think it was you) said this was a bug. Hope it will get fixed. The audio levels work in every other window and its essential to be able to keep an eye on the levels while editing multicam.
3) Ticktime.cpp-207 error. Ugh. What a nightmare. I have confidence that it will be fixed soon. Mitch W. from the forums is my new hero for taking on this error. How to replicate it?…simply have 6 (or 7) or more clips with the warp stabilizer effect added on the same timeline as a nested multicam clip and you get this error upon reopening your project. The more warp stabilizers you use, the more times you’ll have to hit “continue” to get through the error before you can open your project or export it to AME. I deal with this every single day because all my projects use these two elements. Most of my projects I have to hit “continue” on the error message upwards of 350-450 times to open my projects. Gets old fast.
4) Icon View order control. When you display all your clips in icon view instead of a list view (In the project window), there is no metadata to allow you to put the clips in order somehow (or at least maintain the order that you have in the list). There are roundabout workarounds, but c’mon.
5) Warp Stabilizer fixes…it is an AMAZING tool (far, far, far better than smoothcam in FCP7) BUT…it has it’s issues. Since I use hundreds of times/week (no exaggeration) I know it’s functions/flaws really well. The issues with Warp Stabilizer:
a) #3 above
b) Toggle OFF the effect after it’s applied and then hit Analyze again and PPro crashes. (easy to avoid but annoying bug)
c) If a clip is in the middle of stabilizing (not just analyzing…but the final step labeled “analyzing”) when Auto-save comes up…most of the time PPro freezes and crashes.
d) The DEFAULT “method” (in the settings for Warp Stabilizer) should NOT be “Subspace Warp”…it should be “Position, Scale, Rotation”. Why? It’s FAAAAARRRR better and more efficient. 95 out of 100 times it causes MUCH less “wobble” in the final stabilized clips AND most importantly 95 out of 100 times it scales the video less. Way better method.
6) The ability to open multiple projects simultaneously. As simple as FCP7 had it…or even better…as cool and efficient as FCPX does it would be nice.
7) The ability to mark a clip and not just a point on a timeline (because if you move the clip, the marker doesn’t go with it). I know you can use “Clip Marker” but it's very limiting, can't be moved, can't add notes, can't advance to the next marker (as far as I know). Also a marker list like FCPX has would be nice so you can see your markers all in a list at a glance and adjust them as needed.
8) Ability to select a clip in the Project window and find out where it’s used in the timeline. I LOVE how you can do the reverse and take a clip in the timeline and “Reveal in Project Window” but it would really help to go the other way around. Dealing with several hundred clips for every project I’ve missed this feature from time to time (FCPX handles this really well).
9) Add a through-edit indicator in timeline and “re-join clips” option. If you cut a clip but keep both clips together it’s just one continuous clip. But I really hope Premiere adds the not only an indicator of some sort (like FCP7′s way of having two small red triangles facing each other on that cut) so you know it’s one continuous clip BUT ALSO the ability to right-click and “re-join” the two clips into one.
10) When clip is double-clicked in timeline, CTI position in source viewer should match location in timeline. This one is pretty annoying and a fix would be incredibly helpful. The way it is now is very counter-productive. Definitely hope this gets fixed ASAP.
11) Better border controls for images/videos. Can’t do much with images right now in PPro. At least allow to customize the color and size/strength of it’s borders and shadows.
12) Better support for Mac/Apple's top end computers/GPU's. I'm still surprised that 2011 top of the line iMac cards (AMD 6970M) that have 2gb of ram are not supported. I’m sure/I hope 2012 iMac’s will be supported with their new Nvidia GPU’s…but I’ll hold out hope that the top iMac (up until 3 months ago) is supported at least at it’s full power. All around better Mac support would be great considering the wave of new users coming over from FCP.
13) Opacity/Transparency issues with EXPORTED videos with Cross Dissolves, etc. For some odd reason videos exported from Premiere CS6 have issues with cross dissolves or minor transparency. I’ll try to explain…in the program window of PPro CS6 cross dissolves look fine. Also, if you take a clip and stack it on top of another clip and put the top clip at say 99% opacity instead of 100 it looks like it should in PPro. But, if you export the clips you’ll quickly see that there are issues. It’s almost like the exported videos dissolve from 5 to 95. They skip the subtle beginning (0-5%) and subtle end (95-100%) of any fade. A clip in PPro as described above that is on top of another but set at 99% will look more like 90-95% in the exported file ESPECIALLY if the two clips are contrasting (eg. top layer dark, bottom layer with bright elements). It’s like the opposit of ease-in/ease-out. I have to ease-in/ease-out of every dissolve to avoid this issue…and even then, it’s not THAT much of an “ease” as one would hope. Another user in a forum once posted a video that shows how abruptly exported videos end their transparency changes…see: THIS SAMPLE VIDEO Perhaps this is a GPU/processing issue with AME vs. Premiere Pro but whatever it is, it should be fixed so videos you export look like the videos you edited!
14) Better control in Creative Cloud over which devices are “activated/deactivated” We have 3 computers and it would be nice if one could log in to their Creative Cloud account and see a list of which devices they have and just toggle on/off which one’s are activated/deactivated. This is especially helpful when you are mobile and forget to deactivate one of your two home/office devices so you’re stuck now until you get back to the home/office to deactivate it. This is not a Premiere thing, but just a general wish.
15) Ability to sync multicam clips automatically using the audio. Plural eyes apparently does this well. Would be nice to have it built into Premiere like FCPX does. Select all the shots you want to sync, One button click, wait a few seconds, done.
That’s my top 15. Everything else is awesome in my opinion for what I do 10 hours a day 6-7 days a week. I’ve included bug reports/feature requests for all of these at one point but if you are someone else reading this go to the following link and ask for these issues to be fixed: FEATURE REQUEST/BUG REPORT
I wish Adobe did smaller updates more often. Because even if they were smaller updates, we’d at least know you are working on fixing some of these issues that have plagued this NLE for years. Holding off fixes for one or two big “updates” every year is tough to deal with in a world of the ever updating apps we live and play with daily on our phones. I realize Premiere is a much larger scale and far more professional than a phone app, but hopefully you get my point. Here’s to hoping the next release (NAB 2013?) resolves all my top 15 issues. Here’s to hoping that these issues will be resolved sooner than later so I can stop raising hell in various forums. I’m honestly ready to start praising and defending Premiere Pro instead of griping about it’s bugs and flaws. It’s a fantastic program “on the way” to being the best. I hope.

