Problem monitoring audio

I have an external NTSC monitor while I edit, but the audio is coming out of the tiny monitor speaker, not through the desktop speakers hooked up to the Mac. Not sure what connection is necessary. I am going through an ADVC 100 that sends A/V to the monitor. Should I try rerouting audio out from the ADVC to the input in the computer? Sounds complicated, and I don't see why I should have to buy more cable connectors. There is no input on my desktop speakers. Shouldn't it be a setting in FCE somewhere?
One thing I know, it's apparently not the Digital Cinema Desktop preview setting under the View menu, as I got a full screen I couldn't exit from, and had to trash prefs and reboot after that. And Canvas Playback doesn't seem to do it either.
Again, how to play audio through desktop speakers while editing and watching video on external monitor. Used to be able to do it with older NLE I used for years.
Also, of course, with DV converter off, I get audio out of the speakers when watching in FCE interface View and Canvas windows
thanks,
Keith

By "desktop speakers" do you mean the speakers you have connected to your computer? If so, that's not how you want to be monitoring the audio.
Nearfield or reference monitors are made for critical evaluation of audio and used primarily in recording studios and post-production facilities. They are made to have a flat response so you actually hear what the audio is really like without any coloring (bass, trebble, etc) that typical consumer speakers will have.
If you don't have the budget for that, get as good a pair of speakers as your budget allows and use those, just keep in mind that they won't be very accurate. Leave the computer speakers for the computer.
-DH
http://tinyurl.com/8s826c

Similar Messages

Problems monitoring audio with a m-audio Firewire 410 card

So I have a M-Audio 410 hooked up through the firewire port on my G5, But it geeks out (audio turns to loud noise, strange defects, spinning ball of slowness appears) everytime I try to monitor audio out of final cut, also when I play LARGE quicktime files!!! The card works fine for all other applications I have on my mac, Cubase, iTunes etc... Anyone else have heard of this, or know what to try. I have most of my video on an external drive, a LACIE media drive, which is my only option as I am working with large amounts of video.
I am thinking this is an issue with the bandwith of firewire on the computer. Maybe too much information between the audio card, and accessing the drive through the other firewire port. Any thoughts?
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Hello, I was just about to post the following when I saw your recent post, Wondering if you ever found a solution for what you're running into? (BTW, I went to UO a looooong time ago. Go Ducks!)
We'd like enhance the audio end of our edit suite and are thinking of adding an "FireWire 410" from m-audio for I/O. And ProTools.
But we've read here and there in forums that there may be a problem with Firewire I/O (and maybe the m-audio "FireWire 410" in particular?) and confusion with decks like the DSR-11, etc. Disturbs the video on an external broadcast monitor.
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Anyone knows if i-deck from Monitor Audio produces problems to the battery?

Hi, I got an ipod nano 4th generation and, when connected to Monitor Audio i-deck ipod shows a message saying "firewire battery charge is not possible" or something like that, what I am wondering is if ipod battery could have problems because of this when connected to i-deck to listen to it...
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Ahh, a very common problem. The reason the fourth gen nano displays the "cannot charge through firewire" message is just that. All the other models of iPods charge through a firewire connection and the new fourth generation nano does not charge through a firewire connection.

I am having a problem configuring Audition to allow me to monitor audio with a bluetooth headphone.

I have several bluetooth headsets and I normally have no problem pairing and connecting them to various computers, but I attempted to pair a headset with my laptop running Audition last evening. The transport froze with the play button changed to green. I could not get it to play. When I replaced the bluetooth device with a pair of wired headphones, I was able to get everything to work as normal, other than the fact that I was tethered to my machine.
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While the Audition output was failing, I was still able to hear system alerts and various other sounds through the bluetooth device, just not the Audition output, which is what I was working on.
I see some chatter on the forums, but not a lot of solutions for this sort of thing.
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Hi there,
Did you try clearing your cookies? Perhaps one of them got corrupted in a previous attempt to login.
Regards,
Ziggy

