Problem capturing with JVC GY HD100

Quite a few posts out there about similar problems but I haven't seen any post with this exact problem.
When I capture video using my JVC GY HD100 camera, in FCP 6.0.4, it automatically cuts the intake into smaller files(i didn't film different clips, i filmed a stand-up comedian and shot everything on one go). But it cuts the whole film lots of times and furthermore about 6 seconds of film disappears after between these clips.
When I capture it in Adobe premiere (still on my Mac Pro ) there is no problem whatsoever. But I prefer using FCP!
It's such a hassle and I hope somebody has a good solution.
+Thank you!+

I haven't had this problem with mine yet (actually no problems at all). But I do know that FC splits into different clips footage any time the JVC "pauses", rather than just when there is a time-code break on the tape. And when digitizing from the camera, it does loose about 6 seconds for the tape mechanism in the camera to shuttle around, and ramp up speed. But if you didn't pause the camera I'm not sure.
Check out this site too. They have A LOT of JVC specific trouble shooting with FC.
http://www.dvinfo.net//conf/forumdisplay.php?f=98

Similar Messages

Trouble with JVC GY-HD100: trying to capture in DV NOT HDV

Hello all!
First let me say I am a long-time reader of these boards and they have saved me on many, many occasions. However, this is my first post!
I have used FCP for over 6 years with my trusty Canon XL1 and XL1s with relatively few issues. I recently shot a feature in HDV using the JVC GY-HD100 (in 720p 24 no less - yes, yes, I know, what a mess). I used the Firestore Pro-HD to store the footage, which added additional fun getting those m2t files onto the computer and into FCP. What a headache it was jumping from DV to HDV systems, getting the very pricey HD monitor and AJA Kona LH card, etc. Believe it or not, my HDV workflow has equalized and I successfully edited the feature in FCP (everything worked pretty smoothly once I got all the footage into FCP).
Anyway, that was a complete digression from my issues right now. I got a corporate job that required two cameras, so I decided to use my XL1 and new JVC (my other XL1 is broken) . The job did not require HDV, so I used the JVC in standard DV mode. I figured I could always capture the miniDV tapes in my XL1 (broken one is now deck, ha, ha). Well, the tapes recorded in the JVC camera do not register timecode in the XL1 (picture looks ok though) and the audio is a little scratchy.
So I decided to try capturing the footage from the JVC. Now the problem is I cannot get FCP or what seems to be the computer itself to recognize the JVC in DV mode. I have two editing systems:
#1 Dual 2 GHz G5, OSX 10.4.7, QT 7.1.2, FCP HD 5.1.1
#2 Dual 800 MHz G4, OSX 10.3.9, QT 7.1.2 , FCP HD 4.5
(I use #1 for HDV and #2 for DV)
I've tried getting FCP to recognize the JVC on both systems and it cannot find it. iMovie cannot find it either. Even though the JVC GY-HD100 is not on the list of approved cameras for NTSC capture (only for 720p 30 HDV), I've read on the boards of others who have used it in standard DV mode without issue. So now I am trying to figure out if there is something wrong with the firewire port on the camera. Here is something that is fishy: under the system profiler, usually a firewire device like a camera will show up under the bus (my XL1 does), but the JVC does not.
I've tried the trashing prefs, trashing QT pkgs and reinstalling, repairing permissions, etc., which are all in effort to get FCP to work, but I'm not even sure that this is a FCP issue, it might be a firewire issue.
So after my long-winded post (sorry!!), has anyone here used the JVC GY-HD100 to capture DV footage into FCP and did you have to do anything special to get the computer/FCP to recognize the camera. I guess I can also use my Kona LH board using the video out from the camera (and bypass the firewire), but I've never used it for SD/analog capture before, so if anyone has experience with the settings for that scenario, that would be great also. I mostly use my Kona to output the HDV to my HD preview monitor.
Ugh...needless to say I'm stuck in the middle of a project with half its tapes captured. Thank you very much in advance for your help!
-Catherine
Dual 2 GHz PowerPC G5 Mac OS X (10.4.7) QT: 7.1.2