Nice list, however it does seem a little bit like you may be hoping that Adobe provides the Final Cut 8 package that Apple never delivered on. Having edited primarily with P-Pro for the last decade, I hope Adobe focuses more on getting the next release to run as smooth as CS5x does, strangling and crucifying all the codec and playback bugs that arose in CS6. To me, it appeared that too many of the changes in CS6 were semantic or cosmetic, meant to give a FCP user more familiarity. Why change the name of an edit function from "overlay" to "overwrite" after 15 years? Because it enhances the product, or because that is what Apple called the function in FCP? If Adobe renames the Program Monitor to the "Canvas" with the next release, I think that I might be sick. There were nice additions to the Creative Suite as a whole, but I hope the next Premiere release reverses some missteps made in CS6, and focuses more on stability and enhanced functionality. I also really hope that they have an open ear towards criticism; Apple did not and their users ended up with FCP-X
It saddens me that the fixes I want most in a future release were purposeful changes between CS5x and CS6x.
1) Provide the options for transport controls in the source and program monitors. All of the users at my office hate that the jog and shuttle were removed in CS6. JKL was an option prior to CS6 and if we liked it we would have used it. I keep reading the justification that this change was meant to save space and streamline the UI. I can't express cordially how much this bothers me to look at the empty wasted space in my CS6 UI where the transport controls should be. The experiment has gone on long enough.
2) Restore the 3 Way Color Corrector to its previous functionality. The 3 way color corrector has been effectively neutered in CS6. Where in CS5x and earlier releases one could separately target the input/output levels of Highlights, Midtones, and Shadows, CS6 has only a master input/output level control. Why is less control better? Is it a 3-Way Color Corrector or a 1-Way Color Corrector?
3) Restore Clip and Timeline markers to their previous functionality. I don't even.... I can't. A user shouldn't have to do work arounds to create a modicum of functionality. This again was an attribute that wasn't broken in earlier releases.
4) Simplify the the task of pasting media into a targeted track. As it is now, pasted items will always go to the lowest activated track instead of the targeted track.
Lastly I would like the Adobe Premiere teams to consider what an amazing accomplishment Premiere CS5x was. Upon CS5's release, a good portion of competitor's workflows became obsolete. CS5.5 refined, stabilized, and expanded functionality.
CS6 changed the UI around, moving or deleting buttons, changed keyboard shortcuts, and renamed functions. Oh, and added hoverscrub, you know...like FCPX. In exchanged there was loss of functionality, stability issues and broken codecs.
I really hope the next release is more like CS5x and less like FCPX