My w1972a monitor audio is not working

my w1972a monitor audio is not working

Hi,
How do you connect it ? The specs is:
HP W1972a 18.5-inch LED Backlit LCD Monitor
You need sound cable from you computer to the monitor.
Regards.
BH
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Monitoring audio and midi

Hello,
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macbook Mac OS X (10.4.8)

Presumably you are trying to record from one interface (the USB audio thing) and playback through a different interface (your computer's system audio).
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Monitoring audio in sync with video when capturing in FCP studio

Is there a way I can monitor audio in sync with video when capturing in FCP Studio? I know you can plug headphones into your tape deck but that sound is not in sync with the video in the capture window due to time delay. I tried plugging the headphones into my Powerbook but could not get any audio coming through these, nor audio through the Mac's inbuilt speakers.

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Surround /mixing and monitoring audio interface

Dear forum,
I am searching for an audio interface to use with MBP or G5 for mixing and monitoring of four to 6 outputs channels into PMC active speakers. I am using a Lavry DA 11 DAC for stereo monitoring. I do not require an interface with inputs for recording music as all my recording is done away from my macs, it just the outputs i need to monitor audio I have loaded to computer via CF card. All the interfaces I see have loads of inputs I don't require. Is there an interface available without inputs?
Or I am looking at the wrong sort of device?
regards
David

dr mishadog wrote:
Dear forum,
I am searching for an audio interface to use with MBP or G5 for mixing and monitoring of four to 6 outputs channels into PMC active speakers. I am using a Lavry DA 11 DAC for stereo monitoring. I do not require an interface with inputs for recording music as all my recording is done away from my macs, it just the outputs i need to monitor audio I have loaded to computer via CF card. All the interfaces I see have loads of inputs I don't require. Is there an interface available without inputs?
Or I am looking at the wrong sort of device?
regards
David
You need an interface that has 8 outputs. Most of these include 8 or more inputs as well. The inputs will not be a problem when mixing, you can ignore them.
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Cheers

Problem with Audio on HP Envy 6-1130sw (C6F62EA)

Hello everyone.
I have a problem with audio on my ultrabook HP Envy 6. Sometimes when I try to play music there are no low tones and music plays really silent... And then when I restart PC problem dissapears and music plays fine... I thought there is a problem with speakers, but when I connected 5.1 speakers there were also only high tones. Same thing happens on headphones. Is it a hardware problem or maybe software? Actually I use Windows 8.1 and drivers are up to date. If any one of you had same problem please post.
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Hi piotrek1130sw,
From what you have described, I think the best approach would be to restore the original IDT driver, restart the computer, test that driver, then install the driver update, and test the outcome of installing the newest driver.
Use the following link for instructions to recovery the ITD driver using Recovery Manager. Restoring applications and drivers.
Once the driver is restored, restart the computer and test the audio. If the audio is good you can continue to use this driver, or you can reinstall the update and see what happens. IDT High-Definition (HD) Audio Driver.
If installing the newest driver causes the issue to occur but the recovered driver worked, I suggest recovering again.
If neither driver works I will gladly follow up and provide any assistance I can.
Please let me know the outcome.
Please click the Thumbs up icon below to thank me for responding.
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Please click “Accept as Solution” if you feel my post solved your issue, it will help others find the solution.
Sunshyn2005 - I work on behalf of HP

Problem with audio configuration

when i turned on Itunes on on my computer it had this message: Problem with audio configuration. Audio/video playback may not operate properly. How do I fix it?

I reinstalled iTunes & QuickTime as per giterdone response to rpestow on 12 November
instructions at: http://docs.info.apple.com/article.html?artnum=93698
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How do you monitor audio?