Hello all!
First let me say I am a long-time reader of these boards and they have saved me on many, many occasions. However, this is my first post!
I have used FCP for over 6 years with my trusty Canon XL1 and XL1s with relatively few issues. I recently shot a feature in HDV using the JVC GY-HD100 (in 720p 24 no less - yes, yes, I know, what a mess). I used the Firestore Pro-HD to store the footage, which added additional fun getting those m2t files onto the computer and into FCP. What a headache it was jumping from DV to HDV systems, getting the very pricey HD monitor and AJA Kona LH card, etc. Believe it or not, my HDV workflow has equalized and I successfully edited the feature in FCP (everything worked pretty smoothly once I got all the footage into FCP).
Anyway, that was a complete digression from my issues right now. I got a corporate job that required two cameras, so I decided to use my XL1 and new JVC (my other XL1 is broken) . The job did not require HDV, so I used the JVC in standard DV mode. I figured I could always capture the miniDV tapes in my XL1 (broken one is now deck, ha, ha). Well, the tapes recorded in the JVC camera do not register timecode in the XL1 (picture looks ok though) and the audio is a little scratchy.
So I decided to try capturing the footage from the JVC. Now the problem is I cannot get FCP or what seems to be the computer itself to recognize the JVC in DV mode. I have two editing systems:
#1 Dual 2 GHz G5, OSX 10.4.7, QT 7.1.2, FCP HD 5.1.1
#2 Dual 800 MHz G4, OSX 10.3.9, QT 7.1.2 , FCP HD 4.5
(I use #1 for HDV and #2 for DV)
I've tried getting FCP to recognize the JVC on both systems and it cannot find it. iMovie cannot find it either. Even though the JVC GY-HD100 is not on the list of approved cameras for NTSC capture (only for 720p 30 HDV), I've read on the boards of others who have used it in standard DV mode without issue. So now I am trying to figure out if there is something wrong with the firewire port on the camera. Here is something that is fishy: under the system profiler, usually a firewire device like a camera will show up under the bus (my XL1 does), but the JVC does not.
I've tried the trashing prefs, trashing QT pkgs and reinstalling, repairing permissions, etc., which are all in effort to get FCP to work, but I'm not even sure that this is a FCP issue, it might be a firewire issue.
So after my long-winded post (sorry!!), has anyone here used the JVC GY-HD100 to capture DV footage into FCP and did you have to do anything special to get the computer/FCP to recognize the camera. I guess I can also use my Kona LH board using the video out from the camera (and bypass the firewire), but I've never used it for SD/analog capture before, so if anyone has experience with the settings for that scenario, that would be great also. I mostly use my Kona to output the HDV to my HD preview monitor.
Ugh...needless to say I'm stuck in the middle of a project with half its tapes captured. Thank you very much in advance for your help!
-Catherine
Dual 2 GHz PowerPC G5 Mac OS X (10.4.7) QT: 7.1.2

Problem capturing with PD170

Hi there.
I just bought a sony pd170, I have been using Final Cut for months and capturing with my old camera (A miniDV (really small) JVC camcorder) with no problem.
But now, im trying to capture using my PD170, and in the preview windows I dont see a thing, when a click play there, the program stops working until I press stop (on the camera).
When I click capture, the black window comes visible, the camera plays, but the window says "locaing timecode", and seems to stop working until I disconnect the camero from he computer.
PLEASE HELP me, and sorry for my english.
BYE...
iMacG5 Mac OS X (10.4.6) I Love IT!

If the pd-170 does not capture in iMovie, the problem is likely the camera. iMovie does not use Quicktime and is about as basic a file transfer as possible.
Try this:
Turn everything off-
Plug in the pd-170 to the computer and turn the camera on
turn on the computer
Go to the blue apple in the upper left corner of the menu bar and select "About this Mac" (or the equivilent if you are not running english as the main language)
Then select "more info"
Look for the item "Hardware>firewire"
You should see a listing for the camera. If it does not appear, your camera is not being found by the computer. since your other camera does work, it is highly likely you have a firewire port issue with the camera. If that is the case, it is time to have the camera checked out by a service center.
FWIW - Hot swapping (aka plugging and unplugging cameras with both the computer and the camera running) can fry a port.
x

Problem capturing with Final Cut Pro 5.0

I seem to have a problem capturing to my new macbook with FCP 5.0 installed. I know how to capture and I've done it a million times before but this is the first time with this Mac.
I'm capturing from my MiniDV camera via firewire. I've checked if my scratchdiscs have enough room and it has plenty (250gb).
Everytime I go to capture, a box comes up that says "General Error" with no error code. I have no idea what I'm doing wrong or what's wrong. Any help would be greatly appreciated.
Thanks in advance.