Premiere Pro CC 2014 keeps freezing when loading projects from Premiere Pro CC

Hi everyone,
I'm reporting this issue in case someone else would have the same problem.
I just downloaded the 2014 version of Premiere Pro CC, and when I'm loading a project from Premiere Pro CC into CC2014 I have the software freezing and being unable to even play the loaded sequences. It seems that dynamic link is having trouble linking the CC and the CC2014 version of Premiere Pro.
Until now the only solution I found was to kill the process of the software and start it again, after 8 times I got my sequence loaded alright, then sometimes it is freezing again, killing process, starting software again, and so on. Does anyone has the same problem ?
I'm running a Windows 7 Ultimate PC with 12Go RAM dedicated only to Premiere Pro.
Cheers,
Vincent

Hi Vincent,
I feel your pain, you are not alone. Here are my machine specs and my very frustrating situation, if anyone has any idea as to how I should move forward, I would really appreciate the input/advice...
iMac - 27" Late 2013
Processor 3.4 GHz Intel Core i5
Memory 12 GB 1067 MHz DDR3
Graphics NVIDIA GeForce GTX 780M 4096 MB
Software OS X 10.9.4 (13E28)
I'm having similar issues that began when I installed Premiere Pro CC 2014, and actually got worse with the latest update/release. The majority of my projects worked fine at first, but the update last week ended that quickly. I did what I know I never should do and updated Adobe CC while completing a project on a deadline. I thought some of the fixes would help me complete the project sooner. Needless to say, the deadline has passed, my client is pissed enough to not pay me or hire me again and I'm stuck with an almost-there version that I can't export correctly because of this software. This is my problem, not Adobe's, but I didn't expect such a detrimental update to halt my operation.
After doing some research, I found that some plugins could be the cause of some specific editing issues, mainly due to incorrect or inaccessible folders - who knows if its Dynamic Link, CC apps or 2014 apps. I concluded that my issue at the time was a plugin permissions issue on the Adobe "Preference" Folder, so I reset the permissions on the folder so that CC and 2014 apps would be able to access its contents without any problems. This was the wrong decision. For some reason, resetting this folders permissions also effected the main HDD, it's Kernel Text files and their respective permission. I could not boot my machine, just got the Apple and spinning wheel until I had to power down. I ended up on the phone with 3 different AppleCare reps who helped me at least be able to turn the machine back on and access my desktop/files, apps, etc. Outside of this, no one could offer anything other than "Uninstall the problematic application, reboot, reinstall, etc..." or "Backup your files and reimage the HDD." When I mentioned the recent CUDA driver update for my graphics card (NVIDIA GeForce GTX 780M 4096 MB now running CUDA Driver Version: 6.0.51), it was like they had never heard of graphics cards being used in their machines.
Resetting permissions on Adobe Preference Folder...
This is what I read would get the CC and 2014 apps communicating correctly so that they could utilize my plugins. There is a problem, I believe, in that their are TOO MANY locations where Adobe folders/components live. There are 3 "Preferences" folders that I found, and I don't know which effects what process, but the folder I changed permissions on clearly effects the operation of all of the CC & 2014 apps I had installed, as well as my HDD. Kernel Extensions and the entire system.
Based on my perceived effects of the Preference folder, I needed to uninstall everything, run the Adobe CC Cleaner Tool, download/install just the 2014 releases and see if that resolved the issue. I'm not downloading CC apps, the 2014 releases should run fine on their own. I've yet to confirm this with Adobe, as what I've read has simply said to install the new release next to the CC apps, rather than on top of, as traditional update releases work. Anyway, one by one, I reinstalled the 14 apps that I use on a regular basis on a "clean" machine with no trace of previous Adobe apps.
After reinstalling (without any plugins), I was at least able to open Premiere Pro from the Application folder and work for a few minutes before both Program and Source monitors froze and had to force quit the app. If I try to open the Project File by double clicking it in the Finder, SpeedGrade opens up instead of Premiere Pro - never seen that before. I also had to force quit to end that process and reopen in Premiere instead of SpeedGrade.
So back to Premiere, if I do have success in opening a project in the right application, Premiere freezes - if not immediately, eventually it will just stop responding. The video clips, sequence segments and UI freeze, but the audio will keep playing until I force quit. When I force quit, Premiere Pro doesn't close entirely. The UI closes, but the process still runs. I've even force quit from Finder, force quit again from the Dock, Shut Down the machine, restarted and Premiere Pro will still be open, but "Not Responding", so I force quit again and open the project. Just now, I opened PP, made minor edits to a sequence, sent it to Media Encoder, exported, but the video I tested exported without audio. I force quite PP twice just before that and it is still running now, but again, it is "not responding".
Ultimately, none of this works, nor have my attempts at resolving these many issues. One thing I know is that there is something VERY WRONG with either the latest release/update to 2014 apps, the Preference folder or the permissions that were changed.
As I mentioned previously, and what I think is a major oversight by someone at Adobe, is that for some reason the permission changes to ONE Adobe folder also effected my entire system and Macintosh HD. Some Kernel Extension files went missing, which is never good and should not happen when resetting folder permissions, so I believe my issues are far greater than the faulty Adobe CC 2014 applications, and is the cause of many of my problems right now. If I can't get things sorted soon, I'm going to reimage my HDD and start from scratch. As much as I would like to avoid this, I really have no choice if I want to get back to work and not lose clients over inexplicable technology issues.
If I find a solution, I will repost, but I think Adobe has to make some serious fixes on this release before anything is resolved entirely. I pay them monthly and rely on their software and platform to work without issue, which is foolish - I know, but I've used CC since it was introduced and it has work well enough until now.
Is there anyone at Adobe that can offer some advice??