I have a few questions about monitoring audio in my fcp/stp projects.
Currently, I have a g5 quad that has an optical toslink output, that I use to connect to the optical in on a good denon home theater receiver (avr 3801). This is how i output my mac's audio. I have two B&W bookshelf speakers as my monitor speakers.
Is this acceptable to use to monitor my sound for my editing projects? I am not doing much music work, mostly just voice track cleanup on my video projects.
How do you connect audio equipment in your setup to monitor audio?
I am thinking of buying an Alesis 12 track multimix firewire mixer, is this a better interface to use and do I route the signal from the multimix to the receiver to get to the speakers, or should I just get powered monitor speakers and connect them to the mixer?
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Giving advice such as saying <Your B & W speakers might be good enough for the job, their lineage is as a studio monitor for the BBC. If you paid over $500/pr, and they sound good, then they're probably good enough. You can use them with a mixer hooked-up to your Mac and outputted to the Denon like in your current set-up> is so cool, if that was the case would,nt you think for a quick minute they would be recomended by pro or advertise as nearfield monitor and not hi-fi.
<conveinient to buy active monitors.> that ain't the case active monitors are made for monitor audio interms of listening to frequency that would be imposible to hear on hi-fi speakers which is the opposite of hi-fi which is more colour-full and does'nt give the true sound, also because its self-power and easy to plug and play.
<The playback volume you use is relative. Most of the engineers I've worked with over the past 30 years prefer to listen back at higher volumes> most pro enginineer listen to mix at very low D.B so as to know exactly what there getting, and after crank them up to hear the over-all levels, any engineer that linsten at loud D.B. does that to show off in seeking attention fr. clients making them feel as if the mix or the song is all that, take it outside the studio and its a different story! <listen back at higher volumes than I'm comfortable with,> thats what i have just explain.
<As far as the levels within the track are concerned, that is all done in the software, again per your preferences, and with an eye on the meters.> it would be nice of you to explain what meter are you talking about, and if it was all so easy with eyes on the meter, dont you think every mixing engineer or anyone attempting to mix would all were glasses, meter in sofware aren't the same as the meters in a pro studio, nor is it the same in hardware, also not all meters are the same where as mixing is concern, they are special meters prefreable know as V.U. meters, check below and you'll all get a better understanding of what i have just out-line, before giving wrong advice of monitor audio.
http://johnvestman.com/meter_madness.htm
Fr.BlayZay.

How do I monitor audio while importing?

While importing from my cable TV, I Can see the incoming video but caan't hear the audio. I would be helpful if I could here the audio so I could go about my work and keep an ear on the feed. Then I would know when the feed is over without having to Constantly watch it. I suppose I could size the monitor windo real small and put it in the corner of my screen then rearrange all working windows arround it. But that's a pain...

How do I monitor audio while importing?
Use iMovie HD or Vidi to import files to your computer. Both allow audio monitoring. iMoveie '08 does not.

Problem with Audio MIDI Setup using multiple accounts

I'm having a problem with Audio MIDI Setup recognizing all of the MIDI devices on a G4 Tower with a non-administrator account. The main administrator account has no problem seeing anything, but the non-admin account won't see anything. Does it all have to be added in manually, or is there a preferences file to copy over that will take care of this. Failing that, is it a problem with file permissions? Any help would be greatly appreciated.

Don't know whether this of any help, but there's an identifiable issue with AMS and Digital Performer 5 where DP5 simply won't load with AMS setups configured with previous versions of DP. Which is probably irrelevant to your problem, but ...
What I and other DP users have found we have to do is start with a completely new, blank AMS setup, and reconfigure our devices from scratch, and although this was kind of hit and miss and on the fly (don't really understand what the the issue was, exactly), I think the bottom line was if we used the new AMS setup with DP5 before anything else that might cause its data tables to change, we were ok.
So if you can do it, it might be worth setting AMS to a new blank template, then connecting your interfaces, see how far you get. And always make sure you've got the latest drivers of course, though I'm sure you've done that.
Never used Mbox or 410, but I've an Ozonic which I think uses the same M-Audio firewire drivers as the 410, and don't have any problem with that, FWIW.
G5 Dual 2.7, MacMini, iMac 700; P4/XP Desk & Lap. Mac OS X (10.4.8) mLan:01x/i88x; DP 5.1, Cubase SX3, NI Komplete, Melodyne.