Same problem with me. J just bought a macbook pro 2,33 Hz.
When I capture on my FCP 5.0.4 there is no problem but when I push the " esc" button to close the capture he FCP crashes. Help me I bought the Macbook pro to edit on location and now I can't capture.
I use a DSR11 of sony to capture. Fire wire input (SD PAL)
Even I use a XD-cam same problem no capture.
HELP ME PLEASE !!!

Strange Problem capturing with Apple Intermediate Codec

We have the following problem:
We capture with a blackmagic decklink studio card (but I could reproduce the same problem using a MacBook Pro and the internal camera) with a MacPro and CS4. When capturing a live video feed (1280x720) with the apple intermediate codec (set to 29.97fps or to 59.94fps) everything seems to work just fine. But the resulting videoclips happen to be exactly ONE half of the total capture time. So if we capture in Premiere for about 1 our the clip is only 30 minutes long. If we capture for 10 sec., the clip will be 5 sec. long. It's not that the captured clips play with double the framerate. Half of the actual footage is missing.
Any suggestions?
By the way: we live in a PAL50Hz country, but our video signal that needs to be recorded comes in as a 60hz signal.

Hi,
Well I did some googling...and I would bet that the problem is the 50hz vs 60hz...
Unfortunately most if not all info I got that even BRUSHES on this subject with the sort of material you're dealing with is the opposite....where they are in 60cycle land with pal stuff....rather than in pal land dealing with 60hz ...
This is a lot of misc stuff but if you get a little bit of info from various posts and make some notes you might be able to get an idea how to solve the problem...
In particular I was looking at how frames are flagged and new frames are created later ...( toward very end of these posts - the last four or so )
Also noted some timecode reading that was "doubled"....so if your deck thought you had a specific length and then it read the timecode doubled, it would be your problem in a nutshell... have you checked the last frame you captured and compare that timecode to the overall length ??
anyway, here is a TON of stuff to breeze through...good luck...
THIS IS EDIUS RELATED..so keep in mind re: specific presets etc
Steve Sherrick
03-03-2008, 11:14 AM
Hi chaps,
Can I just confirm that the SDI/HDMI outputs are only live in build 14? I'm on 13 and going SDI - HDLINK - DELL24" gives me nothing. I'm in PAL land so have tried switching between 50hz and 59hz in camera.
So do I need build 14 or is it something else?
Cheers
Jeff Brown
#708
I'm in NTSC land but that same setup gives me picture just fine. Which Dell model is it? Is everything set up right from the camera side?
Jeff Brown
03-04-2008, 12:42 PM
Hi Steve,
I believe so. Set to Preview in th viewfinder settings, plugged in on preview mini sdi, cam set to 50hz..
Anything I'm missing?
Cheers
To counter this, the AJ-HD1400 offers two modes specifically for this called '25(SD)' and '25(HD)'. They output the 25fps signal with new timecode on a 50Hz carrier (only over SDI/Analogue the Firewire doesn't work in that mode).
It only works with 25fps material too, any other 'offspeed' rate has to be dealt with separately with the deck operating in 59/60 mode.
When operating in either of these 25 modes, the deck generates new 25fps timecode from the tape (although our tests have indicated that it is frame accurate of multiple playback passes).
Basically, Varicam, while a very nice idea, has only ever been properly designed to work in a 60Hz environment. It is pretty much a nightmare in 50Hz environments.
I think I may have found the cause of the problem.
For some reason when I started my project it had a Device Control profile set to 720p50 (rather than the 1080i50 that the deck is operating in).
What this seems to have done is double the frame number on any clip it encountered. So if I took a clip with in marked at 01:02:40:22 and dropped it in the Log and Capture tool the In Point that FCP decided to look for was 01:02:40:44 (which isn't going to exist on a 25fps timecode obviously).
Since you are using Pal
Go :
Generic OHCI HD 50hz -> 960x720 25p over 60p
Because if I am right you can't do Pal over 60hz but you can do PAL over 60P at 50hz.
( but I could be wrong)
But the other problem is that you are using an ntsc profile to capture pal recorded footage.
50 hz 960x720 over 60P yields a frame rate of 25 progressive
60 hz 960x720 59.94p yields a frame rate of 59.94 progressive which is far from your original footage . Mostly used for countries using natively ntsc
Neither myself, nor Ricksta (I don't think) are using NTSC-rate profiles.
The Preset setting I've been testing with is:
Generic OHCI HD 50Hz 960x720 25p over 60p