From FCPX to Premiere Pro (Rendering?)

Looking for a quick simple answer to a quick and possibly foolish question. Is Rendering necessary before exporting in Premiere Pro? I ask because I feel like I can export a 30minute FCPX project with effects,text, transitions with render time and exporting in 10 minutes (exaggerating of course). But the same project, same situation, I have to wait an hour or two because of rendering then exporting.
Could be my MacBook Pro in general but just curious. I'd rather be in Premiere but I feel real comfortable in FCPX.
I have a MBP 15" Early 2011. Only upgrade is 16GB RAM.
Any help is appreciated.

I did like working in Premiere Pro for one of my school projects but the rendering time and exporting time for it made me stick with FCPX. It was a 45 second fictional commercial and it took over night to finish.
I'm sure I did something wrong or just not used to working in it. I did do some research about Rendering and from what I've read, people say it's unnecescary to render but could be just preference.

Adobe premiere pro cc 2014 freezing with magic bullet looks

Hi-
I'm running windows 8 with this software and I'm getting intermittent crashing when trying to work on any project when I'm also using magic bullet Looks on it. The frustrating thing is that it used to work fine in premiere Pro CC, but using the 2014 version is very unstable. Also, I cannot go back to using the non-2014 version because the file format is incompatible with the older version and I don't have another version saved. I've already done hours and hours of editing in 2014 only to keep having crashes.
Is anyone looking into this or has any recommendations so I can get work done.
Thanks!
-Lok

I don't use magic bullet Looks but is that a 3rd party plugin?
If yes, have you checked with the vendor to see if it needs to be updated for the new structure of CC 2014?
http://blogs.adobe.com/jkost/2014/06/installing-the-2014-release-of-creative-cloud.html

Premiere Pro wish list from CC 2014.2 (Feel free to complete !)

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