MPD: ERROR: problems opening audio device

Since a day, maybe a little more, mpd is troubling me. When I use mpc, I get the error
ERROR: problems opening audio device
This is my mpd.conf
# An example configuration file for MPD
# See the mpd.conf man page for a more detailed description of each parameter.
# Files and directories #######################################################
# This setting controls the top directory which MPD will search to discover the
# available audio files and add them to the daemon's online database. This
# setting defaults to the XDG directory, otherwise the music directory will be
# be disabled and audio files will only be accepted over ipc socket (using
# file:// protocol) or streaming files over an accepted protocol.
music_directory "/home/adriaan/Music"
# This setting sets the MPD internal playlist directory. The purpose of this
# directory is storage for playlists created by MPD. The server will use
# playlist files not created by the server but only if they are in the MPD
# format. This setting defaults to playlist saving being disabled.
playlist_directory "/var/lib/mpd/playlists"
# This setting sets the location of the MPD database. This file is used to
# load the database at server start up and store the database while the
# server is not up. This setting defaults to disabled which will allow
# MPD to accept files over ipc socket (using file:// protocol) or streaming
# files over an accepted protocol.
db_file "/var/lib/mpd/mpd.db"
# These settings are the locations for the daemon log files for the daemon.
# These logs are great for troubleshooting, depending on your log_level
# settings.
# The special value "syslog" makes MPD use the local syslog daemon. This
# setting defaults to logging to syslog, otherwise logging is disabled.
log_file "/var/log/mpd/mpd.log"
# This setting sets the location of the file which stores the process ID
# for use of mpd --kill and some init scripts. This setting is disabled by
# default and the pid file will not be stored.
pid_file "/var/run/mpd/mpd.pid"
# This setting sets the location of the file which contains information about
# most variables to get MPD back into the same general shape it was in before
# it was brought down. This setting is disabled by default and the server
# state will be reset on server start up.
state_file "/var/lib/mpd/mpdstate"
# The location of the sticker database. This is a database which
# manages dynamic information attached to songs.
#sticker_file "~/.mpd/sticker.sql"
# General music daemon options ################################################
# This setting specifies the user that MPD will run as. MPD should never run as
# root and you may use this setting to make MPD change its user ID after
# initialization. This setting is disabled by default and MPD is run as the
# current user.
user "adriaan"
# This setting specifies the group that MPD will run as. If not specified
# primary group of user specified with "user" setting will be used (if set).
# This is useful if MPD needs to be a member of group such as "audio" to
# have permission to use sound card.
group "users"
# This setting sets the address for the daemon to listen on. Careful attention
# should be paid if this is assigned to anything other then the default, any.
# This setting can deny access to control of the daemon.
# For network
#bind_to_address "any"
# And for Unix Socket
#bind_to_address "~/.mpd/socket"
# This setting is the TCP port that is desired for the daemon to get assigned
# to.
#port "6600"
# This setting controls the type of information which is logged. Available
# setting arguments are "default", "secure" or "verbose". The "verbose" setting
# argument is recommended for troubleshooting, though can quickly stretch
# available resources on limited hardware storage.
#log_level "default"
# If you have a problem with your MP3s ending abruptly it is recommended that
# you set this argument to "no" to attempt to fix the problem. If this solves
# the problem, it is highly recommended to fix the MP3 files with vbrfix
# (available from <http://www.willwap.co.uk/Programs/vbrfix.php>), at which
# point gapless MP3 playback can be enabled.
#gapless_mp3_playback "yes"
# This setting enables MPD to create playlists in a format usable by other
# music players.
#save_absolute_paths_in_playlists "no"
# This setting defines a list of tag types that will be extracted during the
# audio file discovery process. Optionally, 'comment' can be added to this
# list.
#metadata_to_use "artist,album,title,track,name,genre,date,composer,performer,disc"
# This setting enables automatic update of MPD's database when files in
# music_directory are changed.
auto_update "yes"
# Limit the depth of the directories being watched, 0 means only watch
# the music directory itself. There is no limit by default.
#auto_update_depth "3"
# Symbolic link behavior ######################################################
# If this setting is set to "yes", MPD will discover audio files by following
# symbolic links outside of the configured music_directory.
#follow_outside_symlinks "yes"
# If this setting is set to "yes", MPD will discover audio files by following
# symbolic links inside of the configured music_directory.
#follow_inside_symlinks "yes"
# Zeroconf / Avahi Service Discovery ##########################################
# If this setting is set to "yes", service information will be published with
# Zeroconf / Avahi.
#zeroconf_enabled "yes"
# The argument to this setting will be the Zeroconf / Avahi unique name for
# this MPD server on the network.
#zeroconf_name "Music Player"
# Permissions #################################################################
# If this setting is set, MPD will require password authorization. The password
# can setting can be specified multiple times for different password profiles.
#password "password@read,add,control,admin"
# This setting specifies the permissions a user has who has not yet logged in.
#default_permissions "read,add,control,admin"
# Input #######################################################################
input {
plugin "curl"