Indeed, I've just tried what Rick mentioned, and with the deck in 59.94Hz operating frequency, I can capture with all three 720p 59/60 input settings. This is technically wrong however, as the tape has been recorded at 60Hz. But like I said before, until Rick hears from the big geeks at Panasonic about this, I don't know what the real outcome of that difference in frequency is.
I've also tried a 50p over 60p project setting (as 720p50 is what I will be editing with in Avid) - but, predictably, this works but gives me double-speed footage. Which, while amusing, isn't a lot of help for me
A large part of the problem I'm facing here is to do with the Varicam format. It will record any framerate from 1-60fps. It has to operate and a system-frequency of 59.94Hz or 60Hz. That is what Rick and I are referring to. The limitation I face is that the Varicam format is not widely supported for PAL-based rates (25/50) as it requires communication with a deck operating in an NTSC-based system frequency (either 60Hz or 59.94Hz). This difference (between project/timeline framerates, and deck operating frequencies) is enough to ensure that IEEE1394/Firewire/OHCI capture is not possible in these modes in Final Cut Pro, Avid (any version) or any other NLE I have found.
We realise that the framerate and frequency we're working in has to be 50-based, and we're not making any mistakes in that respect.
So far Edius is the only NLE on the market, that I have been able to find, that supports Firewire capture from 60Hz DVCPro HD material in a 50Hz based framerate.
When you have captured the file in that project select a clip in the bin press alt+enter go to video info and tell me what the framerate is .
In a 50p over 60p project, when I capture footage shot 25p over 60 with the 'Constant Rate' capture profile I get a clip in the bin that is 50fps, but that plays at doubletime - which is what I'd expect.
I can change the framerate in the properties to 50fps, and it plays at the correct rate, but I'm not happy with the way to refactors the timing in that mode. It seems to create interpolated frames to fill the gaps, which provide an unusual appearance that I don't really like.
At present if I capture into 25p over 60p project, then import the resulting 25p footage into Avid, Avid doubles up the frames to produce 50fps material.
Some clarification here. The Varicam does indeed record at a constant 60fps. If the frame rate is set to 25fps for example it simply flags the active frames. This flag is carried in the vertical interval data. The reason for this system, is as suggested, it is very difficult to vary the speed of tape in a helical scan recording system. With the advent of solid state recording that Panasonic introduced in the AG-HVX200 it is now possible of course to only record the active (native) frames and this would be called 25pn for example.
Originally with the Varicam you used to use a device called a Frame Rate Converter. This box contained a hard drive with HD-SDI I/O. It would recognize the active "flagged" frames in the incoming signal and buffer them through the hard drive and then play them out at the correct frame rate.
More recently NLE's such as Avid, FCP and Edius have incorporated this flagged frame recognition and perform the extraction automatically. Thus when I tested a 25fps Varicam ingest on a 25 Frame timeline I am getting realtime playback. If I had recorded at 50fps and I placed that on a 25 frame timeline I would have very smooth half speed. Also the newer DVCPRO HD decks such as the AJ-HD1700 and AJ-HD1400 have the ability to decode "on-speed" frame rates such as 30fps, 25fps and 24fps.
The issue that Dylan is facing is that the NLE's will not accept a firewire input at 60Hz, they only accept it at 59.94, this is a .001 frequency difference and should be negligible. The other alternative is to ingest via HD-SDI via a Black Magic or AJA Kona card etc. These boards also support the variable frame rate function.
I hope that this helps clear things up a little.
Rick Haywood
Manager Broadcast & Display Systems
Panasonic New Zealand Ltd.
Further to what Rick is saying... The issues with most NLEs for PAL users is the disparity between the 59.94/60Hz operating frequency of the deck and the 50Hz based framerates the applications are working with in PAL framerates.
As for the constant 60fps - it is indeed recording 60 images per second to a tape, but as I said before, only a certain number are unique - only the flagged frames. In 25fps, the camera samples the sensor 25 times a second and records that frame to tape. Essentially you get frame 1 recorded for 2 frames, frame 2 recorded for the next three frames, frame 3 recorded for 2 frames, etc... The first frame with each unique image is 'flagged'. To rebuild the recorded framerate, only the flagged images are captured.
The big bonus of Edius for me here is that it can capture the PAL framerates from the 59.94Hz deck over Firewire directly. Something that Avid and FCP are unable to do.

