Print to Video - Audio Level

We just sent a Commercial out to the Cable Company.
In FCP our timeline/project audio levels were carefully watched so they did not peak at more than -12db.
When we did a Print to Video so we could Master it to DV Tape for delivery (per their standards), we set the Bars & Tone at :30 seconds & -12db.
When we re-captured the video to test it out... the Bars & Tone played at -24db and the program played at -12db. Naturally, this concerned us because we were scared that our program's Audio Levels would not be up to par.
-Normally (in Avid) I would have Bars & Tone on my timeline set to :30secs & -12db... then capture from my timeline with all levels peaking at -12db.
What should our levels be set at during a Print to Video operation in FCP if our timeline/project is set at -12db?

I suspect I would not even peak at -3 dBFS. If I am using 24 bit, you have a long way to the noise floor, which means after the fact it is easy to raise the levels if required without adverse consequences.
If I am in the Analog domain, with a decent mixer with headroom, coming near 0dB I believe is harmless, as 0dB will translate out to -18 ot 20 dBFS ( I am sure this varies from mixer to mixer ) - harmless if your mixer does not clip and has headroom above 0dB. I use a Mackie 1640, which has +18 dB of headroom.

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