# proxy "proxy.isp.com:8080"
# proxy_user "user"
# proxy_password "password"
# Audio Output ################################################################
# MPD supports various audio output types, as well as playing through multiple
# audio outputs at the same time, through multiple audio_output settings
# blocks. Setting this block is optional, though the server will only attempt
# autodetection for one sound card.
# See <http://mpd.wikia.com/wiki/Configuration#Audio_Outputs> for examples of
# other audio outputs.
# An example of an ALSA output:
audio_output {
type "alsa"
name "My ALSA Device"
device "hw:0,0" # optional
# format "44100:16:2" # optional
# mixer_type "hardware" # optional
# mixer_device "default" # optional
# mixer_control "PCM" # optional
# mixer_index "0" # optional
#audio_output {
# type "alsa"
# name "Sound Card"
# options "dev=dmixer"
# device "plug:dmix"
# An example of an OSS output:
#audio_output {
# type "oss"
# name "My OSS Device"
## device "/dev/dsp" # optional
## format "44100:16:2" # optional
## mixer_type "hardware" # optional
## mixer_device "/dev/mixer" # optional
## mixer_control "PCM" # optional
# An example of a shout output (for streaming to Icecast):
#audio_output {
# type "shout"
# encoding "ogg" # optional
# name "My Shout Stream"
# host "localhost"
# port "8000"
# mount "/mpd.ogg"
# password "hackme"
# quality "5.0"
# bitrate "128"
# format "44100:16:1"
## protocol "icecast2" # optional
## user "source" # optional
## description "My Stream Description" # optional
## genre "jazz" # optional
## public "no" # optional
## timeout "2" # optional
## mixer_type "software" # optional
# An example of a recorder output:
#audio_output {
# type "recorder"
# name "My recorder"
# encoder "vorbis" # optional, vorbis or lame
# path "/var/lib/mpd/recorder/mpd.ogg"
## quality "5.0" # do not define if bitrate is defined
# bitrate "128" # do not define if quality is defined
# format "44100:16:1"
# An example of a httpd output (built-in HTTP streaming server):
#audio_output {
# type "httpd"
# name "My HTTP Stream"
# encoder "vorbis" # optional, vorbis or lame
# port "8000"
# bind_to_address "0.0.0.0" # optional, IPv4 or IPv6
## quality "5.0" # do not define if bitrate is defined
# bitrate "128" # do not define if quality is defined
# format "44100:16:1"
# max_clients "0" # optional 0=no limit
# An example of a pulseaudio output (streaming to a remote pulseaudio server)
#audio_output {
# type "pulse"
# name "My Pulse Output"
## server "remote_server" # optional
## sink "remote_server_sink" # optional
## Example "pipe" output:
#audio_output {
# type "pipe"
# name "my pipe"
# command "aplay -f cd 2>/dev/null"
## Or if you're want to use AudioCompress
# command "AudioCompress -m | aplay -f cd 2>/dev/null"
## Or to send raw PCM stream through PCM:
# command "nc example.org 8765"
# format "44100:16:2"
## An example of a null output (for no audio output):
#audio_output {
# type "null"
# name "My Null Output"
# mixer_type "none" # optional
# This setting will change all decoded audio to be converted to the specified
# format before being passed to the audio outputs. By default, this setting is
# disabled.
#audio_output_format "44100:16:2"
# If MPD has been compiled with libsamplerate support, this setting specifies
# the sample rate converter to use. Possible values can be found in the
# mpd.conf man page or the libsamplerate documentation. By default, this is
# setting is disabled.
#samplerate_converter "Fastest Sinc Interpolator"
# Normalization automatic volume adjustments ##################################
# This setting specifies the type of ReplayGain to use. This setting can have
# the argument "off", "album" or "track". See <http://www.replaygain.org>
# for more details. This setting is off by default.
#replaygain "album"
# This setting sets the pre-amp used for files that have ReplayGain tags. By
# default this setting is disabled.
#replaygain_preamp "0"
# This setting enables on-the-fly normalization volume adjustment. This will
# result in the volume of all playing audio to be adjusted so the output has
# equal "loudness". This setting is disabled by default.
#volume_normalization "no"
# MPD Internal Buffering ######################################################
# This setting adjusts the size of internal decoded audio buffering. Changing
# this may have undesired effects. Don't change this if you don't know what you
# are doing.
#audio_buffer_size "2048"
# This setting controls the percentage of the buffer which is filled before
# beginning to play. Increasing this reduces the chance of audio file skipping,
# at the cost of increased time prior to audio playback.
#buffer_before_play "10%"
# Resource Limitations ########################################################
# These settings are various limitations to prevent MPD from using too many
# resources. Generally, these settings should be minimized to prevent security
# risks, depending on the operating resources.
#connection_timeout "60"
#max_connections "10"
#max_playlist_length "16384"
#max_command_list_size "2048"
#max_output_buffer_size "8192"
# Character Encoding ##########################################################
# If file or directory names do not display correctly for your locale then you
# may need to modify this setting.
filesystem_charset "UTF-8"
# This setting controls the encoding that ID3v1 tags should be converted from.
#id3v1_encoding "ISO-8859-1"
# SIDPlay decoder #############################################################
# songlength_database:
# Location of your songlengths file, as distributed with the HVSC.
# The sidplay plugin checks this for matching MD5 fingerprints.
# See http://www.c64.org/HVSC/DOCUMENTS/Songlengths.faq
# default_songlength:
# This is the default playing time in seconds for songs not in the
# songlength database, or in case you're not using a database.
# A value of 0 means play indefinitely.
# filter:
# Turns the SID filter emulation on or off.
#decoder {
# plugin "sidplay"
# songlength_database "/media/C64Music/DOCUMENTS/Songlengths.txt"
# default_songlength "120"
# filter "true"