Are there problems capturing with Quicktime 7.3.1?

Are there still problems capturing video on FCP or Xpress using Quicktime 7.3.1. or later?
I'm using Quicktime 7 which does work, but for some time any newer version of Quicktime would not capture video more than 5 mins.
Has that problem been solved?

I'm going to have to disagree with you.
I've gone through every upgrade of QT 6 and 7 without issues. Am I lucky or do I just keep a clean system with no added junk or simply edit mainstream formats while staying away from Facebook/YouTube/fringe consumer formats? Who knows what keeps my machines happy? But they are.
Specific updates of QT did not break EVERY installation of Final Cut. If you have a specific issue with a specific piece of software (ie FCE) , its best to ask questions in the forum dedicated to that software.
Of course, it's always best to let the early adopters suffer and if your machine is working fine, don't upgrade anything.
Good luck.
x

Problems Capturing with my Panasonic DVX100A

Good Day, (I have posted this problem in the past and have had little help)
I have a Panasonic DVX100A camera, a 500 gig-24 inch iMac (under a year old), and a Macbook Pro (almost 2 years old) Both computers have the Leopard OS.
Here's the problem: When I try to capture the footage from my Panasonic DVX100A onto FCE on my iMac, FCE says, "Unable to initialize video deck..." So I go to the easy set up function as I have read in previous threads.
In the FORMAT tab, I click, "DV/Panasonic DVCPRO" and continue on. As I try each setting under the USE tab, I get the same message saying:
"Unable to locate the following external devices: Apple Firewire NTSC (720 x 480)
Your system configuration may have been changed...."
I understand FCE cannot recognize my Panasonic Camera in any way, so I open iMovie 08 and try to capture my footage that way. Here's where it gets interesting - iMovie 08 on my iMac also doesn't recognize my Panasonic camera BUT iMovie 08 on my Macbook Pro does!
So what I've been doing for the past few months is capturing my footage in iMovie 08 on my Macbook Pro and transferring it via Firewire to my iMac - then importing it to FCE where I can edit the footage.
Does anyone know why my iMac will not recognize my Panasonic DVX100A in any program, yet my Macbook Pro does recognize it in iMovie 08?
and
Is there any advice as to what I can change/programs I can install/or anything I need to do for my iMac to start recognizing my camera so I don't need to do this ridiculous procedure every time I want to capture my footage and edit it with FCE?
Please help!

Tom,
Im not too sure what the exact media on the tapes are, or where to find that but what I do know is that I use many different brands of Mini DV such as Fuji Film, TDK and Maxell. I don't have the technical skills attached with years of filming but I do know that all of my settings on the camera are turned off - in regards to recording mode, my "DV OUT" on my camera is turned ON.
As for the presets in FCE, (the "EASY SET UP" option) I have tried them ALL and none of them seem to make any difference. And as for the firewire, the camera has a 4 pin firewire port and the iMac computer is a 6 pin. Im not too sure how much more info you want.
The problem is, my camera - with the firewire attached to the Macbook Pro, is recognized in iMovie 08 and has no problem transferring the data, even with the exact same preference settings on both computers - yet the iMac won't recognize it in iMovie 08. I don't have FCE on my laptop so I don't know if it would recognize it as well on my Macbook.
Another thing I should mention, is that I have an older JVC camcorder that records on the same DV tapes, and works perfectly well in FCE on my iMac. I attach the firewire and it's recognized and transfers the data perfectly. (I was told that you should record the footage, and playback the footage on a computer with the same device for best capturing results. So filming it on my DVX100A and playing it back in FCE on my JVC has been an option as well - but still a silly way to work with my gear.)
The variable here, to me, seems to be my iMac and its compatibility to the Panasonic camera. The JVC works on both computers but the Panasonic only works on the laptop. I have also searched other video forums for this kind of problem, but I have had no luck. People have told me it works great on their computers.
Does this help clarify my problem?
Thanks