milso wrote:
type "alsa"
name "equal"
device "default"
format "44100:16:2" # optional
mixer_device "default" # optional
mixer_control "PCM" # optional
mixer_index "0" # optional
I have mine set to plug:plugequal as I use an equalizer with alsa, but when I set it to default it works fine, try that.
That didn't work out.
Mr.Elendig wrote:Tell mpd to be more verbose. And check that mplayer -ao alsa whatever works.
Here's the output of mpd -v
listen: bind to '0.0.0.0:6600' failed: Address already in use (continuing anyway, because binding to '[::]:6600' succeeded)
path: path_set_fs_charset: fs charset is: UTF-8
database: reading DB
disabling the last.fm playlist plugin because account is not configured
daemon: opening pid file
daemon: daemonized!
daemon: writing pid file
Doesn't contain anything unusual.
EDIT: oh, and mplayer -ao alsa works fine.
Last edited by arthd (2011-02-09 15:14:09)

Two problems with audio clips

Hello,
I'm having two problems with audio clips:
1. When I try to drag a clip from the viewer, I can't do it because it won't let me drag the clip. It only lets me drag the pointer around within the clip.
2. When I drag an audio clip from the browser into the timeline I don't get any audio, just a series of beeps (and yes, my audio media is on-line -- I can listen to it in the viewer, just not the timeline).
What am I doing wrong?
Thanks.

1. Drag the little hand on speaker icon to drag from
the Viewer...
Thanks! (Does it actually say that in the documentation anywhere? I try to RTFM, but the FM seems to be a little, er, mute on this point.)
2. It means your sequence settings don't match the
properties of the source audio you're putting in it,
and you either need to change the settings in the
sequence, or render the audio.
Ah, that would explain it. Thanks!

Problem monitoring audio

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