Cannot capture with JVC SR-DVM600 in FCP

I have seen posts where people have seemingly had issues in the past with connecting FCP to this deck, but no one explains how they did it. The JVC FAQs are worse than useless.
Are there any specifics someone can give me on how they connected this deck to their Mac and captured thru FCP?
(We just blew a wad o cash on a bunch of these because a vendor said they would work w/o problems.)

Hey there Joel,
If they guaranteed the machines would work, have them come over and show you how to do it. If they don't want to or can't come - simply send the machines back for a refund as they are non-performing.
Never trust a vendor (even if they are offering support) without some independent testing/verification. The bigger the expenditure, the bigger the need for testing. Or, if you want to be a cowboy, make sure they have a really good return policy.
x

Question about capturing with JVC GY-HD200U

I am looking at this particular camcorder, JVC GY-HD200U, and was wondering if there is any issues capturing footage into FCP6. Does any one own or worked with the JVC GY-HD200U or early model?
share you thoughts about this camcorder if you have worked with it.
much thanks

Excuse my naivety here, but how does one go about importing HDV 720 as 'pro res'?
Can this be done by changing the import / capture settings, or does it require transferring the material to HD?
I'm using footage from my JVC HD GY100 in 24p. I've spent over a week trying to import the material into FCP through a JVC BR-HD50 deck with absolutely no luck, and it's getting really frustrating!!
I'm dealing with over 80 tapes of footage, so I don't have the option of going through each tape and logging individual clips. I've been trying to import entire tapes at a time.
I keep getting a 'stream error' prompt when attempting to capture.
I've tried with both start / stop detect on and off, I've tried to 'capture now', which seems to work until the very end of the tape / capture, at which time another error is reported. I've also attempted to set in and out points a minute or two from the beginning and end of the tapes, then batch capture the logged tape. Again, no dice.
Unfortunately I haven't had luck with anything, and I'm getting very frustrated.
I'm not a professional editor, so perhaps I'm missing something very basic? I have no clue why this format is so difficult to import!! I've never spent over a week trying to figure out how to import footage!
I don't care whether each tape I import is an entire tape or cut up into clips at time breaks, but I can't seem to get anything!!!
I really appreciate anyone's suggestions here. I'm at my wits end.
And again, I don't usually do this type of work, so if you could describe in detail any suggestions / solutions I would be very grateful. Many thanks.

Problems capture with decklink

Hi All,
I have a problem in captured files with Premiere CS4 and CS5 with BlackMagic Decklink;
The problem is ever present but sometime is more visible sometime less, it seems like a grid over the movie where the colors degrades, with regular step (arround 8x8 pixerl grid).
Now I am capturing in DV-SD PAL format (from an SDI source), capturing in DVCPro or Uncompressed the problem is quite invisible.
I tryed to change a lot of Decklink devices (also device version) and a lot of drivers version, but the problem still be..
Have you some idea? what may I check?
Thank you in advance
(Try to see the problem in the attached file)
Christian

Thanx Roger,
but I saw the grid over the Clip also when played with WMPlayer or other...
on the next days I will post other screenshot with various test in different
software...but I am sure that the problem is printed on files, when I try to
playout these clips the problem is still present, and whether the clip is
16:9 it generate other visual mistakes like black random blinking area (8x8)
arround the screen...
So thank you, I hope you will be so kind to se my next post with other
example..
Bye
Christian
2010/12/24 Averdahl <[email protected]>
Christian,
>
I see the same thing with any SD material, captured via a Decklink card or
captured directly from a DV-deck/camera FireWire.
>
AFAIK, it has to do with how Pr renders the video for the Source/Program
panels and the captured video and the exported video looks perfect when
watched outside Pr CS4/CS5. Playback the footage in Blackmagic Media Express
to see if you see any difference, or export a still image from the
Source/Program panel and open it either Photoshop or MS Paint to see how it
looks, IE if the grid is still present or not. How does the footage looks on
your preview monitor attached to the Decklink card?
>
I saw this issue for the first time in CS4. DV footage with stage lights in
it can look really wierd in CS4 and CS5. DV footage with lots of blue skies
in the frame looks really wierd.
>
So, i am pretty sure that there is nothing wrong with your card.
>
/Roger
>

VirtualDVHS help or capturing with JVC HM-DH30000

A friend asked me to copy an old VHS tape for her to DVD, which I didn't think I could do until I realized I have my old JVC DVHS deck in cold storage. Low and Behold it has a firewire out on it.
I've read a lot on forums that suggest that I could use something called virtualdvhs or another dvhs utility to capture, or to allow a new capture preset in final cut pro hd. However, I can't find the application anywhere on the internet.
Can anyone suggest where to find the application, or another method to get my FCPHD to see my DVHS deck for log & capture?
Much appreciated.

I believe what you are looking for is called DVHSCap.
It is referenced in several articles, one on LAFCPUG and another on Ken Stone, but these articles are old, and a Google search leads me to believe DVHSCap is not readily available any more.
Why not take the analog outs into an Canopus ADVC 110 or similar:
http://www.canopus.com/products/ADVC110/index.php
Or how about analog straight to your camera?
I believe you want to avoid the analog decode/code but we are talking about old VHS. It is not going to be pretty. What's a single analog pass between friends?
Best,
Tom

Problem Capturing with Canon FS200

Well, looks like I finally got a camera upgrade. So I went ahead and got a FS200, thinking it would work perfectly with Premiere. Except Premiere doesn't recognize the camera...
Help would be appreciated, thanks!

You cannot capture files from the camera.
Connect the camera or card to the pc and with the software provided with the camera copy your files to the pc. Then you can Import your files into Premiere.

FCP5 and JVC GY-HD100 Problem.

Hello. it´s my first post were.
i´m in portugal, and i use PAL system, so, how can i work with JVC GY-HD100, if my FCP5 just work with 720,30p?
Can someone tell me?
sorry for my bad english.
thank you.

Welcome Nuno,
In the Menu bar, click on Final Cut Pro and select Easy Setup. You should see a bunch of sequence setting selections. Choose the one that matches your shooting format/capture settings.
You can modify these if necessary, but may want to start with a basic one first.
K

Log & Capture problem with JVC GY100 HD, please help!

Hi guys,
I'm trying to Log & Capture using JVC GY100HD on FCP HD which was shot on 1080i HD. FCP HD won't recognize the camera. It's all hooked up correctly.
Can someone please help me with the Settings & Preferences to get this to recognize?
Thanks in advance,
ZIA

The camera cannot shoot 1080i material; it only shoots 720p. It can however play back 1080i material. The footnote is a little misleading. What they're trying to say is that FCP does not support the JVC's 720p25 or 720p24 formats.
What shot the 1080i material? A Sony? Try using the standard Sony HDV 1080i preset, but don't use the Sony HDV device control preset. Make sure the camera is set in the correct output mode before launching the application.

Capturing from JVC 100 in HDV problem

I can capture from this camera in SD - no problem.
I set it up for HDV and in Log and Capture have full control of the playback etc but no video in the window. It says VTR OK.
Pressing capture now gives message: no data from device, capture was aborted due to lack of incoming data. Check connections and that the deck is playing.
I am using the same firewire connection as for the successful SD.
I am still running on 5.04 as I did not realise that the upgrade time was limitted. I hope this is not the problem as I do not want to buy the big upgrade soon to be on offer. However I will shortly be getting a Framestore, the JVC DR HD100 and also hope that the upgrade will not be necessary for that.
Or is there a way to get up to 5.1?
Since writing this message I have returned to SD and am now having similar trouble but it did work before.
Thanks
Pete Snowdon

Wait for FSC2 next month to upgrade. If you have had sucess using this camera before then see what has changed since. Have you updated anything like OSX or Quicktime? If you have some and not all updates this may be your problem. Also try resetting the camera to HDV with the firewire disconnected and setup a new project in HDV. Make a new capture scratch folder to an internal drive, and make suree you don't have any other firewire devices pluged in before resetting the computer.
Let me know how it goes.
Good Luck Z\
Z1&V1user

Problem capturing with JVC GY HD100

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